Spike’s The Mist
Season 1, Episode 2: “Withdrawal”
Directed by David Boyd
Written by Peter Macmanus
* For a recap & review of the pilot episode, click here.
* For a recap & review of the next episode, “Show and Tell” – click here
SO MUCH TENSION in the pilot episode! Now, we’ve got people stuck in tight little places together, all their various beefs and tensions locked in there with them. Juicy, and scary.
Everybody more or less knows something sinister, something horrible lurks in the mist. Kevin (Morgan Spector), Bryan (Okezie Morro), Mia (Danica Curcic), and Adrian (Russell Posner) try to determine what they ought to do next. Kevin wants to go to the mall, to find his wife Eve (Alyssa Sutherland) and daughter Alex (Gus Birney). Meanwhile, big brave Connor (Darren Pettie), man of the law, left them at the station to run like a coward. He ends up having a moose crash right through his windshield, then must go the rest of the way on foot.
Poor Natalie (Frances Conroy), having watched as an unknown man blew her husband away, so Father Romanov (Dan Butler) comforts as much as he can. Nobody knows what’s going on. Not only has the mist crowded the land, it’s bringing an almost peak level of hysteria already.
Gus Bradley (Isiah Whitlock Jr), mall manager) asks Eve and Alex about what happened to the woman who went outside. Hard to explain, though she does. Nobody can tell what’s inside the mist. Only that it’s horrific. There are many people stuck in the mall. Gus makes sure nobody goes through the doors, locking them. All they can do now is sit tight, be safe. Awkwardly painful for Alex, as her accused rapist Jay (Luke Cosgrove) is in there, too.
We see that habit of Mia kicking up. She’s obviously got dependency issues, looking for a few pills in the evidence locker. Wonder if she’ll cause a problem on the way to the mall, once they’re at the mall. Either way, Bryan finds her out, and he’s willing to help her. If she goes into withdrawals then it’s going to get ugly.
Eve and Alex and a woman named Kimmy go around helping to lock the doors at the mall. One of the hallways is “filled with mist” and there’s already a dead body. Not looking fucking good! There’s a radio in their security office. Only problem is it’s past the misty hall. People speculate whether this thing is natural, if it’s “terrorism” or who knows. It really doesn’t matter particularly, not at this point. All that matters is staying safe and survival.
They use a drone from one of the stores to get a look down the hall, Jay flies the unit on through. They locate another dead body; on the floor, something spelled out in blood. AMMO? ANNA? Now someone must go for the radio. Nobody exactly wants to volunteer. Therefore, they’ve got to a lottery-type draw.
Kevin and the others are trying to get out of the cop shop. They run for a cruiser outside, the longer they stop the more the mist envelopes them. Luckily, they’re able to get away. Although Mia’s starting to get the shakes, the sweats, not sure how long she’ll be good to drive. Someone stops them in the road, drawing a gun to steal the car. Rather than wait for anything to happen Mia runs the guy over. Before flipping the car in the road.
Nobody’s hurt too badly, which is the only saving grace. Yet the mist stats pushing in, cracking the window while they’re all stuck momentarily upside down. After they get out it’s either run or die. They flee towards the church bells ringing. Mia is about to go back for the guns when she comes across her dead mother in the mist, calling out to her; fuck that, go to the church!
When they get inside Kevin confronts Connor, who ends up putting the cuffs on Mia. This guy’s a real piece of work. The cop blames them for taking too long, for Kevin staging a “prison break.” Truly he’s just a coward, doesn’t want to admit that. He’s meant to serve and protect. I guess that means only if he feels brave enough. We also see how lost Natalie is without her husband, lost in such a brutal, random killing.
Natalie: “There‘s no spirit. There‘s just nature. There‘s here, and not here.”
At the mall, Eve is drawn in the lottery to go get the radio. One man refuses to let her go alone. They head downstairs, into the hallway, rushing through the mist. In the security room they get to the emergency radio. We gather this guy with Eve is a military man, he’s got a gun and knows more than it seems. She wants to get away, worried about being alone with him. She takes off, they end up wrestling in the mist. And she puts a bullet in him to escape before whatever’s in the mist can get her. Knowing she already has past issues with men, in some awful way, this can only exacerbate her fears. When she gets back to the others she says they lost each other down there, that the radio didn’t work. Shit, I hope that lie doesn’t come back to bite her hard.
Natalie finds some communion wine, to make a toast for Benedict. She talks about their lives together, the simple joys of their marriage. “We had money, but we never stopped drinking cheap wine.” It’s tragic. Everyone joins in for a toast, even those who didn’t know him well. Bryan gives a bit to Mia, to take the edge off. But there’s big trouble brewing between Connor and Kevin, they won’t last together under one roof for too long.
This is the first night in the mist. Everyone lays their head down with a wariness, that tomorrow might bring anything, and who knows what it’ll be, in what form. And life still goes on, people can’t turn their lives off just because of this incident. So all those tensions keep on rising. Not to mention, Bryan confirms to Mia she wasn’t having withdrawal when she saw her mother in the mist: “I saw her, too,” says Bryan.
In one of the mall bathrooms, Jay finds two people hanged by the neck from a pipe.
Man, I’m impressed. Not everything’s perfect, but it’s a great show so far! I’m eager for more. These first two episodes flow really well and the excitement’s growing. Bits and pieces of horror along the way. Like any good slice of Stephen King, what’s best are the characters, their lives, their stories, and how they react in these mortifying moments.
“Show and Tell” is next. Will we see more devastation? Count on it.