Bellevue – Season 1 Finale: “You Don’t Understand Me at All”

CBC’s Bellevue
Season 1, Episode 8: “You Don’t Understand Me at All”
Directed by Adrienne Mitchell
Written by Jane Maggs

* For a recap & review of the penultimate episode, “The Man Behind the Curtain” – click here
Pic 1On the lonely road in the woods, Brady’s been run down; dead. Annie (Anna Paquin) is left relatively unscathed. The driver of the other vehicle? Adam (Patrick Labbé), of course. He’s saved his estranged sister, keeping her safe from near death. He says he wanted to “end the cycle.” But what does this mean? He still isn’t satisfied, and he’s off running into the woods once more, away from her. The mystery still churning.
Welland (Shawn Doyle) and the others arrive not long after, carting away the body, left with the aftermath of Brady’s revelations concerning his incestuous feelings for his sister Briana (Amber Goldfarb), which eventually led to him killing Jesse. Afterwards, Eddie (Allen Leech) begs Annie to walk away from the job, if only for their daughter Daisy (Madison Ferguson). But we know there’s too much obsession in her veins for that. Especially now with her brother’s mysteries still floating in the air.
Pic 1APoor Briana, having to deal with her brother before and now with his death. All upsetting, despite the circumstances. She tells Annie about their abusive father, that Brady came to bring the worst of it on himself to save her from it. A troubled past, no doubt. Doesn’t change the ugliness which came later.
Coach Tom (Vincent Leclerc) gets a call about his daughter in trouble. He rushes into the woods, calling for her. His leg winds up caught in a bear trap. The police get there and hear the calls of a girl; it’s a recording, tied to a tree. They also see SANDY carved bloody across Tom’s chest. Ah, this is the heart of the whole thing.
They find more info from Maggie Sweetland (Victoria Sanchez), about the shack in the woods around New Horizons, about Tom when they were younger, all sorts of things. Father Jameson (Joe Cobden) was involved, too. As was Lily (Janine Theriault). Some more cruel than others, such as the priest. He “had a habit of humiliating.” Suddenly Welland and Annie decipher the LION clue from in front of the church, which leads them to find Jameson strung up, though not dead; SANDY carved into his forehead.
All those years ago, they tortured Sandy, locking her in the shack. Because Lily wanted the part of Mary in the school pageant. And one question remains: where’s Lily? They’ve found the other two. She must be out there, somewhere.
Pic 2Answers lie with Adam, his few clues that he left Annie. What’s driving him? What is the ultimate goal? Go back to the beginning, with the murder of Sandy. Immaculate conception, without sin, Mary. Did he help Sandy die because she wanted to be free? Was it “mercy“? Maybe something darker.
The idea of mercy leads them to a street of the same name, an old brewery. They find a lily on the floor. Further on are boot prints. Welland the rest dig out a pile of dirt and locate Lily in a coffin underneath. Each of the three culprits of Sandy’s humiliation not killed yet tortured to a great extent.
Adam turns up to see his niece Daisy. She opens the door for him bravely. “Youre the one who leaves the riddles,” she says without fear. They sit and talk about their family, their shared history, dear ole grandpa, and certainly mom. He speaks of Jesse, how he was treated like Sandy and driven to bad places by the bullies in their lives. Only I worry about his intentions with Daisy, I hope he’s not playing any dangerous games.
When Eddie and Annie can’t find their daughter, they’re frantic. Looking for clues anywhere possible. They see cutout paper people holding hands, posted on the trees. This leads her out into the woods alone, just as Sandy Driver once ran through the same path being tormented by the three torturers. Annie finds Adam, sending Daisy back to her father.
That day long ago, Adam found Sandy locked in the shack. He broke her free. They bonded instantly. Both of them feeling cast out by the world, their families, their friends. She pulled off the bloody fingernails loosened from scratching at the shack’s walls, then put his hands around her throat. A terrifying and subtle moment, it’s actually so powerful. Dark, but powerful.
Screen Shot 2017-06-20 at 1.04.32 AMAdam (to Annie): “I am you. You are me. Dont you get it?”
The brother and sister confront their past, all those ugly pieces of their life that fell in whatever place they were able to fall. Adam embraces Annie, feeling somehow elated by all the confession and the revelation. But she laments him, the fact their father is dead because of him. Then he puts his hands around her throat, the same as he did Sandy. She puts a shot through him just before Eddie and Welland and the rest track them down.
Once things settle down, Annie’s planning on leaving. She needs to move on. Although Welland doesn’t think she’s okay, that she needs time to heal and grieve. Eddie wants to get his family out of Bellevue, for all their sake, particularly that of his daughter. There’s a lot of history, though. Welland is like a second father to Annie, he feels responsible for her after Clarence killed himself. Maybe feels more, confirmed by the conversation in the confessional which he had with Adam, one we see again briefly. Wow.
Regardless, nothing is easy. Definitely not goodbyes. Yet it’s a new beginning, as well. For everyone. No matter how tough.
Screen Shot 2017-06-20 at 1.17.31 AMWhat a fucking show. I’m so sad this has been cancelled, it would’ve been nice to see a Season 2 and find out where Welland ends up, where Annie and Eddie do and if they last, if Bellevue would keep calling to Ms. Ryder. Even so, Season 1(and only) ended with a bittersweet note that does feel of finality.

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Bellevue – Season 1, Episode 4: “Hello Little Light”

CBC’s Bellevue
Season 1, Episode 4: “Hello Little Light”
Directed by April Mullen
Written by Jane Maggs

* For a recap & review of the previous episode, “The Guy with Fire in His Eyes” – click here
* For a recap & review of the next episode, “How Do I Remember?” – click here
Pic 1Annie (Anna Paquin) is setting her place up for surveillance, in light of recent events. And she’s not giving up on the case of Jesse’s death, either. Even though it’s all clearly weighing on her heavy. So many things surrounding the case, her own life, it’s a wonder she’s keeping her head above water.
She and Welland (Shawn Doyle) and the other cops go check out a house belonging to Rainmaker Jed. He’s a drug dealer, apparently. Brady (Billy MacLelland) comments that Jed is “so white” and that it’s a surprise he’s allowed to live on the reservation. Virginia replies that he’s married to a woman from the tribe, she doesn’t spend much time there. They find Jesse’s boyfriend Danny (Cameron Roberts) kicking around, he looks after the place from time to time. Inside they find fake eyelashes and size 13 platform boots. This leaves Welland and his crew wondering if he has a “sexual proclivity for young boys.” Moreover, we see that the boss man is slipping a bit in front of his detectives, he’s got his own issues going on. Still curious about what exactly he’s into, his secrets.
Virginia and Annie go to the Rattlesnake Bar, talking with Jed. He’s a sly one. They also run into Eddie (Allen Leech), his latest fling Briana (Amber Goldfarb) – sister to Detective Holt. To that Virginia replies: “Fuck him. Girl power.” LOVE THIS WOMAN! God, I hate that they’ve cancelled this already. I wanted more of her, more of the queer Native perspective through her character, among other good things about the series. Still, at this point in time in Canada we deserve more roles like this for Native actors, specifically women.
Pic 1ASo the question is now, what’s Jed got to do with Danny, Jesse, et cetera? They’ve found a pink Eiffel Tower earring on the man’s property. Belonging to the dead boy; buried. Virginia further digs up info on his past, that he was sexually abused as a kid and has anger issues. She and Annie interrogate Jed, whether drugs were stolen by Jesse, if there was a sexual relationship, a three-way thing between the two of them and Danny. Or, was it something more forcible? Was the earring a trophy of a murderer? Rainmaker Jed lawyers up, either way. And he says that all he was trying to do was help. Hard to tell. Suspicious and eerie nonetheless.
Annie presses Welland about the mystery man’s riddles, asking if he’s found out anything more. She further wonders about the fire at his place, knowing there’s something more to it than coincidence. Oh, my. Dig the dark tension that’s always lingering, the show has impressive atmosphere. Welland does some pressing of his own, talking with Sid Oak (Raphael Grosz-Harvey), the local sex offender. He wants to know about the Riddler, if he’s heard from him since, so on. Threatens to put false charges on him if things don’t go his way.
Part of a crime-mystery show like Bellevue, this dark and dreary-type stuff is the fact that we see the grey areas of the law. Where things aren’t always black or white, which they aren’t in life. Part of the intrigue is seeing how characters cope with being on either side. Annie isn’t perfect, far from it. But she’s miles from Welland, whose character is obviously a deep, scary kind of his own sort.
Pic 2Meanwhile, Annie is diving into the past of her father Clarence (Patrick Labbé), the psychiatric records and tapes of his sessions with a doctor, things she’s never heard before. It’s tough for her to hear, though necessary. It helps us come to understand her past. Also, it’s leading Annie to wonder if Neil Driver (Andreas Apergis) is her Riddler. He is, indeed.
Or, is he dissociating, and taking on the personality of the mystery man?
A man named Anthony Greene (Karl Graboshas) who works for Jed is in the interrogation chair now. Brady and Virginia ask him about Jed, using his sister as a bit of leverage. Anthony burned the white truck belonging to Rainmaker Jed. He’s officially the prime suspect in the murder.
Mayor Mansfield (Janine Theriault) has borderline psychotic tendencies, slapping herself in the face to stop a crying jag; her daughter Bethany (Emelia Hellman) sees it, though has her own issues with everyone at school texting her WHORE. And the small town itself seems at odds with Annie, who isn’t wholly sold on Jed’s guilt. She finds comfort drinking with Brady, talking about his sister and Eddie, the case; even if there’s an awkward moment before she leaves where things feel sexually charged.
But she heads out to sneak into the home of Mr Driver, seeing an almost shrine-like kitchen table with words carved into the wood, a paper with a front page concerning the death of Annie’s father, her name circled in the newspapers paragraph. And at her place later, she hears someone speaking through the surveillance system outside: “Hello, little light.” Was someone out there, or did they hack in? Becomes clearer Neil isn’t the Riddler. Poor guy thinks Annie is his daughter Sandy.
This means someone else is creeping about.
Screen Shot 2017-06-19 at 2.42.46 AMWhat’s the ultimate connection between Jesse and Sandy? Could the latter’s father have killed her, then years later killed the boy? Welland doesn’t think so, and Annie’s father never believed Neil murdered his daughter. Our fearless detective finds a note on a nearby swing, about a bracelet. This leads her to call up Daisy (Madison Ferguson), about the hospital bracelet  she found belonging to her grandfather. This and the watch together, the time of 12:13, adds up to more mystery.
When Neil is let out of the hospital, he finds Annie at his place. She’s asking about the references to 12:13, the time with links to his daughter’s death. We see a flashback of him yelling at her, fighting physically. His watch broke on that particular time. We find out more about someone being there with Sandy that day – Jesse’s mother, Maggie (Victoria Sanchez). Our detective goes to talk with the grieving mom, suggesting Jed may not be her son’s killer.
But the evidence stacks up against the guy. He acts as if he knew the real Jesse, as if he cared. It’s so difficult to cut through to the truth. At least, for Jed, he’s got Annie semi-rooting for him. She judges his character by him knowing Jesse and Danny were planning on running away, and that he didn’t tell anybody. This is a caring gesture, deeper than most anyone in town offered the kid.
Jed: “She was a good kid
Annie: “Jesse referred to himself as she?”
Jed: “She did at my house
Pic 4Solid episode that builds on the case itself, in favour of leaving some of the Riddler stuff as secondary. Not that I don’t dig Annie’s personal little mystery, I do. It’s just nice to see the development in Jesse’s case, seeing more of him as a character instead of him just being a trans victim. “How Do I Remember?” is next. Hoping to see more of the Riddler story this time, as well as how Welland ties in. He’s a sneaky one, that Peter.

Bellevue – Season 1, Episode 2: “He’s Back”

CBC’s Bellevue
Season 1, Episode 2: “He’s Back”
Directed by Adrienne Mitchell
Written by Jane Maggs

* For a recap & review of the Pilot episode, click here.
* For a recap & review of the next episode, “The Guy with Fire in His Eyes” – click here
Pic 1At the old church, Annie Ryder (Anna Paquin) brings Peter Welland (Shawn Doyle) back to see the bleeding mural she found. She has pictures, from the one sending her riddles, and luckily because it’s gone now. As if it were never there. She also shows Welland the UR MY LIGHT message written on her back windshield.
Welland doesn’t want her going down the old path she went as a younger woman, when the mystery man and his riddles drove her to the brink of insanity. He wants to take care of it himself.
Annie’s whole life is in a mess. Her daughter Daisy (Madison Ferguson) isn’t feeling so great about her, and Welland’s constantly worrying about her psychological state. The two of them and Virginia Panamick (Sharon Taylor) and other police are investigating the scrapyard where the items belonging to Jesse Sweetland (Sadie O’Neil) were found. Not much to go on, but bits and pieces; such as a tooth and some skin.
Jesse’s mom Maggie (Victoria Sanchez) is keeping a keen eye on the other people in her town, to “look in their eyes” and see if she can figure out if someone’s done something to her boy. At the same time, she hears people disparage Jesse for wearing women’s clothes. The poor woman misses Jesse, and some people couldn’t care any less. It’s tragic to see.
Maggie: “Evil looks just like you and me
Pic 1AMaggie flips out on Father Jameson (Joe Cobden) about his relationship with Jesse, so of course Annie talks with him more. Wondering if someone connected to the church conducted a “violent form of conversion therapy.” With all the religious iconography and imagery connected, it has to be somebody of faith, right?
At the school, Annie and Virginia probe friends and acquaintances about Jesse, his problems, so on. Some girls suggest talking to people on the reservation, where he hung out. Welland talks to coach Tom Edmonds (Vincent Leclerc) and the rest of the hockey team, only digging up very surface-type things. Nothing too concrete thus far.
Note: Loving Virginia’s character, I hope they don’t bury her. She seems like a straight up, honest cop. Interested to see exactly how her relationship with the reservation and her people works.
Bethany: “Dont native people like wear dresses and dance around a fire?”
Virginia: “Yeah and every year we sacrifice a privileged white girl
When she sneaks around at night, Annie catches the Mayor’s daughter Bethany (Emelia Hellman) snooping in the scrapyard. Looking for something. The young girl plays it off with legal threats, clearly she knows more than she’s willing to let out.
Annie’s got bigger things to worry about, like who planted the creepy doll in back of her car. It’s one her father Clarence (Patrick Labbé) gave to her years before, to protect her when he’s not around. Moreover, the doll’s been dressed as the Virgin Mary.
Screen Shot 2017-06-16 at 1.55.27 PMAt the church, Maggie talks to Father Jameson and tells him that she knows Jesse is “who he is.” She doesn’t need him to be fixed. She kisses Jameson, saying: “When you put on your dress, I thought it was a phase, too.” Such a STELLAR line! I love that. Because religion is a fluid as identity, if you want it to be. To those of us who don’t believe. A way for Maggie to sort of say fuck you without having to actually say those words.
So, what does Bethany Mansfield have to do with Jesse’s disappearance? What was she looking for up there? Annie wants to find out. She tells her about finding the tooth, his skin on the fence. Bethany calls him “sick” and that Jesse didn’t want to be the way he was anymore. Except he did, it was his friends who wouldn’t accept him. They were holding the pictures of women’s bodies in front of the fence; he reached out and the photos were pulled away, giving him the shock, those cross-like burns.
Jesse later told Bethany he was leaving, that he cared about her deeply. She’s too repressed to feel anything for him, causing a scary confrontation between him and Bethany’s boyfriend, Jacob (Robert Naylor). When Annie susses things out, the boyfriends turns on his buddies who in turn start telling the truth. She and Brady Holt (Billy MacLellan) press Jacob, taunting about Bethany being with Jesse. Picking at his fragile, young masculinity. Until finally the kid says he saw his friend get into a white truck headed for the reservation.
Bullshit? Or no?
Virginia meets with Danny Debessage (Cameron Roberts), Jesse’s boyfriend; he isn’t honest about their relationship totally at first, before she shows him a picture of her wife. Ah, see, she’s even more interesting than I even thought before!
Meanwhile, Annie goes to see Eddie, feeling lost in the world. “These are my arms,” she says. They’re not together, yet there is a huge connection. Something’s been keeping them apart as a couple. They’re still very close. I think she lets her job and her past lead her life too much. Not easy NOT to do, but it’s obviously something driving a wedge into the relationship between her and Eddie.
Her mind is consumed, entirely. The past is everywhere. In the road Annie comes across a truck that backs away quickly, something between the vehicles. It’s an animal carcass, in its side is carved REMEMBER ME. She thinks about the memories of the past, the riddles, the doll. So she checks inside the doll and finds nasty fingernails wrapped in plastic stuffed in one of the legs. Disgusting, and so compelling.
Screen Shot 2017-06-16 at 2.02.37 PMThis all relates back to the death of Sandy Driver, those many years ago. He fingernails were never recovered. Bringing her back to those memories, that place in the forest. Where there hangs a mailbox, taking us back to the opening scene where she sees her own mailbox at home, hanging crooked. Great imagery.
Annie starts figuring out a riddle, connecting to an old mental hospital named New Horizons. A place in the woods now only a wreck, barely anything remaining. When she goes up to have a look, to “find a fish out of water” like the riddle says, there are scratches, blood. Is it from when Sandy died? One thing’s certain, it’s all fucking with Annie’s head.
Not long and she finds the corpse of Jesse, lying face down floating in the water close by. So goddamn sad.
Screen Shot 2017-06-16 at 2.14.40 PMClear now there’s a big connection between Sandy’s death and the tragic death of Jesse. But what is it? “The Man with Fire in His Eyes” is next, I’m hoping we’ll see a few more weird, exciting developments. Bellevue has got me hooked now, two episodes in.