Hulu’s The Path
Season 2, Episode 5: “Why We Source”
Directed by Norberto Barba
Written by Jessica Goldberg

* For a review of the previous episode, “The Red Wall” – click here
* For a review of the next episode, “For Our Safety” – click here
screen-shot-2017-02-15-at-10-42-34-pmCal Roberts (Hugh Dancy) gives a speech to a crowd, more of the Meyerism Kool-Aid. Next to him stands Sarah Lane (Michelle Monaghan), playing her role. Then in the wings are Richard (Clark Middleton) and Kodiak (James Remar) still try getting to the bottom of Dr. Steve Meyers’ (Keir Dullea) death.
Simultaneous is the trajectory of Eddie Lane (Aaron Paul), on his second meeting at the support group for people who’ve left cults. He talks fondly of his children, of course. “I really thought that I was freer than Id ever been,” he laments, knowing that’s not true at all.
At their latest meeting Cal and Sarah, uncovering the damage of others, are actually looking for the mole in their midst. Nothing on that front yet. The rooms are checked by Russel (Patch Darragh) under the pretence: “This is why we source.” They claim to be helping when they’re only digging for answers they hope to find. Abe Gains (Rockmond Dunbar) sweats through one of the sourcing sessions opposite Cal, and for the time being is safe from being rooted out.
screen-shot-2017-02-15-at-10-42-59-pmLife outside the cult is wildly different for Eddie. He’s back to eating all the things he did once. Living away from a commune. Taking pills to help his mind rather than burrowing himself into a useless ideology. But things are much worse for Sarah, as she’s called to a house where Hawk (Kyle Allen) is being hauled away by the police on a warrant for his arrest. Hmm. I smell Libby Dekaan (Molly Price) behind this one. Did the scientist testing the water give something up? Either way, young Hawk is in the clink.
Everything really gets heated once Eddie and Sarah meet down there. He’s pissed because it’s clearly out of his hands. But Hawk doesn’t even want him there, and Sarah gets hot under the collar about her estranged husband calling Meyerism a cult. Compounded by the fact a domestic terrorism charge is on the books. The Meyerist lawyer is all about “the Light” and that’s terrifying, both to the viewer and definitely to Eddie.
Back at the compound, Cal talks to Abe about the death of his child; or, what he believes was the death of Abe’s child. We know that Cal is digging, we know that Abe is undercover. It’s one of the best types of Hitchcock schemes where you show the audience the bomb under the table, then let them sweat until it explodes. Whenever that may be. As it stands, Abe – aka Sam – is recruited by Cal to help them suss out the rat. Oh, really? Could mean ramifications for Meyerism if Abe’s privy to anything sensitive. Maybe just a way for Cal to reel him in closer.
Later on Sarah’s letting the kids see Eddie comes out, upsetting her mother Gab (Deirdre O’Connell) and father Hank (Peter Friedman) a bit. Although grandma reassures young Summer (Aimee Laurence) that Hawk’s predicament has nothing to do with them seeing their “denier” father. This further brings out tension between Gab and Hank, about the presence of Kodiak, why he left many years ago.
All the pressure comes down on Eddie, too. He returns to his prayers, to his Meyerist roots. I hope it doesn’t suck him back in permanently.


Sean (Paul James) has a sourcing session with Cal and Richard. Essentially, the younger man tells his leader exactly how things are going to go. Such as they need a new fridge, he and Mary (Emma Greenwell). None of this seems normal to Richard, certainly, and you can see the strain on Cal. Without many words Sean made clear he won’t be sitting by silently, not forever.
In prison, Hawk comes up against other ideologies. A black inmate (Hubert Point-Du Jour) from his cell challenges his Meyerist shit. He tries to show Hawk that things aren’t as simple and as loving and equal as his book The Ladder makes the world look.
Over at Dekaan, Eddie lays out his plan when he and Sarah confront Libby. Turns out she has a son who won’t talk with her anymore. Even has him on the phone. This doesn’t exactly appease her, though it made a difference. “Youre sadistic,” she tells Eddie as she leaves. Not long after, Sarah and her husband connect again, if only for a moment.
Mary receives a visit from Cal, looking mighty angry. He doesn’t like blackmail. She has him wrapped around her finger. But how long will it last? And it’s a dangerous game for her to play. Given what we know about Cal’s impulse control.


Together again, Richard and Cal sit. Only  now the sourcer is being sourced. Cal’s asked questions, then he comes clean about a mole in their legions. However, Richard wonders why the FBI is even poking around in the first place. He can so clearly see the lies in Cal, anybody can. He all but runs away after they’re finished. Leaving behind his old friend to wonder exactly what the leader is up to, and how bad things are going to get sooner than later.
Sarah and Eddie, after making love, lie together and talk about life, calm, open. He talks about being struck by lightning when she comes across the tree-like scar on his back. More and more, Eddie’s secrets are revealed.
That night in prison one of Hawk’s cellmates tries to touch his hair all creepy in the dark, which prompts him to freak out. This starts a fight and now things are likely looking worse for Hawk. Aside from that he gets further into the speech of his black cellmate, who preaches to his friends in the prison yard. I wonder if this whole experience will alter Hawk’s worldview.
Abe goes on leading his search effort for the Meyerist mole. In the doctor’s office they find a burner cellphone taped under the patient’s bed. Shelby (Allison Layman) denies it being hers, yet Cal and Russel believe otherwise.


Hawk gets released from the Juvenile Hall to find his father waiting. But Eddie only wants to make things better, right between them. And the ever ungrateful, foolishly idealistic Hawk turns his back on his father, wishing they’d left him in jail. Lots of people are turning their backs. For instance, Shelby is now cast out, and I sort of worry for Abe’s ethis at this point. He knows he’s the one undercover. Shelby is sent away, crying, with him left to do more work. Might’ve been the best thing for the woman, I don’t know. Just brings other elements into the picture when considering Abe as a character.
Sarah has to go down and see farmer Marshall Small (Tracy Howe). He is outright disgusted with her, particularly with his latest sick cow. She tries softening the blow, but it doesn’t do much. Because Marshall opens up his poor cow, spewing black, tar-like liquid into Sarah’s face: “I dont need to have the water tested. I know whats in the fuckinwater.” The animal’s veins are nearly entirely filled with poison.
screen-shot-2017-02-15-at-11-31-41-pmWow. That’s one of the more intense episodes and final moments of any yet on The Path. Very interested to see where all the threads lead from here. Many possibilities, none of them anything other than grim.

Advertisements

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

Tell me what you're thinkin'

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: