Hap and Leonard – Season 2, Episode 5: “Pie a la Mojo”

SundanceTV’s Hap and Leonard
Season 2, Episode 5: “Pie a la Mojo”
Directed by Tim Southam
Written by Joe R. Lansdale

* For a recap & review of the previous episode, “Bad Mojo” – click here
* For a recap & review of the Season 2 finale, “No Mo’ Mojo” – click here
Pic 1Hap and Leonard (James Purefoy/Michael K. Williams) have found the carnival at the end of the Idaho-like bus route. They see the ghost of Chester, we see them as boys. And the old man tells them, once and for all: “Finish this.”
Florida Grange (Tiffany Mack) is dealing with Detective Hanson (Cranston Johnson) and it isn’t all roses, either. At the same time, Hap and Leonard are staking out at Meemaw’s (Irma P. Hall) place where she looks after young Ivan (Olaniyan Thurmon), who’s not entirely loving being shut in. Lord knows I love me some Meemaw! Ms. Hall is a treasure, and you can see her having fun playing the role. In other news, TJ (Kelvin Brown) helps our boys sneak out of the house under Sneed’s (Evan Gamble) nose.
TJ: “Nobody expects the retard
And now, Hap and Leonard get themselves labourer jobs with the carnival to go undercover, to try rooting out the killer of those boys. Is it all so simple? Well they run into an old friend, the flexible and fun Judy Punch (Bonnie Morgan); she’s too “old for the pole” nowadays, so, carnival it is!
Pic 1AOur titular heroes are on the constant lookout for any clues as to who killed the boys. Everything is suspicious, from behaviour to tattoos to look; anything could mean danger. Leonard drops a nice Ray Bradbury reference calling a tattooed carny serving food The Illustrated Man. They ask Judy if there are any noticeable candidates, and she suggests a few possibles giving them something to chew on. She also gets her hands on employee files for Hap, as well as hopes he’ll put a couple hands on her, too. Instead, he clings to responsibility. To do right by the missing, murdered boys that have piled up over the years. Somehow, despite her wonderful abilities, he refuses. Now that’s some strength, especially for ole Hap.
Judy: “I may not be as limber as I used to be, but I can still do more with six inches than a monkey can with a hundred feet of grapevine.”
Then there’s Leonard, searching the trailer of the tattooed guy. Turns out he’s a big bear of a man in the bedroom, ready to play. And those tattoos, they’re for sobriety. Poor Leonard barely makes it out alive, away from the sexual tyrannosaurus.
Back at Meemaw’s, Ivan is bored out of his mind. Can’t stand reading. Though she tries to show him the joy of it, that it helps you live a life inside the pages without having to always go out, letting you get into the trouble with Huck Finn without having to get into the trouble yourself. But the kid isn’t down for that.
Pic 2Hanson and his partner follow Florida to a garage, where she finds her own way inside. Where Hap and Leonard have been putting up their investigation links, the pictures of the boys, everything they’ve discovered so far. Leading the detectives right to it all. And y’know what they think immediately. Moreover, Sneed tracks them to the carnival, so an APB is out, as Ivan happens to stroll in. Another boy in danger.
In Judy’s trailer Hap and Leonard look over the employees, but the latter’s not sure they can take on an investigation of this size, just the two of them. Police are likely better equipped, yes; do they care as much? Doubt that. Regardless, the cops are already there, searching them out. As is Florida, trying to find them first. She finds Hap, and Leonard tries to get the Reverend Fitzgerald (Dohn Norwood) to get his group of kids out of there in case something bad goes down. After all, it’s the “third Saturday of every October” and tonight is that night.
This whole sequence is edited to perfection, taking us from Hap to Florida, to them together, to Leonard. Hap and Leonard writer Joe R. Lansdale’s (who wrote this episode) daughter is in this episode, too; we see her now and then. But this sequence is so well done, executed with expert directing and writing in combination.
Best part – Leonard saves Hap from arrest on the back of a horse! So Texas, so awesome.
Pic 3When they get out to the crypt, they find TJ there. With Ivan in the car. The big man says he’s “making angels” and that he put Ivan to sleep. Shit. A shotgun cocks in the background, then out comes the Reverend Fitzgerald. He and TJ were doing God’s work, supposedly. WHOA! I actually wondered if this was the case, the reverend that is – I didn’t see TJ coming – but dismissed it, and this surprised the hell out of me.
Rather than go down like that, Hap and Leonard get the jump on Fitzgerald. Then TJ joins in the fight. The boys break out into a brawl, as Leonard kicks the shit out of the (un)holy man with some of that military training. Before much else happens the cops arrive, to find the rev with a shotgun trained on the boys. Nothing more can be said before Fitzgerald turns the gun on himself and blows his face off. Poor TJ wanders out into things, as well. And Hanson’s partner fires on in him preemptively. Brutal stuff. At least Ivan’s not dead!
Now the corpses of those 13 boys in the crypt are uncovered, what Hap and Leonard had been finding out on their own is given credence instead of them getting blamed. Heroes who won’t get any credit, most likely.


Only thing is, someone has to tell Meemaw the truth. Hanson comes to do it, but Leonard offers. So it’ll be easier from someone she knows personally. Oh, just thinking of it breaks my heart. She takes it on herself, believing it her fault. She did all she could do for the boy, the rev turned him bad, manipulated him. “I thought if I just loved him hard enough…” she tries explaining to Leonard. Meemaw believes the devil followed her after that church was burned by the KKK all those years ago. Bless his heart, Leonard tries convincing her that’s not the case. And she does make a good point about the transformative power of love – Chester changed Leonard, Florida changed Hap.
Then we’re given another blow. Meemaw, as if done with life, gives up and dies right there in front of the pair. Like all of life’s unfairness toppling around us, in the background while they lament Judge Beaut Otis celebrates re-election. Nasty stuff.
Pic 5God damn you, Joe Lansdale! For making me cry tonight. Bastard (I actually love you, man). What an episode. Didn’t think the series could get any better, and then it tops my expectations. “No Mo’ Mojo” is next, the Season 2 finale. SundanceTV better give us another season or I’ll riot.

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Hap and Leonard – Season 2, Episode 4: “Bad Mojo”

SundanceTV’s Hap and Leonard
Season 2, Episode 4: “Bad Mojo”
Directed by Abe Sylvia
Written by Abe Sylvia & Ione Lloyd

* For a recap & review of the previous episode, “Holy Mojo” – click here
* For a recap & review of the next episode, “Pie a la Mojo” – click here
Pic 1A young Hap and Leonard are at the fair. Even back then Hap was in love with Florida, though worried he wasn’t good enough. And the pair loved one another, Hap and Leonard, even then. Unafraid to show their affection for each other. In the garage, present day, Hap (James Purefoy) wakes to find Sneed (Evan Gamble) and a few other cops there to arrest him. Now he’s in a cell across from Leonard (Michael K. Williams), in for the arson he committed. Hap’s in for kidnapping Judge Beau Otis, whom he recently discovered is epileptic; wonder if that’ll come into play again down the road, or if it had anything to do with his killing of their fathers. Hmm.
Pic 1ASheriff Valentine (Brian Dennehy) has a talk with Hap about whether he’s a “troublemaker.” He does not want any trouble with his brother; he is poised to be the new county judge. So it’s either leave things alone with Beau and go home, both he and Leonard, or else it’ll look grim. And no more digging around where neither of them belong. Some rough talk. In an interrogation, Leonard’s dealing with Dt. Hanson (Cranston Johnson) and his racist partner, neither of them being too friendly. As always, Mr. Pine won’t do the dance, not for a black cop or a white cop or anyone else that wants him to tell lies about himself.
Leonard: “And we aint no brothers. Slack or no slack.”
At least he’s out of jail, and Hap, too. Neither of them immediately see a way forward. It’s all over, so Hap heads out to work and Leonard goes to check on Ivan (Olaniyan Thurmon). They did their best. That’s all they can do, right?
Florida (Tiffany Mack) has an awkward meeting with Hap at the diner after she didn’t show up for his and Leonard’s arrest. It wasn’t hooking up that made her stay away, it’s the fact they’re constantly in trouble and poking around in some dangerous business. What I love about this episode so far is that Hap seems to be having some strange daydreams, from hooking up with Florida to the Village People. Over with Meemaw (Irma P. Hall), Leonard and Ivan get closer. Then Leonard notices the picture of the church on her mantle, where the gate stood. A troubling thought. It was long ago, when Meemaw was a girl. She tried putting out the far the Klansmen set, burning her arms. Such a sad thing to see when she tells Leonard of what happened that day.


Dt. Hanson is looking at the child’s body in the morgue. His partner Charlie is worried that he’ll be caught “tampering” but it’s only the fact he knows there’s more afoot. Hanson pushes on, he’s starting to feel there is more than meets the eye. Suddenly, Sheriff Valentine arrives, as the detectives hide. The old man is there to visit the body. He has the shoes. Holy fuck. And with the detectives watching on unseen he puts the little red shoes right in the body bag, signing off forms for the medical examiner. Washing his hands of the situation, the body off for cremation. Or so he thinks. There is no way Hanson will let this sit on his conscience, at least not forever.
I love how, using the same line of dialogue, Hap and Leonard both figure out the gate is from a church. It’s just excellent writing, and they each deliver the line is such different yet similar ways that the respective scenes are perfect. Hap does a bit more investigating, trying to figure out if the church he’s located is the one where the gate stood years ago. During a charity boxing event at the church, he gets in on a boxing match and things get heated in front of Florida and the audience as Hap and the pastor throw fists. Ultimately the white boy goes down, not without a decent fight.
Meanwhile, Leonard’s tracking down information on the church. And he’s haunted by the ghost of his uncle Chester, as well as Illium Moon.


Leonard: “Goddamn peckerheads all think alike
Hap: “I thought it was great minds
Leonard: “In your case, peckerheads.”
The pair are getting closer and closer, finding their way to where Old Hope church used to stand. All that’s left are the bricks of the foundation, nothing much standing. Then they fall right through an old, broken floor. Through the basement they find coffins labelled with years. Inside, more children. Disturbing, to say the least. Now the boys have got themselves a handful; way more than that, two arm loads. They set themselves up an investigation, connecting dates, names of the missing boys. An elaborate puzzle they’ve got to put together, because it looks as if whoever’s been taking those boys and killing them isn’t done with whatever they’d planned.
Hanson and his partner are distraught over what they’ve seen. Although it’s the former who’s more interested in actually digging out the truth. Not just that they’re in the dark, struggling for clues. Hap and Leonard are further ahead in their investigation than the actual police force. A great testament to the lack of care put into missing black children; we think it’s bad today, it was even worse in the ’80s.


Hap and Leonard are trailed by the police on the latest leg of their adventure. They pop in to see Stella at the salon. She’s sly, as are the other ladies sitting around getting their hair done. Great moment as Stella tells the cops to find her missing son while they’re so concerned with tracking down the pair. Then the other mothers show up. Hap and Leonard are the only ones looking for the missing boys.
Love the sequence set to Johnny Cash’s “Wayfaring Stranger” as the pair ride a bus, all the young black boys and girls around them. What would otherwise be a beautiful sequence of all the smiling faces, the youthful innocence, is a tragic sight; seeing Hap especially look at them is like a gut punch, knowing any one of them could go missing and barely anyone would flinch as is the case with BB and the others. Haunting sequence, one of the best in the series as a whole.
Pic 4DArriving at a carnival, now knowing part of their map of the missing boys links to the busses and Idaho, Hap and Leonard have more to go on. BB’s little body has been cremated, but the shoes aren’t gone yet.
The next episode is “Pie a la Mojo” and it looks intense! Pumped to see what goes on next in this stellar adaptation of Joe R. Lansdale’s characters and novels.