The FBI push their psychological warfare tactics to the brink, in turn pushing Koresh. And this will start the beginning of the end.
This Deodato flick is not as filled with brutality as CANNIBAL HOLOCAUST, but it doesn't skimp on the vicious murder and desecration of the flesh.
Apocalyptic. 2014. Directed & Written by Glen Triggs. Starring Jane Elizabeth Barry, David Macrae, and Geoff Pinfield. Dark Epic Films. Unrated. 84 minutes. Drama/Horror
A lot of people seem to have had more than their fill of found footage. Me – I’m not quite done with the sub-genre. Of course, that’s me, I like to wring the life out of something until there’s no fun left in it anymore. Not really, I just try not rush and judge something by its predecessors before giving it a full chance.
Unfortunately there’s nothing in Apocalyptic that was worth waiting for, in any way. I’m always a sucker for a good, creepy poster, and the first one I’d seen is not the one I used here – it has a shot of some frenzied, bloody-mouthed person running into the frame. I thought it was decent, but certainly a poster is nothing by which to judge a film.
The premise is pretty simple – a pair of filmmakers, Jodie (Jane Elizabeth Barry) and Kevin (Geoff Pinfield) are going to get a first-person perspective on some sort of cult-like religious group, all under the care and eye of Michael (David Macrae), who is himself fairly unsettling. Things are strange from the start when they come into the woods where this group lives and are met by two females, one older than the other and both dressed in the same attire, and then they are lead towards the house where they live in the country to meet Michael. They learn Michael picks one of the women around the dinner table after they eat, and that one must go with him, staying with Michael through the night. Naturally, the situation deteriorates, as Jodie notices one night that Michael picks a very, very underage girl, and off they go to the bedroom as if nothing is out of the ordinary. From this moment on, nothing is the same as it was before.
Basically there isn’t much of anything that makes this film worthwhile. All I can say is that there are some really wonderful looking shot, gorgeous to see in an eerie, spooky sense, but there is little-to-no substance throughout Apocalyptic. For instance, (SPOILER AHEAD) once the big moment of the stoning comes later in the film there is almost no suspense or true tension to keep us tethered to the characters/plot emotionally, and it comes off terribly. I don’t like to rag on a film by being too cheeky, but man, was this part ever poorly pulled off. It could’ve carried at least some weight, instead it’s just like a big metaphorical premature ejaculatory incident caught on film. The camerawork in the scene is bad – and yes, it’s found footage, but there’s no need for it to be unwatchable, there are plenty of these types of movies where it’s not all shaky camera angles and garbled frames – and the acting is poor, and the whole look of it effects wise is just kind of embarrassing as far as I’m concerned. This scene could’ve come off as a whopper and really freaked people out, but it is far from that type of moment.
Worst of all is the climax of the film, at the finale. Apocalyptic‘s final ten minutes plays out like a bad rendition of Jonestown, Michael as the stand-in Jim Jones, like The Sacrament except in the dark and not nearly as well-directed as Ti West’s movie. It’s the same thing you’ve seen time and time again – people flail around in the black frames, occasional scenery popping in and out of the darkness, screams, a bit of blood, discovering bodies laying on the floor. A real mess. Sure, you say, “they’re all like that”. Well, no they aren’t, sorry to break it to you. Sadly, Apocalyptic took a concept that worked really well in something like V/H/S 2 for Gareth Huw Evans & Timo Tjahjanto in their short “Safe Haven”, and Triggs fumbled a chance to do different things. West’s movie worked because it was basically a contemporary look at a Jonestown-esque event in our society, nothing groundbreaking yet it was effective and unsettling. Whereas Apocalyptic aims to be different, poses as something different, but ultimately does a near exact replica of the most well-known aspects of Jim Jones and the whole massacre in Jonestown. (SPOILER AHEAD) The very end plays out like the last few moments of Jones’ life, and of course like West does with The Sacrament. So there is really nothing at all innovative about any part of this movie, which is a shame. Cults are always good for a bit of horror.
I wasn’t overly taken by anything in this one, aside from some of those juicy creepy creep shots like images sort of lost in darkness and a few that were covered in a fog, like a mist wrapped the frame. I’ll give Triggs 1 star, solely for those few fleeting moments, and I did like the opening. However, once the mystery started to slip away and the plot revealed itself, I was less an less taken, found myself not really caring about anyone in the film other than the poor young girls being obviously abused and raped by Michael. There just was no emotion. Even the main performance by David Macrea wasn’t anything to write home about. He tried, a valiant if only decent effort. It just was not enough to lift Apocalyptic out of tedium, a pit of boredom, and the whole thing is not even mediocre, it’s bad. Whereas a film like Red State, which I personally loved, had someone such as Michael Parks to really propel the movie into another stratosphere of excellence, Apocalyptic did not have any of that, from either of the lead characters. If maybe there was a great scare in the end, moments which were downright terrifying, or even a bit of wild gore or effects, I might have been able to give this more than 1 star.
But no such luck in life. This was a rough one to sit through – believe it or not, I watched it twice just to see if there was anything I’d missed in my first round of boredom. I don’t recommend it, only for completists who want to see all the found footage they can get their grubby mitts on. Almost not even worth the time and eyeball moisture.