Mary's taken hostage after Brett shoots up Silk 41. Robin, Julia, Pyke all try finding her, at all costs.
Top of the Lake – China Girl: Season Finale
Tagged Nicole Kidman
Top of the Lake – China Girl: Episode 5
More of the illegal surrogacy comes to light, as Robin and Pyke get closer, and Mary drifts further towards danger.
Top of the Lake – China Girl: Episode 1
Dt. Robin Griffin has moved on since last we saw her. Nowadays she's single, celibate, and having terrifying nightmares.
Then a body in a suitcase washes up onshore.
Eyes Wide Shut in Pursuit of Sexual Understanding
Eyes Wide Shut. 1999. Directed by Stanley Kubrick. Screenplay by Kubrick & Frederic Raphael; inspired by Traumnovelle by Arthur Schnitzler.
Starring Tom Cruise, Nicole Kidman, Sydney Pollack, Marie Richardson, Rade Sherbedgia, Todd Field, Vinessa Shaw, Sky du Mont, Fay Masterson, Leelee Sobieski, & Thomas Gibson. Warner Bros. Pictures/Stanley Kubrick Productions.
Rated R. 159 minutes.
Drama/Mystery/Thriller
★★★★★
Stanley Kubrick is one of the best directors to have ever lived, certainly if we’re considering American directors. It’s hard for me to choose my favourite film out of his filmography. Although, I do absolutely prefer some over others. I believe 2001: A Space Odyssey is his best work, yet my all-time favourite is Dr. Strangelove; Or How I Learned to Stop Worrying and Love the Bomb, followed by A Clockwork Orange.
And right alongside those two in my top three sits Eyes Wide Shut, Kubrick’s final film. Based on Arthur Schnitzler’s Traumnovelle, known in English as Dream Story, Kubrick and writer Frederic Raphael take us through the strained relationship of a married couple, as the husband finds his way down into the eerie underbelly of the upper crust. All those awesome Kubrick techniques we’ve come to know and love are here: long and luscious tracking shots, dreamy fades between most scenes, an almost uncanny ability for perfectly composed frames, and much more. When you add in two solid actors such as Tom Cruise and Nicole Kidman (the former is undeniably crazy yet a talented performer), a Kubrick picture can only get better. Such is the case with this masterpiece.
Not everyone loves this film as much as I do, and many deride it as a lesser work near the end of a great director’s life and career. Me, I believe Kubrick left life having bestowed us with one last work of tantalizing art.
I’m always intrigued by real life couples willing to act in a film together, especially when it comes to a film such as this one, its themes, the wild subject matter. There are a few incredibly raw moments. For instance, early on when Bill and Alice are arguing after smoking pot together she starts laughing at him; the look Cruise gives his wife, his real wife, is a genuine look of an open wound hurt. Maybe being husband and wife in reality gives actors a further depth they can reach in thinking of what it might be like if their characters lives were actually their lives. That entire scene where Alice reveals her fleeting, though thoroughly shocking feelings about a Navy man she saw during a vacation at Cape Cod is, in my mind, a master class in acting. Kidman and Cruise are both in top form. It certainly doesn’t hurt that the writing from Kubrick and Raphael is downright compelling. Whereas the plot of the film gets much weirder, and wilder, these personal moments are what the entire picture is all about.
Aside from acting this film is built upon Kubrick and his eye for gorgeous shots, the way those shots are composed from framing to the actual look of the sets and everything in between. More than that, the atmosphere and tone of Eyes Wide Shut is so impressive. The cinematography of Larry Smith, who’d been a gaffer on Barry Lyndon and The Shining (later working with Kubrick-lover Nicolas Winding Refn), uses all natural lighting, as the director did not want to use studio lighting. So the visual look is beautiful and interesting, a combination of natural light sources and push processing (a developing process which works on the actual sensitivity of the film itself). The processing makes all the colours much more intense. Couple that with some of the interesting lighting Smith resorts to in order to capture many scenes and it makes for a lot of strange, tinted shots with hues of neon, blue light washing through windows, and lots of deep shadows amongst the vibrantly coloured rooms. On top of the cinematography and the expert directorial choices of Kubrick is the score. Kubrick was the master of musical choices, he opted to use such fascinating stuff to flesh out his efforts. Here, there’s original music from Jocelyn Pook, the stuff we hear as Bill ends up confronting the masked crowd, that ominous piano and other weird sounds which end up recurring. Also, as usual, Kubrick employs the use of classical pieces, which all work impeccably for where they’re placed. Often I feel as a director he was able to mimic the feel and flow of ballet. Never more so than in this film, fitting enough his last. This is most clear in those scenes where the Steadicam takes us through the large, mysterious cult mansion where they’ve all gathered, the various rooms, as if we’re moving around a stage. All together, the elements of this movie work so well together in a gorgeous, strange unison.
Eyes Wide Shut is a story of sexual relationships, both in and out of marriage. Of course we’re framed by the marriage of the Harfords. However, the entire journey Bill finds himself on over the course of that one especially wild evening takes him out of the realm of marriage, into that vast, mysterious sea of sex with faceless people. In a way, you can see it as Alice has a face: she is his wife, the mother of his child, the love of his life, his best friend. Many, many things. We know her, we see her perfectly, flaws and all. She represents, obviously, the married life. Then there’s the cult, all those people under the hoods and masks and costumes. They are the deep unknown of bachelorhood, which Bill confronts. They are the faceless mass of people only looking for sex, anonymity in their relationships, without feeling and without responsibility or any of that which marriage brings. Those lavish, secretive parties – never in the same place twice, their piano player given an address where to head an hour prior, so on – are representative of how the ultimate bachelor sees their lifestyle, as better than anything marriage offers. The cult itself is closed off, they do all in their power to keep others from getting in because their parties are just way too interesting for outsiders; certainly for a married doctor.
Furthermore, the men in this orgy cult are the basest form of men, guys like Ziegler (Pollack) – one minute he stands with his wife downstairs hosting the big party and the next minute is upstairs having sex with a girl that proceeds to nearly overdose on a speedball. The types which let people die, or worse, then cover things up, all in the name of power and pleasure and control. Whereas to the deceptive, lusty man marriage is a loss of control, to a caring man marriage is sharing control; something Bill seems to eventually realize, one way or another. To the people that belong to this high society sex cult, marriage is a loss of freedom. So a large part of this story, if not the majority, concerns Bill effectively struggling with his faithfulness. The catalyst is the revelation from his wife, setting him forth on a quest to figure out if being faithful is truly his choice, or rather if it’s something he’s merely settled into casually because of societal expectation. Bill is not like Ziegler, nor the rest of the faceless cult members at the orgy. He discovers the dangers of insane, swinging single life later, as well; after going back to the apartment of Domino, a young prostitute he’d nearly slept with, her roommate lets him know that she is HIV-positive. This and the sinister danger of the cult are enough to propel him back to his happy family life. By the end of the film he discovers he can both have his cake AND eat it, too. It’s called having a wife and being in love, Bill.
There’s not enough time in the world to talk about every last thing I love. Eyes Wide Shut is not given the proper respect it deserves. Maybe if Kubrick made a couple more films before he’d passed, then this wouldn’t be so maligned. Over time, more people have warmed to it, though still not enough. That doesn’t matter, really. I couldn’t care less about the majority. This is a masterpiece from one of the great masters in our time. Kubrick’s sensibilities make this a ride through strange cityscapes, through the darkened corridors of mansions where the rich and powerful conduct their suspicious activities, and we come out on the other side not totally sure of where we’ve been, or where we’re headed. If anything, Eyes Wide Shut is a well crafted mystery-thriller, masquerading as an erotic thriller. At its heart the film concerns the sexual politics of relationships, and of the single life. Nothing is ever simple or bland when in Kubrick’s hands. If only there were a hundred more of his movies.
31 Days of Horror for Halloween Season
In an effort to try and diversify, I’ve done my best to not include anything I included on last year’s Halloween List. Not to worry: plenty of horror for you here.
Wade on in to find yourself something creepy; one title for every day of the month in no particular order but merely numbered for order.
I’ve tried not to do anything too obscure. Most of these titles you should be able to track down somewhere. But regardless, I wanted to try and name at least a few movies other lists don’t suggest this time of year. Huge fan of John Carpenter’s Halloween (my review here) and even the rest of the series honestly, except for the last couple entries. They’re the ones you always hear about! I’d rather try to go for some titles you either might not know or wouldn’t think to watch.
Now… Let’s get spooked! October is upon you. I watch horror just about every single day of the year. Though I always get excited to share that passion with everyone else leading up that creepy day we all know and love.
1) Let’s Scare Jessica to Death (1971)
An obviously low budget movie, this 1971 underrated gem takes us to the depths of the line between sanity and madness.
To say much of anything would ruin this for you, but the movie follows a young, emotionally and psychologically unstable girl who goes out to a little farmhouse with her husband and their friend, only to experience a living nightmare of sorts after meeting another young redheaded woman who is at the house, drifting and living there.
Some people say this is a vampire film, though, I think it’s mostly because there’s a legend of vampire activity in the story itself. Me? I’d say this is psychological horror at its finest with emotional problems and local legends at its root, driving everything that may (or may not) be happening in the plot. Check this one out! It’s been called one of the scariest films ever, as well as the fact Stephen King has often talked about it in various interviews and I’m always keen to see the movies he thinks are scary. But regardless, I find this is a creeper. I watch it, then there’s always a hesitation to watch it again the next time because it’s that damn unsettling.
2) A Horrible Way to Die (2010)
* My full review is here
Director Adam Wingard and writer Simon Barrett have teamed up since this one to make an excellent slasher infused with dark comedy (You’re Next) and one of the best action-thrillers of the past few years with a throwback aesthetic (The Guest).
But honestly, it’s this film of theirs which really gets me in the gut, punches me hard and sucks the wind out of me. Some complaints I’ve seen are directed at Wingard’s directing, believing the handheld and more chaotic style of the film to be either distracting or simply not enjoyable.
For me, I think the handheld vibe helps A Horrible Way to Die because out of it comes a very intimate feeling. In every scene, whether it’s the serial killer (played by fabulous actor A.J. Bowen) or his sweet and emotionally devastated wife (played by an equally fabulous actor Amy Seimetz), no matter if it’s just them or they are onscreen with another character(s), there’s an incredibly intimacy from the style Wingard chooses to go with that really nails home the visceral feeling of this movie.
Not only that, Barrett’s screenplay is pretty great. It’s sparse and it doesn’t particularly telegraph a whole lot where the plot is headed. Then once the finale kicks in, again, it’s like a gut punch. It hits you hard, not once but twice before finally you can’t help but be in awe of how everything plays out. At least I didn’t see it all coming. I thought things were headed in a much different direction. This is one chilling movie; not really a date horror movie, not necessarily something you’ll want to watch with a group of friends, but rather a film you might consider taking in alone, a bit of a personal and riveting experience for a creepy fall evening.
3) Alone in the Dark (1982)
First off, this is clearly not the Uwe Boll shitfest of a video game adaptation.
1982’s Alone in the Dark is possibly one of my favourite ensemble horror cast movies, at least it’s near the very top. Featuring not only Donald Pleasence, we are treated to some horror with two other powerhouses: Jack Palance and Martin Landau.
I mean, isn’t that just the strangest combination for a slasher horror you could ever imagine?
Simple premise: when a massive power outage happens, a bunch of psychopathic patients from a mental ward break out, searching for the new doctor whom they falsely believe to have killed their old doctor. Honestly, it’s a top notch ’80s era slasher. Not to mention the fact, again, that the three top actors are amazing. For me, a lover of the first Batman from Tim Burton and many of his other works, it’s awesome to see Palance as a crazy, nasty maniac here. There’s one scene in particular where they’re driving around in this truck, or some sort of vehicle, and they’re just tormenting people like the mailman, et cetera; it’s classic dark comedy/horror. Great one to get your murder spree fix, especially if there’s a crew wanting to watch a fun and at times horrific slasher.
4) Carnival of Souls (1962)
This is one of the best, creepiest, most unnerving low budget horror movies I’ve ever seen.
Basically, a woman experiences a car crash, flying into the water off a bridge, and after she survives begins to experience strange happenings: she sees people, a man in particular, pale faced, walking after her, stalking her, appearing almost everywhere she goes. She’s also being drawn to a rundown pavilion, an old carnival, where it seems the strange man and other ghostly people are living.
I have no problem with low budget look, as long as the story and the atmosphere of the film can still be achieved. Carnival of Souls does have a highly independent look, but it doesn’t deter from anything. It’s all black and white, which only adds to the creepiness. Director Herk Harvey uses his imagery in a great way, plus the story itself and the plot maintains its effectiveness. Pop this on for an irregular ghost-like story with some shots that will – I guarantee – haunt your dreams, if you let them.
5) Zombi 2 a.k.a Zombie a.k.a Zombie Flesh Eaters (1979)
* My full Blu ray review is here
Despite the often confusing titles of the film, this is not a sequel, but merely a victim of silly, opportunistic marketing.
Lucio Fulci’s 1979 Zombie is one of the most incredible flesh eating films you’ll ever see! Fulci is classic. He was one of those horror filmmakers who went for broke and sought to bring as much bone/eyeball crunching, blood spurting, neck biting, flesh peeling action as he possibly could in an hour and a half or so.
This movie is no more elaborate than any other in the sub-genre – people are being turned into zombies on an island, the disease itself making its way towards New York City on the boat of a scientist. Horrific madness ensues.
If you’re a zombie enthusiast, or a horror fanatic in general, and you have not seen this: you need to, it is mandatory. You’ve not seen zombies until you see this!
6) The Beyond (1981)
Another Fulci classic – it’s hard for me to decide, though, if pressed The Beyond would be my top pick for his masterpiece (tied with A Lizard in a Woman’s Skin).
Beginning with a woman inheriting an aging hotel in Louisiana, soon it becomes clear the Gates to Hell – The Beyond – sit just below its foundation. When she and a doctor try to escape, they discover The Beyond and earth are becoming one, as the gates have opened and the dead are walking the earth.
This is more of Fulci’s savage and visceral horror mixed with an awesome dose of the supernatural, and yes – zombies! Or at least undead, whatever you want to call them. Others may not agree, but I do honestly think this is Fulci’s best. It’s my favourite, anyways, and I’m always keen to tell people this is a great film for Halloween!
7) In the Mouth of Madness (1994)
John Carpenter is truly one of the masters of horror, up there with the greatest. He’s also got an excellent, darkly comic tone in many of his films. Plus, he does wonders with thrillers; he knows suspense and tension more than anyone else in the horror genre.
In the Mouth of Madness is often described as Lovecraftian, as it plunges into familiar territory to the amazingly creepy H.P. Lovecraft. Sam Neill plays an insurance man sucked into looking for a famous horror fiction author, eventually coming face to face with the author’s own creations all crammed into a tiny, supposedly fictional town. It is one amazingly terrifying movie, at times downright chilling, at others there’s that dark comedy Carpenter does so well. The whole time, though, you’ll find yourself beginning to question – like the main character – what exactly is reality and what is imagination. For a weird and involving bit of horror, take this one out on a scary night.
8) Session 9 (2001)
For a full review, click here.
For me, this is one of the scariest movies of all time. Yes, there are a couple rough moments (re: acting), but you can pin that badge right on David Caruso; I actually don’t dislike him, though, I can’t defend him here. Most of the time he’s good, it’s just a few real stinkers sneak out here and there.
Peter Mullan is who you want to pay attention to. Even while Josh Lucas (before he got big) and Brendan Sexton III give two extremely solid performances, Mullan holds this all together.
Directed by Brad Anderson, written by him and Stephen Gevedon (who also plays a nice role in the film), Session 9 is a slow burn horror, which will gradually push itself under your skin like a splinter. By the time you’re near the end, after the climax has really rocked you and the finale begins, there’s this quiet sense of trauma you might feel. That’s a good thing; means this movie does its job.
Scene of note: when Jeff (Sexton) is running through an underground tunnel while the lights are going out behind him, one by one, his screams drifting out of the darkness, I honestly feel my heart race. Terrifying film, but this scene gets me something fierce.
9) The Sentinel (1977)
For a full review, click here.
Haunted house horror movies are a dime a dozen. There are plenty I love, and even more I don’t like at all. However, The Sentinel is one of the most perfect haunted house stories, to me, on film yet.
When a fashion model moves into a Brooklyn apartment, an old building, terrifying appearances begin to emerge, people who are no longer living seem to be still inhabiting their apartments, among other things.
There’s something about this movie which will always draw me in. I only saw it for the first time about 4 years ago and it floored me. It’s a mix of supernatural horror, religious superstition, and psychological trauma/character study. Amazingly creepy at points, plus there are a handful of amazing actors here from a young Christopher Walken to Chris Sarandon to Ava Gardner and John Carradine, Burgess Meredith, and the delightful Eli Wallach. Oh and a mysteriously dubbed over Jeff Goldblum, which is kind of hilarious, and Jerry Orbach. Perfect haunted house film for when you’ve got a stormy night outside – this will draw you in and creep through your bones!
10) Prince of Darkness (1987)
Already we’re back to Carpenter. But with good reason. Plus you may as well get used to it because there’s at least one more on here; not the one you’d expect, either.
1987’s underrated, overlooked, and only cult appreciated Prince of Darkness has a little bit of everything: religion, zombie-like people, Alice Cooper, Donald Pleasence, ’80s babes with hair to match, and of course – Satan!
When a green ooze is discovered in a canister (no you’re still on the right page this is not a review for the second live-action Teenage Mutant Ninja Turtles film) below a church, a priest assembles a team of mathematicians and scientists in order to study the contents. Turns out, the ooze is as old as time itself: it is the devil, evil in pure material, sensory form. When the ooze begins to make its way out gradually, people are taken over by its terrifying power, from the homeless people wandering around outside the church to the mathematic-scientific team working inside. What begins is a struggle between good and ultimate evil.
This is just a downright awesome movie. Carpenter, as I said, knows how to really build up the suspense and execute his tension in the appropriate way. There are incredible effects (on the Blu ray Carpenter explains them in typically excellent Carpenter fashion; one involved the mercury from a crane, I believe, or something similar they were doing highly unsafely), the acting is good, and Carpenter’s writing is also spot on here – he merges the superstitions of religion, the idea of a pure evil, and brings it into the scientific, intelligible world. Interesting stuff and it’s a creepshow of a movie with more of Carpenter and his dark wit. Good for when you want a movie about good/evil/the devil without all the typical stuff.
11) Mr. Sardonicus (1961)
Another movie it took me years to see, one of William Castle’s best, Mr. Sardonicus tells the tale of a man who digs up his father to find a winning lottery ticket with which he was buried, only to also discover his face has become distorted into a permanent and grotesque smile. When he makes a doctor treat him, the results might be worse than the smile itself.
There are certain classic horror movies you always hear about – anything with Vincent Price or Boris Karloff particularly, and so. Yet there’s never enough buzz about this brilliant Castle flick. I also love his gimmicks, he truly knew what audiences wanted. Screw all the same old 3D movies we see nowadays – Mr. Sardonicus let the audience use the ‘Punishment Poll’, letting them determine what Baron Sardonicus received ultimately as his punishment!
But this isn’t just gimmick. The movie is a gothic romp through the eyes of greed and jealousy and heinousness. Fitting for any wild Halloween night. Definitely a good one for a crowd or pair!
12) The Fog (1980)
For a full review, click here.
We’re back to Carpenter. Yet again! Of course we are.
This is another of my favourite Carpenter films, especially in terms of his pure horror. A great script, great actors, on top of the truly creepy zombies. Or whatever you want to call them – zombies, undead, ghosts, I don’t know.
The story is simple yet very scary – a coastal town’s long buried history literally unearths itself when the members of a disrespected and murdered leper colony return from the dead to come, in the fog, to kill anyone and everyone in their path.
Carpenter creates a wonderful sense of dread with all his tension and then the terror comes on hard once people start to die, once the fog knocks at each door and surrounds every little thing in sight. Pop this on for another spooky, stormy October night. Definitely will get you in a Halloween-y mood.
13) A Clockwork Orange (1971)
For a full review, click here.
I’ve got a sneaking suspicion most of you by now have seen Stanley Kubrick’s shattering dystopian classic A Clockwork Orange. I won’t bore with a recap of the plot. What I will say is this: Kubrick makes this story into a carnival of horrors. Perfect for any October evening, as the masks and lights and colours, the mayhem, the carnage of this film truly speak to Devil’s Night in many ways. Throw this on and get your fix of madness.
14) Livid (2011)
I know not everyone is into subtitled films, but when it comes to horror you’re seriously missing out if you only watch English language movies. So I opted to only include one foreign title on this year’s list.
Livid is a French film about a young woman who begins training as a live-in caregiver to an old woman in a virtually eternal coma; discovering she has some kind of fortune kept hidden in her massive estate, the young woman and her two friends try searching for it. But when they make it inside during the night, things start to get extremely strange for the intruders. They discover it is not mere money, nor jewels, which is the actual treasure in the old lady’s home, but rather something far more sinister.
This is one savagely macabre film at times. There are great elements of a thriller, as well as lots of gothic style stuff happening. I can’t think of a creepier flick to add on to the haunted house viewings already on the list; it may not reinvent the wheel, though, it spins one hell of a tale. Lots of scary stuff lurking in this one, fit for any Halloween celebration when you want something aside from the regular tired recommendations on other lists. Even on mine, this one stands out.
15) Feed (2005)
This is perhaps the weirdest of all the films on this list. Absolutely no way to truly describe it without a full-on description and I don’t want to ruin ANYTHING. So go in without a trailer, but I’ll try and give you a bit of a… taste.
Cross a gritty cop thriller with strange and deadly fetishism, you’ve got Feed: a law enforcement agent falling off the deep end, after too long exploring the savage and rampant sickness floating around the internet, and comes up against one of the most depraved serial killers he has ever known.
Have you ever maybe heard of ‘feeders’ or a similar term? These are men who enjoy feeding women; they like to see them gain weight, they love to watch them consume food and drink, it turns them on. Not sure about the psychology, but it is certainly something different. Well, take that fetish to a truly deadly length.
Put this in only if you’re ready to be tested. While there’s very little blood, barely any at all to speak of, this is still a damn nasty horror. Though, there’s lots of interesting stuff happening. Plus you get a weird and wild performance from Alex O’Loughlin.
16) Angel Heart (1987)
I always hear people talk talk talk about both Robert De Niro and Mickey Rourke, yet there’s rarely ever a reference to the fabulous 1987 Alan Parker directed Angel Heart. Recently it went up on Netflix Canada, so I suppose more minds will end up falling into this one. There needs to be more recognition for this one. It’s almost not really a true horror, rather a twisty supernatural thriller more than anything. Above all, I find the performance of De Niro absolutely fascinating – one role out of his vast filmography I believe is different than the rest and also like the film itself doesn’t receive the credit which it deserves – and Mickey Rourke gives us a level-headed effort which gives his character, aptly named Harry Angel, a very real, very sensible place in an otherwise unreal filmic space.
If you’re craving something dark, macabre, dripping of the filth and sleaze of a New Orleans underbelly packed to the brim with voodoo, murder, and double crossing criminal types, this is the film for you. There are some wonderful themes in here which I find fit the Halloween season perfectly.
17) When a Stranger Calls (1979)
* For my full review of this movie’s terror – click here
There have been films before this (think: original & fantastic Black Christmas) and after which use the ‘killer calling from inside the house’ trope. Almost none better than 1979’s When a Stranger Calls.
Babysitting one night, young Jill Johnson is terrorized by a psychopath who kills the children she is meant to be looking after. Traumatized by the experience somehow she manages to go on and live her life normally. Then seven years later, the same madman comes back to haunt Jill again; now older, a little wiser, she must somehow survive her second brush with insanity.
The best part about this movie, for me, is the fact it replaces the masked or hidden killer and early on in the film we see the killer – we know who he is, in fact we’re treated to a good portion of the plot where the focus is him, his mind, his life or at least his attempt at trying to have one. So instead of seeing a maniac without any real reason behind him, the killer here – played by Tony Beckley in fine fashion – is not so much sympathetic, as much as he is utterly, scarily, and wildly human. That’s the scariness here: without a mask, we’re forced to watch this killer be himself, we’re forced to see who he is and deal with everything it implies. Instead of forcing our feelings of fear off on a masked slasher, our fear is right in our faces.
When you need a slasher but want something actually terrifying without the need for jump scares and all the modern bells/whistles, When a Stranger Calls is calling you: view this one and you’ll no doubt find yourself checking the empty, dark bedrooms before heading to bed on Halloween.
18) Hellions (2015)
* My full review is here
Only recently did this become available on iTunes, but what timing! This is a perfect viewing for Halloween; in fact, wait until the actual night, not just during October. This one is set on Halloween, it pushes the fears of masked unknowns roaming neighbourhoods on Halloween, and there is so much going on.
After discovering she’s pregnant, a young teenage girl finds herself home alone on Halloween, when a group of masked children lay siege to her house. Initially undecided about the child inside her, Devil’s Night will shape her decisions to come after coming face to face with pure evil in pint-size costume and form.
This is a unique movie and will not be for everyone. Director Bruce McDonald – a homegrown Canadian talent – used infrared cameras during the filming, which gives several extended sequences and a good bulk of the movie a pink-ish hue, with the whites, greens, and other colours becoming extremely vibrant. There’s an unbelievable Halloween feel through this technique, apparently it was meant to mirror the effect of the Blood Moon (the script set Halloween on such a lunar event). Not only that, the horror and the terror are all there, in spades, from the creepy creeps to insane moments of blood/gore.
You need a nice savage fix for Halloween? You’ve found the one. Support this one, support Canadian/independent film. Hopefully this will bring the fear, too.
19) Spring (2014)
* My full review is here
This is one of the best horrors I’ve seen in a few years, honestly. Up there with some other great titles. Even further than that, you don’t get too many horror-romance hybrids, other than the awful excuse for whatever you want to call it in Twilight. This film from indie pairing Justin Benson and Aaron Moorehead is a true mix between Lovecraftian style horror and a dramatic romance movie set abroad.
When Evan (Lou Taylor Pucci) flees to Italy from his home in the U.S, precipitated by the death of his ill mother, he is not prepared for anything that’s about to happen. First, it’s more of an exciting, exotic adventure to a new place on a whim. But then he meets a mysterious woman named Louise (Nadia Hilker) and his life heads into a spiral; down into love, down into something deeper, more dark than just love. Louise is not who Evan thinks she is and soon he’ll figure it all out.
Part of Spring is Lovecraftian as I’ve mentioned – you’ll figure out how on your own. There’s good horror with an eerie atmosphere of dread hanging over every last scene, even in the more beautiful bits. Part of Spring is also a touching character piece of a man sort of running away from himself, running away from even being human – having to live and love and let people go – when he meets a woman who changes everything. There’s a lot to enjoy here. You’ll get something romantic, in a strange sense, as well as a good dose of creature feature-like horror. Looking for an interesting twist on the horror genre? Definitely find this one and give it a go (decent price on iTunes), it’s a unique piece of film from two interesting filmmakers.
20) The Last Man on Earth (1964)
Ever see I Am Legend and just think to yourself: this would be way better if it was Vincent Price?
The Last Man on Earth is an all around better film than that mediocre bit of post-apocalyptica. Taken from the same source material – Richard Matheson’s I Am Legend – this 1960s era horror/science fiction classic sees Vincent Price as Dr. Robert Morgan, the titular last man alive. Or is he?
What I like about this is the subtlety. I mean, the Will Smith-starrer was in a post-apocalyptic landscape, yet still there’s this huge blockbuster style as if Michael Bay were sitting behind the wheel. Honestly, it’s just not right. Yet in The Last Man on Earth, we get a real quiet, desolate feeling from start to finish. Even better, I love the way the vampire-humans look and act in this, as opposed to a bunch of CGI’d zombie-like infected humanoids. To each their own, but this is a far spookier vision of Matheson’s original novel than its more recent incarnation. And who can’t love Vincent Price? Here he’s a little less hammy than usual, which I love anyways, though don’t kid yourself – there’s always ham with Vincent. Part of his charm. Most of all this is a seriously creepy picture of a decimated world roamed by a single man and hordes of vampiric humans. Want to get creeped out, put this on alone and let yourself be drawn into the world of this terrifying post-apocalyptic vision out of a 1954 novel from one of the great science fiction writers of the 20th century.
21) Candyman (1992)/ Candyman: Farewell to the Flesh (1995)
So what’s Halloween season without a couple double features? This is the first of three you’ll find in the last heap of this list.
Candyman is one of the first horror movies I remember seeing as a teenager which actually scared me bad enough to give me a nightmare. There’s something about Tony Todd’s performance, his voice and his demeanour all together that creeps the hell out of me. And the story itself, adapted into screenplay by director-writer Bernard Rose, is from Clive Barker originally titled “The Forbidden” out of Volume V from his Books of Blood. That in itself makes things interesting, but this is adapted well and the original story is just solid, so you can’t lose.
Basically this is an urban legend brought to life by the supernatural, as two women research a legend at Cabrini-Green housing projects in Chicago, it actually comes into existence. The Candyman, long ago persecuted, begins to kill people and drive one of the women completely mad. The second film, subtitled Farewell to the Flesh, sees a family torn apart by the Candyman and a young woman become a target of his horrific longing.
I love Candyman, and I even love the sequel. Though, the first is still best. Part of it is Tony Todd, hands down. But apart from that, Bernard Rose does amazing stuff and creates a whole scary aesthetic, from the terror of the visuals to the creeping sound design and score. A scary, dark night is the right one for these two films. You should honestly watch them one after another in a double feature, they’re stellar and will chill you to the bone.
22) Black Death (2010)
Oh man, what a work of horror this is – set in medieval times, as the black plague is spreading, an English monk is tasked with heading to a remote village, alongside a knight and his crew of nasty outsiders, in order to figure out where the witchcraft originating the disease is hiding.
There’s sorcery and witchcraft, action involving medieval misfit bounty hunters; there’s Sean Bean being a bad ass; there are medieval zombie corpses; and much, much more.
What I love in this is the story, the plot, as well as the solid acting from Bean and Eddie Redmayne, along with others you’ll surely enjoy. Medieval times are ripe for horror and do not get used enough, at least not correctly. This film in particular, directed by Christopher Smith (Triangle, Severance, Creep), gets just about everything right for this savage period piece. Plenty of weird darkness happening, lots of bloody horror, and you’ll love the finale: it’s a god damn barn burner!
23) The Wicker Man (1973)
For a full review, click here.
Ever see a movie you’ll never forget? One that leaves a mark on you forever?
The Wicker Man is one of those for me. About 15 years ago, I saw this one very late at night and during the climax of the film was absolutely jarred. Stuck to the screen, what happened in the final moments really leapt out at me and latched on, never letting go. Every time I watch this, I can’t get it out of my mind for a good while afterwards.
I won’t say too much, just in case you’ve yet to see it, trust me – it is a really unique experience. With Christopher Lee playing an absolutely delightfully demented local leader, a sort of enigmatic and lord-like cult figure, you’re sure to find this unsettling. Give it some time. At first, and for a little bit, the movie might seem to be something quite unlike any horror you imagined. But once things start moving, the horror is evident underneath it all. Put this on for a real fall-style horror night. Maybe in the early evening, as the changed leaves are hanging in shadow, and the October weather outside seems delightful… this horror thriller, set in the Scottish countryside, will change all that.
24) Starry Eyes (2014)
* My full review is here
Never has the quest for fame ever been displayed so intensely and terrifying as it is in Starry Eyes. Following a young woman trying her best to break into Hollywood, or at least the outer fringes, the story takes us on an aspiring actress’ journey in the film world, which becomes more like a descent into the lower bowels of Hell.
This indie film was on my radar for a year or more before it came out, simply because the poster art was glorious and the synopsis looked to be pretty intriguing. Was I surprised, though! Most of all, amongst the horror and the insane body-horror coming out during the finale, Alex Essoe – who plays main character Sarah – cranks up the bar for indie film acting with her performance. There’s nothing else I can say without giving up too much. Go in without watching a trailer even and you’re going to see something unexpected. This will rock you. A good one for a group of friends, a pair, or solo; just let it grab you and the horror will blow you away.
25) Don’t Go in the House (1979)
For a full review, click here.
A lot of people will probably say this is a horrible attempt at the slasher sub-genre. Somewhere, though, I remember reading one of the best analyses of Don’t Go in the House, and it accurately described how this movie was almost the film metaphor of the death of the 1970s. I won’t go on too much more, just consider that while watching.
Simple pitch? This movie sees a young man, whose tortured childhood under a ruthless and sick mother who burned him (literally and figuratively), stalk women, bring them to his home, then trap them in a steel room downstairs where he’ll burn them alive.
Nasty enough for you? There’s lots of silliness here, no doubt whatsoever. But there is more to it, there is some kind of really palpable atmosphere here amongst everything else. With disco music and burning humans, there is certainly a bit of Halloween-y goodness happening in a good portion of scenes. Naturally, there is ’80s cheese, too.
An amazing flick to choose if you’re going to have a few people over to watch some movies. Have a laugh with this, but remember – keep in mind there may be more to it, no matter how low budget or whatever else you deem it the movie may be. Despite any of that, there’s lots of nasty horror here in slasher movie form to please your needs and wants this Halloween season.
26) Asylum Blackout a.k.a The Incident (2011)
* For a full review – click here
This one came out of nowhere for me. Usually I like to pride myself on keeping an ear to the ground for all sorts of horror; even the most diligent of us fanatics fall short some times, right?
Well Asylum Blackout, while deemed amateurish by others, is an awesomely creepy piece of horror.
After a power outage knocks the communications and electricity out at an asylum, the guards and staff members must band together in order to try and survive through the night, or at the least until some sort of help and hope arrives in the form of police. But the inmates overcome the main guard and some of the others, leaving only the staff, the young stoner musicians in the kitchen to face off against the violent and mentally unstable patients running amok in the corridors.
There’s lots of style in this one, but also some nice bits of substance. We get more character than you’d expect, though it isn’t exactly sprawling – still, it’s nice to get any when it comes to modern horror, so many movies opting only for scares and style without anything beneath as its foundation. With this movie, I found myself really falling into feeling for the guys in the kitchen, they weren’t all the smartest or all hugely stand-up guys, yet they were sympathetic characters and I was putting myself right in their shoes. The very last shot is a bit foolish and I wish the filmmakers opted for a different close. Other than this moment, I loved everything else.
Close to Halloween, when the mood is right, put on a copy of this one (available through Google Play at a great price to rent or buy). A group watch is definitely recommended; you’ll be talking to the characters, laughing at times, gasping at others. Hopefully this one will terrify you because it certainly pulled a number on me.
27) Murder Party (2007)
Admittedly I’m not huge on horror comedy. I love dark comedy in horror, and I do love comedies (obviously a horror hound). There’s just something about horror-comedy I’m not always game for, but time and time again there are movies which prove as exceptions – big time – to this self-imposed rule of mine.
One such film that many people I know haven’t yet seen, or even heard of, is Murder Party. This is a fantastic little indie horror-comedy from director-writer Jeremy Saulnier; you may have heard of his impressive indie revenge-thriller Blue Ruin, or perhaps the film I’m DYING TO SEE, his new Neo-Nazi versus punk band concoction Green Room.
Beginning with a nice, quiet guy who finds an invitation to a Murder Party on the street, this movie is full of hilariously hipsterized characters (who you’ll be aching to see perish), nasty horror effects done practically and wonderfully, and then there’s the main character’s journey which will make you laugh and cringe at times.
If you want a good movie for Halloween day/night, this is perfect! A great comedy with equal amounts of fun horror, this is not one you’ll regret spending time to watch. Lots of fun for the 31st here! Maybe even one to put on whilst the little trick or treaters make their way to and from your door.
28) Maniac (1980)/ Maniac (2012)
Another double feature, this time a horrific, savage opus – the 1980 William Lustig-directed, Joe Spinell-starring Maniac versus the Alexandre Aja-produced, Franck Khalfoun-directed 2012 remake. Honestly, I’m a huge fan of both, for different reasons.
The original is a character study in absolute depravity, focusing in on Spinell’s version of a real, raw, genuine maniac whose issues with women have turned into something absolutely awful. There’s something painful about this character, which Spinell brings across in such a clear way it almost hurts you to see him resorting to the murders he commits out in the night, stalking the city streets.
Then in the 2012 remake, there’s not just Elijah Wood doing a great job with a partly sympathetic but mostly vile and horrible character, Khalfoun further makes things interesting by employing the use of 1st-person P.O.V throughout the entire film. There’s something really creepy about finding ourselves directly behind the eyes of the killer, only stepping outside his immediate perspective in a few brief shots.
Each of these movies has its merits, but for me I’m a bigger fan of the 2012 version. Seriously. I bet I’ll piss off tons of so-called horror movie purists. Whatever. I haven’t the time or effort to pretend I care. I love Wood as the character, even more than Spinell whose creepiness is astounding – and he’s a good actor generally – there’s something in this new one that just gets to me further. I think Spinell lent himself to the role because of his natural appearance and also his acting talents, but Wood’s boy-nextdoor appearance countered with the maniac in him becomes something wild over the film’s runtime.
Want gore and depraved characters, plus really incredible practical makeup effects? You’ve come to the right place. Double feature these two and you’ll be set for a Halloween season night when full-on, balls out horror is knocking at your door.
* My full review of the 2012 remake is here
29) Shivers (1975)/ Rabid (1977)
This last double feature is from a favourite director of mine, a fellow Canadian – David Cronenberg. The master of body horror, a true auteur.
His 1975 film Shivers takes psychosexual horror to another plateau, as an apartment complex becomes overridden with zombie-like humans – not dead, these are humans with pulses. However, these living, breathing people are sex crazed, and they’re passing on a terrible virus, multiplying, over and over.
If there were ever a pre-It Follows classic concerning sexually transmitted disease – hell if there were ever a precursor to some of the epidemic films we see today – Shivers is one of the most significant out there. Word has it Dan O’Bannon saw this film and loved it, inspiring in part his ideas for Ridley Scott’s Alien four years later. You want to get terrified of sex and the human body? Shivers will get you and it will work its way under your skin, under your nails; it will get inside you.
Two years after Shivers, Cronenberg came back at it again with Rabid starring Marilyn Chambers – the story of a young woman whose experimental plastic surgery after an accident turns her into a unsatisfiable zombie-like creature, rabid, seeking out blood, and this soon becomes a city-wide infection, reaching far and wide.
Another foray into the epidemic sub-genre of horror, Cronenberg’s Rabid is a low budget, fierce piece of work that is very much a visceral experience. As is usual, this movie is all-out body horror right from the start and Cronenberg is right at home in this area.
I think if you’re looking for zombies this October/Halloween, forego all the typical stuff one night and opt for the David Cronenberg epidemic duo of Shivers and Rabid; a healthy meal of zombie-styled horror in a devilish, excellent Canadian wrapper.
My full review of Shivers is here.
30) May (2002)
For a full review, click here.
Lucky McKee attracted me immediately to his work with this modern reinterpretation of Mary Shelley’s Frankenstein.
May follows the young alienated titular woman whose only friend is a doll she’s had nearly her entire life; it helped her get through all the tough life moments, especially difficult for May with her lazy eye problem and distant nature. She has an obsession with hands and meets an interesting young guy whose love of all things weird draws her close. But after his rejection, May is determined that each person is horrible except for ONE SINGLE PART; or in this man’s case, two small parts. From there, her journey to find and create the perfect companion, the perfect friend and lover begins, and there is no telling how far May will go in order to secure a happy and fruitful relationship.
What I love about this? Everything. The acting, the plot, the writing, plus it has a great soundtrack to boot. Including a few costumes on Halloween, this is a perfect movie to spook you out, as well as make you laugh inappropriately a ton and feel awkward a little. What good horror doesn’t do those things? Okay, well not all make you laugh, but a real horror movie is absolutely going to make you feel uncomfortable at least once or twice. Dive in – this one is unique and a nice spin on an old story.
31) The Others (2001)
From the director of another fabulously chilling work of horror, Tesis, this is a stellar story of despair, ghosts, and haunted places. While you could say this is a haunted house style film, I think it’s more strictly about ghosts than an overall haunting. I say that for a particular reason, which I’m sure you’ll understand after watching.
The Others gives us a story of a reclusive family and their new caretakers, all of whom end up dealing with spooky presences all about the large estate on which they live. While the husband is off with the war presumably, the mother of the family looks after her children, doting on them, protecting at all costs. Once ghosts begin to all but leak from the very walls around them, the mother tries to discover exactly what is going on.
The performance from Nicole Kidman is solid, the music and atmosphere are all perfectly sinister and beyond scary with lots of suspense and tension. There’s nothing I can complain about here and it makes for some fine ghost story telling. The ending still surprises me now, even though I know it, simply because I find myself gripped by the plot and the aesthetic of the film overall just really works its magic. Perfect ghost film for an October night, certainly for Halloween when the night is dark and people are roaming the streets, sounds filtering through the windows in bits and pieces. This really has a fitting atmosphere for that type of evening.
I hope everyone found something worth watching off the list. If you’ve got any suggestions, I’m likely to have seen them but still want to hear what everyone else likes to watch for October and the Halloween season of fright.
Drop a comment if you want and I’d love to hear what you’re watching, as well as if you’ve been digging the movies here.
Happy Halloween to all, my friends!
