Halloween H20: 20 Years Later. 1998. Directed by Steve Miner. Screenplay by Matt Greenberg & Robert Zappia.
Starring Jamie Lee Curtis, Adam Arkin, Michelle Williams, Adam Hann-Byrd, Jodi Lyn O’Keefe, Janet Leigh, Josh Hartnett, LL Cool J, Joseph Gordon-Levitt, Branden Williams, and Nancy Stephens.
Dimension Films/Nightfall Productions/Trancas International Films.
Rated 14A. 86 minutes.
I’m not saying this is a spectacular entry in the Halloween franchise. Nor am I saying this is a wonderful slasher horror movie. That being said, I find Halloween H20 a decent enough sequel. Especially taking into consideration the last couple of the series entries are fairly haggard, specifically the one previous to this – The Curse of Michael Myers.
To see Jamie Lee Curtis come back after 18 years is pretty special. While the movie isn’t anything overly dramatic, there’s enough for Curtis to do. Even further, a young Josh Hartnett and Michelle Williams, plus a sassy LL Cool J make things fun. Even while I do like a couple of the sequels, I enjoy how this one retroactively takes on Michael’s story from after the first two movies. Add to that a return to more simplistic serial killer Michael Myers and this is easily a better sequel than the last. With the series’ iconic mass murderer back to terrorize his long lost sister, H20 doesn’t quite make it above mediocre. However, it has heart in the right place – a cold, bloody slasher heart.
20 years after the events of Halloween/Halloween II, Laurie Strode (Jamie Lee Curtis) is now the dean of a private school in Northern California. Her name is now Keri Tate. Better yet, she has a son named John (Josh Hartnett), a boyfriend named Will (Adam Arkin), and she does a great job running Hillcrest Academy.
Unbeknownst to Keri/Laurie, her brother Michael Myers (Chris Durand) has survived. He tracked down a colleague of Loomis, Marion Chambers (Nancy Stephens), killed her, and found a file on Laurie.
With Michael headed towards her, no clue, eventually Laurie must confront her buried past. Not only that, her son and anyone else in Michael’s path must also come to deal with the past Keri a.k.a Laurie Strode has tried so desperately to leave behind.
There are some great moments in this screenplay. For instance, I love how during one of the classes they’re talking about Mary Shelley’s Frankenstein, which almost directly parallels Laurie’s own feelings about her and Michael, as if he’s almost an entity she created now, giving him power over her. Or, it can sort of foreshadow the deadly events to follow in the wake of Myers and his serial killer tendencies. Either way, it’s a perfect scene, great dialogue including both Curtis & Williams. As well, it brings us back to the original film where a similar employment of literature is used. Such a stellar use of this technique, which brings us full circle with John Carpenter’s original. Also nowadays many other horror movies have done the same thing, emulating the first Halloween. So it’s fun to see that here in this 1998 revival. Too bad the studio couldn’t cough up the money for Carpenter; between his would-be duties here and all the money they rightfully should’ve paid him for the first movie of the series, $10-million was probably a decent price tag.
The writing in this one isn’t nearly as dreadful as the last couple. Particularly when you look at the young people, Hartnett and Williams specifically, there’s good dialogue. Nothing groundbreaking, just not weak like so many slasher films saturating the market. Surprisingly enough, there’s no onscreen sex to be seen, nothing like that. So you don’t really fall into many of the sub-genre tropes often used in these movies. Even LL Cool J’s minor character as the security guard I found enjoyable; he’s idiosyncratic, he writes and reads his writing to his wife over the phone while on-shift, and he is fairly bad ass. Too many of the Halloween series characters are one-dimensional, that’s including some of the major/lead characters. However, despite its shortcomings Halloween H20 has a few characters whose identities are fleshed out enough through the screenplay that I find the movie totally competent on that end. I’m not a huge fan of everywhere the plot weaves, certainly not nearing and including the end, but the one solid aspect of the writing is definitely the script’s characters.
Skate to the face of Joseph Gordon-Levitt! This is only one of the good kill scenes in the film. That one comes fairly quick, too. While there is a nice shot of the skate itself, it isn’t exactly overly gruesome. Does the trick, though. There are a few brutal slasher moments, from the skate in the face, to a hanging dead body, to lots of good stabbing on Michael’s part. It isn’t the bloodiest of all the sequels. Still, we get to see some real proper killing for Michael and his insatiable bloodlust. Again his strength is on display – has anyone noticed if Myers lifts a person up in every one of the movies? He does Laurie’s new boyfriend in pretty rough, a hard stab in the guts then lifts him up in the air a foot or more to make a point. Always with the tough guy routine, Michael. I love it, all the same; his nasty style is part of why I love him as a slasher villain, he’s a tough, messed up dude who’s power is all human yet totally evil.
With a decent little welcome back to the slasher sub-genre of horror, Jamie Lee Curtis leads one of the better sequels since the first couple Halloween films. Even though I’m not a fan of the ending, I can still say this is a 3.5 out of 5 star horror. There’s some good performance, from Curtis to LL to Hartnett. Plus, we find Michael Myers away from the supernatural murkiness that started to make things terrible in the past couple sequels. Back again is the psychopath, the serial killer Michael, which is the one we know and fear/love. So don’t expect this to be one of the best, however, I wouldn’t be afraid of it either. Don’t expect this to fall in line with the last couple entries of the series, there are better things here; even if it isn’t amazing, H20 tries to please. If things were tweaked a bit more, maybe even add a couple more nasty scenes for emphasis on Michael’s return to a more real killer, it’s possible this one could’ve added itself into a sort of trilogy with the first two movies. Either way, I think it’s good enough to warrant being watched and enjoyed – who doesn’t like slasher kills and Jamie Lee?