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The Exorcist – Season 1, Chapter Nine: “162”

FOX’s The Exorcist
Season 1, Episode 9: “162”
Directed by Bill Johnson
Written by Franklin Jin Rho & Jeremy Slater

* For a review of Chapter Eight, “The Griefbearers” – click here
* For a review of Chapter Ten, “Three Rooms” – click here
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With Chris MacNeil dead, where does the Rance family go from here? Angela (Geena Davis) tells her bullshit story while Pazuzu rules from inside. Henry (Alan Ruck) and Kat (Brianne Howey) don’t know much what to make of it, but it’s clear the demon works hard to cover things up. More than that, Superintendent Jaffey (Tim Hopper), possessed himself, is present. The demon in him recognises the one in Regan.
Then we see a flash to Regan, watching her daughter about to have her neck snapped. And time freezes: “Ah, together again,” says the Salesman (Robert Emmet Lunney) as they become one after so long.
So what will we see from the demons, working in legion as a whole entity? Very interesting, and very troublesome.
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Casey (Hannah Kasulka) is back at home. All the people are gone, only a memorial to Chris, discarded signs, candles remain. But we’re constantly seeing Regan become more ingratiated to the demon’s personality.
In other news, Father Marcus Keane (Ben Daniels) is forever on the case. He still has the help of Cherry and Lester Rego (Keira Naughton & Ken Marks). They’ve got a line on a bit of information concerning Brother Simon (Francis Guinan). Now they’re worried that if Bennett’s in trouble, which he is, then they may know about everything – Mother Bernadette (Deanna Dunagan), the Rances, maybe even Father Tomas Ortega (Alfonso Herrera) and his involvement with it all. Speaking of Tomas, he’s having dinner with the Rance family, who are getting over the loss of their grandmother and the tumultuous times they’ve gone through as of late. At the table, Casey is incredibly quiet; her eyes speak volumes. And Kat, she notices the nonchalant way in which Angela tosses of her own mother’s death. Eerie few moments. Plus a little later Henry talks about hearing a lot of voices, murmuring in his head; the voices all mash together and repeat the number 162.
The Regos are out taking pictures of Brother Simon and they might’ve been spotted. Although the old priest heads on in to meet with the Superintendent of Police, Maria Walters (Kirsten Fitzgerald), and others. Then? Pazuzu arrives. They talk of Father Merrin, plans for Pope Sebastian, so on. Looks as if Pazuzu is much more powerful than any of the other demons present. So powerful, he makes just about every one of them kneel; well, grovel to the floor on their bellies. He makes Simon kiss Regan’s shoes, too. They’re all in line finally, bearing down on the “sanctimonious whores” they’ll target next.


Bishop Egan (Brad Armacost) talks with Father Tomas. He offers up a bigger position elsewhere, as well as the fact they’re closing St. Anthony’s, where Tomas has his parish. And it’s through this conversation the young priest tries divulging his recent sins. However, the bishop doesn’t exactly care too much. Most of all he wants Tomas and his prying ways out of their hair in Chicago. No matter if the priest has been unfaithful to his vows.
The ever sly Father Marcus is sneaking around in the back of the church while Tomas is out chatting. They discuss the pending transfer. But Marcus knows more. He advises “mind your back” and to keep an eye out. Then he’s called away by the Regos.
Casey’s recovering, although her mind weighs heavy. She still doesn’t seem herself even if Kat tries to treat her normally. She’s feeling guilty because of the dead paramedics, regardless if it was actually her doing the killing. “You survived,” Kat tries assuring her. Sometimes, though, that isn’t enough.
When Marcus gets back to see Cherry and Lester, he finds them dead. Bullet holes in them. He says a prayer over their corpses, searching the place for a few bullets to take with the gun. At the same time Mother Bernadette receives a visit from Angela: “We shouldve killed you when we had a chance,” the nun says plainly. Thus follows the death of Bernadette, and who the hell knows what’ll happen to the other sisters who show up immediately afterwards. When Marcus gets there, he finds a massacre (note: a great instance of what sometimes we DON’T see is scarier than what we DO see).
At home, Angela talks to Casey about her possession. “At a certain point you asked for it,” mom tells her daughter. That’s so… gross. Pazuzu tries forming a bond between mother and daughter, though I can’t help feel like Casey’s going to start noticing there is something not quite right with mama.
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There’s a big ceremony going on, Superintendent Jaffey, Mrs. Walters, Bishop Egan, Father Tomas, and all sorts of guests are present. Maria takes the stage to give a little speech for everybody. She speaks of Pope Sebastian and his ray of light amongst the darkness in Chicago. Everyone’s quite excited. Some, obviously, much more than others.
In bed, Angela and Henry get close for the first time in so long. Then she starts choking him, rough. To the point it isn’t remotely fun. I think, finally, Henry’s getting that something is wrong with his wife, more than ever. I worry for him, as well. Then there’s Casey – she witnesses Pazuzu in her mother, running hands all over Kat’s body in a sexual way. HOLY SHIT, that’s disturbing. The demon wants what he wants, and that’s it. Casey can see what’s happening. She knows.
Brother Simon sits in his suite, drinking, eating oysters and other tasty treats. Definitely not what you’d expect of a holy man; he sucks caviar from his fingers and laps it all up. Before Father Marcus barges his way inside, kicking the shit out of the old demon before filling a bathtub with water and a bit of sacramental salt. He dunks the demon’s face in, asking for more info. Except Brother Simon tells him about how the coming death of the Pope is inevitable: “Romes shame, come full circle.”
Marcus is now at the mercy of Brother Simon – he’s got the bowl of ash out, the vocare pulvere dish. Is he going to try possessing Marcus?!?
Under cover of night, Casey gets Kat and her father ready. They’re leaving without Angela; the demon Pazuzu has her. But the demon wants a family meeting. Nobody’s going anywhere. Pazuzu and the girl formerly known as Regan have become fully integrated. Permanent possession. The demon then talks about their history, how God cast them all down after creating Man, et cetera. Turns out the demon is also going to have to hurt one of the family, to make sure they’re punished properly. And it’s Casey. Pazuzu chokes her until Tomas arrives: “Get the hell away from her.”


Oh shit! Another gorgeous, disturbing, compelling episode. As it’s been from the beginning.
The finale is next. Wow, I hope they give us another season. We need it. Last episode is titled “Three Rooms” and I’m not even able to imagine where it’ll take us. Hopefully FOX will renew the show, if not I’m sure Slater & Co. have a fun ending for the season to take us away.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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