Will and Hannibal share a special meal together
DISCLAIMER: THIS IS SPOILER FILLED! TURN BACK OR BE FOREVER SPOILED.
Will: “I look at my wife and I see her dead. And I see Mrs Leeds and Mrs Jacobi lying where Molly should be.”
Bedelia: “Do you see yourself killing her?”
Will: “Yes. Over and over.”
An excellent opening scene between Will Graham (Hugh Dancy) and Bedelia Du Maurier (Gillian Anderson). Finally, we’re seeing Graham come around to what has been happening between himself and Hannibal. The repartee between Will and Bedelia is something to behold. Two excellent actors giving it their all, always. Anderson is enormously talented and I think Dr. Du Maurier has been a significant and excellent addition to Hannibal, which gives more depth to Lecter, and is also proving to add further depth to Will. In these last two episodes, we’re going to see all the full effects of the Hannibal-Will relationship come together in front of us. At least that’s how I think it will play out. Because Will was blind but now he can see, the blinders are slipping from his eyes and all is revealed. He has long ago since discovered the true nature of Dr. Lecter. What he has yet to see the entirety of is the way in which Hannibal has made him into a different person. He saw the immediate effects, now he’s coming to discover there’s much more beneath the surface.
Will: “Is Hannibal in love with me?”
Bedelia: “Could he daily feel a stab of hunger for you and find nourishment at the very sight of you? Yes. But do you ache for him?”
An excellently tense scene with Hannibal Lecter (Mads Mikkelsen) and Jack Crawford (Laurence Fishburne). There’s no clear reason why Jack is there, other than he wants more information out of Hannibal. Meanwhile, Dr. Lecter sees fit mostly to taunt his former dinner companion. A lot of talk about the Great Red Dragon, the Lamb, God. Very good stuff and I like that we’re still getting scenes between these two. While the focus of the series is obviously the Hannibal-Will dynamic, we can’t forget the history and intensity flowing between Hannibal and Jack. They were quite close, right from the beginning. So much has happened between these men, there can only be an ending of massive proportions coming.
Hannibal: “The seals are being opened, Jack. The lamb is becoming a lion.”
Jack, Hannibal, and somewhat Alana Bloom (Caroline Dhavernas), are hatching a plan in order to lure and catch Francis Dolarhyde (Richard Armitage) – who is going PROPER INSANE as the claws of the Dragon come out and tear at his skin, at the painting, looking to get out.
At the same time, Dr. Frederick Chilton (Raúl Esparza) is more than pissed off with Lecter. Their professional lives are jamming up against one another, the former doing all he can to mess up Chilton’s reputation. We can get the sense Hannibal is ready for another round of murder, as Frederick yells and rants – quite rude, no? We’ll see.
Hannibal: “Fate has a habit of not letting us choose our own endings, Frederick.”
Getting a scene straight out of Michael Mann’s Manhunter, and of course Red Dragon by Thomas Harris, we watch as Freddie Lounds (Lara Jean Chorostecki) is recruited to do a piece featuring Chilton and Graham. As Chilton comes up with things to taunt Dolarhyde out of the shadows, Graham aggravates them and makes them nastier by using words like pervert and impotent and ugly, all in an effort to make the Dragon angry enough to be lured into a trap. This is where we’re seeing shades of Hannibal in Will Graham.
When Will puts his hand on the shoulder of Chilton, it is a turning point. Mr. Graham has ultimately become bottom barrel desperate. Everything is pushing him – he sees the dead eyes of the women around him, Molly (Nina Arianda), Alana, bloody and stuffed with shards of glass. His world is falling down around him again, he does not want to go plunging further down the rabbit hole like he last went under the drive of Dr. Lecter. I think now, Will would do absolutely anything in order to get away from it all.
Bedelia comments on this later saying “the touch of others makes us who we are“. Will calls it a plea of authenticity. Unfortunately, Dr. Du Maurier digs deeper wondering if Will did so on purpose, perhaps wanting to put Chilton in the Dragon’s way. What we’re watching is Will becoming slightly too much like Lecter – he did this all in curiosity. Like Bedelia says: “That’s participation. Hannibal Lecter does have agency in the world. He has you.” An interesting turn earlier when Will said the same thing, minus the last bit. We’re officially watching the evil of Hannibal come to bear on Will Graham, big time. Possibly the worst it ever has. Even in a prison cell, Lecter will always affect Will deeply.
Big time Red Dragon/Manhunter feel here in this episode.
Poor Chilton – switched from the source material where it was Lounds in this predicament – finds himself taken, kidnapped by Francis Dolarhyde.
This scene went incredibly well. Not only is the acting incredible, the mood and atmosphere – as is usual for the series – feels so dark and ominous. Some people hate that Chilton and Lounds have been switched out. However, where Chilton was made a bigger character in the Bryan Fuller adaptation, I think it’s appropriate there’s a changed adaptation for this part. Lounds has served her own purpose. Chilton needs to get what is coming to him – he lead Abel Gideon into believing he was the Chesapeake Ripper, he didn’t divulge everything he knew about Dr. Lecter and his love of the unorthodox, and so on. I mean, I LOVE THE CHARACTER!
I think Fuller and Co. have done a great job taking the character and fleshing him out, but I love where it has ended up. I don’t worry that him and Lounds have been swapped, I found it incredible. Plus, every incarnation of Chilton is such a snivelling little bastard, I’d almost expect Lara Jean Chorostecki’s version of Freddie Lounds to be a tough woman; not that she wouldn’t scream once the Dragon took hold, however, I doubt she’d do much pleading.
Chilton: “I am scared. Man to man, I am scared. It is very hard to concentrate when you are scared.”
Then we see Armitage in fine form. He has a bit of Tom Noonan, a bit of Ralph Fiennes, and every bit of Harris going on. Dolarhyde, his face covered in the stocking-like cap, wears a kimono and sits behind Chilton. His voice feels deeper, changed now. Is he becoming, more and more now? Has his becoming pushed him to the next stage? I think so. We watch as Francis Dolarhyde slowly slips into the darkness. Who/what emerges, pushing itself into the foreground, is the Great Red Dragon. His becoming is nearly complete now.
Richard Armitage is a blessing. I love to see a role that’s already classic to so many film fans/book readers become a fresh, new vision in the arms of an actor. It just goes to show that many of these modern literary characters and villains we come to enjoy and love so much are similar to stage characters – just as actors, like Armitage and many others who have graced the stage before and continue to do so, play the characters of Shakespeare over and over yet actors bring new things to the role, nowadays actors on television and film can do the same. We have people like Hannibal Lecter, Francis Dolarhyde, and so many more (I won’t go on with all the great literary characters brought to life in film/television – you know there are tons). Here, we get to see Armitage bring that type of sensibility to the small screen. That’s a huge reason of why I love Hannibal, we get highly gifted actors like Armitage, Mikkelsen, and Dancy tackling these well-known characters and giving them new life.
Having Reba McClane (Rutina Wesley) show up during the middle of Francis beginning to terrorize Chilton was a nice touch. That part of him grabs hold for a moment. In the end, it’s too late. There is no hope any more for Reba to bring Francis back from the edge. Like I said before, the Dragon has snatched him up completely and there’s no letting go. His becoming has moved past the point of no return.
There is a viciousness present in “The Number of the Beast is 666” which I feel hasn’t come across so present ever before. While a ton of macabre visuals and situations have struck us, in many an episode, there’s something so brutal about the scenes involving Chilton and Dolarhyde. When Francis becomes the Dragon and lurches towards Chilton, I knew what was coming, I just didn’t see it coming so savage! This was downright gory. But it’s the whole build-up towards this which makes it feel so nasty.
The makeup effects here were out of this world. Seeing Frederick Chilton scream in pain, his mouth basically gone, only teeth and meat left… what horrific joy.
Francis: “I am the Dragon and you call me insane. Before me, you are a slug in the sun. You are privy to a great becoming. You recognize nothing.”
MADNESS! HANNIBAL ATE ONE OF THE LIPS!
The editing on this show truly helped this moment. As Jack asks “Where’s the other one?”, we see such a quick cut to Hannibal – before Alana or anyone could get into the cell and snatch up his newly delivered mail – and he greedily slurps down one of Dr. Chilton’s bitten off lips. I could not believe it. The obviousness of it might be there, I just never saw it coming. Especially how they didn’t show it immediately. Another reason I love the visual storytelling of Hannibal because it likes to stutter step and give things up at intervals, even if they’re quick ones. It’s a great technique, which has paid off over and over for the series.
This is the first time we’ve seen him consume uncooked human meat, in its pure form. Undeniably and unbelievably chilling, I couldn’t get it out of my mind. The dark look, always taunting, on Lecter’s face. Probably my favourite moment EVER on the series.
After the video of Chilton reading the Dragon’s words, then having his lips chewed off bloodily, Graham gets worse. Even more so once Chilton turns up – set on fire and wheeled down a park lane into a fountain. He goes to see the unfortunate doctor, whose entire body is burned and his face mangled. AMAZING MAKEUP EFFECTS AGAIN! Brutal and well-done.
Frederick knows Will basically set him up for horror during their Lounds interview/the photograph. It’s sad because there is a part of Will which intentionally made that gesture, knowing full well it would draw the ire of the Dragon. So while Chilton’s own hubris and rudeness brought him to his destiny, and many other horrific situations along the way, it ultimately was Graham who did this to him. While Will is the hero in a sense throughout the series, he finally becomes the full-on antihero at this point.
In the source material, Reba McClane is ultimately safe. This adaptation sees Francis Dolarhyde with Reba in his claws much the same as Tom Noonan’s Tooth Fairy had Joan Allen cornered in Manhunter. We’re not sure exactly what might happen – especially as Reba utters the name Tooth Fairy, to which Francis shushes her with a finger to her lips. It’s an extremely tense, suspenseful way to cliffhang this penultimate episode.
While the episode finishes, Francis tells Reba “I am the Dragon“, and his wings open up, spreading about the room and filling the air with darkness. Love the visuals, as always. We get a couple Dragon shots in this one and I love them. Foreboding and creepy.
This episode gave us so much. A ton of impressive makeup effects, a saucy Hannibal the Cannibal getting his first taste of human flesh in about THREE WHOLE YEARS, and most importantly Will Graham has begun to fall apart but at the same time he is coming together and recognizing himself to be more like Lecter than he’d ever cared to admit.
The final episode is upon us, Fannibals. Can we still #SaveHannibal or is it a lost cause? Watching City Tv last night, they called it a Season Finale. Is there hope yet? We shall see. Next week is “The Wrath of the Lamb” directed by series regular Michael Rymer. I’m beyond excited to see this finale.
Stay tuned, my fellow horror hounds, Lecter lovers, Graham groupies, and the all the wonderful Armitage Army who’ve joined us for the Hannibal swan song!
Will must face a man who believes himself to be a beast
Season 3, Episode 11: “…And the Beast from the Sea”
Directed by Michael Rymer (Queen of the Damned)
Written by Bryan Fuller & Steve Lightfoot
DISCLAIMER: DO NOT READ THIS IF YOU DON’T WANT TO BE SPOILED! I shouldn’t have to put this here, but people whine and complain. Why are you looking if you haven’t seen yet? This is a review, it’s bound to contain spoilers. GET OFF THE INTERNET!
Will: “He ate a painting”
Jack: “He ate it!?”
Will: “He ate it up”
Now the hunt is on. With only two episodes left after this one, “…And the Beast from the Sea” has started off directly after Will Graham (Hugh Dancy) and Francis Dolarhyde (Richard Armitage) had their brief meeting at the end of last episode.
Will: “Jack Crawford, fisher of men. Watching my cork move against the current. You got me, again.”
Francis: “The Dragon has never spoken to me before. It was frightening.”
Hannibal: “What did it say?”
Francis: “It called my name. It wants her.”
Hannibal: “If it weren’t for the power of your becoming, if it weren’t for the Dragon you could never have had her.”
We’re seeing the vengeance in Hannibal Lecter (Mads Mikkelsen) come out of him. He has found a new friend, one who embraces him without the need for law, justice, or order. Someone else amongst the chaos of life and abroad the ocean of murder upon which they’ve both set sail. Lecter and Dolarhyde are kindred spirits. Will has scorned Hannibal; two heterosexual lovers, one turned away ultimately by his empathetic need to help, the other stuck in a muddy world of intellectualism and cannibalism.
The naughty doctor does one of his naughtiest deeds yet. Over the phone with Dolaryhde, he says the unthinkable.
Lecter: “Save yourself. Kill them all.”
Armitage continually proves he has the chops. Incredible actor. Not only is the physicality he’s bringing to the role of Francis Dolarhyde marvellous, the gentle and quiet way in which he portrays the madness of Dolarhyde is a revelation. Again, as I’ve said before, I love both Tom Noonan and Ralph Fiennes in their respective performances – Manhunter and Red Dragon – however, it’s Armitage who is able to bring the full scope of emotions, the density of the torment and suffering inside the character into our eyes right before us.
Scenes with Francis and Reba (Rutina Wesley) are very tense in this episode. Dolarhyde, in a scene familiar to many, watches some ‘homework’, as Reba lays in his lap drinking with him. All the while, Francis is watching footage of his possible next victims: through the frame walks Molly Graham (Nina Arianda). DAMN! Not that I wasn’t expecting it, but still – chilling, to say the least.
Slowly, it looks as if we’re seeing the Great Red Dragon head towards Graham and his family. Ominous and very terrifying. First, the dogs are sick. Though the doc tells Molly and her son it’s possibly due to the Chinese dog food she’s feeding them while Will is away, I know it’s Dolarhyde. He’s watching them, he takes care of the pets before moving in, and that’s just a part of the system.
As Molly leaves the vet, there’s a warning sign from the FBI on a bulletin board. Unfortunately, Mrs. Graham is not thinking about any of this. We watch on helplessly.
Will: “He’s contacted you”
Hannibal: “How do you imagine he’s contacted me? Personal ads? Writing notes of admiration on toilet paper?”
Constantly there are wonderful nods from Bryan Fuller & Co. to the source material. Those familiar with Red Dragon will remember these bits as they pour in. Excellent little bites of Thomas Harris coming out the woodwork.
In the scene where Will heads back to visit Lecter, there’s so much animosity between the two which works up more and more every episode. They have an even better repartee now that Hannibal is the rejected lover type. Such a saucy and angrily ignorant Hannibal! Mads is also a revelation. I love that Armitage fans have come to the series, but don’t forget: both Mads Mikkelsen and Hugh Dancy have been putting in consistently nuanced performances since the start of Season 1.
Hannibal: “They’re not my family, Will. And I’m not letting them die – you are.”
Another familiar image crops up in maybe one of the most intense scenes ever on Hannibal. Tom Noonan had the whole creepy pantyhose thing going on over the top half of his face in Michael Mann’s Manhunter, and as Francis Dolarhyde makes his way into the home of Will and Molly Graham, where she and her son are sleeping alone, he has a similar style thing happening – teeth grimly apparent, stocking-like hat drawn down to his nose.
Such a creepy look for Dolarhyde. He looks just downright horrifying here, stalking around quietly over the property looking for the Grahams. It is incredibly tense, I can’t get over how much I was biting my lip during this scene!
Afterwards, as Molly escapes, Dolarhyde lets rip a gruesome scream “NO” into the air, his haggard teeth in full view. As if the Great Red Dragon were bellowing up and out of his guts.
What I find most interesting about this whole angle is that now it’s not only the FBI work affecting Will himself, the madness is spreading out from him and touching his new family. Molly takes a bullet, in what looks like her shoulder. Poor Will shows up at the hospital where Jack Crawford (Laurence Fishburne) is waiting with Molly’s son.
Amazing scene between Will and his adopted son. Incredibly moving to see Graham and the boy together; he asks about Will and his time in the Baltimore State Hospital for the Criminally Insane. Tough, rough stuff, and it’s a well-written, well-adapted scene from the work of Harris. More of the ongoing adaptation I love so much.
Wally: “You shouldn’t put this guy in a mental hospital. You should kill him.”
Smarty pants, one of my favourites, Dr. Alana Bloom (Caroline Dhavernas) has figured out that Hannibal hasn’t been on the phone talking with his lawyer as of late. She’s a sly one. Not only that, Jack Crawford shows up much to the chagrin and simultaneous pleasure of Dr. Hannibal Lecter. Though, the naughty doc is peacocking like a real saucy serial killer. He has this strut when Jack walks in, as if he’s holding every last card in his palm. Love the way Mads pulls off the classic character with his own way of doing things. Helps to separate himself from Anthony Hopkins, whom I also love. It’s just that Mads is another beast entirely; incredible performer.
Alana: “Would you have told me the truth?”
Hannibal: “In my own way, I always have.”
In this amazing episode, we actually see a physical fight between Francis and the Dragon. We get little bits of him fighting the fictional image of the Dragon, juxtaposed with the reality: he is beating the life out of himself. Dolarhyde beats himself bloody onto the floor. One of my favourites thus far including Armitage.
There’s a bunch of excellent imagery in this episode concerning the Dragon. Over and over, we see it. More and more, the Dragon wants Reba. Though, dear ole D is trying his hardest to suppress the desire to let the Great Red Dragon emerge. This is perfectly shown in their fight together, cutting back and forth between his vision of the Dragon and what’s truly happening – the battle within himself.
Another scene with Dolarhyde and Reba is impeccably done: she touches him over the lip, running her finger over his most maligned physical feature in his own mind. There’s an acceptance, but Francis tells her he’s afraid he will hurt her, that they cannot continue on. This hurts Reba, naturally, but something dark all of a sudden appears across his face. He’s basically watching the only good thing in his life be left behind, walking away from their relationship. Dolarhyde will now, no doubt, spiral downward further into the clutches of the beast within.
Francis: “How do you know it’s dark?”
Reba: “The lights aren’t on”
Francis: “Do you remember – the light? Is it worse to have seen it and lost it?”
Reba: “I know I can never have the light. But there are things I can have.”
More Hannibal and Francis bonding time now, except Dr. Bloom and Jack Crawford are listening in. While the two eavesdropping hope to hear something, Hannibal abruptly tells him they’re listening. I actually dropped my jaw! It was an awesomely devilish moment that I’d not seen coming. What I imagined happening was that Hannibal would stay silent and soon Francis would soon come to understand something was not right. However, Lecter shuts it all down in an instant. He loves it, too. He loves to see Jack get frustrated.
Francis: “Do you know how easily she will tear?”
Finally – FINALLY! We get to see Dr. Lecter in a version of the iconic mask put on Hopkins in The Silence of the Lambs. He’s being held in stasis, as Alana has everything stripped bare. It looks as if those privileges Lecter had are quickly going out the window. More and more, the sweet adaptation continues with recognizable scenes twisted into something slightly new. Dig it.
Will: “I’m just about worn out with you crazy sons a’ bitches”
Hannibal: “The essence of the worst in the human spirit is not found in the crazy sons a’ bitches. Ugliness is found in the faces of the crowd.”
Will: “What did you say to him?”
Hannibal: “Save yourself, kill them all. Then I gave him your home address. How’s the wife?”
The wear and tear of dealing with Hannibal is breaking the seams at the edges of Graham’s existence. When he goes to see Hannibal, the bad doctor helps him realize that Dolarhyde did not murder the families, “he changed them”. This is an excellent closing scene to another fantastic episode. Will is really starting to get angry and we’re seeing a different side of him now: a clear, angry Graham. So many times before, he has either been too forgiving with Hannibal, or too damaged by encephalitis and people not believing him to effectively do anything. Now, I’m wondering where Will is headed after this intense episode.
Hannibal: “When you look at her now, what do you see?”
Will: “You know what I see”
Tune in next week with me, as the penultimate episode of Hannibal‘s swan song airs – “The Number of the Beast is 666”. We’re about to see an amazing send off to this series, one of the greatest television has ever seen I predict. Because these two final episodes are going to get serious – Will Graham is not happy, Hannibal Lecter is in a corner, and the Great Red Dragon keeps on becoming.
Stay strong, my fellow Fannibals! Keep trying to #SaveHannibal
Hannibal's preparing a feast. Yum.