Spike’s The Mist
Season 1, Episode 1: “Pilot”
Directed by Adam Bernstein
Written by Christian Torpe
* For a recap & review of the next episode, “Withdrawal” – click here
Bryan Hunt (Okezie Morro) wakes in the woods with a dog named Rufus. It’s almost as if he isn’t sure he’s himself: “I am Bryan and you are Rufus,” he says assuring himself. All around him a fog, a thick mist wafts over the forest, over everything. The dog runs in and Bryan chases him. But inside the mist is something terrible, it guts the poor animal to nearly nothing, a pelt left and innards, blood splattered all over the ground.
A woman named Eve Copeland (Alyssa Sutherland) is chastised for teaching topics not meant to be covered in the curriculum at her school, such as sexual education. She’s taken it upon herself, since it was taken out, to teach it at her discretion. This lands her with a temporary leave from work. She and her husband Kevin (Morgan Spector) discuss things, deciding to take it all as it comes. They’ve got a good family, nice neighbours including Natalie Raven (Frances Conroy). It’s a typical small town, people watching the football game and cheering the local boys.
Then there’s Mia Lambert (Danica Curcic), being held in a barn by some man, having the shit kicked out of her. Calls her “junkie” and knocks her around. Before she stabs him in the gut with a pitchfork.
Christ, there’s a lot going on in this place. A town full of wild characters, normal characters, everything in between.
Kevin and his family are interesting, he loves his wife and at the same time recognises she can be cold, particularly with their daughter Alex (Gus Birney). Later at a party when her father lets her go out, Alex and Adrian (Russell Posner) run into a bit of trouble. Until football nice guy Jay Heisel (Luke Cosgrove) jumps in to help Alex after another player calls him a “faggot” in front of everybody.
At the police station, Hunt runs in talking about “something in the mist” and his dead dog. He wants to get a gun, so they naturally believe he’s gone mad. Local cop Connor Heisel (Darren Pettie) throws him in a cell, as he raves about the thing in the most, that it’s coming for them.
Mia goes to her mother’s house, only it isn’t her place anymore. She’s dead, someone else lives there now. This woman’s got history, a deep and dark one. Look forward to seeing more of her. The characters in general are very quickly developed, well rounded, in the sense it’s easy to feel part of their lives. All the better for when the horror begins.
Problems start when Alex tells her parents she blacked out as someone led her upstairs at the party, after she was drinking. Fuck. Someone raped her. She blames herself, but mom assures her it isn’t her fault. Turns out Adrian knows what happened, claiming that Jay did it. Furthermore, Eve is pissed with her husband for letting their daughter go to that party. It’s nobody’s fault except for the dirty rapist.
The cops ask Bryan a few questions. He mentions he’s homeless, doesn’t remember his Social Security Number. They treat him like an asshole instead of being either bit understanding, throwing him up against the bars and acting aggressive. Ah, American law enforcement!
In her garden, Natalie sees a bunch of toads come out, other insects and things acting strangely, birds flying away from a patch of woods in the sky. An eerie omen.
Tests at the hospital are tricky, confirming a drug in her system, meaning she was passed out. Although there’s no trauma, which of course in a fucking court would cast all kinds of doubt because humans are idiots. Meanwhile, Alex finds only slight comfort in Adrian at home. They know how the town will act in the face of football star Jay being accused, refusing to believe he could be anything but wonderful. A few jocks already vandalise the street outside with the word WHORE. Simultaneously, Connor coaches his son along. Sort of assuming he’s guilty, only telling him he won’t go to jail. Yikes. What a mess they’re into, all of them.
Mia’s broken into a barn out back of her mother’s, digging up a bag. The owner ambushes her, keeping her at gunpoint. She gets the drop on him, yet has to leave without her satchel of cash and passports and whatever else. Cops catch up with her, though. She’s thrown in prison right next to poor Bryan.
Eve wants to take her daughter out of the house, leaving Kevin behind. She doesn’t feel it’s safe there for Alex. Mom knows about “guys like Jay” and she needs to get them away from there, at least for a few days. All the while that mist keeps on creeping.
And Natalie, along with her reluctant husband Benedict (Derek McGrath), she’s a bit of a conspiracy nut. She’s reading up on things, on “nature turning sour.” She wonders if there’s a connection with what she saw earlier, looking at microfiche of newspaper from 1860.
Outside the police station are noises, car horns and a crash. The mist is swallowing the town, opening wide above it and covering everything. Alex drops hints about her mother’s past, saying that the town knows she was a slut; prompts a strong reaction from Eve. Did something bad happen to her? With that mist growing, Kevin, Connor, the other officers, they’re clouded in it. Cell reception drops out. And one cop taking selfies in the foggy air meets a pack of bugs swarming him, devouring him.
People don’t know any better, so they head out into the mist. It’s so thick they literally can’t see more than several feet ahead of them. A man with a gun appears, not knowing if what he’s seeing is real before shooting Benedict right in the throat, sending Natalie off on her own, stumbling into the church to the arms of Father Romanov (Dan Butler).
Kevin and Connor are about to leave, but the former runs in to get Adrian. He’s left with the decision of leaving Bryan and Mia, or taking them, as well. Mia does a good job talking him into letting them go, clashing with the kid a bit first. She’s a bad motherfucker. Outside, Connor leaves them behind like a coward.
What we can see is all the conflict in the town that’s about to be stuck in close quarters, every hateful remark, every nasty rumour, every secret bound together in a tight spaces with others of the same kind. Whereas The Mist we know stuck to a smaller space, it looks as if – at least at first – some of the groups of people will be separated in various claustrophobic locations.
One perk? A woman who says Alex “lied about getting raped” walks directly into the mist, like a dummy, and the people inside the shopping centre watch as she has half her face torn off, then gets sucked back into the mist by something unseen. SCARY, and holds a bit of retribution for that woman’s awfulness. Nothing any better at the station, as the officer covered in bugs barely has a face left, either. Mia has to put a bullet in his head, saving Kevin when the cop nearly thrashes him.
Only now they’re all stuck, the mist outside, and all their demons raging inside.
Great first episode! Was quite wary when I heard about it, but I love Stephen King. Huge fan. This story was always a good one, very chilling and spooky. The film was great, so I’m now looking forward to what they’ll do with this season.
“Withdrawal” is next week. Honestly, I might have withdrawals until then. Because I’m revved up by this pilot.