Tagged Kari Skogland

Fear the Walking Dead – Season 1, Episode 5: “Cobalt”

AMC’s Fear the Walking Dead
Season 1, Episode 5
: “Cobalt”
Directed by Kari Skogland (Fifty Dead Men WalkingThe Stone AngelVikings)
Written by David Wiener

* For a review of the next episode, “The Good Man” – click here
* For a review of the previous episode, “Not Fade Away” – click here
Screen Shot 2015-09-28 at 9.38.38 PMThis episode begins with Doug Thompson (John Stewart) in a National Guard holding cell of sorts. Maybe even worse than dealing with the so-called patriotic troops, he’s stuck in there with Strand (Colman Domingo), whose mouth never seems to start running. Though, Strand absolutely appears to have his head on at least most of the way straight. Oh, and Nick Clark (Frank Dillane) is huddled in the corner, surely awaiting more of the junkie withdrawals.
Strand proves useful later in the episode – apparently he deals with the guards, trading for things. He gives up what look like some diamond cufflinks or something, all in order to keep them from taking Nick away to the basement; they see his fever is up. But Strand knows Nick is coming down, only detoxing, and this guy might prove to be a strong ally for the young man. Or will he? Could Strand simply be doing a kindness, or is it a way to make sure he’s got his own ally, under his thumb, once things get crazier? We’ll find out soon enough, I’m sure.
Screen Shot 2015-09-28 at 9.39.41 PMBack in the old neighbourhood, Ofelia Salazar (Mercedes Mason) appears as if she’s riling everyone up. Her mother, Griselda (Patricia Reyes Spíndola) is off with the National Guard somewhere, with doctors, but she has no idea what’s going on. Luckily as the troops move in on Ofelia, Andrew Adams (Shawn Hatosy) her boyfriend steps in to sort things out.
At the Clark house, Madison (Kim Dickens) and Travis (Cliff Curtis) are having a ton of trouble. Chris Manawa (Lorenzo James Henrie) isn’t exactly happy with his dad, making things even worse; he’s concerned about his mother, Liza (Elizabeth Rodriguez).
Chris meets up with Alicia (Alycia Debnam-Carey) and they dress up in one of the deserted houses, trashing the place. Some real chaos; is this what their generation will become now?
Meanwhile, Liza is off helping Dr. Exner (Sandrine Holt) whose sympathy for the situations of others doesn’t really run very deep. Liza wants to know how Griselda and Nick are, she wants to call her son Chris, but Exner whisks her around to help all the patients.
Screen Shot 2015-09-28 at 9.40.18 PM Screen Shot 2015-09-28 at 9.40.23 PMMadison goes looking for Alicia, finding the note she’d left for Russell. She ends up finding Daniel Salazar (Rubén Blades) and his daughter Ofelia: they’ve taken Adams hostage, tied him up, duct taped his mouth. The father-daughter duo have decided to use Adams as leverage, as a trade, to try and get back their loved ones; Griselda, Nick. But Daniel wants to know all the information the National Guards know, so therefore he plans to extract any and all information from Adams.
I love how the character of Daniel has seen this sort of military response before. He’s aware of what the government and the military can do. So this is a bit of an interesting angle, which fuels the paranoia he continues to display.
Screen Shot 2015-09-28 at 9.39.52 PMLieutenant Moyers (Jamie McShane) has a little chat with Travis Manawa. He’s worried about what’s going on, obviously, after seeing the snuff job at the end of “Not Fade Away“. Eventually, after a bit of back and forth, Travis ends up getting to go downtown, to visit the doctor and find out what’s been going on. However, things seem dark, or at least to spell trouble because the soldiers are worn out, yet Lt. Moyers pushes them further and further. You can almost feel something about to happen.
On their trip, Moyers makes a stop and sets up a tactical sniper rifle. He wants Travis to take the shot on a woman down the street in what looks like a coffee shop; she is not human, it seems, rather a walking dead. After a bit of yelling, and taunting from Moyers, finally Travis picks up the rifle and sights the woman – her name tag spelling out KIMBERLY – and tries to muster up whatever’s needed to put her out. He can’t do it, though, and Moyers cockily steps in. I guess his point was that Travis willingly lives under the National Guard’s protection yet wants to criticize how they do things, while unable to pull the trigger himself when/if needed. I understand, but still – dick move. I do not like Moyers at all while I do absolutely love McShane; he does good work in almost every show you’ll see him in.
Afterwards, the National Guardsmen all pile out of their vehicle towards a building, as Travis waits in the truck, instructed not to move; no matter what happens. Then all the screams and shots and screeches ring out of the vehicle’s radio. Intense scene, very well shot. Plus, Cliff Curtis is a solid character actor who I always enjoy seeing onscreen. He gives Travis life here, and the intensity on his face in this scene shows he is solid. Real effective stuff.
Screen Shot 2015-09-28 at 9.40.54 PMDown where Daniel has the soldier Adams held up, it seems things are getting very, very bad for the military man. Daniel gets serious; there will be no talking here. He continually asks Adams – “What is Cobalt?” – and also cuts the poor man’s inner arm, slowly lopping off pieces of skin and going deeper into the wound. It’s a real torturous moment, as we witness pure torture; hard to watch, even for the hardened horror vets such as myself, seeing his gaping wounds and the blood even for a brief few seconds is a gut punch. Great horror moment.
Even better is when Daniel goes back upstairs, Ofelia having seen his handiwork, and Madison encounters him in the kitchen. An amazingly tense scene between the two, which ends as Madison proves she’s one tough woman; I think both she and Daniel realize how terrible things are beginning to get, how fast the world is spiralling out of control and into oblivion. All she has to say to Daniel is: “Did he tell us what we need to know?
In the end, Adams gives up the goods. He tells everyone Cobalt is the code which commences evacuation of the Los Angeles area. This also includes procedures for the “humane termination of….“, you guessed it. At 9AM the next morning, things are supposed to get pretty damn rough.
Screen Shot 2015-09-28 at 9.41.24 PM Screen Shot 2015-09-28 at 9.41.45 PMNick Clark and Strand have a conversation after the former finishes a fresh vomit. Turns out, Strand needs a man with Nick’s sort of talents – whatever that means exactly I’m not so sure; I guess being a junkie automatically lends itself to being sneaky – when he decides to get going. He has a key, and no doubt will have escape on his mind.
Screen Shot 2015-09-28 at 9.43.23 PMThe National Guard is starting to pull out of the whole area – from the hospital they have setup, from the neighbourhood, from Los Angeles entirely. Things are starting to get scarier now, more and more ominous, each scene more foreboding than the last.
Poor Griselda Salazar is starting to die, she had complications after the foot she injured was removed. As Liza and Dr. Exner tend to her, she passes on. Exner breaks out the hydraulic cattle gun and advises Liza, though the time varies from person to person, everyone turns into a zombie, the living dead. Liza does what’s needed and an understanding sets in.
Screen Shot 2015-09-28 at 9.43.43 PM Screen Shot 2015-09-28 at 9.43.48 PMA chilling end to this penultimate Season 1 episode, with Daniel walking up to the doors of what looks like a big stadium almost, or a similar style complex – the doors are all bared with boards through the handles, chains and locks across their fronts. And inside the sound of hungry, angry, raving zombies. Really great finish.
No doubt the next and final episode, “The Good Man”, will show us some wild stuff! I know Kirkman and Co. will want to go out with a bang, which will set up a great second season. Though others are not so keen, I’ve been a big fan of this series since the opening episode. People expected tons of zombies, but this is a lead-up, building towards where we’ve already gotten to in The Walking Dead. For what this series is meant to be doing, it is incredible.
Screen Shot 2015-09-28 at 9.44.12 PM Screen Shot 2015-09-28 at 9.44.23 PMLast episode is directed by Stefan Schwartz whose directing credits include episodes of LutherSpooksHouseThe Walking DeadDexterLow Winter SunThe AmericansThe Bridge, and more. Stay tuned, Walking Deadites! Close out the season with me next week.

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Fear the Walking Dead – Season 1, Episode 4: “Not Fade Away”

AMC’s Fear the Walking Dead
Season 1, Episode 4: “Not Fade Away”
Directed by Kari Skogland
Written by Meaghan Oppenheimer

* For a review of the next episode, “Cobalt” – click here
* For a review of the previous episode, “The Dog” – click here
IMG_1992This episode starts with Lou Reed’s “Perfect Day” playing over a montage of what’s now the new normal in Los Angeles neighbourhoods.
Travis (Cliff Curtis) jogs through the fenced in area of the their neighbourhood. His son Chris (Lorenzo James Henrie) sits on top of the roof and talks to his camera, in the distance noticing a flash; is it a signal, gunfire, or something else? Either way, Chris says: “Hello
IMG_1993For the time being, Travis and his son, Madison (Kim Dickens), Alicia (Alycia Debnam-Carey), and the still detoxing Nick (Frank Dillane) are all trying to get along with normal life; quote unquote normal, anyways. At the same time, Liza (Elizabeth Rodriguez) is off helping others.
Either way the friction is real, it is constant. Even Alicia acknowledges there’s nothing normal anymore.
Back on top of the house, Chris discovers the signal flashing back to him as he tries to signal it. He tries to show his father, though, Travis has no part of it. Clearly it is someone and Travis knows this, worrying too much. Will he got out on his own? Is he going to do something dumb? We’ll see.
Madison and son, Nick, are also dealing with a slight bit of friction. Although it seems Nick is trying to kick the junk a bit more proactively, his mother’s only concerned for him and questions whether or not “forgetting” to take his medication is the best thing or not. Regardless, Nick acts as if he’s willing to get clean and swims around in a dirty pool while acting fairly non-chalant about it all.
IMG_1995The National Guard has moved in. They’re not only occupying the neighbourhood in order to keep things under control, they impose lots of rules – obviously – but as Travis sees quickly, these troops mean business; strict fucking business.
Travis is called on to deal with the Thompson family, who are apparently holed up in their house and will not comply with the National Guard. Lieutenant Moyers (Jamie McShane) makes it clear, Travis either helps get him to go along, or the Guard is going to take him down.
Unfortunately, Doug Thompson (John Stewart) is having a bit of a hard time telling his children what’s been happening. Yet luckily Travis is able to get Doug calmed down, thinking level-headed. A testament to the level-headedness of Travis, but there are things even this quality won’t help him with in the days, weeks, months… years… to come. Depending on how long he makes it.
IMG_2008Nick proves fairly fast his lying self is prevalent. Seeing Liza leave a sick neighbour’s house, he sneaks himself into the room and hooks himself up to an old, obviously near death patient’s IV all to get his fix. Despicable, sad, all at once.
He and his mother have a confrontation later where she basically beats him up, briefly, telling him “You have no idea“. While it’s sad to see a mom have to essentially kick the shit out of her junkie son, it’s something certain junkies ACTUALLY need (coming from someone who is nearly 7 years clean from drugs & 6 years sober from alcohol).
What’s worse is the fact Madison is trying hard to be positive, trying to hard to be there and be strong, all for her family. All the while, Nick is shitting all over the trust she gave him earlier.
The thing I love is the writing here concerning the family. There’s a parallel between the sons, each giving the two parents grief. Nick is bad enough, but then there’s Chris who – maybe rightfully – won’t let go of the fact he saw a flash out in the distance, out where, supposedly, there aren’t any people.
Clearly, though, Nick is worse.
That night, Madison flashes a light on her own at the top of their roof. Finally, after a few flashes, one comes back and she gets confirmation Chris actually saw someone out there. Who is it? The suspense is already killing me, honestly. Loving it.
IMG_1996Everything gets more and more tense once Doug Thompson disappears in his car. Obviously Travis didn’t do such a great job talking Doug down earlier. He tries to talk with Lt. Moyers, but this guy is a REAL douche. No doubt on that one.
It feels a bit sketchy once Moyers gets sort of standoff-ish after Travis mentions his son saw a light in the DZ (for those who don’t happen to know: DZ, or DMZ, means demilitarized zone). The lieutenant passes it off, forgetting it right away, but it’s the way he’s body language speaks: you know the guy is lying, he knows something, he knows what the military knows and you can bet it’s nasty.
IMG_1997One of my favourite scenes so far in this first season of Fear the Walking Dead happens when Madison, albeit irresponsibly (and I thought Chris would be the dummy to attempt this), heads out through the National Guard implemented fence, cutting a hole through a tiny section and making her way into the DZ.
At first there’s this intense bit where we watch as Madison walks through these desolate bits of neighbourhood, everything destroyed or abandoned. Then come the dead bodies, a stench washing over her. And BAM – out comes a military vehicle, troops in tow. This was an incredibly tense sequence. These moments amped up higher than they would have even with the excellent cinematography and overall production design, all due to an amazing score from Paul Haslinger.
IMG_1999 IMG_2002 IMG_2003 IMG_2005 IMG_2006Dr. Bethany Exner (Sandrine Holt) is now roaming the neighbourhood. In private, she outs Liza to her face as not being a real nurse, and they sort of… strike a deal. Now, she’s heading through the neighbourhood, checking everyone out.
Griselda Salazar (Patricia Reyes Spíndola) is being eyed to have sugery under Dr. Exner. It’s hard to tell whether or not Daniel Salazar (Rubén Blades) is willing to let that happen.
But he tells Madison a story, as they’re together after her adventure outside the fence, about how the government came and took some people from where he lived; they did not come back, only ended up dead. His whole point is that if he goes, and does not come back, she needs to be there for Ofelia Salazar (Mercedes Mason). I thought this was a really great scene, Rubén Blades is an awesome actor whose credibility adds something to this cast of characters of which I’m a big fan.
IMG_2009When the shady Dr. Exner and the National Guard come to take Griselda, things get extremely tension-filled and a bit scary.
First, they refuse to take Daniel with his wife, as the only other name on the list is Nicholas Clark. Second, in the struggle to get Nick after Alicia tells him to run, the National Guardsmen draw their guns on everyone, from Daniel to Chris. It provokes everyone. Everything goes mad in those few moments and the troops take Nick, Griselda, and even – though willing – Liza.
What’s even wilder is that in the final few moments of the episode, Travis goes up to the roof in grief as everyone else left does their own thing, each reeling. Up on top of the house, Travis not only sees confirmation of a flashing light out in the DZ, he witnesses big bangs, flashes of light, and realizes someone has been killed. No doubt after Lt. Moyers caught wind of it from him, another party of troops went out to sweep the area, finding them in the night naturally and snuffing out the problem. Incredibly intense and disturbing as hell.
One thing’s for sure – Madison and Travis are headed for rough territory, as Liza is the cause of all this nonsense at the close of the episode. Maybe not fair, however, the only reason she was there was due to the fact Travis wanted her to be; being the mother of his boy and all. Still, there’s going to be some trouble in the house amongst everything else going on outside in the devastation that is Los Angeles.
IMG_2010 IMG_2011Looking forward big time to the penultimate episode of the first season, “Cobalt”, which is again directed by Kari Skogland. I like how the number of directors has been cut down in this first season, it gives directors the chance to sort of bridge episodes together instead of simply doing six one-off directed episodes by six different directors. Gives the season continuity in that sense, to me anyways. I think Robert Kirkman and Co. have a good thing on their hands with this series, even though the naysayers will, no doubt, continually naysay. Digging it over this way!
Stay tuned for more reviews, my friends! #FearTWD

Fear the Walking Dead – Season 1, Episode 3: “The Dog”

AMC’s Fear the Walking Dead
Season 1, Episode 3
: “The Dog”
Directed by Adam Davidson (Hell on WheelsThe FollowingLow Winter Sun)
Written by Jack LoGiudice (Sons of AnarchyThe Walking Dead)

* For a review of the next episode, “Not Fade Away” – click here
* For a review of the previous episode “So Close, Yet So Far” – click here
Screen Shot 2015-09-14 at 10.05.51 PMAt the beginning of the latest episode, “The Dog”, we see the big family still divided across the city.
While Travis Manawa (Cliff Curtis), his son Chris (Lorenzo James Henrie), his ex-wife Liza Ortiz (Elizabeth Rodriguez), and the Salazars – Ofelia (Mercedes Mason), Daniel (Rubén Blades), and Griselda (Patricia Reyes Spíndola) – are all holed up in the little barber shop owned by Daniel, a riot is going down fiercely in the streets. After a few minutes they’re forced out of the shop and into the street, as a fire next door begins to make the wall literally bubble.
Not just riots are happening; the apocalypse is nigh!
Chris witnesses a person zombified, biting into the neck of another person; in fact, they’re police officers, most likely SWAT Team members. The whole city of Los Angeles, at least that area anyways, looks to be in total panic mode, full-on mayhem.
Screen Shot 2015-09-14 at 10.06.34 PMMeanwhile, back at home, safe and sound, Madison Clark (Kim Dickens) is taking care of her junkie son Nick (Frank Dillane). The two of them, plus Madison’s daughter Alicia (Alycia Debnam-Carey), play a board game.
Great juxtaposition of the two family units, each in their own space – one fighting to survive in the streets, the other in a nice, quaint little living room playing a board game. I also feel like there’s a larger statement in this segment. For instance, the Clarks are all white, and then there’s Travis, his ex-wife, and the Salazars who are all of different ethnicities. While the white people are all cozy in their houses, it’s everyone else left in the streets – at the mercy of police and zombies. I don’t know, perhaps I’m making a mountain out of a molehill, or a pile of lint, but I honestly think there’s a bit of George A. Romero political zombietary dropped in amongst it all. That’s the great part about art in any form: we’re all able to draw out what we want from the themes and events within it. I’m probably way off base from the writing, it’s still fun to theorize.
Screen Shot 2015-09-14 at 10.09.23 PMAn amazing sequence is in this first 10-12 minutes. When Travis leads his group out of the downtown area riots in the truck. The way it’s filmed is heavy, man. The score, the shots themselves, they all amount to a feeling of great unease. Travis and his son Chris look out the window of their truck, as the Salazars and Liza sit in the pan: chaos is erupting, the hospital is overrun with police and at least ONE zombie – no doubt lots more – and an excellent slow motion shot sees an officer running with an automatic rifle in hand. There’s just a real sense of gravitas to everything happening. Even Travis knows it’s more than simply riots; we, the audience, know far more. So in both ways this scene cuts deep, in an immediate sense because we’re watching society begin to breakdown as the zombie outbreak begins so quickly.
Furthermore, once they get out of the populated area up on this hill, Travis and Chris watch through the truck’s windows and we can see in the reflection of the glass city lights are beginning to shut down, one section at a time, Los Angeles descending into a soon to be perpetual darkness.
Screen Shot 2015-09-14 at 10.10.46 PMOnce Travis and his group arrive back to find Madison and the kids, there’s trouble.
A zombified neighbour wanders into the Clark house, killing and eating the family dog. Out looking for a shotgun at another neighbour’s house, Madison isn’t able to warn Travis before he heads inside. ZOMBIE ATTACK! Finally we’re seeing another zombie on human sequence. This time it’s more intense than Madison’s encounter with her co-worker.
Daniel Salazar intervenes on Travis’ behalf by shotgunning the zombie neighbour in the face. SUCH GNARLY EFFECTS! The first shotgun blast is savage. Then Daniel takes another pop shot and the head goes BAM; nevermore. Really wild makeup effects which I loved.
Screen Shot 2015-09-14 at 10.12.26 PM Screen Shot 2015-09-14 at 10.12.43 PM Screen Shot 2015-09-14 at 10.12.49 PM Screen Shot 2015-09-14 at 10.12.56 PMThere’s some family drama happening with everyone now housed temporarily under the Clark roof. First it starts with Chris trying to help Alicia, but getting a hard elbow in the nose. This puts Chris and his father in a room together for a few moments, as they talk a little about the infection; mostly, Travis tries to reassure his son that everything will be all right. Moreover, Travis has obviously got things a bit rough with two wives in one place, which – regardless of the circumstances it being the end of the world outside and all – cannot be easy, it’s obviously a wound still partly open for some of them.
The Salazars are also at odds. Daniel doesn’t want to be in someone else’s debt at a time such as it is in Los Angeles. But clearly it’s also not a time to be alone, cast away from society or people of any kind. Everybody needs somebody (some time). The Salazar women feel a little differently, however, I get the impression Daniel is only looking out for his loved ones; he strikes me as a very family centric man and he’s not about to make anything worse than it is for his own family by siding with the wrong people. I’m sure as time goes by, he and Travis might find a bit of common ground, a mutual understanding on which they might stand together. Eventually.
Screen Shot 2015-09-14 at 10.14.07 PMDaniel and Travis still have a way to go. The old guy is only trying to keep everyone safe, but Travis has a problem with Daniel showing Chris how to use a shotgun. Mainly, I think ol’ Mr. Salazar is a realist. He knows something is wrong, he’s seen some things in his life, and the guy just wants to be prepared; he wants, needs, everyone else to do the same. It’s telling when he sees Travis and Madison at the fence – Travis talks Madison out of killing her zombie neighbour-friend Susan Tran (Cici Lau), Daniel only says to himself “Weak” as they walk away. So it’s obvious he has got the realism hat on while others are having a harder time adjusting.
Even further than that, the Salazars opt not to go with the Clark-Manawa-Ortiz brigade, as Daniel tells his daughter “good people are the first to die“.
Screen Shot 2015-09-14 at 10.13.11 PM Screen Shot 2015-09-14 at 10.13.57 PMThe most intense sequence of “The Dog”, though, has got to be when Patrick Tran (Jim Lau) comes home to his wife Susan. Just as he’s about to grab her in a hug, as she shuffles zombi-ly towards her husband, some National Guardsmen blow a little hole right through dead Susan’s head. I thought for sure there’d be a big zombie chase sequence or simply a blood and gore fest maybe, with a couple deaths. Instead, “The Dog” sets up the next episode with the National Guard moving in on the whole neighbourhood and, at least for the time being, the Clarks, Salazars, and the Manawa-Ortiz clan are safe. Or are they? Who knows exactly what will happen.
As Travis says “It’s gonna get better now” and the episode fades out with a slightly optimistic yet haunting score overtop, it’s hard to tell exactly how things will go immediately. Of course, we know how they’ll start to go on down the line.
But just before the cut to black happens, Daniel says to his wife, while watching the National Guard move through a house next door: “It’s already too late
Very foreboding finish!
Screen Shot 2015-09-14 at 10.14.30 PMCan’t wait for the next episode, “Not Fade Away”. People keep saying the shows is boring, but it isn’t to me. Others expected full-on mayhem and madness. It’s not that type of series! Not yet anyways. The world of Robert Kirkman, Tony Moore, Charlie Adlard, and yes Dave Erickson, has sprung to life in a new, unexpected way in this series which leads us into where original show The Walking Dead has already taken us. So for those who don’t enjoy, here’s a tip: stop watching. The series will do just fine without you.
Screen Shot 2015-09-14 at 10.14.58 PMFor the rest, stay tuned! I’ll be back again next week with another review. Hope to see more and more craziness, now with the National Guard in the mix and the government bearing down on Los Angeles I know there’s going to be something intense and exciting happening in “Not Fade Away”. That episode, by the way, is directed by Kari Skogland whose television work includes Vikings, a 6th season episode of The Walking Dead, the fifth episode of Kurt Sutter’s new series The Bastard Executioner, The KillingThe BorgiasBoardwalk Empire; Skogland’s film credits include the excellent Fifty Dead Men Walking and an adaptation of Margaret Laurence’s The Stone Angel, among others. Looking forward to her at the helm of this next episode, should be fun.