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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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TV Recaps & Reviews

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#Horror #Hannibal #InstaHorror #HorrorFan #BryanFuller #PosterArt #HughDancy #MadsMikkelsen #TVShow #HorrorAddict #HannibalLecter #Cannibal #Poster #Minimalist

The new adaptation of Shirley Jackson's WE HAVE ALWAYS LIVED IN THE CASTLE is fantastic. Spooky dramatic thriller with a ton of rural Gothic stuff happening. This won't be for everybody who loved Netflix's THE HAUNTING OF HILL HOUSE. Quite different. But the screenplay sticks incredibly close to the source material, & the changes made benefit the story. Taissa Farmiga, Alexanda Daddario, Crispin Glover, & Sebastian Stan are all stellar in their roles. Highly recommended, particularly for fans of the original Jackson novel. #Horror #Gothic #ShirleyJackson #HorrorMovies #Creepy #TaissaFarmiga #InstaHorror #HorrorFan #SympatheticMagic #WeHaveAlwaysLivedInTheCastle #AlexandraDaddario #CrispinGlover #Thriller #Film #Movies #StaciePasson

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I totally understand why others don't dig @robzombieofficial's HALLOWEEN II. Personally a big fan, of both his HALLOWEEN flicks. There's great thematic stuff about identity & trauma going on under all the brutality, '70s homage, & gritty sleaze. Plus, you get Brad Dourif's moustache + speech about Lee Marvin. There's Margot Kidder, @horrorgal, & other fun performances/cameos. #HorrorMovies #RobZombie #Halloween #Horror #InstaHorror #Film #Movies #Gore #MichaelMyers #BradDourif #DanielleHarris #HorrorFan #Sequel #Remake #JohnCarpenter #TylerMane #SheriMoonZombie #ScoutTaylorCompton #MalcolmMcDowell #SerialKiller #Slasher

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Home of Horror Critical Theory & In-Depth TV Recaps

Tagged R.E.M.

TYREL: Relative Terror in Black/White

TYREL explores how seemingly harmless behaviour, to white people, is not always so for people of colour.

Published: 11/21/2018

Words: Father Gore

2018
Christopher Abbott
Comedy
Drama
Film
Jason Mitchell
Michael Cera
Racism
Reg E. Cathey
Sebastián Silva

Blackness
Casual Racism
Donald Trump
Du-Rag
Fascism
Jason Mitchell
Liberal Racism
Microaggressions
Panopticon
Psychological Horror
R.E.M.
Whiteness

Featured

The Twisted Parallels of Cinema— A Series
Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
[Slamdance 2019] The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic.

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