Hulu’s The Path
Season 2, Episode 6: “For Our Safety”
Directed by Norberto Barba
Written by Justin Doble
* For a recap & review of the previous episode, “Why We Source” – click here
* For a recap & review of the next episode, “Providence” – click here
We begin with Sarah Lane (Michelle Monaghan) taking part in a purifying ritual, of sorts. She sits by a fire, smokes from a Native American-style pipe. Her guilt. The face of a dead and rotting Silas. That poisoned cow. Images flash through her mind. She and Eddie (Aaron Paul) making love; the strange scar on his back. Everything passes like flipping through photographs.
Speaking of Eddie, he’s with Chloe Jones (Leven Rambin) and they’re out socialising, with un-cult people. Something he’s not used to anymore. But bless him, he’s trying hard to reintegrate back into the real world.
Hawk (Kyle Allen) has made a decision: he’s moving into the city. “There‘s so much need and injustice in this world and I‘m just, sitting here in this big, warm, comfortable house.” He doesn’t want to be all talk. He wants to do actual work. The time inside jail changed him. For the better? Impossible to tell yet.
Oh, poor Cal Roberts (Hugh Dancy). Always something to plague him. Whether it’s a past due notice from the IRS, a murder he committed, a secret baby – there’s forever a burden on his shoulders; self-inflicted or otherwise. Soon enough Hawk arrives and finds that Cal’s trying to play dad, hampering his need to get into the city.
Meanwhile, Eddie runs off from his barbecue with Chloe to meet with his wife, both in their glee. Oh, my. I foresee a snap of tension in this little plot sooner than later. Because already she’s missing from a meeting Cal has called. Alas, they go on. Abe Gaines (Rockmond Dunbar), a.k.a Sam Field, tells the crowd of their new security measures: ID badges for everyone coming in and out of the compound. This puts worry into many, including Kodiak (James Remar) and Richard (Clark Middleton), though the former a lot more. And then there’s Nicole (Ali Ahn), who angles for her husband Russel (Patch Darragh) to be the Guardian of the Light with Cal instead of her sister-in-law. Again, all the pressure lands on the shoulders of Mr. Roberts, taking everything and anything personally.
Kodiak: “The snake‘s poison is finally hitting our bloodstream.”
In the city, Noa (Britne Oldford) questions Hawk and his motivations, acting as if he knows the racial struggle of black people after spending a few nights in prison, reading a slice of James Baldwin. However, Hawk refuses to apologise for caring about the “disparity” between treatment of white people and people of colour, in all walks of life. Maybe he’ll be a freedom fighter yet.
Now Cal’s followed Sarah, he has found her embracing lovingly with Eddie. Is her lie about feeling anything for her estranged husband going to push Cal over an edge? Well, in a moment of vindictive anger he decides on playing dad to Hawk further. He also now wants the young man to climb to 2R, with him alongside as a guide. Of course the kid’s thrilled. Can’t be sure that isn’t all a way for Cal to try breaking up the Lanes past what they’ve already broken so far.
Simultaneously, Eddie tells his support group about his guilt over still loving his wife and spending time with Chloe. He’s stuck in the “hive mind” of Meyerism, the horrid cult. With everything going on, between him and Sarah, Hawk’s falling away from him, he feels stuck between two worlds.
There are other nasty things brewing. Such as when Mary Cox (Emma Greenwell) seems to cast a bit of judgement onto Sarah. And now this stirs up things in Sarah, wondering about who knows what, what Cal’s intentions are, so on. Note: another bunch of good examples in this episode of how Cal gets physically cast in shadow during many scenes, all working towards the idea of a duality and a darkness in him.
Stranger things come to a head when Richard doesn’t like what Kodiak is planning, talking about a boy being held over Steve’s head, all kinds of wild things, and then decides on locking him away in a little room. Shit.