Fargo – Season 3, Episode 3: “The Law of Non-Contradiction”

FX’s Fargo
Season 3, Episode 3: “The Law of Non-Contradiction”
Directed by John Cameron
Written by Ben Nedivi & Matt Wolpert

* For a recap & review of the previous episode, “The Principle of Restricted Choice” – click here
* For a recap & review of the next episode, “The Narrow Escape Problem” – click here
Thaddeus Mobley (Thomas Mann) is at an awards ceremony, the Singularity Awards. He’s won Best Sci-Fi Novel for The Planet Wyh. Could his stories of aliens somehow connect with the interests in aliens from Ted Danson’s character in Season 2? Hmm. Either way, Mobley winds up at the bar with a man named Howard Zimmerman (Fred Melamed), a film producer. Might be the big time for young Thad. He’s whisked off to make his novel into a “major motion picture” with a studio. Although things aren’t exactly as they seem.
Howard leads him on with starry promises. “Tit for tat” is how things get done, so he tells the young gentleman. Prying money from him, as he snorts at least some of it up his nose. Isn’t hard to see where this is headed. Poor, innocent Thad is getting grifted. Hard. One thing leads to another and he’s also into the drugs, as well. He keeps on writing, but those are the least of his worries now.
Pic 1A A beautifully animated bit brings us to Gloria Burgle (Carrie Coon) on a plane, reading The Planet Wyh. A man next to her (Ray Wise) asks about it and they have chat. Everyone around them stares at their phones, and he laments the change in times. Me too, Mr. Wise. Me, too.
Gloria’s on a trip to California hoping she’ll find out more about the elusive Mr. Mobley – a.k.a Ennis Stussy – going off a few books, newspaper clippings. What’ll she discover? I’ve pondered it ever since we saw the first glimpse of his books.
At the motel checking in she chases down a thief, or tries to, anyway. She winds up talking to a cop named Officer Hunt (Rob McElhenney) and asks if he could run information for her, re: the case. A possibility. In her room Gloria finds a box, in the closet. A strange box with a switch that opens then closes itself. I actually laughed out loud a bit. Not the weirdest thing about most motel rooms.
We see the difference between ‘small town folk’ and the ‘bigger city crowd’ as Gloria’s one of the only people at a diner, again, not using a cellphone constantly. She asks around about Mobley, tracking down a waitress; the one who helped seduce Mobley into the dark side now near 30 years sober. “It‘s basically nothing but a dream,” she tells Gloria rather than dredge up those haunting memories.

At a bar Gloria meets Officer Hunt. The difference between city v. small town is so painfully awkward. A funny and brutal scene, sort of sad the way she’s treated. Meta moment for Fargo, as many viewers get a chuckle out of the Minnesota accent. But then Paul (Wise) shows up again. He makes her feel more comfortable the way he acts, they can actually talk like human beings.
More of the Android Minsky and The Planet Wyh. Great animation that I’m glad was included. Sort of helps with the at times surreal feel of the series. In this moment it’s like a dream in Gloria’s mind as she falls asleep.
The next day she’s up again searching for clues about Ennis’ previous life as Thaddeus. She goes to the Writers Guild of America and finds a script for the novel’s adaptation; curiously misspelled as Planet Why. The producer’s credit leads her to Zimmerman, living in a long term care facility. He’s in terrible shape. She asks her questions about Mobley, and old Howard goes on about “quantum something” – physics, I’d imagine. Nothing much concrete, though.
At night a note is slipped under Gloria’s door. Then we’re whisked back to Thaddeus discovering his girl used him, he and Howard. The young man’s crushed, particularly when she lays into him with vicious words. Howard chokes him then gets whacked in the brain with a cane over and over. Thad nearly kills them both before running out. But as Gloria sees it in present day, it’s only “a story.” Or is there more to the Mobley connection? Yes, you know damn well there’ll be more down the line.

We see the aftermath of that bad night years ago. Thad packing his suitcase frantically. A picture perfect dual image: the award he won and the blood on his hands. Sort of nastily poignant. At the same time, a parallel shows us Thad puking in the toilet at the thought of his deeds versus Gloria noticing a stamp for DENNIS STUSSY & SONS company on the rim of the toilet in her room; only the D is worn off. It meant a new life, new beginning for Thad.
More of the Android Minsky and his adventures, the wild animations. One of the most unique episodes of the whole series, honestly. Dig it or not, you’ve got to give Hawley & Co. their due.
Gloria and her son Nathan (Graham Verchere) say goodbye to Ennis at the funeral home, a weary life behind the old man. She gets information about fingerprints from the murder scene. Maurice LeFay, of course. How long until Ms. Burgle gets herself closer to Ray Stussy (Ewan McGregor) and Nikki Swango (Mary Elizabeth Winstead)? Not too long, I’d bet. It’s gonna get real complicated real quick, and I, for one, cannot fucking wait. Such an interesting setup already. Also, what’s Gloria doing with that weird box from the motel? Keep your eye on that.

Loved the episode, it was so unique. Amazingly written, as well as flawlessly directed by John Cameron, also a producer on the series. Next episode is “The Narrow Escape Problem” – with a title like that, you can be sure there’ll be excitement, a few thrills in the darkly comic world that is Fargo on FX.

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Fargo – Season 3, Episode 2: “The Principle of Restricted Choice”

FX’s Fargo
Season 3, Episode 2: “The Principle of Restricted Choice”
Directed by Michael Uppendahl
Written by Noah Hawley

* For a recap & review of the Season 3 premiere, “The Law of Vacant Places” – click here
* For a recap & review of the next episode, “The Law of Non-Contradiction” – click here
Gloria Burgle (Carrie Coon) goes over the crime in her head. She digs into the box she found at the Ennis’ place in the floorboards. Inside are several Thaddeus Mobley (Thomas Mann) novels, she flips through them to see if there are any little notes or anything significant stuck between the pages. Nothing. There’s a newspaper clipping of Mobley winning a Golden Planet award. A photo of a woman, signed. She says Ennis Stussy and Mobley are “one in the same.” Hmm.
Emmit Stussy (Ewan McGregory) and Sy Feltz (Michael Stuhlbarg) go see Irv Blumkin (Hardee T. Lineham) about their problem with Mr. V. M. Varga (David Thewlis) and their stupid, illicit deal. The two men are clueless, it’s almost amazing how they got as far as they have at this point in life. A curt commentary on many ‘successful’ businessmen, to my mind. Either way, Emmit still has problems with Ray (McGregor), the stamp. Although Sy says he doesn’t want the stamp, he wants his brother’s life; the “green monster.”
Watching Irv operate a computer, let alone Google, is absurdly hilarious. When he manages to search Varga, a webcam turns on and takes a picture of them. Then everything shuts down. Now that can’t be a coincidence, can it? That Varga is sketchy. His teeth alone are the stuff of nightmares. Even with that grill of rotten chompers he’s somehow charming, in the way he speaks to others like some villain from a fairy tale whispering in the ear of others along the peripheries.
At a lot Sy and Emmit control, Varga’s parked a big rig truck. What could be inside? Something sinister? “Slave girls,” Sy wonders? Who the hell knows. They’re trying to cover their asses while bigger things are happening, and have been a long while, without their knowing.
Pic 1A Gloria meets with Moe Dammick (Shea Whigham). He’s a bit more of a rough character than some of the cops we’ve seen on Fargo, which is a welcomed touch. There’s already a tension between the two characters, as well. He’s her new boss, and wants to lay down the law at the office. He also wants her to take time off, after the death of her stepfather Ennis.
She goes out and starts investigating. A store owner says a Russian man came in – though, he doesn’t remember it was only a shirt with Russia on it (that’ll cause something to fuck up at some point) – and tore a page from his phone book; we know that man was Maurice LeFay (Scoot McNairy), but the information’s been mangled by this bumbling man.
Ray is checking on the death of Maurice, at the very same time. It’s been logged as ACCIDENTAL. Making him a very happy man, putting more pieces of the puzzle together for him. All the while the guy’s brains are being scrubbed off the sidewalk over in front of the apartment where Nikki Swango (Mary Elizabeth Winstead) lives. Things look as if they’re going well. She’s busy trying to put together a new job, to make more money. Ray would rather get “out of the woods” before anything else. She says there’s something wrong with his “chi.” Blocked up. Not good. Sometimes it’s like she strings him along, though it also looks at times like she loves him. She is damn dedicated, that’s for sure.
Ray: “I never killed anybody before”
Nikki: “Well me either. Life‘s a journey, y‘know.”

Ray goes to Emmit’s place. At 10:30 in the night, imagine that? Goes to show the disconnected brothers, one a buttoned down family man and the other a semi-regular guy. It’s fun to watch McGregor play off himself, a hard thing to do. Yet each of the Stussy brothers is different. Their mannerisms, how they talk even under those Minnesota accents. While Ray apologises to his brother, inside the house Nikki tracks down the stamp’s location. It was moved. In its place is the picture of a donkey; an ass. She discovers the receipt for a safety deposit box in the office desk. Then leaves her bloody tampon in the drawer. What she doesn’t know is that the stamp wasn’t moved, the frame’s only being fixed.
Ah, the ole Fargo comitragedy of errors!
Moreover, we get a look at Meemo (Andy Yu) and his friend Yuri from the Old Country. They toss an old man over the side of a parking garage, then walk away like they just finished playing a game of basketball. Dark and hilarious. Now there’s more of a Russian-ish connection coming into play, I’m very interested to see that unfold.
Later, Emmit gets a call saying Irv jumped off his garage.

Gloria’s making arrangements to have Ennis buried, she and her boy Nathan (Graham Verchere). They can’t track him back past 1980, before he married her mother. He’s a bit of a mystery, especially considering her mom passed already. He didn’t really have friends. Gloria is stuck on the Mobley theory, which ought to prove for more interesting story in upcoming episodes.
In a diner Sy visits Ray, unhappy about the break-in. They certainly don’t have any kind of good relationship, not even a working one. Sy says Ray won’t ever speak to his brother again; “non–negotiable,” he claims. Appears the guy’s got a temper, which Ray doesn’t take to nicely.
At the office Emmit finds Varga kicking around suddenly, like a wisp of fog out of thin air. He’s got Yuri and Meemo with him, too. They’re taking up some office space. They’ve got plenty of boxes of… files? Already being wheeled into an empty wing. We’re coming to see V.M’s shadiness. In a way, he represents others outside America today while Sy and Emmit are the stupid men at the helm of the nation currently in 2017; as he says, they think the deal “can be changed” but once you’ve started down certain roads there’s no stopping. “You‘re trapped,” Varga explains. He further assures the audience of what happened with Irv. Nasty dude.

Loved this second episode! Hawley did a great job writing, and the characters have started opening up. I particularly have interest in Varga, whose purpose becomes clearer with this episode and specifically the final few minutes. Awesome stuff.
“The Law of Non-Contradiction” is next week.

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Fargo – Season 3, Episode 1: “The Law of Vacant Places”

FX’s Fargo
Season 3, Episode 1: “The Law of Vacant Places”
Directed by Noah Hawley
Written by Noah Hawley

* For a recap & review of the Season 2 finale, “Palindrome” – click here
* For a recap & review of the next episode, “The Principle of Restricted Choice” – click here
Year 3.
1988 in East Berlin. A man is interviewed by an officer, though claims he’s not who officer believes he is, a man named Yuri Gurka. Seems they’ve got a problem. “That state would have to be wrong” for all this to be an issue. Surely, that can’t be correct, can it? I see where this is headed. There’s a murder, which puts this poor man, not Yuri, at a disadvantage when up against the crumbling Soviet.
Now, we head into Minnesota during 2010 for our current timeline story.
Pic 1A Emmit Stussy (Ewan McGregor) and Sy Feltz (Michael Stuhlbarg) are conducting a bit of business, as a 25th anniversary party for Emmit and his wife Stella. Afterwards the celebration goes on happily. In attendance is their daughter Grace (Caitlynne Medrek), as well as brother Ray (also Ewan McGregor). And the much more greasy-looking brother is there to get a meeting with Sy and Emmit. It’s been some time, evidently.
They do a little catching up, awkward as that goes. The tension is clear. Ray obviously feels lower class compared to his brother; Sy’s like the best friend who’s more like a brother than the brother himself. We’re also introduced to Nikki Swango (Mary Elizabeth Winstead), and the fact Ray wants to get her an engagement ring. This brings up issues of money, plus some betrayal over a stamp collection, “vintage” stuff worth tons of cash.
The relationship between Nikki and Ray is a weird one. Likely she’s using him, but too early to judge. He’s a cagey one, too. So, I wouldn’t count anything out. Nikki says they’re “simpatico to the point of spooky” and he’s inclined to agree. Be interesting to watch more of them together, love McGregor and Winstead’s odd chemistry.

Ray is a parole officer – where he met his latest girlfriend – spending his days drowning in paperwork and piss. No short of characters he encounters. And no doubt we’ll see some kind of ethical murkiness rear its head; well, more than already with Nikki. You can’t help imagine what kind of plans Noah Hawley has for a main character with that profession in his quirky, twisted little world of Fargo.
At a bar Ray meets with Maurice LeFay (Scoot McNairy) who’s recently failed a piss test. This P.O is a little more lenient on those under his care. He wants Maurice to help him out with a robbery; quid pro quo, poof, vamoose, and the problems go away. If he can get his hands on the stamp in Emmit’s office.
Sy and Emmit have business to take care of late in the evening. Simultaneously, Maurice lurks around waiting for the right time to strike on his mission; he’s a little busy smoking a joint and talking to his shrink via speaker phone in the car. Then he loses the paper on which Ray wrote the address; it flies out the window, into the snowy roadside. Does he remember? Or will this cause unintended consequences? I’d vote on the latter.
When Emmit gets to the office he finds V.M. Varga (David Thewlis) waiting for him. He’s from their lender, Narwahl. Says they don’t need to pay back the money, apparently. It’s an “investment” he tells them. Followed by cryptic talk of “singularity” and “continuity.” Hmm, a few strings attached. Seems the boys got in over their head and didn’t ask questions before jumping in deep.

Chief Gloria Burgle (Carrie Coon) is at home celebrating her son Nathan’s (Graham Verchere) birthday. They’ve got a bit of a fractured family; modern by most standards. Another interesting family for the series.
A great tune, as always, plays (Adriano Celetano – “Prisencolinensinainciusol“) us through while cards are being dealt in a regional tournament. Dream team Swango and Stussy hit the tables together to make themselves a big a payday.
Poor, stoned Maurice, searching out the address he lost, remembering it incorrectly and headed in the wrong direction. Headed right for Eden Valley, where Gloria’s the law. Then the guy winds up going to Ennis Stussy’s – no relation to the twins, far as we know – place, where Gloria just left. She turns back to get the model he made for her boy, then finds the place in shambles, door open. The old man taped to a chair, dead. After looking around awhile she locates a hidden compartment in the floor with a box in it; inside, old books, a figure, and more.
When Maurice goes to see Ray, things are messy. The misunderstandings are only just beginning to pile up. It’s about to get wild, and nasty. Particularly when the parolee goes crazy on him, pulling a gun. However, Nikki’s always thinking. As Maurice leaves the apartment, they drop an air conditioner on his head obliterating him. They’ve got a plan and everything. A convenient way out.

This is the beginning of what’s sure to be an interesting Season 3. Such a great premiere, and I know there’s even greater things to come.
Not sure how the East Berlin moment earlier plays into the whole thing, though there’s a Russian connection: Maurice is wearing a shirt in the bar with RUSSIA written on it; maybe nothing, or maybe something. Who knows.

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Legion – Chapter 2

FX’s Legion
Chapter 2
Directed by Michael Uppendahl
Written by Noah Hawley

* For a review of Chapter 1, click here.
* For a review of Chapter 3, click here.
screen-shot-2017-02-16-at-2-49-05-am After the exciting events of Chapter 1, we find David Haller (Dan Stevens) alongside Syd Barrett (Rachel Keller), Melanie Bird (Jean Smart) and the others, as one of them sings “Road to Nowhere” by The Talking Heads.
They get back to a facility – Summerland – where David meets others, including Cary Loudermilk (Bill Irwin). But the poor dude is sick, he has too many voices rushing through his head. Melanie tries to help, getting him to focus: “There‘s a single voice calling your name. Can you hear it? Can you find it?”
And who’s the voice? Could it be his mother, maybe?
The next day things start in full swing. He sits with Melanie and Ptonomy Wallace (Jeremie Harris) discussing how to harness his powers, which involves looking back through a lifetime of memory. So it begins.
screen-shot-2017-02-16-at-2-53-07-am We see memories of David and his sister Amy (Katie Aselton), though they’re very young, maybe eight years old. They run in a field with their dog, they laugh and play. The goal is to figure out where his supposed mental illness started, then leading to, hopefully, controlling the energy of his mind. They head more and more through various memory work, and David witnesses himself as a boy with his mother. Happy memories, evidently. Also, he remembers his father as an astronomer. Those of us who know the comics know better though, don’t we?
Ptonomy: “Pretend we‘re in a museum; the museum of you.”
Suddenly something goes wrong. The dream feels sinister, ugly. The room starts to shake, as David spins out of control. Back to the table where they all sit. David’s beginning to freak out, until Ptonomy puts him to sleep.
Another trip back sees David sitting across from Dr. Poole (Scott Lawrence). He’s twitchy, he’s nervous. The voices scatter his brain. Outwardly, he seems incredibly mentally ill. On the inside is something nobody would’ve ever been able to diagnose, in terms of regular everyday medicine and science. Moreover, we see him and Lenny Busker (Aubrey Plaza) together, the earlier days of their friendship. But quick as we went in, David wakes up in Summerland with Ptonomy, and has a glass of milk to settle his stomach. I love Ptonomy, too. He has memories of his entire life, right back and into the womb.
Out in the woods, searching for David, is The Eye (Mackenzie Gray) and a fleet of black dressed, gun-toting SWAT team-looking cats. They will not stop, either.

There’s still no full explanation about what happened when Syd and David changed places. Although she remembers it being “so loud” while they did, it scared her. She likewise saw the horrible entity David keeps seeing in the background, that malevolent, hideous thing. And then, Syd remembers she probably killed Lenny.
Note: This scene had some awesome editing, from the memories of Syd about what happened in the hospital to the quick cut to Lenny reciting a line David is saying to Syd. I mean, Hawley & Co are pulling out all the stops to make this series work. Dig it!
Finally, David steps in with Mr. Loudermilk for a CT-scan-type test. Well it looks like Cary’s a bit of a character himself. There’s two Loudermilks: Cary and Kerry. Hmm, I’m intrigued now, especially seeing as how he said he was talking with Kerry, and she’s nowhere to be found. Either way we tumble back into more of David’s memories, now one in which he and Amy sit together chatting about her personal life. Memories slip by quick and we’re over with David and Lenny once again; she’s trying to trade an oven for drugs. Meanwhile David is having aural troubles. When they get their drugs it’s back home to get high! Only, should someone like him be experimenting? What I love most about Haller’s issues is that we see a genuine depiction of mental illness: he hears things, sees them, he’s not sure what’s real or what isn’t, and it’s as if we’re watching a documentary sometimes on the nature of schizophrenia. Inside the sci-fi trappings is a genuine depiction of a struggle with a disease of the mind.
We’re actually watching more of the memory work with David, Ptonomy, and Melanie. They try getting to the bottom of his visions. Particularly once the eerie, dark entity shows up and it freaks him out. Then the memories are glitching, jumping time. They dig up one of David’s flashes, in his apartment when he blew the place near to pieces.

Loudermilk is trying to help David figure out where his “memories are stored.” Stubborn little things. They head back into another one and try again. He goes into a dark place of his memory where things fold back onto themselves, the voices overcrowding his thoughts. Then there’s Amy, who can’t find David at the old facility anymore. She’s distraught, wanting to understand where her brother’s been taken. And Amy winds up being found by none other than The Eye. Uh oh.
Has David discovered a further power? Can he hear and see things from across time and space? Oh, I wouldn’t doubt it.
After Loudermilk leaves him alone, amazed by what he’s seeing on his readings, David’s greeted outside the machine by that grotesque entity. Another second passes and he’s not even in the machine anymore. It’s because he blew the thing right outside and into the yard with his powers. A truly disturbed individual, frighteningly powerful.
Alas, David’s decided to leave for a couple days and figure out what’s going on with his sister. At the same time, Amy is stashed away somewhere being held by The Eye and his associates, in a dreary basement akin to an old mental hospital. What is he planning for her?
screen-shot-2017-02-16-at-3-35-05-am

What a spectacular follow-up to the first episode. The next ought to be a thrilling experience, just as these two have been! Loving this series. Hawley is an impressive writer, showing us more of his talents here with every passing chapter.

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Legion – Chapter 1

FX’s Legion
Chapter 1
Directed by Noah Hawley
Written by Noah Hawley

* For a recap & review of Chapter 2, click here.
screen-shot-2017-02-09-at-4-01-17-pm We open on a little baby. We watch him grow up to “Happy Jack” by The Who. Along the way we see he has… issues. He goes from hearing voices in his head to blowing the windows out of a cop car to being examined by a doctor, and more. The boy, soon to be a man, is David Haller (Dan Stevens). Even tries to hang himself later down the road due to the voices running non-stop.
We see David in a facility getting a visit from his older sister, Amy (Katie Aselton). He’s not happy, but he’s doing better: “Something new needs to happen soon.” He goes about the days taking his medication, suppressing supposedly crazy thoughts, mingling with the others at the Clockworks Psychiatric Hospital. Such as Lenny Busker (Aubrey Plaza), Wild Rusty Combs (Sidartha Murjani), among others. He drags himself through therapy, going through all the motions. A feverish dream of images comes at us and shows us the power of his mind, which ends in his bed getting smashed, orderlies with needles. Typical mental hospital stuff.
screen-shot-2017-02-09-at-4-03-29-pm And then another day begins, same old routine repeats. Although David’s life is disrupted, not in a bad way, upon the appearance of Syd Barrett (Rachel Keller), a woman who does not like physical contact with others. She’s also funny, self-deprecating, and a pretty free spirit. The exchange she has with David next is fucking hilarious and perfectly written by Noah Hawley.
David: “Do you wanna be my girlfriend?”
Syd: “Okay. But don‘t touch me.”
David: “Okay”
Syd: “Yeah?”
David: “Yeah”
Syd: “Okay”
So they’re together, enjoying one another’s company. They even hold hands – well, not really, they hold a small fabric belt between themselves. Just as good.
But soon, she’s gone. Disappeared. “They took her” according to David. An interrogator (Hamish Linklater) questions him, saying Sydney Barrett was never a patient at Clockworks. Curiouser and curiouser. Are the other people he sees mostly in his head? We find out there was no noose when he tried to, apparently, hang himself. Simply rope burns left around his neck.
The interrogator heads back to a larger operation and tells his boss: “He may be the most powerful mutant we have ever encountered.” Apparently, Division One wants him dead. Before he can figure out his powers. Deep down, he already knows they’re real despite feeling content with mental health treatment.

David gets to talking about the incident at Clockworks. He’s hooked up to machinery and asked to discuss. He speaks of when Syd left. He went in to kiss her, and this triggered something in his mind, in turn triggering a strange blast between the two sending he and Syd flying. Then David’s anger unleashed the power within. Something dark and dangerous. At the same time, something in Syd has changed, too: David sees the world through her eyes, literally, she’s no longer herself; and vice versa. And throughout the halls of the hospital, a massacre. Or, sort of one. Voices call out through the walls, no longer any doors through which to escape. Bodies, bloody, caught in the wall; that of poor Lenny. And David – or Syd – stuck in his room.
Out into the world Syd-David goes free. The situation gets nasty, though. Back in the interrogation room, David sends his powers raging, smashing the place to bits and throwing everybody around him into the air. After which he’s gassed into unconsciousness by the organisation holding him captive.
Suddenly, we see David out int he real world. Himself again? On Halloween, he turns up at the door of his sister Amy. Her husband Ben (Matt Hamilton) is surprised, as is she, to see her brother released. Not that they’re mad. Just surprised. When David’s alone, Lenny comes back to chat. In his head. She wisecracks about being killed, making fun of him for his multiple personalities, or the multiple people in his head, or whatever. “They‘re comin‘ for you, babe,” she tells him. And who’s coming? People who don’t like his powers. People who want to kill him.

screen-shot-2017-02-09-at-4-47-36-pm The world inside David’s head is a crazy one. Rich, exciting, funny, beautiful. But they’re just symptoms of a troubled mind. An extremely troubled mind.
Particularly considering he’s still at the facility with the interrogator and his team. He’s submerged in water, connected to electrical cables. He says that Syd is gone, vanished. Taken? Who knows. David searched for her, only to be followed by Ptonomy Wallace (Jeremie Harris) and Kerry Loudermilk (Amber Midthunder). Are they the ‘they’ Lenny warned him about? They’re intent on tracking him down, hot in pursuit. Out of nowhere, he starts seeing strange visions of Syd, telling him not to stop. She’s inside his memories.
And with Syd in his memory, they concoct a plan. David slips into the water. Above him the room erupts in gunfire and the men holding him turned to burned skeletons. Waiting afterwards are Ptonomy and Kerry, and Syd. They’re all friends of Melanie Bird (Jean Smart). David’s extracted from the facility by fellow mutants and friends with weapons. An awesome sequence that’s both shot well, also edited to perfection; killer action!
The gang escape to the sea while David struggles to realise what he sees is real, and not a figment of his imagination. Ms. Bird is there to greet them and bring him away, though he continues to see a darkness following closely behind.
screen-shot-2017-02-09-at-5-02-19-pm

AMAZING FIRST EPISODE! WOW. Noah Hawley is a fucking king, first Fargo and now this slice of superhero heaven. I’m not even huge on the superhero stuff anymore, other than actual comics and graphic novels. Legion has changed all that.
Now, give me more.

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Fargo – Season 1, Episode 10: “Morton’s Fork”

FX’s Fargo
Season 1, Episode 10: “Morton’s Fork”
Directed by Matt Shakman
Written by Noah Hawley

* For a review of the penultimate Season 1 episode, “A Fox, a Rabbit, and a Cabbage” – click here
* For reviews of Fargo Season 2 starting with “Waiting for Dutch” – click here

The finale of Fargo‘s amazing first season has come. Aw, geez.
“Morton’s Fork” commences where we last left Lester Nygaard (Martin Freeman), whose wide eyes and open mouth gape at Lorne Malvo (Billy Bob Thornton) having just killed his new wife Linda (Susan Park) at the insurance office.
Now, we start to glimpse into the newly criminal mind of Lester. He’s become a ruthless, terrible man. Especially when compared to the meek and mild person he was at the beginning in “The Crocodile’s Dilemma”. Beginning to piece together an alibi in his head, Lester crafts things out of nothing. First, he places the car keys in Linda’s dead hand. Secondly, he goes over to the diner where Lou Solverson (Keith Carradine) receives him with a warm smile. He orders, for both himself and Linda, then rushes out to the bathroom, supposedly, making a call from a phone booth to report the shots fired. Slick? We’ll see.
Deputy Molly Solverson (Allison Tolman) is relaxing at home with her stepdaughter Greta (Joey King) and husband Gus (Colin Hanks). Then she gets a call about the murder: “The other one now?” asks Molly.
Meeting Chief Bill Oswalt (Bob Odenkirk) at the crime scene, Molly goes over things as he keeps back, for fear of vomiting at the sight of more blood. Then Lester shows up, his grief coming through in “aw geez” over and over. Putting on a show for the officers, he pretends to start crying, wobbling and almost falling over. But sneaking one last moment with his wife’s body, Lester attempts to grab the airline tickets in her pocket. No such luck, buddy boy.

Gus: “What‘s that now?”
Molly: “Someone killed the second Mrs. Nygaard.”

At a cabin in the woods, listening to his police scanner, Malvo cooks up a little food on the stove, as well as grabs hold of a few key materials: gun, jimmy stick to steal cars.
Meanwhile, FBI Agents Pepper and Budge (Keegan Michael Key & Jordan Peele) are waiting at the Bemidji Police Department. They’re getting ready to question Lester. However, Lou appears so he can tell Molly about the strange man he’d met at the diner – though he can’t be sure, the security footage picture she shows him looks like it could be Lorne. When Molly asks her father to check up on the family at home, he replies: “Screw that. Goin‘ home and gettin‘ my gun is what I‘m doing. Sit on the front porch. Make sure my granddaughter‘s safe.” Love, love, love Keith Carradine as Lou Solverson. Amazing.
Outside the P.D., Malvo shows up and takes a little black notebook from the car which Pepper and Budge drive. Off he goes, as Lester is being questioned by Molly, Bill, and the two agents. Budge and Pepper want to know more about the wandering evil that is Lorne Malvo. Trying to gain more favour from Bill, Lester gets shut down; no more help from the bumbling chief. Once Nygaard lawyers up things shut down, but Molly warns him: “He‘s not gonna stop. Y‘know that right? A man like that… maybe not even a man.”

Bill (to Molly): “I used to have positive opinions about the world, you know, about people. Used to think the best. Now I‘m looking over my shoulder. An unquiet mind, that‘s what the wife calls it. The job has got me staring into the fireplace, drinking. I never wanted to be the type to think big thoughts about the nature of things and… all I ever wanted was a stack of pancakes and a V8.”

Out on his own, Gus is determined to try and do right. Or at least prevent Molly from having to wade into the river of blood which Malvo always brings with him. Gus heads over to the cabin in the woods where he’d seen the red car parked – the one in which he was sure he’d seen Malvo. Then, from out the door comes the man himself. Lorne drives away with Gus sneaking around quietly.
Malvo is starting to put another plan into motion. He’s calling into the Bemidji P.D. to get the names of the FBI Agents Budge and Pepper. Then to the FBI Operations, cancelling any back-up and claiming things there are a “dead end“. What’s about to happen next? Well, Lorne goes to a car dealership and finds the exact same Ford model as the undercover FBI vehicles. He asks to test drive it, taking the owner with him.
When Agents Pepper and Budge pull out of the station, Lester in tow (being released though still watched), Malvo isn’t far behind in his identical car. Back at his place, Lester is sweating it out in nervousness, awaiting his own next move.

Lou: “What are you plannin‘ on doin‘ with that?”
Greta: “If he comes, I‘ll put his eye out. You can finish him off.”
Lou: “That‘s my girl”

At the Nygaard place, Agents Pepper and Budge sit waiting, watching. Out of nowhere, up pulls another car just like the one in which they’re sat. They’re not sure whether it’s backup or not. Guns drawn, they ask the driver to exit their vehicle. To no response. Coming up next to the window, realizing the man inside – the car dealer – is duct taped to the wheel, Budge and Pepper are both shot to death by Malvo, emerging from the snowy forest behind them.
Rifling through his suitcase and tossing things everywhere, Lester is trying to determine the next step. Just out the front door he spies trails of blood, an open empty FBI car. Panic sets in.
Malvo pushes his way into the house. In the bathroom upstairs he can hear a frantic Lester calling for help on the phone. A few more steps and – BAM – Lorne steps right into the bear trap Lester set on the floor, covered with all those clothes he tossed out of his luggage. What I love most? Lorne throws the Salesman of the Year award and breaks Lester’s nose; giving him an injury to match the one he had in the first episode, bringing things full circle. Except when the dust settles, Lorne is gone, having escaped from the trap in a bloody mess. The car outside is nowhere to be found. As Lester closes his front door, a look crosses his face, an almost grin, as if believing he’s finally run the wolf off his trail.

The episode’s final 15 minutes see Lorne heading back to the cabin in the woods. His leg is brutal, bleeding everywhere. He manages to pop some drugs via needle into his system, then sets the bone very craftily with a small length of rope. But when he begins to start tending to his wound, Lorne finds himself surprised by none other than Gus Grimly pointing a gun his way. Gus says he’s figured out the “shades of green” riddle. Then, when an angry Malvo insists on hearing what the answer is, Gus only fires on him, blowing a few holes through his chest. A couple more shots and then the wandering evil of Malvo has come to an end. A fitting finish for Lorne, but even more so Gus, whose earlier mistakes are finally cauterized by the shooting. He’s proved himself and made right what once went wrong. You betcha.
A great finish to the season includes Lester being finally caught, chased out onto the ice where he falls through into the dead cold waters, as well as the Solverson-Grimly family sitting together, watching television and letting their lives go back to normal.

This, along with Season 2, is some of the best television ever made. Some of my favourite, up there with The Shield, The Knick, and a handful of others.
Please, if you haven’t, check out my reviews for Season 2 and let me know your thoughts on all the episodes. And until 2017 brings us Season 3 of Noah Hawley’s intense, funny, and consistently fascinating series – enjoy.

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Fargo – Season 1, Episode 9: “A Fox, a Rabbit, and a Cabbage”

FX’s Fargo
Season 1, Episode 9: “A Fox, a Rabbit, and a Cabbage”
Directed by Matt Shakman
Written by Noah Hawley

* For a review of the previous episode, “The Heap” – click here
* For a review of the Season 1 finale, “Morton’s Fork” – click here

After jumping a year down the line, Noah Hawley brings us into the penultimate Season 1 episode “A Fox, a Rabbit, and a Cabbage”.
We begin on the new identity of Lorne Malvo (Billy Bob Thornton) as a dentist. He talks a patient through things while checking his teeth and finishing off a procedure. This new blonde-haired Malvo, obviously under a new pseudonym, is a slick one. Did he really go to dental school? Or what’s going on here? Either way, I love it. He and Burt Canton (Stephen Root) are friendly, so no matter what’s going on Lorne has carved out a nice little niche for himself in which to lounge.
For now.
Lorne still has his recordings, listening to them over and over. The evil in Malvo sits right below the surface. He relives his past transgressions, as if basking in them.

Lorne: “Aces!”

Now, we end up back where we last saw Lorne, a woman next to him and across the table are Burt and his lady. Across the room sits Lester Nygaard (Martin Freeman) in the blurry periphery of the frame, as Lorne jokes and makes things light. While Burt talks about their upcoming excitement, Lester shows up to talk with Lorne who pretends they’ve never met before. An awkward moment ensues, but before Lorne leaves he tells Lester in a serious tone: “Walk away.”
Not satisfied with this slight, Lester heads into the elevator to confront Malvo. “The old Lester woulda let that slide – not this guy,” he tells Lorne and the others. But then an old Western style situation emerges: “Lester, is this what you want?” asks Lorne. Everyone seems confused. Once Lester replies yes, things change. Drastically. Out comes a silenced, silver pistol, and Lorne kills everyone in the elevator; except for Lester. “That‘s on you,” says Lorne.
Turns out Malvo was looking for $100,000 bounty, working for a whole six months on Burt. Lorne tries to get Lester in on helping to hide the bodies, but Nygaard cracks him one in the back of the head with his Salesman of the Year award, running off into the dark basement of the hotel. Upstairs, he starts to pack things. Time to head back home, you betcha.

FBI Agents Pepper and Budge (Keegan Michael Key & Jordan Peele) are still wasting away in the file room. All of a sudden, someone comes looking for the Syndicate file regarding the Fargo mob. Deputy Molly Solverson (Allison Tolman) in Bemidji says, naturally, she knows who did the deed.
In Bemidji, Lou Solverson (Keith Carradine) has his daughter, husband Gus (Colin Hanks) and new granddaughter Greta (Joey King) at the diner for a hearty breakfast. Nice to see this big family together: “You‘re the granddaughter I always wanted but was afraid to buy online,” Lou tells Greta after she kisses him on the forehead.
Finishing her meal, Molly gets a call about the elevator murders, and then she asks what the witness’ name is – I’m sure the name must be Mr. Lester Nygaard.
Meanwhile, Lester’s rushing to get home, head on a swivel looking behind him for a car or any vehicle following him. The new Lester doesn’t seem present anymore. We’re back to the jittery, nervous Lester Nygaard, not the Insurance Salesman of the Year. He wants to go on a big vacation to make it up to Linda (Susan Park): immediately. Yet he can’t seem to move a step without looking every which way first. At home getting ready, Lester looks through some of his brother’s things, hunting gear and the like. The box also contains a gun. He picks up his old orange-red winter jacket from off a nearby rack. Molly shows up at the door to throw him off even further.

While out on his mail route, Gus sees a car drive by and the driver inside looks terribly familiar. Though, he shakes it off. In the car was, in fact, Lorne Malvo. He arrives at Lester’s old place where someone new is now living. Getting the new information on his old buddy Nygaard, the evil Lorne drops the history of the house on the new owners, his children. What a rough dude. At the same time, darkly hilarious.
There’s no rest for the wicked, and this certainly applies to Malvo. He is always doing something. Even if it’s making little kids scared, or killing people, there is constantly, consistently a malicious presence in him.
Deputy Molly talks over the night in question with Lester, about his supposed witnessing the elevator murders. Without being prompted, Linda helps Lester out with part of his alibi and their sudden switched flight.

A scene at the diner sees Lorne sit down across from Lou for coffee and a bit of pie. Although, Malvo tells him: “No good ever came from a piece of cherry pie.” They get into a talk about Lou’s history as a State Trooper for a couple decades. Malvo also asks about Lester, but Lou isn’t exactly keen on giving out another man’s home address and so on. The ever vigilant Lorne spies the Gus-Molly wedding picture, asking about them, making more observations as he so often does. There’s a bit of an ominous feel to the scene as it goes on, cutting occasionally to Molly, then back to Lorne across from Lou in a very stand-off-type way. Lou talks about a case “back in ’79” most likely the infamous Sioux Falls Massacre: “I‘d call it animal except animals only kill for food. This was… Sioux Falls – ever been?” Right as Deputy Molly comes into the diner, Lorne is leaving after making a wonderfully snaky comment. Perfect scene.
Molly meets Agents Pepper and Budge, who are more than excited to see her and hear about what she’s got to say re: the Syndicate shooting. She shows them the big whiteboard full of connections, faces, events and so on. Late to the meeting, Chief Bill Oswalt (Bob Odenkirk) arrives and tries to apologize for Molly, as if there’s something for which to be sorry. Clearly there’s no sense in Bill, whose intelligence doesn’t exactly rival that of her own deputy. Nevertheless, Pepper and Budge want to stay in town, they’re impressed with Molly’s “tremendous work” and plan on moving ahead with questioning Lester some more.

Lorne: “I haven‘t had pie like that since the Garden of Eden”

At their home, Gus stares into the board of connections Molly made concerning the Nygaard case. We cut to the red car coming down the road, the BMW driven by Lorne, as Gus sees him from the mail truck. Poor Grimly is just constantly driven nuts by the entire situation, starting from his first mistake right to the present.
In other news, Lester is getting things ready to fly off and leave his problems behind. The tickets are ready, Acapulco apparently, and Lester is rushing Linda off into the car, whisking her towards the airport. Only there’s more trouble ahead.
Stopping in at Nygaard Insurance, inside the office Lester looks long and hard, wondering if Malvo might be lurking. He further gives Linda his distinctive winter jacket to put on. Is Lester sending her in there to die, possibly? Seems so, don’t ya think? He even asks her to put the hood up.
And when Linda goes inside, after a moment appears Lorne to make the kill with one silenced shot to her head. Lester watches on in semi-horror, semi-relief. Obviously, Lorne checks to see who it is and looks out the window, almost as if right at Lester.

Has everything come to bear finally on Lester Nygaard? The murder coming full circle? You can be sure.
Excited to review the final episode of Season 1, “Morton’s Fork”. Stay tuned and I’ll have another review/recap finished soon enough. Cheers.

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Fargo – Season 1, Episode 8: “The Heap”

FX’s Fargo
Season 1, Episode 8: “The Heap”
Directed by Scott Winant
Written by Noah Hawley

* For a review of the previous episode, “Who Shaves the Barber?” – click here
* For a review of the next episode, “A Fox, a Rabbit, and a Cabbage” – click here

This episode starts with Lester Nygaard (Martin Freeman) receiving a new improved washing machine. Might as well get rid of that old reminder, yah? The look on Lester’s face begins to make me wonder what sort of person he is truly. While he watches the machine wash away, the look just lingers.
Then he goes to see his sister-in-law Kitty (Rachel Blanchard). She’s ready to leave Chaz (Joshua Close) behind now, believing him to be a horrible man, an adulterer and a murderer. Poor little Gordo is having night terrors. Even some information that normally wouldn’t be suspicious about Chaz starts to slip out, such as his purchase of a timeshare and a boat – likely things his family would’ve used – and it makes the entire situation look all the worse for it.
At home, Lester begins to take down all his wife’s nonsense motivational posters, her commemorative spoon collection, her sewing station and clothes and everything possible. All the while, a steel drum version of “Ode to Joy” plays. Sort of oddly fitting.

Deputy Molly Solverson (Allison Tolman) heads to see her father Lou (Keith Carradine) at the diner. She gets a coffee fill-up, as well as flowers sent from Duluth; obviously care of Gus Grimly (Colin Hanks). “A smarter man would say you‘re bein‘ wooed,” Lou says on the sly.
Meanwhile, Chief Bill Oswalt (Bob Odenkirk) just ate an omelette and doesn’t want to be disturbed before it digests. Only Deputy Knudsen (Gary Valentine) calls on him, saying Molly requests his presence in the boardroom. There, she has a whiteboard littered with different connections in the Nygaard case. Still, rightfully so, she’s convinced Bill and everyone else is wrong on pinning the thing on Chaz. But Oswalt is only concerned with cluing things up, moving on.

Bill: “That‘s just how it is sometimes. Life. Ya go to bed unsatisfied.”

At work, Lester is having troubles with Gina Hess (Kate Walsh). Finally, she’s discovered her insurance claim is denied; there will be no money. “I‘ll make some calls,” says Lester. Except she suspects he knew the entire time, which of course… he did. She says at the end of the day he’s got to have $2-million. Or else. Then in a confrontation, he staples the two young Hess boys in their foreheads, telling Gina how things are going to go.
In Fargo, FBI Agents Pepper and Budge (Keegan Michael Key & Jordan Peele) are awaiting what will no doubt be a serious talking to, after the debacle which happened right under their noses. They don’t get yelled at. They’re escorted down floors and floors into a room full of files, as their boss closes the door on them explaining: “This is where you work now.” A punishment. Dull, but a punishment nonetheless. On the wall, though, Budge tapes a picture off the security camera of Lorne Malvo (Billy Bob Thornton) from side-on.
When a police officer takes his break for a leak at the hospital, Malvo shows up and strangles the man over his back. Cut to Lorne sitting next to Mr. Wrench (Russell Harvard) who wakes up soon enough. They have a casual, no nonsense sort of chat. The type Lorne traffics in regularly. Part of why I love Lorne as a character is because of his non-chalant nature, he talks to everyone in the same way. He isn’t indestructible, either. Just lucky. And regardless of how you feel about him, Billy Bob Thornton plays Malvo wonderfully, with an understated, subtle performance. Even better – Lorne leaves Wrench with a key to his handcuffs before walking out.

Lorne (to Mr. Wrench): “I watched a bear once. His leg was in a steel trap. It chewed through bloody bone to get free. It was in Alaska. Died about an hour later facedown in a stream. But it was on his own terms, you know? You got close. Closer than anybody else. I don‘t know if it was you or your partner, but look – if you still feel raw about things when you heal up, come see me.”

Molly won’t ever be able to let the Nygaard case and everything wrapped up in it go. Never. Not until things are settled and the whole case is laid to rest. If not, she’ll only circle around it until something breaks; either her job, her mind, or who knows. On the way home from their office party, Molly stops and sees Lester with his co-workers at Munk Insurance. The look on her face, watching him act normal as if nothing had ever happened – she knows something wrong went on, she just can’t connect all the dots quite yet. Soon.
Back to Gus Grimly, who can never seem to keep a drink from spilling. In his squad car having a cup of coffee, he checks the speeds of cars coming down the road; few and far between. So, he calls Deputy Molly for a chat. They both really like each other, it’s easy to tell. Even her eyes perk up a little when he talks, and Gus often rambles or stumbles over words worse than usual when they’re talking together. Furthermore, a date is setup, again awkwardly. But it’s cute, the two of them.

A time jump: one year later.
Gus has obviously given up his job as a cop. Now doing what he always wanted to do – deliver mail. An interesting change of pace, but I dig it. With his new job it’s clearly better for him and daughter Greta (Joey King), so he can walkie talkie with her whenever and not worry about missing criminals, or anything similar. More than just that. At home, a new place, Gus and Molly have a beautiful place, and a beautiful family with a bun in the oven. How things have progressed! I love to see this, though, as it also shows how Molly has slowed down and fell off the Nygaard incident. If only for the fact she hasn’t slowed down one bit. She keeps a room full of clippings, pictures, red string connecting points of interest and so on. There is never any giving up; not when you’re a Solverson.
So, let’s see where everyone else has ended up in 12 months. The time jump is also fun because it’s a year, and with that comes emotions/situations pertaining to the anniversary of all the big incidents in Bemidji, Duluth, and even Fargo.
Agents Budge and Pepper are now long broken down by the file room. Their relentlessly nonsensical banter is actually a great crack-up. I love Key and Peele anyways. Here with Noah Hawley’s writing, they’re so perfect for their parts. As Pepper tosses a ball over and over at the wall, eventually a bulletin board falls revealing the picture of Malvo, which Budge had taped there a long year before. Will this re-whet their appetite?
Then there’s Bill Oswalt. He’s taken in a young African refugee, bless his heart. Just such a strange place to find him. Yet shows that he’s a good man. A stupid, figuratively blind man, but good in his soul. The whole scene with Bill, Molly and the young man is a whole lot of fun, as well as a little intriguing, sussing out the message of why this has been included; the right under your nose aspect of everything comes forward quickly.

Best of all is Lester Nygaard. He’s living it up in new found freedom. He and Linda Park (Susan Park) are together now. No longer does Lester have a terrible wife, but a woman who actually respects him. Moreover, he’s won a big award as Insurance Salesman of the Year. As Lester and Linda party it up in a hotel for the evening, a familiar face pushes out of the crowd. While Lester heads to the bar, and Linda goes upstairs, there comes the old memory of a man. And though he doesn’t look the same, use the same name, and he’s sporting a different style of dress entirely, different hair colour and all that, you can tell: it’s Lorne Malvo.
From out of his new attitude and new life Lester is rattled. Just seeing Malvo there across the room, it shakes him to his core. Perhaps Lester imagined never seeing him again. Though, that’d be too perfect. No, a story like that of Season 1 on Fargo wouldn’t be enough without old wounds coming to bear on the present.

Excited to get into the last two episodes of the first season. Amazing show and I could watch every episode once a week, honestly. Next up is the penultimate finisher, “A Fox, a Rabbit, and a Cabbage”. Stay tuned for more, my fellow fans and friends.

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Fargo – Season 1, Episode 7: “Who Shaves the Barber?”

FX’s Fargo
Season 1, Episode 7: “Who Shaves the Barber?”
Directed by Scott Winant
Written by Noah Hawley

* For a review of the previous episode, “Buridan’s Ass” – click here
* For a review of the next episode, “The Heap” – click here

As the plot thickens around Bemidji and Duluth, poor Gus Grimly (Colin Hanks) is sitting in the hospital, where Deputy Molly Solverson (Allison Tolman) is being treated after he accidentally shot her.
At the same time we hear Chaz Nygaard (Joshua Close) talk with his family in the morning, breakfast all done and the kitchen cleaned. On the news, the story of fish falling out of the sky fascinating everyone in Minnesota. “The darndest thing,” says Kitty (Rachel Blanchard). Then off goes little Gordo with his backpack, unknowingly toting a gun to school. “No funny stuff today,” the bus driver tells him on the way in; if only he knew. Love how the shot lingers on his bookbag constantly right to the school. Eventually, as everything does, the truth comes out – the gun slides out across the floor for everyone to see.
At home, Kitty finds Chief Bill Oswalt (Bob Odenkirk) and others at her door. They have a warrant. Things are about to get pretty turbulent for Chaz, who’s got no idea of what is about to come down on him. He gets a call at work from Kitty, and then it all ramps up. When he gets home, Chaz finds the police searching through the gun locker, and not only do they find an illegal automatic weapon, they further discover the evidence: ball peen hammer, underwear, cheesecake photographs of Pearl Nygaard his now dead sister-in-law. All the while, the look on Chaz’s face spells absolute fear, uncertainty, and incredible awe. To anyone else it would appear he was in love with Pearl and couldn’t have her, so whack, whack, whack, and the rest is history.

Over at the station, Lester Nygaard (Martin Freeman) sits nervously in the interrogation room waiting for information. Oswalt is hilarious, played to perfection by Bob Odenkirk; the way he starts going over things with Lester is absolutely god damn riotous. He goes through the entire situation with Lester, explaining about Gordo and so on. The idea is, in the police mind, Pearl was having an affair with Chaz, as was the intention by Lester surely. For once, his pathetic nature is coming in handy here with Bill, and everyone else, essentially pitying him. The new story comes out of Lester, telling Bill what supposedly happened involving Chaz and such. For an awkward man, he does a good job coming up with lies. Yer darn tootin’. But the real joy of this scene is watching Odenkirk react as Bill Oswalt. I mean, christ on a whole wheat cracker, I couldn’t stop grinning even with the macabre lie Lester spins during the whole thing. They couldn’t have cast the part of Oswalt better, not in my mind.
With all these new developments, Lester walks out the door of the interrogation room, smiling, and then out of the police station, past Chaz in his cell.

We rewind to the finale of last episode. Molly is in the blizzard alone, tracking down Lorne Malvo (Billy Bob Thornton). Turning for a moment she sees another person, firing. Turning back, Malvo has disappeared. Then she gets shot by the unknowing Grimly from a distance.
Cut to Molly waking up to Greta (Joey King) above her, Gus at the bedside, too. He has to sadly admit to being the one who shot her, though, she says “that don‘t make sense“. An inquiry into the shooting is coming, and Gus is upset at himself. He’s continually making mistakes, but at the same time he is a good man. Maybe not the most perfect cop. A good man, though. He pushes off for a while when Molly’s father Lou (Keith Carradine) arrives to keep her company.
In Bemidji, at home, Lester starts to get on the task of cleaning his house. Like any of us would at this point he calls a cleaning service. The conversation on the phone he has is hilarious, with that outright Minnesotan charm leading to Lester’s final line before a hangup on the other end: “Let‘s just say there‘s alotta blood.”

Briefly, we go to Rundle Realty in Reno, Nevada. In his office, the boss finds Lorne Malvo with his feet up on the desk like he owns the place. “Can I sit? Or did you wanna kill me standing?” he asks Lorne. They sit and talk a little of things about the Fargo mob and the like. Such as the onslaught which came his way via Numbers/Wrench in the previous episode. Lorne gives two choices: ambulance or hearse. By the sound of the screams once he leaves, it’s possible the latter might be needed. As is the case when Lorne comes around.
Mr. Wrench (Russell Harvard) is still alive. He’s cuffed to a bed and has trouble doing sign language when Deputy Molly comes asking questions. Wrench is able to write on a whiteboard for her, asking about Numbers; she confirms he’s dead. Molly sits with him and asks about the insurance office, where they last ran into one another. Then about Malvo. But most of all, you see the humanity in her as a person. She levels with Mr. Wrench about the lives they live, on opposite sides of the law, and questions why he lives the life he does on that other side. She leaves him with a bit of a teary eye, turned away and lost in his own head.

Chaz is having a tough time down at the lockup, being transferred to county jail until the trial and everything begins. But Lester is back to work and looking chipper, or acting chipper. His boss tells him Gina Hess (Kate Walsh) has her claim denied. With a look in his eye, Lester agrees to go over and talk to her about it. Does he have something in mind?
Over at the hospital, Gus brings Molly some flowers. She’s busy drawing on the window, mapping out thoughts on the Nygaard-Malvo case. Molly has things pretty well figured out in terms of the connections to everything happened now between Bemidji and Duluth, how the Fargo mob probably sent Numbers and Wrench down to see what happened with Hess. Then everything wrapping Lester and Malvo into it, clearly.

Molly: “You keep your chin up, Gus Grimly. We‘re winnin‘ this thing.”

Now we get two great additions to the cast – FBI Agents Budge and Pepper (Jordan Peele/Keegan Michael Key). Their relentless banter keeps attention away from Lorne Malvo, who walks into a building where Moses Tripoli and other members of the Fargo mob just went inside, wielding an assault rifle. Shots are fired, people die. Floor to floor. Malvo asks where the “top dog” is, trying to find Tripoli. Up he goes until Lorne finds what he wants. This sequence is so well done because they could’ve gone full-on action, yet instead it’s an understated continuous shot up the building ending with a guy tossed from a window, bleeding out on the pavement. And somehow, once again, the snaky Malvo slips out between the cracks into the unknown while Agents Budge and Pepper are left with their dicks in their hands.
Back in Bemidji, we find Lester over at the Hess house. He and Gina have a little drink. He makes himself pretty comfortable. Instead of telling Gina there’ll be no money coming, he plays a game with her. Trying to get a little action out of it Lester succeeds, banging the widow Hess while angrily staring at the family picture on her wall.

Gina: “I know a little something about greasy palms”

Molly finds out about the supposed catch of the killer, Chaz Nygaard. Of course, she doesn’t see it that way at all. Everyone’s off celebrating. But Molly will not stop until Lester is brought to justice for his part in all the madness. It almost eats her up right there on the spot. She can see Lester getting away with it, right there in front of her eyes.

More excitement on the way after another excellent episode. Tune in again here and I’ll have a review for the next episode, “The Heap”, as soon as I get around to watching it through another time. Keep checkin’ back now, okay? And I’ll have it soon enough, you betcha.

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Fargo – Season 1, Episode 6: “Buridan’s Ass”

FX’s Fargo
Season 1, Episode 6: “Buridan’s Ass”
Directed by Colin Bucksey
Written by Noah Hawley

* For a review of the previous episode, “The Six Ungraspables” – click here
* For a review of the next episode, “Who Shaves the Barber?” – click here

More of the strangeness in Minnesota, between the problems of Lester Nygaard (Martin Freeman) and the wandering evil that is Lorne Malvo (Billy Bob Thornton), things have gotten pretty darn interesting around Bemidji and Duluth. You betcha.
A nice Japanese music opening, as we peer into the kitchen of a Japanese restaurant. A beautiful meal of fish and other assorted items is prepared, then brought out to a waiting table. At that table sits Moses Tripoli and other members of the Fargo mob. Love to watch this around again, now knowing what we know from the Season 2 finale this year. Moses asks what’s going on with the Sam hess situation. He’s told about Mrs. Wrench and Numbers (Russell Harvard/Adam Goldberg) in terms of their mileage, et cetera, on the little roadtrip they’ve taken. “Kill and be killed,” says Moses – a line again familiar to anyone who’s seen the second season.

Back at at the home of Don Chumph (Glenn Howerton), Lorne lets him out of the pantry where he’d been placed. Time for another phone call to Stavros Milos (Oliver Platt). Instead, Don chooses to rattle off a Star Wars quote and fuck with Malvo. Dummy. He also wonders why there’s “newspaper on the windows“, not paying enough attention to anything the evil in front of him is doing.
Probably still sweating out the amphetamines Lorne slipped into his regular pill bottle, Stavros is flashing back to the late ’80s when he found the roadside money. Then the call comes through, with Don reading a cryptic parable to Stavros in the disguised voice. A meeting is set. Clueless Don is then knocked out by Lorne wielding a pot off the stove.
In Duluth, Deputy Molly Solverson (Allison Tolman) is meeting with Officer Gus Grimly (Colin Hanks). Though they’re both focused on the case, it’s obvious a romance is brewing, which is fun because they each are awesome people yet slightly awkward at times. Gus heard from his neighbour about the confrontation with Malvo, though obviously he didn’t know it was him. He’s afraid if he called it all in himself, the others wouldn’t believe him.

Sitting up in bed looking perky, Lester is feeling better apparently. They’ve got his hand all fixed up. But he’s more concerned with why Deputy Knudsen (Gary Valentine) is posted outside the door. Clearly, he knows the gig is almost up. Or least the figurative noose around his guilt-ridden neck has started to tighten up real nice. Then Chaz (Joshua Close) shows up asking: “What did you do?” Of course, Lester dances his way lazily around the conversation trying to say he’s “the victim“. Yet Chaz is sceptical, as one might be in that situation. Especially after Lester’s so-called prank, calling from the trunk of the car in which Numbers/Wrench had him kidnapped. His younger brother insists something needs to be done, calling him a burden: “There‘s something wrong with you, Lester. There‘s something missing. You‘re not right in the world.” Left alone again, the crafty Lester starts trying to figure out a way to make an escape for himself, starting with the heavily bandaged man in the bed next to him. Then with some bandages of his own, the slippery older Nygaard brother enacts his plan.
A nurse soon comes to take Lester, assuming him to be the other patient. Slipping free, he takes the bandages off, throws on a bit of his clothes, and runs out into the lightly falling snow.

Gus and Molly chat about Lester driving in Grimly’s car. Molly knows, obviously, Lester wasn’t in the basement when Chief Thurman was shot. Lie number one right there. The two cops make their way over to the grocery store run by Milos. Love the hilariously uncomfortable wait while Gus and Molly stand next to the cashier; the Minnesota accents with the incredibly politeness and pleasantries, it’s all so funny and excellent. Part of the charm of the series overall.
In other news, Milos is off to the parking garage for the meet. Alone. More and more he flashes back to finding the money in the snow, as if it’s all he can think of anymore. All of a sudden, Stavros has an epiphany about what to do while on the phone with Wally (Barry Flatman).
Back to Don – he’s duct taped and setup in a terrible situation. Lorne has him positioned near the door. An assault rifle is taped and aimed out the window. Things are looking pretty darn awful for ole Don Chumph. In Don’s hands, he places a twice-cocked shotgun, again aimed at the front door. Lorne wants the police real busy if Stavros does actually call them – “Part one,” he tells Don. He fires a couple shots out the window, checks on the scanner to make sure police are responding, then off goes Lorne to leave Don all alone.

Lorne: “Part two – have you ever had Turkish Delight? It‘s disgusting.”

On the lam and back at his house, Lester notices the washer pulled out from the wall. Then, he looks behind the bloody poster on the wall; inside the hole, there rests the evidence. Lester pulls out a box from under the stairs with a few cheesecake Polaroids of his deceased wife Pearl, as well as fishes out a pair of her underwear from the laundry. Where’s he taking it all? I have a hunch. Meanwhile, at the hospital it’s discovered Mr. Nygaard is no longer in his bed.
At the home of his brother, Lester plants the evidenced needed to frame Chaz for the murder of Pearl. Looking at the picture of his brother’s apparently perfect family, another idea strikes. Taking a handgun from the cabinet of death Chaz has in the garage, Lester stashes it in his nephew Gordo’s bookbag. Wow! Rough stuff, mister. No bullets it seems, but still. Vindictive, hateful things coming out of the older Nygaard brother. Perhaps Chaz should’ve curbed his attitude at the hospital for fear of what might have come. Then, Gordo and his mom come home. Lester sneaks down the stairs, spied by the boy who doesn’t seem to care much – luckily, he’s on the spectrum and has no time for uncle Lester.

Gus and Molly are having a bite to eat. She’s still pressing on finding out more information, even with the roads soon closing from the snowfall. Gus tells her about how he “never wanted to be a cop“, and that his true aspiration was to be a mailman; the familiarity, bringing people their cheques, their presents, “being a part of their community“. We learn about Greta’s mother, his wife, passing, and how he needed the money – therefore, a policeman he is and will be.
Afterwards, a ton of police sirens fly by the window, as Gus and Molly watch on. They’re all headed over to Chumph’s place, where Don sits taped to his chair, trying his best to scream. The police move in on the door. Lorne has the lawn booby trapped to fire more bullets, which prompts the cops and the SWAT members to pump the house full of ammunition. With Malvo driving far away, mayhem breaks out. The house shines through with bullet holes. Don gets blown away by the police, unable to see anything except his gun. A vicious death – the duct tape keeping him steady upright while bullets rock his body back and forth.
On his police scanner, Lorne hears the news and moves on into the snowy horizon. Only all of a sudden, Numbers and Wrench show up with fire power. They begin to blast away. But the slippery eel Malvo sneaks off into the blizzard. AMAZING SEQUENCE shot in the blowing snow. It’s a really incredible bit, one of my favourites out of Season 1. Especially because we see now exactly how much of a hunter Lorne is. He’s both hunter and survivor. Here, he leads his prey to where he wants. The prey, naturally, fall into his trap. Using a trail of his own blood, Malvo lures Mr. Numbers in and stabs him between the ribs, twisting, turning the blade. Before slitting his throat. Assault rifle in tow, Lorne heads back into the blizzard leaving Gus and Molly to find the dead Mr. Numbers bled out in the snow.
Only this puts everyone in the way of more harm. In the distance gunshots go off. Grimly fires into the snow, but comes to find it was Molly he shot. This whole sequence is perfect. It also reminds me of the original and remake Insomnia, but not in a ripped off sense. In a great way.

Out in the snow, Stavros is trying to appease God. He buries the case again, now filled with money. On top of the snowy mound he places the red windshield scraper. Everything is right once more. Or, probably not. Wouldn’t that be peachy?
When the blizzard starts clearing a little, out on the road where Wally drives Stavros’ sun back home, fish start raining out of the sky. Likewise, Stavros finds them all over the road. Everywhere. Stopping at the side of the road, he’s amazed. And then discovers Wally, his son, both crashed, each dead. As if more Plagues of Egypt have come down on his head. Part of why I love Fargo so much over the course of Season 1 and Season 2 now is because Noah Hawley throws in wonderfully weird pieces like this, which somehow work and fit into the universe he’s created.

But the finale is the real kicker. At the hospital, Lester has sneaked in again. The bandaged man is back in his bed. A place for everything and every thing in its place. Sitting quietly, a strange smile pulls across Lester’s face, as if he is finally finding some happiness.

Great episode. Look forward to reviewing the next, “Who Shaves the Barber?”, so stay tuned for more here, fellow fans!

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Fargo – Season 1, Episode 5: “The Six Ungraspables”

FX’s Fargo
Season 1, Episode 5: “The Six Ungraspables”
Directed by Colin Bucksey
Written by Noah Hawley

* For a review of the previous episode, “Eating the Blame” – click here
* For a review of the next episode, “Buridan’s Ass” – click here

With the story chugging along in between Bemidji and Duluth, our Minnesota stories of mischief and mayhem continue.
We cue up on Lester Nygaard (Martin Freem) looking for new socks, buying a bag of “irregular socks“. We get a funny yet revealing moment about Lester, who asks “What‘s fair?” when a clerk at the store explains the stock is for best offer. We watch Lester struggle to haggle. Then, the clerk offers him the socks and a long gun for $55. Cut to Pearl berating Lester for his purchase, imaging he’ll “blow his face off“. So now, we have a wonderful little explanation for how the gun ended up at Lester’s home. We revisit the night Pearl died, Lester practicing to set Lorne Malvo (Billy Bob Thornton) up as the culprit. I like how Noah Hawley cuts us back to these moments, giving us different views of how things happened and what went on. Now, we see Lorne slip in as Lester is confronted by Chief Thurman (Shawn Doyle), we watch the death again.
Only now it ends with the buckshot in Lester, sinking into his hand. A great edit takes us to the current moment in that jail cell, the festering wound in his hand. Lester sits wedged between Mrs. Wrench and Numbers (Russell Harvard & Adam Goldberg). He’s sweating it out, literally. The two men are heavily intimidating as a pair. While they both give him a silent treatment, Lester attempts to talk his way out of things. They’ve got an inkling that someone else is involved in the murder of Hess, though, Nygaard won’t give anything up. Pressing into his wound, Numbers puts Lester in a world of hurt, as Wrench stuffs his dirty sock in the poor guy’s mouth. Eventually, out slips one word: “Malvo“.

Deputy Molly Solverson (Allison Tolman) is troubled. The entire situation is spiraling quickly out of control. “No way around it,” Molly tells herself before heading in to see Chief Bill Oswalt (Bob Odenkirk). He still has no time for it all, rather he’s more concerned with a snowfall warning coming up. Still, Molly gives Bill the name Lorne Malvo and other information she discovered about his stay at the motel. After a bit of chat, it almost looks as if Bill is ready to give in and hear Molly out completely. Molly believes it was “murder for hire” that later went sour. How close she is, truly.
The easily lovable Gus Grimly (Colin Hanks) is technologically inept, and so he enlists his daughter Greta (Joey King) to help delve into the life of Frank Robertson, a.k.a Lorne. Up on a website pops a picture of Pastor Robertson standing in a church and everything, but only one single website. Then, they search Lorne Malvo, which brings up absolutely nothing. I love how Gus and his daughter are sort of sleuthing together, always find those unorthodox police relationships in film/television intriguing. Here it’s even better because they’re father and daughter.

Lorne goes to the same guy from whom he procured the amphetamines, tracking down a police scanner. “Do I look like I want a pink police scanner?” Malvo asks the man with a stone face. Moreover, he also gets himself some walkie talkies.
At the home of Don Chumph (Glenn Howerton), up shows Lorne, as always like the wandering evil in the night, or middle of the day. The master criminal rigs up the phone, then makes a call to Stavros Milos (Oliver Platt) who is still strung out hard on the amphetamine. Worse than that, the semi-Biblical plagues are coming down on his head hard. Stavros thinks he didn’t repay his promise to God, and that’s why all these things are happening. Now he’s terrified of the “death of the firstborn son“. With a big payday headed their way, Don wants to happily celebrate with his new buddy Lorne; who for his part is only concerned whether Don has a pantry. Then he requests a drill. Slowly, we can imagine where this is headed. “I need screws,” Lorne says and checks the pantry doorway. Eagerly, Don helps, not wondering at all what Lorne is up to. Yet. Once Chumph goes into the closet upon being asked, Lorne screws the door closed: “I don‘t want you gettin‘ cold feet, he tells Don, “-see ya in the morning.”

Flashes of the murderous night at the Nygaard residence. Lester wakes up in the jail eventually, as Chefi Oswalt and Deputy Solverson stand over him. It seems that puncture in his hand is giving him troubles, so he’s in the back of an ambulance. His words are jumbled, he rambles on about a shotgun and such. “I didn‘t pay him,” Lester says over and over.
From a man with a badge, Mrs. Numbers and Wrench receive a file with the picture of Malvo dragging a man from an elevator, in a dark and snowy alley.
Cutting back to Gus, he sits with a glass of milk and spies the man living across from him in the next building, also sitting at his table with a glass of milk. The man goes to his window, prompting Gus to do the same. Their talk is about “the time I get” and then they end up at the same table for a further conversation. Each man has their own weighty burden. Gus asks the man about his situation with Malvo, knowing a man is guilty but not having proof; the man soon enough says “only a fool thinks he can solve the world‘s problems“. Through a parable, the man relays a story about the man “who gave everything” in order to try just that, unable in the end to actually fix everything. “But you gotta try, don‘t ya?” Gus asks.

Out in the night, Gus drives aimlessly. Passing him unknowingly on the road are Stavros and Lorne, headed down to the grocery store. Milos fills up the old briefcase with a ton of cash inside.
Back at the hospital, Molly talks with the doctor who fixed Lester up. His hand was bad, full of necrotic flesh and nasty fluids. Almost lost the darned thing. Champing at the bit, she wants to question Nygaard and get to the bottom of things. Meanwhile on another floor, Ida Thurman (Julie Ann Emery) has finally had her baby: a drop of good news in an ocean of chaos.
Sneaky sneaky – Deputy Molly goes to the Nygaard house. Underneath the doormat, like so many small towns, a key lies waiting. She heads in, politely wiping her boots before doing so. There she retraces the steps of that fateful night. Coming to the washing machine and noticing it out from the wall a tad, Molly has a look at the back after unscrewing the paneling. Inside, she doesn’t find the ball peen hammer Lester used to kill Pearl. Where has he hidden the thing?
More of Stavros, as Lorne drives him quietly. They come to have a conversation about saints and the Romans. Very intriguing point of dialogue between these two. And once Stavros is home, they part ways. For the time being.

Lorne: “Well I‘m saying that the Romans raised by wolves, they see a guy turning water into wine, what do they do. They eat him. Cause there are no saints in the animal kingdom. Only breakfast and dinner.”

With Grimly heading home and talking on his cell with Molly, lurking not far behind is Malvo. He stays out in his vehicle, monitoring things with his new walkie talkie and setting up his scanner. Except the plan is slightly foiled when Gus’ friendly neighbour from the earlier chat knocks at Malvo’s window saying: “You‘re not supposed to be here.” It’s almost as if the man can sense an evil in Malvo, as if it seeps from his pores and into the world. Maybe it does. Ominous conversation on Lorne’s part prompts the Jewish man to call him a demon, in what I presume is Yiddish.
At the hospital, Molly is in the midst of the old boys club until Chief Oswalt and the others clear out. She heads in to be with Ida and the fresh new baby: “That‘s what a new one smells like,” says Molly with glee. Ida doesn’t want details about the case, only to know Molly is taking care of things.

The episode finishes with Molly spying in on Lester, who looks asleep. Only we see he isn’t, just pretending for the moment. His eyes and entire face speak of a deep worry.

Can’t wait to review the next episode, titled “Buridan’s Ass”. Lots more Minnesota mayhem to come, my fellow Fargo-ites.

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Fargo – Season 1, Episode 4: “Eating the Blame”

FX’s Fargo
Season 1, Episode 4: “Eating the Blame”
Directed by Randall Einhorn
Written by Noah Hawley

* For a review of the previous episode, “A Muddy Road” – click here
* For a review of the next episode, “The Six Ungraspables” – click here

After Lorne Malvo (Billy Bob Thornton) stepped up the mischief, bringing it bloody and tough to Stavros Milos (Oliver Platt), and Deputy Molly Solverson (Allison Tolman) has begun leaning even further towards something fishy surrounding Lester Nygaard (Martin Freeman), we’re back in Minnesota, between Duluth and Bemidji. Let’s see what “Eating the Blame” and Noah Hawley have in store for us, shall we? Well all righty.
This episode opens with more beautifully captured Minnesotan landscapes, snow lining the roads. We watch a station wagon hauling a small trailer. Eventually, we discover it’s 1987. Inside the car, a young Stavros (Carlos Diaz) drives his wife and child in the desperate cold. Things are rough for them, it seems. But what’s at work here isn’t merely flashback. Once Stavros and his little family break down at the roadside, Hawley takes us into crossover territory with the Coen Brothers and their original film Fargo. Desperate and at his wits’ end, Milos prays to God, hoping for “gas, a warm bed” and that if things change he’ll but his “humble servant” forever. Then, out in the snow he spies the windshield scraper. Yes, that one. Same one that’s now, in the 2006 timeline, hanging in a frame on the wall in Stavros’ office. In ’87, he dug up the infamous bag of money left out in the snow buried at the finish of the Coen Brothers film. The lucky Stavros got his fortune out of pure lucky, then misguidedly tried to lightly keep in touch with God due to this afterwards; and I use the word lightly very lightly. But I love how this connects things without having to use the same characters as the movie, Hawley creates his own Minnesotan plots and webs them into that of the Coens original work.
Cut back to Stavros, who has Don Chumph (Glenn Howerton) checking out his house after the bloody shower incident. They want to know about tampering, though, naturally Don plays the fool. Not that it’s hard. A little talk of the Bible, Moses and the Plagues comes out, which spurs Stavros into an amphetamine-fueled rage. He is in one bad state. When Don leaves, he spots Malvo off against the treeline, standing ominously like the wandering evil that he is.

Back with Gus Grimly (Colin Hanks). He’s out looking after Animal Control business. Gus makes a terribly timed joke about an Animal Control worker who’s always sick, which I laughed aloud at. Too funny, especially his reaction. Then, he finds himself headed out to look after the claim of a dead dog, obviously at the Milos residence. Perfect timing, right? He finds Malvo standing silently on the side of the road. Slicking back his hair, Lorne gets ready to make up some stories and, maybe, likely, talk himself out of whatever’s coming. But Officer Grimly definitely wants to make good on his big blunder, not picking Malvo up the first time. Will the greasy criminal slip his way out of this one?
At the police station, Lorne falls into his latest identity: Father Frank Peterson. He even slips on a pair of glasses quickly to convince everyone, plus beefs up a Midwestern accent.
At Deputy Solverson’s office, she receives a call from Grimly. He advises about Malvo being in custody and then she’s headed out his way to see what’s happening. Meanwhile, Chief Bill Oswalt (Bob Odenkirk) isn’t interested as much as he ought to be, only because he didn’t get the call and Molly did. “Well that‘s irregular,” Bill complains. Taking things over Oswalt heads up to Duluth himself leaving Molly behind to fume rightfully.

Lester is headed over to his house with brother Chaz (Joshua Close), the latter of which finds himself disgusted and creeped out after discovering a big stain of blood still all over the floor. Upstairs, Lester gets some of his things but has a bit of a problem with his hand. Ah, the buckshot wound – always there, like the guilt behind Lester’s shiny facade. It’s the physical symbol of his guilty conscience, as if he can’t seem to ever manage to fully put it behind him, in the back of his mind. It’s always at the fore, continually and consistently dragging him back to that dangerous night.
Mr. Numbers (Adam Goldberg) makes a call to Lester. He’s surprised to hear from Numbers.

Mr. Numbers: “But I think you need to ask yourself – was it worth it?”
Lester: “Worth what?”
Mr. Numbers: “Your life”

At a diner, Mr. Numbers sits down after his call with Mr. Wrench (Russell Harvard). I love their conversation, as it comes with subtitles for the sign language while they chat. Great, quirky dialogue, but not for the sake of it. These two characters are inherently idiosyncratic, right from the name on down, and here with a slight interaction involving Lou Solverson (Keith Carradine), we get lots of their attitudes, their style, all in one fun scene. Better yet, if you’re caught up to current day like I am you may have noticed we’re introduced to Mr. Wrench and Mr. Numbers as kids right at the end of Season 2.
More of Lorne Malvo a.k.a Frank Robertson. He’s dealing with the idiotic Don Chumph, and not too worried about being in jail, saying he’ll be out in “two hours” to be exact. Pretty confident. At the same time, Chief Oswalt shows up in Duluth. Gus again has to endure more bathroom time while Oswalt and Schmidt (Peter Breitmayer) take a leak as he runs down everything for Bill. Basically here we’re seeing a good man trying to do right while other officers of the law around him are clearly and brutally incompetent. Particularly Oswalt, played to perfection by Bob Odenkirk of whom I’ve been a longtime fan since his days as mostly a writer.
Lorne goes head-to-head with Oswalt and Schmidt in an interrogation room, playing up his meek and mild demeanour along with that stressed Minnesota accent. He claims to not have been in Bemidji and jokes around trying to make light of the situation. And tragically, or tragicomically, he manages to sly talk his way out of things. The story gets thicker once Oswalt and Schmidt check on Frank’s background… and it all checks out. All the while, Lorne behind the facade of Frank smiles through the two-way glass at Gus standing right outside.

Deputy Molly is hard at work. She tracked down the motel owner and the young man with whom Malvo earlier had an encounter. Just so happens, he even signed his name in the book as Lorne Malvo. He memorably asked about a pet fish and such, which obviously wasn’t hard to forget for the clerk. Yet all the while, Frank Robertson is being let go to walk free. “You‘re making a mistake,” shouts Grimly – the very same thing Malvo earlier told him he’d be saying later. The tragedy continues, as Gus is being held accountable for pointing his gun at a supposed minister, a civilian, and nobody can see what’s going on. Even Oswalt shakes Lorne’s hand before the man leaves.
A brief confrontation between Grimly and Malvo sees the latter break out some criminal wisdom, after the former asks how he can just lie then walk away so casually: “Did you know the human eye can see more shades of green than any other colour? My question is why?… when you figure out the answer to my question, then you‘ll have the answer to yours.” It’s a question of predators. And the many, many shades of villainy.

Just as Lester begins to worry about a forensic team searching through his vehicle at the impound, Mrs. Numbers and Wrench toss him into a trunk then speed off, possibly towards a frozen lake. Lester manages to call his brother from inside the trunk, though Chaz is in the midst of watching porno in his garage. “I think I may have been kidnapped is the thing,” Lester tells him politely and strangely calm. After finding a taser, he claims the whole thing was a joke: “You‘re an asshole,” his brother replies, hanging up then going back to the porn. When the car stops he prepares his weapon. But a punch to the gut and the strength of Mr. Wrench overpowers him. Out onto the ice, auger once more in tow, the two partners take Nygaard to his probable doom. They’re still convinced it was Lester killed Sam Hess. Then out of nowhere, Lester tasers Numbers before taking off and leaving the unsuspecting Wrench still drilling a hole in the ice.
Through the forest and the trees, Lester makes it out onto a road where a police car is stopped nearby. He runs down trying to find help. The officer (Gary Valentine) won’t give Lester a ride, so he punches the cop in the face with a light tap prompting an arrest. All to get away from the two henchmen nipping at his heels.

The amphetamines are working overtime on Stavros, whose teeth are grinding, whose pores are all but pouring. He works away at his desk trying not to lift off like a rocket. He and his son Dmitri (Gordon S. Miller) have a fight, or more so Stavros yells at his son.
And following this very brief moment, more Plagues of Egypt befall Milos. Well, at least close enough. Crickets begin to literally seep from the walls, flying and perching over everything in the grocery store sending customers wailing through the doors. Things are getting Biblically fucked up: “Remember – God is watching,” a disguised voice tells Milos over the phone. Stavros is worried a reckoning has come round, full-circle, after he took that money from the snowy side of the road.
In a smoky bar, Mrs. Numbers and Wrench aren’t getting along too well. Specifically, Wrench doesn’t look pleased with his good buddy. A fight breaks out and they kick the shit out of each other for a while.
At her father’s diner, Molly meets Gus. He gives the sad report about what happened with Malvo. And they think about where to move next on the grand chessboard of their horrible situation.

And the bar fight has led Mrs. Numbers and Wrench into a jail cell. Right next to their old pal Lester Nygaard. Confronted with them, the finale of the episode sees the men now smiling, happy to be right back with him again.

Excited, as usual, for the next episode – titled “The Six Ungraspables”. Stay tuned, my fellow Fargo addicts!

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Fargo – Season 1, Episode 3: “A Muddy Road”

FX’s Fargo
Season 1, Episode 3: “A Muddy Road”
Directed by Randall Einhorn
Written by Noah Hawley

* For a review of the previous episode, “The Rooster Prince” – click here
* For a review of the next episode, “Eating the Blame” – click here

Back to Minnesota. You betcha!
“A Muddy Road” begins in an office building, cubicles on every which side. People work quietly, like any other day. One man looks troubled. Then suddenly, he spies Lorne Malvo (Billy Bob Thornton) down at the end of the hall. The worried man obviously owes money. So Lorne drags him by the tie down through the hall while others watch. A security camera records all of this, right through the building, down into the parking garage.
Malvo strips the man down with a knife, then throws him in the trunk. Ah, so this is where the beginning comes from. From inside the trunk we watch the man get thrown around, Malvo flying out off the road and into the snow. Out in those woods, the man dies, as we already saw. But I dig how Noah Hawley takes us back through that beginning moment, to show us a little behind those opening moments of the series premiere and gives us a bit of context, instead of it being a one-off moment.

Deputy Molly Solverson (Allison Tolman) is out at the office building where the frozen man was dragged from by Malvo. The employees are hilarious, each giving their opinion on the guy. Mostly, Molly is looking for connections to what happened in Bemidji with Lester Nygaard (Martin Freeman) and his wife, the Chief, all that.
At the same time, Lorne is over sweating Don Chumph (Glenn Howerton): “You got bronzer on your blackmail note.” Poor Don has got himself into a rough situation. Howerton is an awesome addiction to the cast, he is a funny guy and able to be subtle, unlike his excellent portrayal of Dennis Reynolds on It’s Always Sunny in Philadelphia. But more than that, I love the entire scene between Don and Lorne. Eventually Lorne discovers Don knows nothing, only that Stavros Milos (Oliver Platt) supposedly “lies about where he got his money“. Now there’s more of the wandering evil in Lorne coming out, making people do as he bids. He’s getting Don to make a new blackmail letter.

Gus Grimly (Colin Hanks) is still haunted by letting Malvo go. He looks up the plate number of the car; it was Lester’s car. Heading into the bathroom to talk with his lieutenant, Ben Schmidt (Peter Breitmayer) hilariously as the man is trying to take a shit, Gus tells him about the car belonging to one of the – supposed – victims. “It‘s god damn Sioux Falls all over again,” Lt. Schmidt says to himself. He is not impressed with Gus, but how could he have done anything? Lorne basically threatened his life. Was it worth pushing? At the same time, the lieutenant has every right to be pissed.
Lester is also haunted. He can’t stop thinking, obviously, about what happened at his house; his wife, Chief Thurman, everything. Weighing heavy on him. And why wouldn’t it? Well, now Lester is trying to get back to work at the insurance office for his foolish boss Bo Munk (Tom Musgrace). He actually ends up bringing documents over to Sam Hess’ widow, Gina (Kate Walsh). Interesting.
The Hess boys are still as dumb and dickish as ever, taunting Lester as a “loser” and wondering if he wants to “do” their mom. All the insurance mess starts to get worked out eventually once Gina invites Lester inside. “When do I get my money?” she asks quickly. He tries being a bit graceful, but she’s really only concerned with cold hard cash; not her cold dead husband. Then they start bonding a little over their dead spouses, as Gina sips what is most likely wine from a water bottle. Slowly, Gina starts trying to seduce Lester, whose awkwardness as usual knows no bounds.
And out in the trees, Lester eventually eyes Mr. Wrench (Russell Harvard) and Mr. Numbers (Adam Goldberg) watching on.

Lester: “You‘ve got your kids”
Gina: “I‘ve taken shits I wanna live with more than them”

A perfect scene between Molly and an old friend having dinner is highly reminiscent, without copying, of the original Fargo film where Marge Gunderson meets her friend from school Mike Yanagita. Of course, this scene with Molly and her friend is not at all the same situation. But the whole thing is very good homage. One of those awkward encounters we have with people after years of not seeing them. I thought it was a great inclusion. Plus, it just shows how sensible and intelligent minded Molly is compared to so many other clueless people around her.

Lorne: “It‘s already dog–eat–dog, friend. Not sure what worse a bunch of zombies could do.”

At the Milos residence, Lorne shows up with his nasty knife. He meets a big burly dog eye to eye, and you get the sense the dog recognizes Malvo as another animal. Inside, Malvo switches Stavros’ medication out with amphetamines. Well, that’s going to be quite the shock, isn’t it? Just as Stavros almost catches the culprit at work, out slips Lorne from the front door. Then, through the window, Stavros sees what the animal did to his dog, who lies dead with a cut neck and a new blackmail note to his corpse. Tragic to see an animal die, but did we expect anything better from a guy like Lorne? Not I. Milos is clearly intimidated, and also pretty angry.
Something I love about this series is there are little easily read bits of symbolism throughout the episodes. Such as the buckshot left in Lester’s hand: it stays around, it won’t leave, he can’t get it out and the wound just won’t heal, similar to how his guilt and those other feelings remain right below the surface threatening to expose him. Coming out of the bathroom in his office, Lester finds Mr. Wrench and Mr. Numbers waiting silently at his desk. The phone rings and he sits down to answer it as usual; it’s actually the impound in Duluth letting him know they have his vehicle. From there, a tense conversation between Mrs. Wrench and Numbers and Lester begins. First with a little sign language, until Numbers tells him exactly what they’re here about: “Sam Hess“.
Then, inconveniently, Molly appears to talk insurance with Lester. She wants to start thinking about life insurance, possibly. On account of her father Lou (Keith Carradine), worrying what might happen to him if she were to die in the line of duty. When some files fall on the floor from Molly’s folder, a security camera picture comes out: Lorne. This rattles Mr. Nygaard pretty bad, fast, and Molly can see how much it does. Little by little, the facade slips. Lester can only try his hardest not to be swept away in the tide of guilty lies.

At the home of Milos, a windshield scraper, a small one, is framed on the wall. Everything there is very grand, except the scraper. Strange, no? We’ll find out its significance soon enough. Milos wants to get things handled now, after the death of his dog; he and Wally (Barry Flatman) berate Lorne a little for him not knowing who exactly did the deed. Then we get into a little mention of Milos and his fortune, only Milos won’t budge on giving up any further information. Then he chews up one of the amphetamine tablets Lorne slipped into the bottle earlier that day. Lift off.
Gus Grimly and his daughter Greta (Joey King) sit at his desk. He’s looking through mugshot book after mugshot book, to try and find the man he pulled over that night. You can see how it all chews him up inside, the poor fella. But I suppose living on the thin blue line is never easy, no matter how much we wish it would be; it just is not.
Continually, Chief Bill Oswalt (Bob Odenkirk) does not appreciate Molly’s theories about what happened in their town. She realizes Lester knows more than he lets on, yet Bill is so blind to the people in his quaint little town he is just completely unable to see what’s really going on. Molly isn’t giving up, though. Onward and upward.
Finally a break – Molly meets Gus, who came to tell her about his mistake. He talks about what happened, letting Lorne go and so on, the car he was in belonging to Lester Nygaard. Now, things are starting to come together, and an interesting relationship between Gus/Molly begins as she now has someone on her side.

But the best of all comes in the finale of “A Muddy Road”.
Lester goes to see his brother Chaz (Joshua Close) looking for the gun that “makes the biggest hole“. They have a brother-brother bonding session. And we can see, Lester is getting more bold. Slowly, but it is happening.
Then, the finale concludes with Lorne reading from the Bible – the part about the plagues in Egypt – which also sees Stavros still sweating it out, hopped up unknowingly on amphetamines, then hopping in a shower. Except the shower starts to pour red, much like the red water in Egypt during the plagues, and when Milos notices he goes berserk. As one would. A smile on his face, and a couple buckets of pig’s blood in the back, Lorne gets in his vehicle to drive off.

Loved this episode. Can’t wait to review the next episode, “Eating the Blame”. More Minnesota chaos and mayhem coming again. Stay tuned for another review.

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Fargo – Season 1, Episode 1: “The Crocodile’s Dilemma”

FX’s Fargo
Season 1, Episode 1: “The Crocodile’s Dilemma”
Directed by Adam Bernstein
Written by Noah Hawley

* For a review of the next episode, “The Rooster Prince” – click here
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Riffing wonderfully off the Coen Brothers classic Fargo, Noah Hawley and his team of directors have given us a worthy tribute, and sort of follow-up, to the movie. Blending homage to the Coens with new situations of mayhem in Minnesota, Hawley has impressed me through two full seasons of this show. Starting now, I’m reviewing the first season.
“The Crocodile’s Dilemma” starts off with Lorne Malvo (Billy Bob Thornton) driving in the dark on a snowy highway near Bemidji, Minnesota, mostly only his eyes are visible in the night. He swerves when a deer runs across the road and flies into the snow. From his trunk escapes a man in his underwear. He runs into the wilderness, as Malvo walks over and watches the deer die instead of run after him.
Fade in on Lester Nygaard (Martin Freeman) and his wife Pearl (Kelly Holden Bashar) are eating together. He is an emasculated man. Pearl even says she “married the wrong Nygaard“, as his brother is a much more successful man it seems. Immediately we get the sense their marriage is rocky, but under the covers sort of rocky. The kind nobody talks about in the open, especially not the couple in question.
Above all else, Lester has a very dull life. Or rather it’s quaint. But already there’s a sense Lester finds things dull. Maybe he prefers them that way, or perhaps it’s just what he’s used to, not sure. We’ll see, though. At work nothing is much different from home. He deals in insurance of various kinds. He isn’t particularly a great salesman, but he is an honest one. Too honest, at times. Hawley writes Nygaard as an almost hopeless man. On the street he runs into Sam Hess (Kevin O’Grady) and his two sons, Mickey and Moe. Sam is a bully from a high school who picked on Lester for years, and not much has changed; he even told his sons about stories of bullying Lester back then. Now he corners Lester, who doesn’t like confrontation obviously.
Becomes pretty clear when Hess pretends to throw a punch and Lester ducks it, right into a pane of glass behind him.
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Cut to the hospital.
Lester is sitting with a broken nose waiting to be seen. Lorne Malvo watches on as Lester painfully tries to drink a can of soda. He ends up handing the whole thing over to Lorne, in fact. They talk a little. Lester tells him about the “misunderstanding” which lead to the nose, but Lorne wonders: “Who misunderstood whom?” Though we already know Lorne is less than an upstanding citizen, he makes a few good points. Then Lester tells him all about what happened. Even telling Lorne about Sam Hess: “He was a bully in high school and he‘s a bully now.” Eventually, Malvo says he would’ve killed Hess. If it were him. This makes Lester pretty uncomfortable, yet still he continues talking with Lorne.
But then Lester makes a joke, saying Lorne ought to just “kill him for me“. Nygaard gets called in to be looked after while his new friend takes the request as real, repeating Hess’ name. Should Lester be worried?
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Out on the side of the highway, where Lorne’s car is sitting, Deputy Molly Solverson (Allison Tolman) meets her Chief, Vern Thurman (Shawn Doyle). They start having a look at the car and what may be going on. Molly has a few ideas, though, her superior seems a little dopey. Even if he is fairly perceptive. They head into the woods, chatting about their daily lives and having a look for more evidence, clues to what could’ve happened. Then, the man with the underwear is found: frozen to death behind a tree stump.
At home, Vern’s wife Ida (Julia Ann Emery) is cooking, and eating. And she appears happily pregnant. Their new baby’s room is ready, almost. They’ve got themselves a nice, happy little Mid-Western life. Side note: Shawn Doyle is awesome, he’s from Newfoundland and Labrador, Wabush specifically with is in Labrador; he has been in lots of stuff, notably this and NBC’s Hannibal which I love. Nice to see him on this series.
Meanwhile, Lorne Malvo shows up to Mickey and Moe Hess wrestling. He gives them fighting tips. He’s looking for Sam Hess, giving lip already. He says the younger son is a bit “dim“. They have a funny confrontation, which is great because of Lorne’s dry demeanour. He walks out leaving the Hess gang and their friends confused.

Lester and Pearl go over to his brother Chazz’ (Joshua Close) place with his wife Kitty (Rachel Blanchard) and their family. Their son, Gordo (Spencer Drever), is a bit of a loner. His father thinks he may have “the autism“. The two brothers Chazz and Lester head into the garage, where the obviously more outgoing brother shows off some big assault rifle he bought, along with a ton of other guns in a huge rack. Completely unnecessary amount of firepower. Chazz hands the big rifle over to Lester, who drops it and the thing smashes on the floor. Afterwards, it comes out Pearl has “had it“. She says Lester has been strange lately, and so on. Clearly, though, Lester is just sick of his wife and their unhappy marriage. Sadly, Chazz says: “Sometimes I tell people you‘re dead.” He doesn’t respect his older brother, nor does he look up to him.
Things in the world of Lester become more complicated, after Lorne goes to a strip club where Sam Hess is having sex with a woman out back. Malvo puts a knife in his head. Let’s hope for Lester’s sake nobody remembers him talking with Malvo at the hospital. Yeah, like that’ll happen, eh?
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Chief Thurman, Molly and Bill Oswalt (Bob Odenkirk) are at the scene of Sam’s death. Poor Bill is having a tough time, wanting not to puke up his wife’s nice dinner. For all the small town-ness of Fargo and its atmosphere, the police aren’t dummies; not all of them. Thurman is dopey yet smart. Molly is on the nose, almost always, or at least ready to learn and to go from there.
Under the radar, Malvo is getting a room in a motel. He makes the mistake of being memorable, asking strange questions of the lady at the front desk. However, I’m not so sure Lorne cares about anything, let alone people remembering him enough to talk to anyone about it later. He’s like the wandering demon, infecting everyone around him to do their worst instead of standing idly by to be abused. While some of his advice is less of an evil nature than other bits, he’s still always causing mischief. At the motel he pits the owner versus a young man working their against one another, just for the hell of it.

Molly is over at the diner, owned by her father Lou (Keith Carradine; played as a younger version in Season 2 by Patrick Wilson). Chief Thurman meets Molly and they have a little talk over the evidence so far in the murder of Hess. He claims she’ll “make a good Chief one day“, which of course makes her happy.
Later, the police talk with Gina (Kate Walsh), Sam’s wife. She is not at all happy about the situation in which her husband was found. Obviously. Even better is the fact Mickey gets a call, from Lorne claiming to be an attorney, also claiming the other brother received everything in the inheritance; this prompts Mickey to nearly beat his brother Moe to death with a hockey stick. Already, Malvo is proving to be such an instigator and an outright antagonist off the bat in this first episode.
Lester, fixed up nose and all, is back at work and being asked to pull information on Sam Hess. He receives the news of Sam’s death, and the wheels in his brain begin to turn. He ends up at a diner where Lorne is eating quietly by himself. Darkly comedic, Malvo is smart about what he chooses to say in conversation, out in the open. At the same time, he makes clear Lester did say the words; even if it was a joke.

And it finally comes out – Molly tracks down info that “the fella with the head injury“, Lorne, was talking to “another fella“: Lester Nygaard, apparently. I knew it, even the first time I watched the series on its premiere. Lester’s world is about to drastically change. Chief Thurman says he knows Nygaard and will go to see him about the possible conversation with Malvo at the hospital.
Back at his place, he tries to fix the washing machine in a desperate attempt to make his wife Pearl happy, to impress her with his manliness or anything. When the machine all but explodes, she insists on abusing him further and further with more psychological torture within the shackles of their rough marriage. Fed up to the point of no return, Lester grabs the ball-peen hammer and cracks Pearl over the head quickly. A thick trickle of blood runs down her face, then he gives her another whack, then another, and another, and more. Until there’s not much left to her face. What has he done? I mean, yeah, she treated him poorly. But I suppose everyone has their breaking point. Lester, unfortunately, chose murder. He immediately begins to take his clothes off, bag them up, to try and start hiding the evidence. Where will he go from here?
Call Lorne.
In a frantic fit of panic, Lester asks him for help in order to clean things up. “Lester, have you been a bad boy?” he asks in that dry tone Billy Bob Thornton affects so well in the character. Only problem with Lorne wanting to help: Thurman is on the way to see Lester, in regards to Lorne. Uh oh. At the same time, it appears Lester wants to frame Lorne for the death of his wife, practicing “You killed her” and drawing a gun at the door while waiting for him to show. Then, at the door is Thurman. An awkward, tense conversation begins, with Pearl’s blood still drying on the wall downstairs. After a bit of talk, Thurman sees blood on the floor as Lester spies it, disappointed in himself; he starts rambling while Thurman finds Pearl dead down the stairs. Behind the poor Chief appears Malvo, blasting him away to his death. Things have changed even more now, for the worse. And sadly, Thurman bleeds out on the floor quickly right there and then.
With Molly showing up, lights flashing, Lorne vanishes into thin air. Downstairs, Lester continues to panic but makes it look as if he and his wife were both attacked after running himself head first into the wall. Molly finds them on the floor next to one another, Bob Oswalt arrives as back-up with a much needed “Ah geez“. Nobody is the wiser. Not yet, anyways. On top of it all, Lester ends up with a piece of buckshot embedded in his hand. As if things weren’t stacked against him high enough in a pile of shit as it is.
Sad scene when Molly brings home paint for the baby’s room at Thurman’s place, the wife immediately knowing why Molly is there. Tragically emotional moment.
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In Duluth, Minnesota, Officer Gus Grimly (Colin Hanks) talks over the radio to his daughter Greta (Joey King). They have a pretty sweet relationship, as he works and takes care of his daughter as much as possible at the same time. When a car speeds by, Grimly takes a sip of his coffee then reluctantly takes off after the culprit. Pulling him over, the man turns out to be Lorne Malvo. The criminal offers Gus an ultimatum: drive away, or face bitter consequences. Whatever insidious darkness Malvo has in him comes out here, threatening Grimly: walk or die, even plainer this time. Leaving in the night, Gus is left with barely any breath in his chest. But what are the consequences of Malvo leaving? What further destruction will he cause?

Stay tuned with me for another review of the next episode, “The Rooster Prince”. I love this show and going back over it a second time is lots of fun, picking up on things I missed and generally enjoying all the wonderful bits over again.

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Fargo – Season 2, Episode 10: “Palindrome”

FX’s Fargo
Season 2, Episode 10: “Palindrome”
Directed by Adam Arkin
Written by Noah Hawley

* For a recap & review of the previous episode, “The Castle” – click here
* For a recap & review of the Season 3 premiere, “The Law of Vacant Places” – click here

Here we are, the finale of Fargo‘s Season 2. You betcha.
So, ramblers – let’s get rambling!
“Palindrome” begins with a view of Rye’s body back in the Blumquist freezer, another look at a dead Otto Gerhardt shot at his kitchen table, Dodd (Jeffrey Donovan) dead on the floor in that little cabin, as well as Simone out in the woods, Floyd where Hanzee Dent (Zahn McClarnon) left her, and even in Bear (Angus Sampson) in the parking lot where Lou Solverson (Patrick Wilson) blew his brains out.
Then, the shot fades into Betsy Solverson (Cristin Milioti) lying in bed with daughter Molly at her side. Apparently she had a bad reaction to the pills she was given, they were no good. Noreen Vanderslice (Emily Haine) is by the bed looking after Betsy, trying best to get her to follow doctor’s orders. We watch Betsy dream, seeing Molly grow up in the modern world – the world of Costco, one where Lou gets older by his daughter’s side, one without Betsy anymore. She sees into the future where we see the grown Molly (Allison Tolman), Lou (Keith Carradine) and the happy gang from Season 1. Quickly we cut back to Hank Larsson (Ted Danson) shot in the motel, Lou wrestling Bear, the face of “chaos” a.k.a Hanzee. All to “War Pigs” by Black Sabbath – so god damn fitting.

This whole intro starts with a split-screen, right at the beginning of last episode. It gave me chills with Sabbath playing over top. Ed and Peggy Blumquist (Jesse Plemons/Kirsten Dunst) run off, as Hanzee follows, shooting anyone in his path. Lou boldly goes off after the renegade Native, while Ozzy, Iommi and the gang keep rocking. One of my favourite openings of the season, such a perfectly executed start to the episode. Especially once we find “War Pigs” playing in the vehicle with Mike Milligan (Bokeem Woodbine) and Gale Kitchen (Brad Mann), as they pull up at the Gerhardt ranch: “People of Earth – I‘m home,” says Milligan while walking in through the front door. The two settle in and hear nothing but silence in the big house. Of course, they saw some of the massacre at the motel, so I’m sure they didn’t expect much of a greeting.

Meanwhile, Ed and Peggy stumble into a grocery store, shooing off an employee as Peggy tells him there’s “a bad man coming here“.
On the street, Hanzee is still lurking closer towards the Blumquists. Yet trusty Lou Solverson hasn’t given up on Dent, either. A few shots get popped off here and there. Out of nowhere, Ben Schmidt (Keir O’Donnell) shows up, almost getting a bullet from Lou out of surprise.
Ed and Peg end up hiding in a meat locker. Either way they’re out of the way of Hanzee and his warpath for the time being; only problem is Ed took a bullet on the way, and tells her “Peg… I don‘t think we‘re gonna make it.” She wants to fix everything, as Ed says, but some times things aren’t broken. They have a bit of down to earth conversation, even at such a rough and tumble time. But I can see why, Ed only wants to “get back” to what they had after being hauled into all this through the unstable actions of his wife. Will Hanzee find them, as they try and wait things out in the cooler?
At the Gerhardt ranch, Milligan and Kitchen find an old native woman cooking, obviously a housemaid for the Gerhardts. Then some lights pull up to the house, a car arrives. It’s Bear’s right-hand man Ricky G (Ryan O’Nan). He heads inside, ready to fleece the Gerhardts of anything he can take in a bag. But Milligan is still kicking around, and no one close to the Gerhardts is getting away too easy. A shotgun blast takes Ricky to meet his maker, staining the Gerhardt flag – suspiciously Nazi-esque – with a good deal of blood and gore. Nasty stuff.

Hanzee has found his way into the grocery store, the lights flickering and shadows everywhere. Ed and Peggy are still trying to survive. Then the door to the meat locker starts shaking. After the door won’t open, smoke starts seeping in through the fan near the ceiling. Hanzee sure knows how to track and hunt, that’s for sure. But Peggy starts remembering the movie she was watching, before Dodd untied himself, claiming it’s exactly like their own situation. Is she working towards something? Or is she wasting time? Ed’s gone unconscious in the meantime and Peggy can’t wake him up. With Hanzee right outside the door, buck knife in hand, how is Peggy going to escape? Knife sharpener against buck knife?
She pushes out the door and there is Lou Solverson, along with Ben Schmidt, guns drawn. Peggy is gone crazy. There’s no smoke or anything. Inside the cooler, Ed is seemingly dead. Yes, I think Peggy has finally lost it for good. Her husband is gone now, too. Even worse. For all her faults, I feel really bad for Peggy right now. I also feel bad for Lou, even Schmidt; Hank is in critical condition at the ICU, Schmidt’s boss is dead and gone, as well are a bunch more police officers due to the Sioux Falls Massacre.

Again, Noreen is reading Camus and The Myth of Sisyphus. Love all the philosophy worked into this season by Noah Hawley and the writers. Betsy is still in bed with Molly, Noreen watching over her. They have a bit of a morbid conversation on cancer and Betsy’s pain, though, she says there’s nothing bad yet. Best of all is how Betsy balks at the Camus philosophy, she has her own view on life. Excellent use of split-screen again, now with Betsy talking and her husband Lou riding along in his squad car, each in their own half of the screen. Nice, brief little bit.
Then we’re back to Peggy, in back of Lou’s car, musing on where she might like to serve her sentence. It’s amazing, though, how Peggy is fairly loopy, yet she can snap into being so sensible, practical, even if it’s still a bit crazy of her. I love her character and I think Kirsten Dunst has done such a wonderful job in the role, she was a great addition to this season. We get a nice conversation between Lou and Peggy, mostly as Lou tells her about being at war near the end; a sad story involving a helicopter pilot, and also a baby being dropped by his mother, but caught by a fellow soldier.

Peggy: “And when you can‘t they say it‘s you – you‘re faulty, like you‘re inferior somehow.”

Part of Lou plays into the Camus reference, and Sisyphus. Lou says protecting one’s family is like a a rock all men have to push. Lou, as it appears, is happy with pushing that rock. Part of the philosophy of Camus in regards to his reference of Sisyphus is that, instead of viewing Sisyphus as unhappy and tortured by pushing the rock constantly back up the hill each day, we must see him as happy, content with his lot in life, and as having embraced the absurdity of life. Therefore, Lou is like the ideal view of Sisyphus here.
In other news, Hanzee receives a new identity in the form of a Social Security Number and such. He also tells the man who brought it for him he needs a “face man“, in order to fix the damage, and possibly transform him into someone entirely new. Dent sees life as “kill and be killed“. He is still very ominous and very scary, I expected him to die but he did not at all. He becomes Moses Tripoli, leader of the Fargo mob in Season 1. Hanzee suggests facial reconstruction, and so now we know the past of Moses. Some say a bit of a stretch. Really? In the Fargo universe it’s perfect. Hanzee goes from an active, merciless killer, to a slovenly older man who dies like a punk later in life. Fitting end for a villain. Even further, the kids Hanzee heads to help out in the ball field last we see him are indeed the young Mr. Numbers and Mr. Wrench, as evidenced by the use of sign language. Amazing, amazing. I can’t say it enough.
Then, director Adam Arkin shows up as a head of the Kansas City racket, slick and bald-headed. Milligan is being congratulated slightly, and the new “oversight” is being explained. Now, the gangster Mike Milligan is being given his own office, a 9 to 5 job, and so on. He goes from street level thug, in the blood and guts, to a guy who has to start wearing pinstripes, cut his hear, and get right of the whole “cowboy thing“. He doesn’t seem happy about it all. But the boss explains it’s all about money, “ones and zeroes“. There is nothing else anymore. Officially, Milligan is out of his element and in an entirely new world: the future, apparently.

Hank Larsson, thankfully, is okay. He’s back welcomed at the Solverson home where Betsy and little Molly are happy to have him back. They get a congratulatory beer each and some nice family time happens, after all that mayhem. Then we finally have a brief mention of the spacecraft at the motel; very brief, but still there. Lou mentions he’ll obviously leave it out of the report, “in subtext” says Hank. Finally some smiles are infecting them all, and Hank gives a beautiful quote quickly, trying not to heavy things up too much. A great scene with three excellent actors, all of whom seem to have good chemistry together.
Moreover, Betsy brings up the room she found at Hank’s place – the one with all the alien related stuff. Hank fesses up after his wife died, depression set in. When he took time off, the senseless and violence of life started to get to him, which Hank describes as due to “miscommunication“. He became interested in the “universal language of symbols” because “pictures are clearer to my mind than words“. Hank says he was sort of making up his own language, in a way. It started from there then grew into an obsession. But his daughter loves him, his son-in-law obviously cares a good deal, and it doesn’t matter. He isn’t crazy, just a man with “good intentions“, how he puts it himself.

Fittingly, the season ends on Betsy and Lou in bed, coming to rest. A great and spectacular end after all the wild madness which preceded it. Loved this finale. I’m very excited that Fargo will, of course, be coming back next year for an additional season. Apparently it’ll be modern day, too. So a change of pace is always fun, as it was for this season going back into a kind of prequel. Noah Hawley and the entire team are amazing, this is one of the best shows on television as of late. Season 2, for me, is even better than the first, but that is NOT knocking the first season at all. They’re both incredible.
Stay tuned with me for other reviews, and I’ll see you back around Minnesota somewhere next year, don’t ya know!

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Fargo – Season 2, Episode 9: “The Castle”

FX’s Fargo
Season 2, Episode 9: “The Castle”
Directed by Adam Arkin
Written by Steve Blackman & Noah Hawley

* For a review of the previous episode,”Loplop”- click here
* For a review of the finale, “Palindrome” – click here

With only this episode and the finale “Palindrome” left, Fargo‘s amazing second season is almost ready to clue up. Is war coming? You betcha.
We start closing in on a book and read about more Minnesota tales, specifically the Massacre at Sioux Falls in 1979. Great little narration at the start here – do you recognize the voice? – with illustrated pictures of everyone from Ben Schmidt (Keir O’Donnell) to Ed and Peggy Blumquist (Jesse Plemons/Kirsten Dunst).

Then we switch to real life, back at the gas station where Ed was awhile back. Out of the woods the station attendant sees Hanzee Dent (Zahn McClarnon). Before the poor fella can dial the police, Hanzee snipes him with an assault rifle. Dent picks up a bit of hydrogen peroxide and a tiny tube of what looks like model glue, or something similar. In the bathroom he uses these items to close up the wound where Peggy stabbed him at the end of last episode. The narrator proceeds to tell us about the enigma that is Hanzee; no birth record, no link to any tribe, et cetera. He’s a lone wolf, that Hanzee.

Ed and Peggy are cuffed. Most of the cops in town are there, too. Lou (Patrick Wilson) and Ben Schmidt look pretty baffled, as do Chief Hank Larsson (Ted Danson) and Chief Gibson (Terry Kinney). It’s a typically hilarious chat between the officers and the Blumquists. Eventually Ed lets slip the information concerning Mike Milligan (Bokeem Woodbine) and the meeting up at Sioux Falls. Can we feel what’s coming? Yer darn tootin’. The worst part is there happens to be corruption inside the police ranks, as noted by one of them officers present. Lou is an army man, plus he knows Milligan and what could happen. But no one else seems onboard with him, he sees the tragedy coming; only Lou seems to understand it’s “dumb luck” that brought Ed and Peggy this far. Hank stays to keep an eye on things, but Lou makes it clear: “This thing‘s officially outta control.”
So Captain Jeb Cheney (Wayne Duvall) offers Ed the chance to go meet Milligan. Wearing a wire, too.
I’m loving this episode’s narration, recapping things in a way that doesn’t feel overly expository (even though it is). Just the charm of the British narrator – Mr. Martin Freeman who starred in the first season – it makes things so fun as we get recaps, yet not full, long ones. It’s fresh, and I dig that. As well, there’s that great split-screen technique happening, of which I’m always a fan. They use it a lot in certain scenes. To great effect, though. Mostly, I find it’s a great transitional tool and the filmmakers/writers together use it very well overall on Fargo.

While Lou is off doing his thing, there’s his faithful wife Betsy (Cristian Milioti) at home. And she is not well, having taken a hard fall downstairs where her daughter Molly finds her laying on the floor next to a bunch of shattered glass. Right at the same moment when Lou is calling on the same pay phone where Ed called Milligan, outside the gas station where Hanzee murdered the cashier. Naturally, the ever vigilant Lou spies the broken glass from Hanzee’s bullet. Inside he finds blood on the wall, a dead cashier. What makes things so great is the fact Patrick Wilson does a fantastic job with his performance, right from the first episode. Just the way his breath gets heavier once he sees the brains on the wall, his silent, physical acting speaks wonders.
I have to note this: on the wall when Lou looks around behind the register, there’s a WE ARE NOT ALONE poster, a small thin one. Will we see more to connect with Hank’s seeming alien obsession?

Speaking of Sheriff Larsson, Lou calls over to Hank, along with Schmidt and Chief Gibson, telling them about Hanzee and the red car he’s driving. But they’re on the way to do their nonsense, even if Hank isn’t totally into all that. Lou’s got a bad feeling, rightfully so. Nobody listens, at least Chief Gibson doesn’t. They’re determined to go in there and take the whole operation down, it seems. Pretty foolish.

Soon as they pull into the motel, escorting the Blumquists inside handcuffed, a scoped sight is visible watching them, unknowing in the parking lot. Captain Cheney and Chief Larsson have a misunderstanding, a little conversation over Lou and his supposed insubordination. Hank is a more sensible man. Then, up across the road perched on a building hidden, Hanzee watches on.
On the Gerhardt ranch, Mama Floyd (Jean Smart) and Bear (Angus Sampson) arrive home. To news from Mr. Dent. He claims Dodd (Jeffrey Donovan) is still alive. He’s about to betray the Gerhardt clan, in a huge way. Is he part of the Sioux Falls Massacre becoming what it is? He tells Floyd it was all Kansas City – “that Milligan fella.” He starts setting up a confrontation at the motel, which Floyd is silly enough to walk right into herself. She won’t just send men in, she wants to do it her way.

And at the motel, everyone is lounging, semi-aware; some of them, anyways. Ben Schmidt is kicked back watching movies on television, stuffing his face. The Blumquists are lounging, sort of. Ed is worried. Peggy, for her part, is a little too chipper, and still trying her best to scheme. And at this point, can we really keep saying oh she’s just crazy? I mean, she’s ended up doing some good. Perhaps Ed, at this point (especially with the idiot police around them), might do better listening to her, or following along with whatever she wings at any given time. Who knows. Because I was sure they were done for a couple times already, and still: here they stand.
One of my favourite shots of this ENTIRE SERIES from either Season 1 or Season 2 happens when we’re back with Milligan. Through a little montage of memories, as Mike is driven to his next destination, we see him remember touching Joe Bulo’s (Brad Garrett) hair way back when they met at a hotel restaurant, then later when he touched the hair after he received Joe’s head in a box. Great, great juxtaposition of scenes in this montage. Another excellent show of film making by the crew on this series, as a whole. The music, the editing, the writing, it’s all so damn tight.

Lou is not going to stand by and let things go bad at Sioux Falls. He heads back over the state line, which earlier he’d been escorted across, in order to try preventing more bloodshed. More amazing score here, as Lou goes back through the hotel room where Constance met Hanzee unexpectedly. There are some incredible pieces of music throughout this season, it is another aspect of the aesthetic I’m in love with.
Do you think it’s any coincidence the gung ho Captain Jeb Cheney is named as such? Perhaps a little on the nose, not exactly subtle. Or maybe it is coincidence. I doubt it.
A foreboding sequence sees Lou watching a Gerhardt motorcade drive by. He knows where they’re headed. We’re cut back to scenes of the unsuspecting officers at the motel; Lou calls out over the radio, but the one in the room where Cheney and the others are now sleeping is off, silent. The only one awake and alert is Peggy, who sits on the bed next to her sleeping husband watching a black-and-white movie with the sound turned off.
Chief Gibson and a couple of the officers play cards. He tells them about the best place he ever took a piss; the kitchen sink. Outside, Hanzee, Bear and the Gerhardt henchmen show up, armed to the teeth. Dent sends the troops in as “Sorcerer” by Junction plays, Bear along with about ten men head into the motel. One man outside is stabbed to death. Upstairs, Hank is getting his uniform on, right when the doors are about to be kicked in. As Bear gives the signal, most of the officers are blown clear away; Cheney in particular takes a shotgun blast which knocks him into the wall behind his bed. No sign of Dodd, though; obviously. Hank manages to gun down a couple men, and likewise so does Detective Schmidt: only the latter gets knocked out by Peggy, still trying to save her and Ed’s own skin. The entire motel is lit up with gunfire.
And down in the parking lot, Hanzee looks Floyd right in the eye as she figures out the men inside are all cops, that he did them dirty. Then, he stabs her right in the gut. He and Bear meet eyes across the parking lot right at that very moment, as he screams “Mom!“. But Lou Solverson popsa shot into Bear’s neck – then the beast of a man goes for Lou, they fight barehanded against the pavement. An AMAZINGLY STYLIZED SEQUENCE here with several of Hanzee’s shots being freeze-framed, each of his shots caught in a glare of light. Sadly there’s a gut shot for Hank, too.

Out of the sky then comes what appears to be an extraterrestrial spacecraft. It hovers over the motel, spotlights on the ground. Hanzee, Bear and Lou all freeze and look into it a few moments. This gives enough time to Lou who blows Bear’s head off. And the Blumquists who toss hot coffee, or something, into Hanzee’s eyes, slipping out of the room and out of sight. One last gun duel goes down between Lou and Hanzee, from parking lot to balcony, before the latter takes off into the night.
After the smoke clears, Lou goes to the room where Hank is wounded. Milligan appears when things are all said and done: “Okay then,” he quips then gets into his car again driving off with Gale Kitchen (Brad Mann).

Lou: “Dinner Sunday?”
Hank: “I‘ll be there. In a suit of armour.”

With Hanzee still on the run, Lou still on his toes, what will the Season 2 finale “Palindrome” have in store for us?
Stay tuned and we’ll find out together. See ya then, folks.

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Fargo – Season 2, Episode 7: “Did You Do This? No, You Did It!”

FX’s Fargo
Season 2, Episode 7: “Did You Do This? No, You Did It!”
Directed by Keith Gordon (Mother Night, Waking the Dead)
Written by Noah Hawley/Ben Nedivi/Matt Wolpert

* For a review of the previous episode, “Rhinoceros” – click here
* For a review of the next episode, “Loplop” – click here

Well, shit is really goin’ down in Minnesota, no?
After the exciting “Rhinoceros”, this episode begins with some people being gunned down in an office building from a window cleaner’s basket. We quickly cut to Mike Milligan (Bokeem Woodbine) looking especially grim. Jethro Tull plays “Locomotive Breath” over a montage including the remaining Kitchen Brother garroting a man, as well as (some of) the Gerhardts laying Otto’s body to rest. Floyd (Jean Smart) has people in from Buffalo helping with all the chaos. Bear (Angus Sampson) gives her a little bad news, and young Simone (Rachel Keller) nudges her way into family business a little. More than anything, Floyd backhands her granddaughter and, I’m sure, this will drive her even further into the arms of Milligan.

Simone: “This family deserves the ground”

Lou Solverson (Patrick Wilson) and his new sort-of-partner Ben Schmidt (Keir O’Donnell) show up to take Mama Floyd in for some questions. Before they leave, though, there’s a brief back and forth between Lou and Bear. Just enough to show Bear/the Gerhardts have no time for the law, as well as the fact Lou has balls of steel and won’t back down from their force either. Love the dynamic between the big mafia-style Minnesota family and Solverson’s relentless will to serve the law.
Fucking Terry Kinney! He shows up as Chief Gibson, not impressed with having Floyd Gerhardt in his interrogation room. At the same time, he is not a bad guy, nor does he seem like a dummy. So Gibson and Hank Larsson (Ted Danson) hop in for a chat with ole Floyd, while the other two do their duties. There’s good conversation between Floyd and Hank specifically. Again, I’m not huge on Danson other than Cheers – here, he absolutely holds his own and does fine stuff with the character of Hank; he’s a great addition to the second season cast.
More great music with The First Edition’s “Just Dropped In (To See What Condition My Condition Was In)” playing with Simone heading into a seedy hotel. Upstairs, Milligan is being talked to rather disrespectfully; due to the opening shooting we witnessed. Turns out Mike has an ultimatum – either take care of things, or the man on the phone says: “I’m sending the Undertaker“. Simone’s pissed her father Dodd (Jeffrey Donovan) wasn’ killed, and rather grandpa got shot up. Milligan doesn’t care; he’d rather quote historical figures from Martin Luther King back to one of the King Louis. Then into the room bursts Lou Solverson alongside Ben Schmidt, guns drawn, knocking Gale Kitchen (Brad Mann) to the floor. Looks like trouble for Mike and his plans, right? Well, on the elevator down Schmidt has a bit of a… close encounter, with Simone. So trouble for Ben right away.

Simone: “I mean, sometimes a girl just wants to bust a nut, y’know.”

Downstairs, Bear picks up his niece in an intense scene. Upstairs, Lou reiterates to Milligan: “We’re not meant to need more than we can handle.” They talk about greed, “all or nothin’“. Very interesting little moment, especially with the abilities of Patrick Wilson as an actor versus Bokeem Woodbine who is equally amazing in this season. There’s something fun about the typical cop versus criminal turned into a more interesting, elegant, and at times comical situation. Instead of chase chase, bang bang, et cetera. For all Solverson’s efforts, Milligan believes the Gerhardts are the past, and “we are the future“.
Snap from the hotel to Betsy Solverson (Cristin Milioti) who arrives home to suspicious boots in her porch. Immediately, and very smart, she goes for a shotgun in the closet and goes up to the kitchen. There stand Karl Weathers (Nick Offerman) and Sonny Greer (Dan Beirne) cooking breakfast. Apparently her “lesser half” asked them to make sure she was doing all right and to look after her and Molly. Awesome little scene I thought fit in well among everything else happening during this episode.

Bear takes Simone on a ride in the truck. It’s tense, as Bear talks in a low, grumbling voice and appearing cold to his niece. She is rightfully nervous, having just before walked out of the hotel where Milligan was staying. Then Bear pulls over out in the woods, asking Simone to come – “You’re scaring me,” she tells him. He’s scaring me, too. Slowly he walks his niece out further into the trees, accusing her of “sleeping with the enemy” and talks about how women had their heads shaved for “bedding Germans“. The cinematography here is equally as eerie, it unsettled me to watch overhead as Bear basically – I assume – takes Simone on a death march. Plus, a few creepy handheld-like shots quivering together in a big, beautiful edited jumble. I really loved this whole bit, no matter how brutal it was beneath it all. Just an incredibly great sequence from visuals to performances. Added to all that, a serene and gorgeous rendition of “Danny Boy” is sung over top of a montage including Bear smashing the cast off his arm after leaving the woods alone, quick cuts of still alive Rye and Simone, and a shot of Dodd. An entirely unexpected 5 minutes, which work so perfectly. Another example of the quality work being put into this series, from the camerawork to the writing to all the choice music being used for such memorable scenes.

Simone: “We’re family”
Bear: “None of us are family anymore”

Back at the station, Floyd is trying to take everything on herself. Gibson and Larsson just want information from her, so they try and make a deal to not see any further bodies pile up. She gives them the low down on the Kansas City drug operation, the drugs hidden in tires, and so on. Is this going to come back and bite Floyd? Should she, in her ‘line of work’, be making deals with police? Of course, morality says yes. Although the criminal code doesn’t smile favourably on such nastiness. Excellent editing once more in this scene, as Floyd in the interrogation room is cut in split-screen shots with Milligan at his hotel.
And then Mike receives a phone call: “The Undertaker’s coming. You’re done.”
Betsy and Karl have a good, morbid talk together. She wants him to look out for Lou after she’s gone, already anticipating her own death; like any of us would, I’m sure. Then she goes over to feed her father’s cat, which leads to her finding a room full of all sorts of drawings, markings, strange things that LOOK like Hank is interested in aliens. Am I right? I saw something “…Of the Gods” on his desk, maybe – could be any number of texts. Either way, it appears he might be a little out there?!

Throughout an interesting and low-key, though briefly vicious episode, the best comes when The Undertaker arrives at the hotel. He comes to see Milligan in his room accompanied by two Asian men, who look bad ass, as well. Then Mike comes charging out to say hello, popping a tiny gun from his sleeve and shooting The Undertaker right in his face. The two Asians are done in fairly quick afterwards.

On the phone then calls Ed Blumquist (Jesse Plemons). He says “this is your lucky day: I’ve got Dodd Gerhardt in the trunk of my car, you want him?” WHOA! I anticipated something along these lines, yet not at all ni this way. So now we know where Dodd is. As does Hanzee apparently.

Very excited for the next episode, “Loplop”. I’m anticipating a wild one, but we may get another calm before the storm like this one. Who knows. Stay tuned, fellow fans!

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Fargo – Season 2, Episode 5: “The Gift of the Magi”

FX’s Fargo
Season 2, Episode 5: “The Gift of the Magi”
Directed by Jeffrey Reiner
Written by Ben Nedivi and Matt Wolpert

* For a review of the previous episode, “Fear and Trembling” – click here
* For a review of the next episode, “Rhinoceros” – click here
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The beginning of this episode begins with an excellent voice-over. I’ve awaited this moment. A bus flies by with REAGAN across it, all the while there’s Bruce Campbell giving a speech as the ole Gipper. Brief, but amazing.
Then, out in the middle of nowhere, Joe Bulo (Brad Garrett) and Mike Milligan (Bokeem Woodbine), alongside the Kitchen Brothers and a bunch of other men. Are they going out hunting? Looks like it. But hunting what? Bulo and a hunting guide of sorts head out to hunt, shoot skeet, whatever.
More of the excellent editing here. The splitscreen technique takes us between Reagan, back on, speaking to a crowd including Lou and Betsy Solverson (Patrick Wilson/Cristin Milioti), Constance (Elizabeth Marvel) and a ton of others – to Hanzee Dent (Zahn McClarnon) driving back to the Gerhardt Ranch. There, he gives Rye’s belt buckle back to the clan. Dodd (Jeffrey Donovan) and Bear (Angus Sampson) are not happy, neither is Mama Floyd (Jean Smart). Naturally.

Out in the woods, a massive shitstorm comes crashing down on Bulo. There are guns firing. People are shot, chaos descends. The Kitchen Brothers come out blazing, too. Then out of nowhere comes Hanzee – he annihilates the two shotgun wielding brothers with a huge knife. Incredibly wild. Especially afterwards, once Bulo comes shambling out of the woods to find Hanzee waiting for him by the cars. All the while we’re still hearing Campbell’s Reagan giving a speech. There are some parallels between Reagan and the sort of stuff happening in the small little Minnesota town. I expect the whole Reagan angle to make a nice overarching theme once the season is done.
Then we’re back to the troubles of Ed and Peggy Blumquist (Jesse Plemons/Kirsten Dunst). Poor Ed is having nightmares of Rye, the night of his death, all that. Even worse, Peggy is trying to convince her husband to take off. Lou really put the spook in her last episode. But Ed doesn’t want any part of that. He wanted such a normal, quaint life, and with Peggy’s mistakes – her massive blunders – it’s really all her that’s put them in such a terrifying position. I feel bad for Peggy, I mean, she’s sympathetic. Yet Ed is where my sympathies truly lie.

The Gerhardt youngsters are each their own type of fucked up. First there’s Charlie (Allan Dobrescu) who wants to pull the trigger, to avenge Rye, as he believes it has to be a Gerhardt to do the job on the butcher. To which Dodd agrees.
And then there’s Simone (Rachel Keller). She takes off from her father, out to see Milligan. Surprisingly, one Kitchen Brother remains; I thought he was also dead (“I see Thing 1, where’s Thing 2?” asks Simone). Things get damn tense. Milligan has a box with the head of Joe Bulo in it. He’s not completely convinced of Simone and her allegiance, whether it still lies with her family or with him, as her new lover: “If you want me to take you seriously, you have to be a serious person.” And he essentially gives her an ultimatum, to tell him everything before the Gerhardts even move on a plan, or else she can “die with the rest of ’em“.
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Lou Solverson’s new contact in Fargo P.D., Bed Schmidt (Keir O’Donnell), gives him a call over the radio. He’s got the mess in the woods to deal with, the Bulo situation and all those puzzle pieces. Looks as if those two are going to have their hands full. Another trip to the Gerhardt Ranch is on the schedule. Can’t wait.

Noreen: “Camus says knowin’ we’re all gonna die makes life a joke”
Ed: “So what, you just give up?”
Noreen: “You could just kill yerself. Get it over with.”
Ed: “C’mon ya gotta try”
Noreen: “No”
Ed: “You go to school, you get a job, start a family.”
Noreen: “You die”

One of Fargo‘s incredible strengths comes through how the tension plays out, the suspense and the technique of drawing it out. Great sequence here where Charlie heads into the butcher shop in order to kill the butcher. There’s a very tense lead up, then a funny little exchange between Charlie and Noreen concerning the Camus book she’s reading, which really breaks the tension. Yet still, this tension switches back once Ed shows up through the door from out back – we get a split-second view, from Charlie’s P.O.V, as Ed looks mean and full of blood. Then it snaps to the natural, friendly Ed. So, as we all predicated, Charlie only walks away with some cuts of beef. No dead Ed.
At the Blomquist home, it appears Peggy has plain ideas about what she wants to do. She’s packing suitcases, though, it looks as if they’re only her own. Cut to: Peggy leaving a bus, suitcases in hand. She’s headed to the garage for the car. Awkwardly, she gets it back and fumbles through a conversation with the mechanic. This is the problem with Peggy: she is fundamentally a person without sense. She never does anything with a plan. But to my huge surprise, silly Peg goes to the garage instead of running. She takes a cold $700 from the mechanic for the car, seemingly intent on putting that towards buying the butcher shop. Is this a good thing? Will this help bring her and Ed closer back together, at least on the same page again? Hopefully so.

Bear: “How’d it go this mornin’?”
Hanzee: “Killed a few, lost a few.”
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There’s a ton of further tension in the Gerhardt family. We see a brief encounter between Bear and Hanzee. Then a worse one between Dodd and Bear – the latter is proud to serve with his mother as the head of their racket, the former has no time for “taking orders from a woman“. We’re going to see some serious fallout between the brothers, I think. First, there’s the fact of this confrontation. Then there’s also Dodd sending Charlie out to do a terrible thing; even though he didn’t do it, a good uncle would never involve a nephew like that.
Great meeting between State Trooper Solverson and Ronald Reagan in a washroom. Over a piss, Reagan relates a (partial) tale of some war picture he’d been in. Afterwards, Lou babbles on about the “sickness of this world” possibly being inside his wife, giving her cancer, as if he brought some of it back from serving in a nasty war. I feel for him. No doubt he has his demons. Although, Reagan isn’t anyone to try and assuage any fears. His only response once Lou asks an important question is to squeeze Lou’s shoulders, smile, then head off. Amazing, Campbell is such a perfect vision of Reagan that it baffles me. I couldn’t see how it was going to work when I first heard the casting news ages ago. Now, I kick myself to have thought anything other than: fucking awesome.

Lots of family relationships, good ones, in this show. Between the different Gerhardt dynamics – Dodd/Bear, Dodd/Charlie, Dodd/Simone, & Dodd/Floyd (a pattern emerges) – and the Solversons, I’m loving every minute of the scenes involving any of their characters.
Particularly, I love Hank Larsson (Ted Danson) and his daughter Betsy Solverson. They’re great together. I’m not usually even a fan of Danson’s, but there is a finesse and subtlety with which he plays the role I can’t deny. Especially in this episode, as he tries consoling his terminally ill daughter; there’s a point you could almost cry, he’s so tender and gentle and silly. Great few moments here.
Then we fall back to Charlie. He wants to go back to school, trying to call his father on the phone. But the man who Dodd sent with the boy wants to settle things. Thanks to Noreen, Charlie misses Ed. Then a massive fight breaks out between the Gerhardt henchman and Ed, a fire ignites after Charlie pumps a shot in the wrong direction.
Yet Ed proves to be almost superhero-like. He whacks the guy with a meat cleaver, plants a butcher’s knife in the henchman’s head, then gets Noreen + Charlie out to safety (even though the young Gerhardt took a bullet – maybe just a stray grazing or something). Then, instead of sticking around, Ed takes off. No doubt to make sure Peggy is okay. Or is he now convinced leaving town is best?

Dodd: “Bein’ grown’s got a price”
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Ed flies back in the door trying to tell Peggy they need to pack and leave. Worst timing ever, right? They’re destined to never be on the same page. She’s already sold the car, changed her mind. Now, everything has changed in the blink of an eye. The shop burned up, anyways. MAN, OH, MAN! I feel so terrible for the Blumquists. There’s a nasty irony to everything happening in their lives. Tragedy lurks around each and every corner they come to.
The shit really hits the fan spinning when Ed and Peggy hear sirens, the reds and blues flashing around outside their door. Harsh and darkly comedic moment, as they both stare out towards the front door, seeing it all. We return to Billy Thorpe’s “Children of the Sun”, which played in an earlier episode – it plays as the credits roll. Quality finish to a solid episode.

Excited to see/review “Rhinoceros”. Stay tuned for the next episode’s rundown!

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Fargo – Season 2, Episode 4: “Fear and Trembling”

FX’s Fargo
Season 2, Episode 4: “Fear and Trembling”
Directed by Michael Uppendahl
Written by Steve Blackman

* For a review of the previous episode, “The Myth of Sisyphus” – click here
* For a review of the next episode, “The Gift of the Magi” – click here
This episode begins with a flash to 1951 – Moonbase Freedom starring Ronald Reagan (not an actual film) plays in a small movie theatre. On the way there, a boy and his father rattle along in a truck. Over top of the scene Count Basie plays, “Topsy”. A man named Kellerman (Kai Lennox) sits waiting for the father. Ends up with dear ole dad about to be shot in the back of the head, but then the young boy ends up knifing Kellerman in the back of the skull. Turns out, this is little Dodd and papa Otto back in the day.

Otto: “Like the heads of Easter Island”
Dodd: “What?”
Otto: “Not a sound”
Back in their current timeline, Dodd (Jeffrey Donovan) is teaching his nephew Charlie (Allan Dobrescu) the ways of the Gerhardt clan. They end up at a restaurant where Dodd tasers a man violently, getting Charlie to join in on the action with a few punches. Nice bonding. Surely Bear (Angus Sampson) is going to be REAL happy with his brother showing his son – someone he wanted to be away from the family business – the dirty, gritty ropes. Not just that, we get a bit of Devo’s “Too Much Paranoias” to boot. Jam.
At the same time Lou Solverson (Patrick Wilson) accompanies his wife Betsy (Cristin Milioti) to the doctor where they have an extremely frustrating conversation. Essentially, she’s asked to be part of a trial for an experimental drug, but naturally there’s no guarantees she’ll get anything real. Possibly just a placebo, like “a Smartie – you know, a Smartie.”
Then there’s Ed and Peggy Blomquist (Jesse Plemons/Kirsten Dunst) who are trying to go about their lives. In fact, among all the madness they’ve become involved with – re: Rye Gerhardt (Kieran Culkin) – they seem to be gunning for a baby. Or at least Ed is, anyways. Their problems are plenty, and it’s not as if they’re going away any time soon.
Ed: “Today’s the first day of the rest of our lives”
Hanzee Dent (Zahn McClarnon) is more and more a character I’m interested in. At first, he seems like the typical bad guy, the silent man waiting in the wings to do crazy things. But then we see him at the crime scene, we watch him check out tire tracks and look into the sky like a clairvoyant. Though, he isn’t. Just a smart man who has obviously spent his life around these types of nasty situations. Clearly we’ve seen this already last episode in “The Myth of Sisyphus“. We’re just expanding further. He tracks down the Blomquist car at a garage, where a very Coen-ish type mechanic character gives up a little too much information about Ed.
Then we get a glimpse of Hanzee’s character. Is it true? He talks about being a Tunnel Rat during Vietnam, after the mechanic mentions being in the war himself. Very brief, before Karl Weathers (Nick Offerman) interrupts and shoes Dent off.
Mr. Mike Milligan (Bokeem Woodbine) has ended up in bed with Simone Gerhardt (Rachel Keller). Shit. That can’t be a good idea, can it? She’s clearly not too worried about her family, especially not daddy Dodd whose fists are a little too liberal around the house. But still, Milligan certainly isn’t making things easy for himself. Then again he doesn’t feel like the type of guy who cares about things being easy; in short, he’s a bad motherfucker. Or, at the very least, one cool cucumber.
Lou heads over to the garage where Sheriff Hank Larsson (Ted Danson) is on the scene. They get the scoop on Hanzee, though, you can be sure Lou doesn’t exactly feel right about any of it. He has a brief flash to his run-in with Ed at the shop recently, which will come to bear later on.
The Gerhardts, lead by mama Floyd (Jean Smart), head to a big meeting with Joe Bulo (Brad Garrett); Milligan is curiously missing, no doubt held up by Simone. Then Floyd lays it all out on the table – they will not be backing down: “Partnership, not a sale,” she tells Joe. But it’s evident Floyd is one tough lady. She tells Bulo a little bit about her hardships, then makes clear: “We’ll fight to keep what’s ours ’till the last man.”
However, as we could’ve already assumed, Bulo isn’t too keen on taking the offer straight up. He wants assurance the Gerhardt boys will follow mom’s orders. Floyd tries her best to assure Bulo this will be the case, though, Dodd makes a scene. We’ll see how things go from here.
As if Otto Gerhardt (Michael Hogan) hadn’t been through enough with his stroke, Milligan had to go and make things worse. He wasn’t still with Simone. While Floyd met with Bulo, Mike and the Kitchen Brothers killed the men transporting Otto around. I thought they were actually going to kill Otto off, but Mike simply gave him a Godfather homage: “Joe Bulo says hello.” Then at the table, word reaches Bulo and the counter offer is rejected. Things are about to get even more dark and violent than ever before.
More Blomquist drama. Poor Ed. He wants to buy the shop so bad, the meat shop where he works, but Peggy’s been less than upfront with her unsuspecting husband. He’s trying his best to get things straight with her. Peggy went and dipped in when Ed thought they were clear on the money situation – even worse, Constance (Elizabeth Marvel) pushes her into being an independent woman, which is great, but Ed isn’t even being a bad guy. She’s basically fucked them and Ed only wants to buy the shop so they can be better off – instead, Constance is telling her what to do while trying to make it appear as if Peggy is living free.
Then in the background, Hanzee rolls by giving them the eye; Ed meets his gaze briefly, you can almost see it shake him.
A little later Mr. Dent strolls into the Blomquist garage, alone, quiet. He knows the ways of murder. He rubs the floor, smells it, and then looks up to find bleach on a shelf nearby. There’s an amazing presence Zahn McClarnon displays, as Hanzee walks around the house and examines everything, flicking his Zippo open to have a look here and there, even finding what looks like Rye’s belt buckle in the fireplace among the ashes. Over top of the scene plays “Song of the Earth” played by the Philharmonic Orchestra, a piece by Gustav Mahler.
Perhaps the most tense of all comes when State Trooper Solverson goes to see the Blomquists. They feed him a nervous, awkward story about what happened with the car – and Ed happens to spy, out the corner of his eye, the fireplace has been moved around a bit. Uh oh.
Yet Lou seems to want to help. At least in the sense he gives them the benefit of the doubt. He goes into a story about war, the look in a boy’s eyes after he’s been shot – the sort of unaware sense, not realizing yet what has happened. Lou’s identified that look in Ed and Peggy. He straight up knows, even bluntly stating who the man was they hit. All the same, the Blomquists keep up the charade. A very great moment comes when Ed looks up at a painting on the wall – a picturesque landscape of a farm, the ideal, the dream they hope to attain – and you can see he’s just not willing to let go of the hope that they can get out of this without admitting to what they’ve done. But Lou knows, and he tries telling them to be careful anyways.
At Ranch Gerhardt, the boys are wondering what mama Floyd wants to do about Bulo and the coming onslaught. “It’s war,” she tells them defiantly.
But what I love most about this moment is how they cut from one strong woman to another: Betsy. She’s sitting at the kitchen table staring down her experimental drugs, about to go to war herself. Nice little shift. Plus, there’s a good little scene between her and Lou when she goes out to find him on the lawn. He laments about how “we used to know right from wrong” – we, the society. It’s strange because we don’t often get such a strong and righteous type of character like Lou. Yet in the Fargo universe, we do get those characters. They come into such incredible contrast with the darker, more malevolent characters at play. So, to see Lou dealing with his wife fighting cancer, as well as watching the world he knew and loved slipping away bit by bit, now with seemingly normal and moral people like the Blomquists covering up murders, it’s a tragically exciting situation character-wise.
Every week I’m left craving more. One of the best shows on television, ever. Next episode is “The Gift of the Magi”, directed by Jeffrey Reiner.
Stay tuned for another one. Looking forward to it!

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Fargo – Season 2, Episode 3: “The Myth of Sisyphus”

FX’s Fargo
Season 2, Episode 3: “The Myth of Sisyphus”
Directed by Michael Uppendahl
Written by Bob DeLaurentis

* For a review of the previous episode, “Before the Law” – click here
* For a review of the next episode, “Fear and Trembling” – click here

Starting with the last episode, “Before the Law“, Noah Hawley & Co. have been instilling this season with a great bit of existentialism. For those who may not know, “Before the Law” is a story told to K in Kafka’s The Trial. So immediately with the name of that episode came other implications. Now, with this 3rd episode, “The Myth of Sisyphus” moves slightly from strictly existentialism to Albert Camus and absurdism; the name of this episode is one of Camus greatest essays.
Keep thinking back to certain moments. Particularly I’m reminded of the previous episode when Sheriff Larsson (Ted Danson) sits talking with Lou Solverson (Patrick Wilson), how they talk about the war coming home with them, as if searching for meaning, some reason why violence – terrifying violence – is right at their doorstep. And this is where Camus certainly comes in: there’s an absurd aspect to the human want and need to define life’s meaning, to find something they can point to and say “THIS IS IT!”, because life merely unfolds however it wants and there’s nothing else to change or stop it. Life just happens.
This episode opens with a strange moment. Hanzee Dent (Zahn McClarnon) pets a rabbit while remembering seeing a magician as a young boy, pulling one out of a hat. Then he snaps its neck off-screen, walking back towards the Gerhardt house. “Yama Yama” by Yamasuki begins to play, which is pretty great. Another montage to start things.
Then the Gerhardts have some visitors. They’re “talking about the Kansas City Mafia“, Floyd (Jean Smart) tries to lay things out as the matriarch in charge while her husband sits near catatonic after a stroke. Her son Bear (Angus Sampson) continually backs her up, while constantly eating. Dodd (Jeffrey Donovan) wants to go warring, but Floyd does not. Their visitors agree if any trouble comes the Gerhardt way, they’ll “cut the god damn nose off their face“.
At a small restaurant of some sort, Mike Milligan (Bokeem Woodbine) is late for a meeting with Joe Bulo (Brad Garrett). They have a quirky conversation about hair, soft water, and Agree shampoo. They also talk about whether or not the Gerhardts will be killed, or whether they’ll be offered more money. They’re still looking for Rye (Kieran Culkin). Good luck.

Over in Luverne, Minnesota, trusty Lou Solverson (Wilson) chats over radio with Sheriff Hank Larsson (Danson). Their chemistry is continually awesome. A new dynamic comes into play for Lou in this episode. Ben Schmidt (Keir O’Donnell) is working the case on the other end. This fella doesn’t seem quite right. He’s askew in some sort of way. Not sure how yet, but definitely sketchy. Either way, he and Lou end up together for a little while throughout “The Myth of Sisyphus”.

Hank: “Over and out… I guess.”
Peggy Blomquist (Kirsten Dunst) finds herself sweating it out at the salon where she works. Constance (Elizabeth Marvel) is coiffing Betsy Solverson (Cristin Milioti), as father-in-law Hank walks in with a wanted poster for – you betcha – Rye Gerhardt. Then Betsy reminds Hank of the shoe in the tree at the diner, they talk about a hit-and-run situation after the shooting. But slyly, and maybe a bit too ballsy, Peggy jumps in to say “that just don’t make sense“. Somehow, the do-goody Dudley Do-Right in Hank agrees, assuming no good citizen would just run a man down then drive home “with a Gerhardt in the your windshield and cook dinner“. So darkly, hilariously ironic. The absurdity of it all.
Naturally, Peggy rushes to take husband Ed (Jesse Plemons) home from work. It’s almost nerve wracking to watch her stumble around, so close to getting them caught.

Skip Sprang (Mike Bradecich) – former partner on the down-low of Rye – ends up running into Solverson and Schmidt. He’s more than obvious about being nervous; Lou points out he’s a “squirrelly little fella“. In fact, Lou spied him heading over to the office of the judge who Rye killed at the diner. So, this is another man unaccustomed to crime, just as the Blomquists, who will eventually run himself into trouble all because of his own sloppy nature.
Skip runs straight to Rye’s apartment. Instead of Rye – obviously – he finds Simone Gerhardt (Rachel Keller), who is a bit of a problem child for her father Dodd. Hanzee looks after her a little, but Mr. Dent is definitely slightly psychotic. He is way too comfortable with blood all over his hands. I love his presence, though. Hanzee is a mysterious type of character.
But it’s bad news for Skip. He ends up getting taken back to Papa Dodd and the clan.
Simone: “Whaddya say, red man – should we have some fun?”
Hanzee: “You betcha”

Peggy drags out to the woods with their beat up car. She uses a plan one of her uncles came up with after smashing his car while drunk. After the car is taken care of, Rye is already ground up, Peggy believes they’ll be “free“. Nothing goes as planned, but eventually ole Ed gets it right. I feel so bad for him. He’s been pulled into such a mess by Peggy, who continually leads him down the path she thinks is best. Yet at the same time, Ed simply goes along because he loves her. To death.
Lots of other stuff happening at the Gerhardt house. Young Charlie (Allan Dobrescu) wants to have more of a hand in things, but Bear would rather him go back to school and stay out of what’s about to go down. So it isn’t just Dodd who has trouble with his children.
At the same time, Solverson and Schmidt show up at the Gerhardt ranch. This is an amazing scene. Patrick Wilson brings out the inner badass of Lou – “Am I the only here who’s clear on the concept of law enforcement?” But it becomes clear quickly Ben Schmidt knows the Gerhardts a little too well; Floyd comes out and even asks about his mother. After things start to get slightly tense, Lou has to lay down the law and stand his ground. Dodd shows up to toss more fuel on the fire, but Lou does not back down. Not in the slightest. Great, great tension here. I honestly didn’t know how things would turn out! Clearly we all know Solverson doesn’t die – he was already in the first season as an older man. But still, that’s the master strokes of this show and its power: you can already know something, or think you know, and it will find a way to surprise you.

But wait – there’s more Lou Solverson badassery.
He goes to check in on Skip, the squirrelly typewriter salesman. Rather than finding him, he comes across Mike Milligan, accompanied by none other than the Kitchen brothers, Gale and Wayne (Brad & Todd Mann). There’s a bit of a stand-off. Except in the Minnesota plain speak style. Another quality scene, almost better than the previous with the Gerhardts. Won’t spoil too much more here. Though obviously, Lou does make it out. A tense scene with lots of style.

Milligan: “So, where’d you say you saw old Skip?”
Lou: “At your mother’s house. I think goin’ in the back door.”
A chilling end to this episode, definitely the most disturbing bit since the opening shooting at the diner. Dodd and Hanzee put Skip in a dug out hole, making him lie down. Then they back up a dump truck full of asphalt with which to bury him alive. Although it seems like Dodd’s about to let him live, once Skip reveals Milligan was looking for Rye, there’s no hope ultimately. The asphalt covers him, he’s dead. Now it’s clear Dodd is taking the reigns, ordering Hanzee to kill anyone who gets in their way.
Very excited for the next episode, “Fear and Trembling” – another philosophy title. This time from Soren Kierkegaard’s text of the same name, a great read for anyone interested in philosophical thought.
Stay tuned, Fargo fiends! We’ll be back for more next week.

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A Place for Long Form Film & Horror Essays

Tag Archives: Noah Hawley

Fargo – Season 3, Episode 3: “The Law of Non-Contradiction”

Fargo – Season 3, Episode 2: “The Principle of Restricted Choice”

Fargo – Season 3, Episode 1: “The Law of Vacant Places”

Legion – Chapter 2

Legion – Chapter 1

Fargo – Season 1, Episode 10: “Morton’s Fork”

Fargo – Season 1, Episode 9: “A Fox, a Rabbit, and a Cabbage”

Fargo – Season 1, Episode 8: “The Heap”

Fargo – Season 1, Episode 7: “Who Shaves the Barber?”

Fargo – Season 1, Episode 6: “Buridan’s Ass”

Fargo – Season 1, Episode 5: “The Six Ungraspables”

Fargo – Season 1, Episode 4: “Eating the Blame”

Fargo – Season 1, Episode 3: “A Muddy Road”

Fargo – Season 1, Episode 1: “The Crocodile’s Dilemma”

Fargo – Season 2, Episode 10: “Palindrome”

Fargo – Season 2, Episode 9: “The Castle”

Fargo – Season 2, Episode 7: “Did You Do This? No, You Did It!”

Fargo – Season 2, Episode 5: “The Gift of the Magi”

Fargo – Season 2, Episode 4: “Fear and Trembling”

Fargo – Season 2, Episode 3: “The Myth of Sisyphus”

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