Father Son Holy Gore

FX’s Fargo
Season 1, Episode 6: “Buridan’s Ass”
Directed by Colin Bucksey
Written by Noah Hawley

* For a review of the previous episode, “The Six Ungraspables” – click here
* For a review of the next episode, “Who Shaves the Barber?” – click here

More of the strangeness in Minnesota, between the problems of Lester Nygaard (Martin Freeman) and the wandering evil that is Lorne Malvo (Billy Bob Thornton), things have gotten pretty darn interesting around Bemidji and Duluth. You betcha.
A nice Japanese music opening, as we peer into the kitchen of a Japanese restaurant. A beautiful meal of fish and other assorted items is prepared, then brought out to a waiting table. At that table sits Moses Tripoli and other members of the Fargo mob. Love to watch this around again, now knowing what we know from the Season 2 finale this year. Moses asks what’s going on with the Sam hess situation. He’s told about Mrs. Wrench and Numbers (Russell Harvard/Adam Goldberg) in terms of their mileage, et cetera, on the little roadtrip they’ve taken. “Kill and be killed,” says Moses – a line again familiar to anyone who’s seen the second season.

Back at at the home of Don Chumph (Glenn Howerton), Lorne lets him out of the pantry where he’d been placed. Time for another phone call to Stavros Milos (Oliver Platt). Instead, Don chooses to rattle off a Star Wars quote and fuck with Malvo. Dummy. He also wonders why there’s “newspaper on the windows“, not paying enough attention to anything the evil in front of him is doing.
Probably still sweating out the amphetamines Lorne slipped into his regular pill bottle, Stavros is flashing back to the late ’80s when he found the roadside money. Then the call comes through, with Don reading a cryptic parable to Stavros in the disguised voice. A meeting is set. Clueless Don is then knocked out by Lorne wielding a pot off the stove.
In Duluth, Deputy Molly Solverson (Allison Tolman) is meeting with Officer Gus Grimly (Colin Hanks). Though they’re both focused on the case, it’s obvious a romance is brewing, which is fun because they each are awesome people yet slightly awkward at times. Gus heard from his neighbour about the confrontation with Malvo, though obviously he didn’t know it was him. He’s afraid if he called it all in himself, the others wouldn’t believe him.

Sitting up in bed looking perky, Lester is feeling better apparently. They’ve got his hand all fixed up. But he’s more concerned with why Deputy Knudsen (Gary Valentine) is posted outside the door. Clearly, he knows the gig is almost up. Or least the figurative noose around his guilt-ridden neck has started to tighten up real nice. Then Chaz (Joshua Close) shows up asking: “What did you do?” Of course, Lester dances his way lazily around the conversation trying to say he’s “the victim“. Yet Chaz is sceptical, as one might be in that situation. Especially after Lester’s so-called prank, calling from the trunk of the car in which Numbers/Wrench had him kidnapped. His younger brother insists something needs to be done, calling him a burden: “There‘s something wrong with you, Lester. There‘s something missing. You‘re not right in the world.” Left alone again, the crafty Lester starts trying to figure out a way to make an escape for himself, starting with the heavily bandaged man in the bed next to him. Then with some bandages of his own, the slippery older Nygaard brother enacts his plan.
A nurse soon comes to take Lester, assuming him to be the other patient. Slipping free, he takes the bandages off, throws on a bit of his clothes, and runs out into the lightly falling snow.

Gus and Molly chat about Lester driving in Grimly’s car. Molly knows, obviously, Lester wasn’t in the basement when Chief Thurman was shot. Lie number one right there. The two cops make their way over to the grocery store run by Milos. Love the hilariously uncomfortable wait while Gus and Molly stand next to the cashier; the Minnesota accents with the incredibly politeness and pleasantries, it’s all so funny and excellent. Part of the charm of the series overall.
In other news, Milos is off to the parking garage for the meet. Alone. More and more he flashes back to finding the money in the snow, as if it’s all he can think of anymore. All of a sudden, Stavros has an epiphany about what to do while on the phone with Wally (Barry Flatman).
Back to Don – he’s duct taped and setup in a terrible situation. Lorne has him positioned near the door. An assault rifle is taped and aimed out the window. Things are looking pretty darn awful for ole Don Chumph. In Don’s hands, he places a twice-cocked shotgun, again aimed at the front door. Lorne wants the police real busy if Stavros does actually call them – “Part one,” he tells Don. He fires a couple shots out the window, checks on the scanner to make sure police are responding, then off goes Lorne to leave Don all alone.

Lorne: “Part two – have you ever had Turkish Delight? It‘s disgusting.”

On the lam and back at his house, Lester notices the washer pulled out from the wall. Then, he looks behind the bloody poster on the wall; inside the hole, there rests the evidence. Lester pulls out a box from under the stairs with a few cheesecake Polaroids of his deceased wife Pearl, as well as fishes out a pair of her underwear from the laundry. Where’s he taking it all? I have a hunch. Meanwhile, at the hospital it’s discovered Mr. Nygaard is no longer in his bed.
At the home of his brother, Lester plants the evidenced needed to frame Chaz for the murder of Pearl. Looking at the picture of his brother’s apparently perfect family, another idea strikes. Taking a handgun from the cabinet of death Chaz has in the garage, Lester stashes it in his nephew Gordo’s bookbag. Wow! Rough stuff, mister. No bullets it seems, but still. Vindictive, hateful things coming out of the older Nygaard brother. Perhaps Chaz should’ve curbed his attitude at the hospital for fear of what might have come. Then, Gordo and his mom come home. Lester sneaks down the stairs, spied by the boy who doesn’t seem to care much – luckily, he’s on the spectrum and has no time for uncle Lester.

Gus and Molly are having a bite to eat. She’s still pressing on finding out more information, even with the roads soon closing from the snowfall. Gus tells her about how he “never wanted to be a cop“, and that his true aspiration was to be a mailman; the familiarity, bringing people their cheques, their presents, “being a part of their community“. We learn about Greta’s mother, his wife, passing, and how he needed the money – therefore, a policeman he is and will be.
Afterwards, a ton of police sirens fly by the window, as Gus and Molly watch on. They’re all headed over to Chumph’s place, where Don sits taped to his chair, trying his best to scream. The police move in on the door. Lorne has the lawn booby trapped to fire more bullets, which prompts the cops and the SWAT members to pump the house full of ammunition. With Malvo driving far away, mayhem breaks out. The house shines through with bullet holes. Don gets blown away by the police, unable to see anything except his gun. A vicious death – the duct tape keeping him steady upright while bullets rock his body back and forth.
On his police scanner, Lorne hears the news and moves on into the snowy horizon. Only all of a sudden, Numbers and Wrench show up with fire power. They begin to blast away. But the slippery eel Malvo sneaks off into the blizzard. AMAZING SEQUENCE shot in the blowing snow. It’s a really incredible bit, one of my favourites out of Season 1. Especially because we see now exactly how much of a hunter Lorne is. He’s both hunter and survivor. Here, he leads his prey to where he wants. The prey, naturally, fall into his trap. Using a trail of his own blood, Malvo lures Mr. Numbers in and stabs him between the ribs, twisting, turning the blade. Before slitting his throat. Assault rifle in tow, Lorne heads back into the blizzard leaving Gus and Molly to find the dead Mr. Numbers bled out in the snow.
Only this puts everyone in the way of more harm. In the distance gunshots go off. Grimly fires into the snow, but comes to find it was Molly he shot. This whole sequence is perfect. It also reminds me of the original and remake Insomnia, but not in a ripped off sense. In a great way.

Out in the snow, Stavros is trying to appease God. He buries the case again, now filled with money. On top of the snowy mound he places the red windshield scraper. Everything is right once more. Or, probably not. Wouldn’t that be peachy?
When the blizzard starts clearing a little, out on the road where Wally drives Stavros’ sun back home, fish start raining out of the sky. Likewise, Stavros finds them all over the road. Everywhere. Stopping at the side of the road, he’s amazed. And then discovers Wally, his son, both crashed, each dead. As if more Plagues of Egypt have come down on his head. Part of why I love Fargo so much over the course of Season 1 and Season 2 now is because Noah Hawley throws in wonderfully weird pieces like this, which somehow work and fit into the universe he’s created.

But the finale is the real kicker. At the hospital, Lester has sneaked in again. The bandaged man is back in his bed. A place for everything and every thing in its place. Sitting quietly, a strange smile pulls across Lester’s face, as if he is finally finding some happiness.

Great episode. Look forward to reviewing the next, “Who Shaves the Barber?”, so stay tuned for more here, fellow fans!