Season 3, Episode 3: “The Law of Non-Contradiction”
Directed by John Cameron
Written by Ben Nedivi & Matt Wolpert
* For a recap & review of the previous episode, “The Principle of Restricted Choice” – click here
* For a recap & review of the next episode, “The Narrow Escape Problem” – click here
Thaddeus Mobley (Thomas Mann) is at an awards ceremony, the Singularity Awards. He’s won Best Sci-Fi Novel for The Planet Wyh. Could his stories of aliens somehow connect with the interests in aliens from Ted Danson’s character in Season 2? Hmm. Either way, Mobley winds up at the bar with a man named Howard Zimmerman (Fred Melamed), a film producer. Might be the big time for young Thad. He’s whisked off to make his novel into a “major motion picture” with a studio. Although things aren’t exactly as they seem.
Howard leads him on with starry promises. “Tit for tat” is how things get done, so he tells the young gentleman. Prying money from him, as he snorts at least some of it up his nose. Isn’t hard to see where this is headed. Poor, innocent Thad is getting grifted. Hard. One thing leads to another and he’s also into the drugs, as well. He keeps on writing, but those are the least of his worries now.
A beautifully animated bit brings us to Gloria Burgle (Carrie Coon) on a plane, reading The Planet Wyh. A man next to her (Ray Wise) asks about it and they have chat. Everyone around them stares at their phones, and he laments the change in times. Me too, Mr. Wise. Me, too.
Gloria’s on a trip to California hoping she’ll find out more about the elusive Mr. Mobley – a.k.a Ennis Stussy – going off a few books, newspaper clippings. What’ll she discover? I’ve pondered it ever since we saw the first glimpse of his books.
At the motel checking in she chases down a thief, or tries to, anyway. She winds up talking to a cop named Officer Hunt (Rob McElhenney) and asks if he could run information for her, re: the case. A possibility. In her room Gloria finds a box, in the closet. A strange box with a switch that opens then closes itself. I actually laughed out loud a bit. Not the weirdest thing about most motel rooms.
We see the difference between ‘small town folk’ and the ‘bigger city crowd’ as Gloria’s one of the only people at a diner, again, not using a cellphone constantly. She asks around about Mobley, tracking down a waitress; the one who helped seduce Mobley into the dark side now near 30 years sober. “It‘s basically nothing but a dream,” she tells Gloria rather than dredge up those haunting memories.
At a bar Gloria meets Officer Hunt. The difference between city v. small town is so painfully awkward. A funny and brutal scene, sort of sad the way she’s treated. Meta moment for Fargo, as many viewers get a chuckle out of the Minnesota accent. But then Paul (Wise) shows up again. He makes her feel more comfortable the way he acts, they can actually talk like human beings.
More of the Android Minsky and The Planet Wyh. Great animation that I’m glad was included. Sort of helps with the at times surreal feel of the series. In this moment it’s like a dream in Gloria’s mind as she falls asleep.
The next day she’s up again searching for clues about Ennis’ previous life as Thaddeus. She goes to the Writers Guild of America and finds a script for the novel’s adaptation; curiously misspelled as Planet Why. The producer’s credit leads her to Zimmerman, living in a long term care facility. He’s in terrible shape. She asks her questions about Mobley, and old Howard goes on about “quantum something” – physics, I’d imagine. Nothing much concrete, though.
At night a note is slipped under Gloria’s door. Then we’re whisked back to Thaddeus discovering his girl used him, he and Howard. The young man’s crushed, particularly when she lays into him with vicious words. Howard chokes him then gets whacked in the brain with a cane over and over. Thad nearly kills them both before running out. But as Gloria sees it in present day, it’s only “a story.” Or is there more to the Mobley connection? Yes, you know damn well there’ll be more down the line.
We see the aftermath of that bad night years ago. Thad packing his suitcase frantically. A picture perfect dual image: the award he won and the blood on his hands. Sort of nastily poignant. At the same time, a parallel shows us Thad puking in the toilet at the thought of his deeds versus Gloria noticing a stamp for DENNIS STUSSY & SONS company on the rim of the toilet in her room; only the D is worn off. It meant a new life, new beginning for Thad.
More of the Android Minsky and his adventures, the wild animations. One of the most unique episodes of the whole series, honestly. Dig it or not, you’ve got to give Hawley & Co. their due.
Gloria and her son Nathan (Graham Verchere) say goodbye to Ennis at the funeral home, a weary life behind the old man. She gets information about fingerprints from the murder scene. Maurice LeFay, of course. How long until Ms. Burgle gets herself closer to Ray Stussy (Ewan McGregor) and Nikki Swango (Mary Elizabeth Winstead)? Not too long, I’d bet. It’s gonna get real complicated real quick, and I, for one, cannot fucking wait. Such an interesting setup already. Also, what’s Gloria doing with that weird box from the motel? Keep your eye on that.
Loved the episode, it was so unique. Amazingly written, as well as flawlessly directed by John Cameron, also a producer on the series. Next episode is “The Narrow Escape Problem” – with a title like that, you can be sure there’ll be excitement, a few thrills in the darkly comic world that is Fargo on FX.