Pazuzu attempts, one last time, to destroy Regan a.k.a Angela Rance and her family, too. Meanwhile, Pope Sebastian's arriving and his enemies are legion.
FOX’s The Exorcist
Season 1, Episode 9: “162”
Directed by Bill Johnson
Written by Franklin Jin Rho & Jeremy Slater
* For a review of Chapter Eight, “The Griefbearers” – click here
* For a review of Chapter Ten, “Three Rooms” – click here
With Chris MacNeil dead, where does the Rance family go from here? Angela (Geena Davis) tells her bullshit story while Pazuzu rules from inside. Henry (Alan Ruck) and Kat (Brianne Howey) don’t know much what to make of it, but it’s clear the demon works hard to cover things up. More than that, Superintendent Jaffey (Tim Hopper), possessed himself, is present. The demon in him recognises the one in Regan.
Then we see a flash to Regan, watching her daughter about to have her neck snapped. And time freezes: “Ah, together again,” says the Salesman (Robert Emmet Lunney) as they become one after so long.
So what will we see from the demons, working in legion as a whole entity? Very interesting, and very troublesome.
Casey (Hannah Kasulka) is back at home. All the people are gone, only a memorial to Chris, discarded signs, candles remain. But we’re constantly seeing Regan become more ingratiated to the demon’s personality.
In other news, Father Marcus Keane (Ben Daniels) is forever on the case. He still has the help of Cherry and Lester Rego (Keira Naughton & Ken Marks). They’ve got a line on a bit of information concerning Brother Simon (Francis Guinan). Now they’re worried that if Bennett’s in trouble, which he is, then they may know about everything – Mother Bernadette (Deanna Dunagan), the Rances, maybe even Father Tomas Ortega (Alfonso Herrera) and his involvement with it all. Speaking of Tomas, he’s having dinner with the Rance family, who are getting over the loss of their grandmother and the tumultuous times they’ve gone through as of late. At the table, Casey is incredibly quiet; her eyes speak volumes. And Kat, she notices the nonchalant way in which Angela tosses of her own mother’s death. Eerie few moments. Plus a little later Henry talks about hearing a lot of voices, murmuring in his head; the voices all mash together and repeat the number 162.
The Regos are out taking pictures of Brother Simon and they might’ve been spotted. Although the old priest heads on in to meet with the Superintendent of Police, Maria Walters (Kirsten Fitzgerald), and others. Then? Pazuzu arrives. They talk of Father Merrin, plans for Pope Sebastian, so on. Looks as if Pazuzu is much more powerful than any of the other demons present. So powerful, he makes just about every one of them kneel; well, grovel to the floor on their bellies. He makes Simon kiss Regan’s shoes, too. They’re all in line finally, bearing down on the “sanctimonious whores” they’ll target next.
Bishop Egan (Brad Armacost) talks with Father Tomas. He offers up a bigger position elsewhere, as well as the fact they’re closing St. Anthony’s, where Tomas has his parish. And it’s through this conversation the young priest tries divulging his recent sins. However, the bishop doesn’t exactly care too much. Most of all he wants Tomas and his prying ways out of their hair in Chicago. No matter if the priest has been unfaithful to his vows.
The ever sly Father Marcus is sneaking around in the back of the church while Tomas is out chatting. They discuss the pending transfer. But Marcus knows more. He advises “mind your back” and to keep an eye out. Then he’s called away by the Regos.
Casey’s recovering, although her mind weighs heavy. She still doesn’t seem herself even if Kat tries to treat her normally. She’s feeling guilty because of the dead paramedics, regardless if it was actually her doing the killing. “You survived,” Kat tries assuring her. Sometimes, though, that isn’t enough.
When Marcus gets back to see Cherry and Lester, he finds them dead. Bullet holes in them. He says a prayer over their corpses, searching the place for a few bullets to take with the gun. At the same time Mother Bernadette receives a visit from Angela: “We should‘ve killed you when we had a chance,” the nun says plainly. Thus follows the death of Bernadette, and who the hell knows what’ll happen to the other sisters who show up immediately afterwards. When Marcus gets there, he finds a massacre (note: a great instance of what sometimes we DON’T see is scarier than what we DO see).
At home, Angela talks to Casey about her possession. “At a certain point you asked for it,” mom tells her daughter. That’s so… gross. Pazuzu tries forming a bond between mother and daughter, though I can’t help feel like Casey’s going to start noticing there is something not quite right with mama.
There’s a big ceremony going on, Superintendent Jaffey, Mrs. Walters, Bishop Egan, Father Tomas, and all sorts of guests are present. Maria takes the stage to give a little speech for everybody. She speaks of Pope Sebastian and his ray of light amongst the darkness in Chicago. Everyone’s quite excited. Some, obviously, much more than others.
In bed, Angela and Henry get close for the first time in so long. Then she starts choking him, rough. To the point it isn’t remotely fun. I think, finally, Henry’s getting that something is wrong with his wife, more than ever. I worry for him, as well. Then there’s Casey – she witnesses Pazuzu in her mother, running hands all over Kat’s body in a sexual way. HOLY SHIT, that’s disturbing. The demon wants what he wants, and that’s it. Casey can see what’s happening. She knows.
Brother Simon sits in his suite, drinking, eating oysters and other tasty treats. Definitely not what you’d expect of a holy man; he sucks caviar from his fingers and laps it all up. Before Father Marcus barges his way inside, kicking the shit out of the old demon before filling a bathtub with water and a bit of sacramental salt. He dunks the demon’s face in, asking for more info. Except Brother Simon tells him about how the coming death of the Pope is inevitable: “Rome‘s shame, come full circle.”
Marcus is now at the mercy of Brother Simon – he’s got the bowl of ash out, the vocare pulvere dish. Is he going to try possessing Marcus?!?
Under cover of night, Casey gets Kat and her father ready. They’re leaving without Angela; the demon Pazuzu has her. But the demon wants a family meeting. Nobody’s going anywhere. Pazuzu and the girl formerly known as Regan have become fully integrated. Permanent possession. The demon then talks about their history, how God cast them all down after creating Man, et cetera. Turns out the demon is also going to have to hurt one of the family, to make sure they’re punished properly. And it’s Casey. Pazuzu chokes her until Tomas arrives: “Get the hell away from her.”
Oh shit! Another gorgeous, disturbing, compelling episode. As it’s been from the beginning.
The finale is next. Wow, I hope they give us another season. We need it. Last episode is titled “Three Rooms” and I’m not even able to imagine where it’ll take us. Hopefully FOX will renew the show, if not I’m sure Slater & Co. have a fun ending for the season to take us away.
FOX’s The Exorcist
Season 1, Episode 8: “The Griefbearers”
Directed by Louis Milito
Written by Marcus Gardley
* For a review of Chapter Seven, “Father of Lies” – click here
* For a review of Chapter Nine, “162” – click here
Casey Rance (Hannah Kasulka) is still possessed, her body tortured, her mind even worse. Father Marcus (Ben Daniels) is trying to do the exorcism, and now Pazuzu comes face to face with Regan MacNeil (Geena Davis) a.k.a Angela Rance, who came with Father Tomas (Alfonso Herrera). “Rags, bloody Rags,” the demon speaks to Angela. When Kat (Brianne Howey), Henry (Alan Ruck), and Chris MacNeil (Sharon Gless) arrive things get even more complicated. The demon lets Casey out long enough to haul them in. Taunting Kat about her dead lover, yikes. Then Pazuzu starts to toss the people around, and warns Angela about Casey’s new place in Hell: “There‘s room for you, too.”
Fathers Marcus and Tomas go about their exorcism, as Chris and the Rances wait outside. Finally a nice reference to Merrin in a quip from Henry. At the same time, Angela is staying strong to try making things easier for her family. Mother Bernadette (Deanna Dunagan) is out trying to keep a lid on the media, as well as the police. Naturally everybody’s sniffing around.
Over with Cherry and Lester Rego we find Father Bennett (Kurt Egyiawan) getting patched up after his encounter with the possessed homeless. They call the police on a burner to report the organs, too.
Continually we see Tomas and Marcus in each other’s faces. They resort to blows after insulting one another, all the while Bernadette is brought to her knees with the sound of flies swarming around them. Evil lurks around them all, as the demon laughs to itself at their fighting. So damn creepy, I love it. Marcus and Tomas know their best chance to fight the demon is to let Angela help. And she’s ready.
Despite the objections of Marcus, they let Angela into the room. He warns that if she starts feeling it poke around her head then they need to back off. “Hello, mommy,” says the demon. It gets going on everyone, taunting more all the time. Especially vulnerable is Tomas, who feels the pressure of the demon in his head. Angela does her best to distract her daughter, though Pazuzu keeps on talking. The worst is when it calls Angela out for having an abortion, saying she “scraped it out.” The priests and Angela come together telling the demon it is forgiven, hoping to use love against it. But will that work? I’m not so sure.
Bennett takes the pictures he took of the corpses to Cardinal Guillot (Torrey Hanson), as the news flashes about the police finding them in that warehouse. Will this Cardinal help, or is he another of the greasy Roman Catholic Church members in league with Maria Walters and Co?
Packing up to take off and hide awhile, Kat, Henry, and Chris argue over what happens next. They’re all on different pages, which is understandable. Even for all they’ve seen, Chris included, there is no rational way to react to the situation. Simultaneously, Casey suffers through the tortures of an exorcism, and Angela has a tough time watching what she’s already experienced so long ago.
Pazuzu makes it back up inside Angela’s mind. He takes her back to that house in Washington, D.C. Down in the old basement where Captain Howdy first spoke to Regan. She sees herself playing with the Ouija. If only she could replay that moment in time, do it all over. The Salesman (Robert Emmet Lunney) returns, little red bird on his shoulder. This scene is written so well. Perfect, in fact. The way the Salesman speaks for Regan, the way he talks to Angela. There’s an incredibly tense bit of dialogue between him and Angela, which they both play impressively.
“Why me? Because you were under my foot, you stupid bitch.”
In the exorcism room things are going just as intense as ever. Angela makes it out of that old place in her head. Just in time to watch the demon start twisting itself into terrifying positions. Then it levitates, the chains break from Casey’s arms. And the evil washes away, as the girl returns to her mother. Have Marcus, Bernadette, and Tomas done away with Pazuzu for good this time? Oh, I wouldn’t get too cocky. Not just yet.
Out Casey goes to an ambulance, the media swarming. Angela prays that her daughter is finally safe from the demon. She and Tomas ride with the girl to the hospital, as police and others look on with proper scepticism, and Bernadette quells the crowd of hungry reporters.
A SWAT team busts in on a derelict apartment. A homeless man, possessed, sits in the dark. Crosses hang upside down from the ceiling everywhere. The man then blows his brains away after asking if they can “hear the angels.” Nasty.
In a bar Marcus and Tomas celebrate, drinking beers together, joking for the first time in far too long. I love these guys, separately and together. Two fascinating characters, well written and well acted. “To standing in the doorway and pushing back the night,” Marcus toasts. Their night ends a little earlier than he’d like when Tomas heads out. ON television we see that there’s a plan to assassinate the Pope, which drives Marcus elsewhere.
Cardinal Guillot and Father Bennett ride in a car together, as the former talks of the Church, and those who are no longer loyal to its goals. Just as I suspected, Bennett is tragically dispatched with a plastic bag over his head.
In church, Tomas finds Jessica (Mouzam Makkar) and her husband Jim (Andrew Rothenberg). Oh, that’s awkward. And not good, for anybody. He definitely isn’t pleased. He wants to know all about their affair. Jim says he’ll be reporting Tomas for his indiscretions, devastating both the priest and Jessica. I saw this coming a mile away, though hadn’t anticipated such a wild turn of events all the same. A rough turning point for Ortega.
Father Marcus begins piecing together bits and pieces of what is truly going on involving the possessed homeless. He may be onto something here.
Oh, and back at the Rance house with all the packing there are scarier revelations than anything else. Pazuzu, he found another way to carry on doing his dirty work. He’s made it back into Angela, after all these years. And when she calls her mother Chris a “little stinkpot” like Chris did to Regan back in her youth, grandma MacNeil gets her neck snapped backward, and the demon tosses her down the stairs.
Another fantastic episode. They, literally, keep on bringing the twists! So unbelievably excited for the two part finale. First up is “162” next. Let’s stay tuned together, and let’s make sure FOX renews this series for at least another season.
FOX’s The Exorcist
Season 1, Episode 4: “The Moveable Feast”
Directed by Craig Zisk
Written by Adam Stein
* For a review of Chapter Three, “Let ‘Em In” – click here
* For a review of Chapter Five, “Through My Most Grievous Fault” – click here
After Casey Rance (Hannah Kasulka) went wild on that young man in the subway, she’s treated to a day of happy, happy, happy – or is it a dream? – by her mother Angela (Geena Davis), as Kat (Brianne Howey) and their father Henry (Alan Ruck) wait at the table. She’s served a nasty meal of miscarried chicken fetuses. The Salesman (Robert Emmet Lunney) shows up, too. Casey’s feet are held to the floor by a strange, evil-looking growth. They all want her to eat. “Why resist, darling?” asks the Salesman. She was sold a bill of goods that aren’t what they seemed in the beginning. Demonic possession ain’t all it’s cracked up to be! The demon needs permission to be let in. He doesn’t have it. Not quite yet. But it’s coming, whether Casey likes it or not.
She’s stashed away in a psychiatric ward for 72 hours. Seeing as how she tore that dude apart on the train; not like he didn’t deserve it, the rapey bastard. Anyways, the Rance family are all struck dumb by everything that’s happened. Worried sick. Angela calls Father Tomas Ortega (Alfonso Herrera), naturally, who gets to the hospital promptly. Angela knows there’s something very wrong with her daughter, and upset the church won’t help. How long until she forces the case into someone else’s hands? Well, the curling iron burns to Casey’s genitals make everybody a little more than nervous.
Father Marcus Keane (Ben Daniels) is out rallying for his cause. He’s been given a short list of names to check out, suggested by Father Bennett (Kurt Egyiawan). He happens to spy a nun at one church with a suspicious injury on her face. Hmm. Then he finds that same nun – Mother Bernadette (Deanna Dunagan) – in the midst of a circle of other sisters, in front of a possessed man in a hideous state. She stands up against the creature’s swiping at her, being pushed to the floor; Marcus nearly rushes in, although she gestures for him to stay put. Eventually, she brings the man and the demon inside him to her mercy, holding him against her chest a moment before laying him to the ground. A mysterious, powerful moment.
At the hospital, the Salesman talks to Casey about how “resistance” is ruining her beautiful face. She understands the trick behind all the seduction. However, now that she’s in pain there’s that temptation of letting go, falling headlong into the abyss. One thing’s for sure: that Salesman is god damn unnerving, every time he’s onscreen.
Riding around Chicago on a Serial Killer Tour bus, Father Marcus is still curious about the latest murders, the organs and limbs and various human bits taken by people into the night. He’s worried for whatever is coming.
The Rances try hard to get through their predicament. Henry comforts his wife saying he’ll do what’s necessary to help their daughter. We’ll see if the help comes from Father Tomas or Marcus. I’m betting the latter. Because Tomas is busy with Maria Walters (Kirsten Fitzgerald), trying to do a bit of political-type leaning in order to get higher permission for an exorcism. When I imagine Marcus would probably just go for it. Such are the benefits of excommunication, I guess. But Father Tomas, he has the will. He bones up on his study of exorcisms. Right as his almost more than friend Jessica (Mouzam Makkar). She’s found that her husband has been being unfaithful to her. Oh, my. Something else to conflict Tomas, as he wrestles with the most extreme lengths of his Catholic faith.
Over in a trailer someplace, Father Marcus sits with the tour bus guides Lester and Cherry Rego. The know Bennett, it turns out. “An exorcist with a gun,” the priest calls himself. “Evil‘s a moveable feast,” says Lester once they get down to talking business. The Chicago crime rate is brought into the concept of evil touching down in the heartland of America. So, the body parts, “vocare pulvere” the “Ceremony of Ash” and all that comes into play.
Casey has it worse and worse by the minute at the hospital, her condition seemingly out of control. Except the Salesman comes back talking to her about nasty things. There’s no escape for her.
Finally, Father Marcus meets Mother Bernadette, whose humour is much better than you’d expect. They’re both pretty sly characters, I love it. Their chat circles around, of course, the act of exorcism. She knows Father Bennett, but likewise understands the plight of Marcus, as well as that of the Holy Father and his looming visit. Possession cases, like crime, are heading up, up, up. Bernadette suggests Marcus doesn’t need to necessarily follow all the rules. Rather, he must take his ego out of the picture a little more.
Kat’s not happy about her sister being prepped for exorcism. Even Henry, after the train in the last episode, is on board. Although I worry about Tomas hoping to “unofficially” take care of things. He might botch it, and who knows what that’ll do. Speaking of exorcisms, Father Marcus is in the middle of the nun circle, face to face with that possessed man. He brings the demon into an embrace: “You are redeemed. You are loved.” He learns of a new approach in the fight against the devil’s legions. One with a slightly more feminine touch out of Bernadette’s handbook that just might give him the edge he needs in the battles to come.
Continually Casey is taunted by the Salesman, to let the demons inside. He chokes one of the nurses, insisting she give in and say the word. She nearly does before Angela barges in. For now the Salesman recedes. He’s not gone, only in the background again for a moment. Casey’s let out of the hospital. He’ll be back.
With Father Marcus refreshed in the concept of exorcism, he heads back to see Father Tomas, who keeps on studying. Better than that the younger priest asks for help. He doesn’t care anymore about the rules of the church, and is willing to go all the way to help Casey. So now there’s two renegade bad asses ready to take on the devil. They prepare themselves a proper room with restraints, boards nailed with coverings in the windows, all kinds of things to make Casey’s room in the Rance house suitable for exorcism.
Can’t wait to see what happens next. Chapter Five “Through My Most Grievous Fault” ought to be quite a trip!
FOX’s The Exorcist
Season 1, Episode 3: “Let ‘Em In”
Directed by Michael Nankin
Written by Dre Ryan
* For a review of Chapter Two, “Lupus in Fabula” – click here
* For a review of Chapter Four, “The Moveable Feast” – click here
Five months before current events, Kat Rance (Brianne Howey) and her friend Julia (Charlotte Thomas) are driving together, talking about men. Until the conversation takes a turn to the fact Julia seems to be in love with her. Kat’s in love right back. Ah, the intrigue pours out now. After the crash, it wasn’t just the loss of a friend. It was the loss of a great, beautiful love between the two. Even more tragic. No wonder she was utterly devastated. Bad enough to have a friend die, which I’ve experienced, but to then have been in love with said friend, a likely secretive lesbian love, it’s so damn sad.
Angela Rance (Geena Davis) hears a zealot ranting on the streets. He locks eyes with her, almost falling to the ground. Fucking weird, and definitely unsettles her. She receives Father Bennett (Kurt Egyiawan) at the same time, who’s likewise entranced by the ravings of the man on the street. Except maybe even more.
At one of the crime scenes from the end of the last episode, Father Marcus Keane (Ben Daniels) tries getting a bit of information from some men outside. They say someone took the victim’s eyes out.
Over at the church, Father Tomas Ortega (Alfonso Herrera) speaks with Henry Rance (Alan Ruck). We discover that he had an accident at work, some scaffolding hit him in the head and that’s why he’s been so aloof. But still, he’s worried for his daughter Casey (Hannah Kasulka). No worries, though. Father Keane and his street corncob are on the case!
Speaking of Casey, she’s talking to that dreaded Salesman (Robert Emmet Lunney). He keeps showing up when nobody’s around, as we now know he’s a mere apparition of her mind; I would assume of the devil. In the meantime, Father Marcus is looking around Casey’s room, getting a feel for her personality.
During a fancy dinner, Cardinal Guillot (Torrey Hanson) is being applauded for his efforts in planning the Pope’s motorcade. There’s discussion of the Pope going through some of the poorer neighbourhoods. Of course the Holy See team aren’t exactly excited about that, although Father Tomas gets to have his say, hoping to extract the idea of “violence” out of a discussion on the poor. He further speaks about how they have much to offer in that “spiritually they are rich.” Everything’s interrupted when that crazy street zealot turns up, burning alive outside. What a fright.
Casey sits with Father Tomas and Father Marcus in the back of the church. When the younger priest gets a bit far ahead of himself, the older, more experienced exorcist steps in to ask questions. He ingratiates himself with Casey, talking about the things he’s learned of her at the Rance house. He refers to things in terms of gardening, plants and their nature. This is all a segue into prodding at the demon inside Casey. When pushed sufficiently, the Salesman turns up behind her, looming. He whispers instructions in her ear. “He doesn‘t lie,” she tells Father Marcus. The Salesman pleads with the girl to get out. The room then starts to shake, lights flicker, a picture falls from the wall and smashes. Finally, the presence in her comes out, strong and in control. It talks of Gabriel, the boy Father Marcus had tried to exorcise before his neck was cracked. “The universe burst open. The eye of God dilated wide and you were at the centre of his disinterest,” speaks the demon. It knows quite a bit, which horrifies Father Tomas.
Bringing their recording to Bishop Egan (Brad Armacost) and Father Bennett, the two rogue priests aren’t received too well. Father Marcus pleads that she spoke in “Aramaic” and is obviously possessed. Also, Bennett has brought along with him a letter of excommunication for Marcus. He’s naturally pissed, particularly considering he now knows the demons talk to one another, that they are “sharing information” like spies. But out he goes, kicked to the curb.
Everyone is getting ready for a memorial to Julia, a dance performance by their company. While in the bathroom, Casey finds herself being manipulated by the Salesman, the demon in her. It pushes the curling iron against her skin, to the point she eventually begins to look to love it. Very eerie. And if you notice, she… goes lower than you might expect. Yes, that old crucifix scene has become something far more nasty and sinister.
With Marcus now booted from the church, Father Tomas wants to be taught how to exorcise demons. Because without the church, as Marcus says: “I‘m just a man in a room.” Ultimately, Father Tomas wants to help the Rances, to get that demon out of Casey. Marcus warns against getting too deep, that he ought to gather evidence then put it in the hands of the church. You know Tomas is not going to do that.
Before the memorial all the dancers give their props to Julia, pouring out some whiskey, drinking some. At least until Casey grabs hold of the bottle, as everybody whispers and points, wondering what she’s doing. Then when Kat confronts her she goes a bit wild. The demon’s been provoked by Father Marcus, lashing out at the golden sister. Who knows how bad it will get from here on in.
Father Tomas meets with Maria Walters (Kirsten Fitzgerald), the head of the committee concerning the papal visit. He tells her a story about coming to America for the first time. Afterwards, she gives him a hundred thousand dollars for his parish. She’s rich, coming from a wealthy family that makes sturdy glass. What she truly wants is help to clean up their city.
Father Marcus, saying fuck excommunication, goes banging on doors, but Father Bennett picks him up, obviously keeping tabs on him. Marcus is worried about those murders, the body parts taken; something to do with summoning a demon. Then Bennett brings up the self-immolation of the street zealot, which was found to have no source other than the body. Hmm.
During the dance performance Casey takes off, her father following. On a train, the two of them talk, though suddenly Henry has a bit of problem and fades out. Some guys get up in Casey’s face, one specifically, and not a soul does anything to help. That’s when the evil starts to break loose, as she sees the Salesman come towards her, no one else the wiser. He kisses her on the lips, passionately. The final embrace.
And so Casey kicks the shit out of the guy. A bit… unnaturally. She starts to send men flying around the train car. The iPhones trying to film all zap out. Casey tears the skin right from the one guy’s bones: “If you want it rough, all you had to do was ask.” She further reaches into his jaw and cracks it sideways. Covered in blood, she stands wobbling. After that she goes full Regan and pisses herself on the floor. Wow.
This was the BEST EPISODE YET! Amazing. Lots of terror, more interesting bits of character. And lots of Ben Daniels being a fucking bad ass. Love how the demonic possession is framed, using The Salesman, as a seduction. Interesting and unique.
Next is “The Moveable Feast” – nice Ernest Hemingway reference for the literature lovers.
FOX’s The Exorcist
Season 1, Chapter Two: “Lupus in Fabula”
Directed by Michael Nankin
Written by Heather Bellson
* For a review of Chapter One: “And Let My Cry Come Unto Thee” – click here
* For a review of Chapter Three: “Let ‘Em In” – click here
Young boys in a dark room are ordered around by a nasty man with a thick Irish brogue. One of them is lead down into a darker part of the large basement, in whatever building they’re stowed away. The kid takes a Holy Bible with him into a long tunnel-like corridor. At the end is a man plagued by a demon possessing him.
Cut to Father Marcus Keane (Ben Daniels) – that was little Marcus, back in the early days. Oh, I love the intrigue! In his own personal Bible, he annotates various sections. By the look of it he’s quite the devout man in his older age. Or is he merely a man trying to figure life out? Likely both. He’s troubled though, that’s more than evident.
Angela Rance (Geena Davis) is having trouble, too. Her daughter Casey (Hannah Kasulka) is speaking in an eerie voice, sitting alone in the dark. Whatever demon that’s possessed her is a pervert, as it turns out. And he warns Casey about her “lying, sneaking mother.” One of the creepiest scenes yet, if not the creepiest.
Father Tomas Ortega (Alfonso Herrera) is talking with Bishop Egan (Brad Armacost) about whether he might be able to conduct an exorcism. Obviously that goes over like a fart in church (appropriate joke). The modern day Catholic Church clearly looks down on all that old demon and hellfire nonsense they once preached. Ah, the ever shifting plague of Catholicism.
Meanwhile, Angela’s out keeping up appearances because that’s clearly the type of family she and space case husband Henry (Alan Ruck) have together. There’s a looming visit for Pope Sebastian on the horizon. A perfect addition for any horror, particularly one involving demons. Speaking of which, Casey calls mom in a speechless panic. At home upstairs, mom finds no Casey. The family gets home and things are feeling confused. Gets worse when they uncover a sickly nest of centipedes squirming around on Casey’s sheets. The beginning signs of evil.
Father Marcus has broken into Father Tomas’ place. A man of many talents. Love how the difference between these two men couldn’t be more vast, as is explained easily with this harmless little act of breaking-and-entering. So it seems Keane is back in the game. He lets Father Tomas in on what’s happening with the demon, or what’s soon to happen. The guy’s definitely seen his share of shit. But there’s also Tomas, his pen pal relationship (and possibly more) with a woman named Jessica; who is she? Makes Keane, and us, very curious. Turns out there was a brief relationship of sorts before he took his vows. All Father Marcus is trying to make clear is that the demon can tell everything. It will use all of it against them.
During a lacrosse game, Casey sees an old man (Robert Emmet Lunney) wave to her in the stands. On the field she has a run in with a particular player, after which she turns into… someone else. She focuses on the other player whose leg soon snaps. Spooky.
At home the family is playing Jenga and having a laugh together. Except things take a turn when Angela lets slip her ideas about what’s going on with Casey. And the demon’s ready to play.
The next day at the church, Angela pleads with Father Tomas to get things moving. He’s reluctant because of what Bishop Egan said. They want more psychiatric evidence about what could be going on with the girl. Trying to snatch up a bit of holy water the mother winds up talking to Father Marcus. He happily gives out a bit of advice on the sly. “God helps those who help themselves, right?” he quips; a Ben Franklin quote. In the food line at church, the man with the messed up scalp from last episode goes up to Casey, speaking about her being chosen and then calling out: “Let me touch you.” He also makes Father Marcus double-take back to his childhood in the dark tunnel.
Tomas goes to meet with Jessica (Mouzam Makkar). There’s obviously a deeper connection between them than a platonic relationship. Her marriage is crumbling. His faith slips a little each time they communicate. He’s tempted by her, but that goes against his vows. So much conflict inside him. Nicely juxtaposed, though. He’s questioning his faith due to this woman, as well as coming up against something that absolutely represents the fact of his faith as reality: demonic possession.
Then there’s Father Marcus. He looks for the homeless man from the church, only to find another possessed wretch claiming he’s “the one we feared until you lost that little boy.” That oh so famous line comes out, only to get the reply: “Do I look compelled, man of God?” It mocks Marcus and his faith before leaving.
At home, Angela and the family sit to eat. She apologises for being distracted lately and for lashing out emotionally in the wrong ways. She tries slipping the holy water into Casey’s drink, watching eagerly for its effects. Nothing happens while they sit around the table, which makes Angela feel at ease. But the demon rushes off quick when it can so that Casey can puke up that slimy green stuff. Plus haul a centipede out of her throat. Yikes. Possession is rough.
Later that night outside, the man from the lacrosse game tells her that a “glorious seed” is “breaching the soil.” He sits with her, Casey tells him everything. Clueless father Henry watches from the window to see nobody is actually there.
Father Tomas goes through Marcus’ things to repay the favour. When the older priest arrives, he’s a bit surprises, probably not expecting it from the younger man. Tomas is troubled, but Marcus assures: “Speak of the devil and he shall appear,” which is in part the Latin from where this episode’s title derives. Marcus reveals his father murdered his mother in front of him. He was later sold to the church for “five quid.” That’s how he ended up being 12, locked in a dark room with a demon-possessed man. But instead of feeling fear as that lonely little boy, he felt he’d discovered his purpose in life. Through this conversation Tomas and Marcus come to terms on themselves, as well as each other.
Note the amazing performance from Ben Daniels, a fabulous actor; he takes the material and lifts it off the page magically.
In another part of the city an apartment of people are murdered. Their organs are put into containers and men take them away, joined on the street by the homeless man, and others, all carrying similar containers and loading them into a truck before heading out. “A mass homicide,” as it’s called on the news. Father Marcus listens to this and finds it suspicious, wondering if there’s more to it. The billboard advertising Pope Sebastian’s visit looms large in the street, the slogan HE IS COMING feeling prophetic in many ways.
A fabulous follow-up to the premiere episode. Some interesting bits that I’m looking forward to watching play out over the next episodes. I like that they’re not going too hard and putting everything out there. While you can see where things are headed, there’s still a great bit of mystery involved.
Next episode is titled “Let ‘Em In” – hope they let Father Marcus loose, because you know he’s a wild one.