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The Mist – Season 1, Episode 10: “The Tenth Meal”

Spike’s The Mist
Season 1, Episode 10: “The Tenth Meal”
Directed by Guy Ferland
Written by Christian Torpe

* For a recap & review of the penultimate episode, “The Waking Dream” – click here
Pic 1Stuck in a room together in the mall, Jay (Luke Cosgrove), Adrian (Russell Posner), Alex (Gus Birney), and Eve (Alyssa Sutherland) deal with the aftermath of believing Kevin (Morgan Spector) is dead. When Jay comforts Alex, Adrian whacks him with a paint can. Lying again, saying he and Kevin heard about the rape kit at the hospital confirming Jay was the rapist. Man, this kid is a psycho.
Elsewhere, on their way, Connor (Darren Pettie) and Nathalie (Frances Conroy) become closer, confiding in another. Sharing their secrets. Then they get to the mall, where Gus (Isiah Whitlock Jr.) and everyone else are elated to see the cop, though he has no answers. Plus, he’s gone in by himself without his messiah, to check it all out. Things are getting bad, too. The rations are just about gone, at least the ones everyone else knows about. Either way, all Connor cares about is his boy.
In the shadows Kevin surveys the situation. He sneaks through the dark hallways looking for his family when he runs into Mia (Danica Curcic), who’s naturally surprised to see him alive. She also fills him in, slightly, about Jonah (Okezie Morro), though she isn’t sure where he’s gone.
Speaking of, Jonah’s tied up at the hands of Wes (Greg Hovanessian). He’s figuring things out, that he’s the superior officer. There’s more to it, but at least he’s getting out of that chair.
Pic 1AConnor goes to his son, seeing Eve and the others with him. He takes Jay away, not worried about them. That’s when Gus and a few others come for the Copelands. At the same time, Connor brings his boy to Nathalie. She laments that “nature can be so cruel” while looking at him. Jesus, this is feeling creepier by the moment. Afterwards they force Jay out into the mist, believing – without proof – in his supposed horrible crime. While we know different.
We can only wonder if he’ll die out there, or if the mist will spare him as it did Alex. What’s scariest is the righteousness of Nathalie, as well as how deeply, how strong Connor believes in her. They’re both extremely ill spiritually. It’s only gonna get worse.
Things get even wilder inside, when the outer group go completely mad. The security guard winds up putting a bullet in one of the women when she protests: “We are not your prisoners!” Now, the game’s really fucking changed. And at the very same moment, Kevin runs across Adrian in the paint section of one of the stores. The kid tries running off, but dad beats him to the punch. Literally. He kicks the shit out of him rather than listen to anything he’s got to say, until Adrian blurts out that he knows where his wife and daughter are being kept.
So many things going on, like a hurricane. Jonah’s continuing to find things out about himself, slowly. Suddenly, Mia shows up interrupting his and Wes’ conversation. Who exactly IS Jonah? Regardless, he’s leaving Mia and his other friends. He wants to go with Wes, to figure out his true identity.
Screen Shot 2017-08-25 at 9.42.57 PMEve pleads for her daughter not to be thrown from the mall. When she tells Connor he MUST help, she then reveals the truth: he is the father of Alex, the reason why she’d been so adamant her daughter couldn’t be with Jay in the first place. WHOA! I suspected, for a moment. Just never thought it’d be true. Except the cop denies it, he didn’t know. So everyone calls her “sick” and a “whore” and then they’re taken to be thrown to the mist.
Kevin: “I wanna see you suffer. I want you to learn that therell be no salvation.”
Once Kevin lets go of Adrian a second, the kid lights a fire to get himself away. Now there’s a big raging inferno about to set the whole mall ablaze. As Kevin and Mia run for the entrance they find Eve and Alex, the rest of the people like an angry mob chasing away Frankenstein’s monster. Instead of let people walk all over them Kevin starts throwing fists before Gus pulls a gun on them. Everybody gets real personal, Gus taunting Kevin about his family’s secrets, others shouting “bastards” at them. Disgusting to see human beings act this way. Yet unsurprising, to say the least.
The Copelands and Mia are ran off, so they do some real running. Only once they get into the mist things become terrifying. Alex is wrapped up in a fog-like tentacle, it grips her tight, working into her mouth and filling her. Out of nowhere, who pulls her free? Jay. Then they all pile into the vehicle, safe for now. Well, except for Jay… the mist takes him instead, filling him until there’s no life left… only mist.
Meanwhile, Jonah and Wes are heading for Camp Arrowhead. To get answers. Or, is it all that easy? They’re going to see a doctor there. I’m curious as to whether Wes might lie to him, solely to get him back there. Maybe our man’s true identity is something more complex.
Pic 3People at the mall are surprised to hear Nathalie speak of being “natures messenger” and that the Black Spring is upon their town again. She goes on and on, as everybody listens, stupefied. Between her and the Chief Heisel, no telling what the law and religion can do together.
What’s better than that? The angry of a father. Kevin decides on busting open the mall entrance with their vehicle before leaving. They’ve got a nice sturdy military vehicle, as well. It does the trick. When they get stuck, Connor helps them get loose. He doesn’t stay, either. Alex calls him away, and he leaves with her. No more are the law and religion together. I never saw that coming, honestly.
As Lou Reed’s “Perfect Day” plays, Nathalie basks in the mist as it seeps through the mall. Others flee from it, or try, screaming. Most, if not all of them die. And Nathalie, she sees her husband, their dead baby, which she proceeds to breastfeed. One of the WILDEST, CREEPIEST montages I’ve seen in ages. Moments later Nathalie turns into a skeletal corpse herself and dies. Nobody’s safe.
Away from the mall flee the Copelands, Connor, Vic (Erik Knudsen), and Mia together. Into uncertainty, but together. On another road, Wes and Jonah go for the military base, not realising Adrian’s lying in the trunk. Everyone gone their separate ways.
Along the road Kevin an the others see a train on the tracks nearby. They rush for the station, hoping it’ll stop. It does. Unfortunately it’s no help. People in prison jumpsuits are tossed out, military men with assault rifles in the train cars.
What exactly is happening? Kevin knows: “Theyre feeding it.”
Pic 4Pic 4AOne of the best season finales of any show I’ve seen in the past couple years. Just powerful! Ran the gamut, from fear to black humour to devastating emotion, and all of it in between. I really hope there’s a Season 2, if not it’ll be a huge loss. Great horror television. Does Stephen King proud.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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