Tagged The Amityville Horror

The Amityville Horror Remake is Half Good & Half Sexified Trash

The Amityville Horror. 2005. Directed by Andrew Douglas. Screenplay by Scott Kosar; based on the earlier screenplay by Sandor Stern/the novel by Jay Anson.
Starring Ryan Reynolds, Melissa George, Jesse James, Jimmy Bennett, Chloë Grace Moretz, Rachel Nichols, Philip Baker Hall, Isabel Conner, and Brendan Donaldson. Platinum Dunes. 18A. 90 minutes. Drama/Horror/Mystery.

3.5 out of 5 stars
3_44045_amity_onesht.DPI’m not someone who gets overly upset about remakes. Though I’m not necessarily always a fan of what comes out the other end of the Hollywood meat machine, there are benefits to remakes. I mean, some film fans act as if it’s a big deal somebody discovers an older movie because of its remake. Remakes have been going on since the 1950s, maybe even a little earlier, so get off the high horse first of all. Second of all, why do certain snobbish film fans expect other people to be researching the history of a movie? So what if somebody sees a movie and then realizes it’s a remake? A lot of times people will end up seeing the original and then saying “Wow that’s way better”. I can’t count how many times I’ve heard people say similar things, glad to have seen the original film.
Not to say The Amityville Horror remake is amazing. It’s not. I would say it’s better than just mediocre, but still not great. I think what I like about this one particularly is that Ryan Reynolds plays George Lutz pretty well, as well as the fact not everything looks like a commercial – such is the Platinum Dunes tradition of making horror look all glossy, with sexy people showing off their sexiness. There is a little of this, honestly, throughout the movie. Far less than any of the other Platinum Dunes remakes – think The Texas Chainsaw Massacre and Friday the 13th, both equally abysmal and sexualized bits of horror blasphemy.
This is a decent remake, though, certainly not better than the original. Not for me, anyways. What I do like about this one is that they dive a bit further into the backstory about the Lutz house. Again as I’ve said before in my review of the original film, I don’t believe the supposed hogwash “true story” behind the whole Amityville ordeal. That being said, I still enjoy the fictionalized telling of the hoax on film. Good haunted house type of stuff, even some nastiness here and there to drive home that horror.
amityvillehorror-005I won’t bore anyone with describing the plot. If you’ve not yet discovered the original, or haven’t otherwise read about the story, check it out online. Plenty of stuff out there. Aside from that, we’re going to go at it right away.
One thing I do enjoy here is the cinematography. There’s a nice atmosphere, which is my favourite thing in horror. If a director and cinematographer together can set the tone of a film off the bat, things pan out so much better from there on out, as long as the tone is upheld.
Peter Lyons Collister is the cinematographer for this film. Until I actually went and checked, I didn’t know that he was also cinematographer on Halloween 4: The Return of Michael Myers; I’m actually a big fan of that one, personally. He was also director of photography on John Singleton’s excellent film Higher Learning. What Collister does here is keep things darkened through almost every single frame of the film. Even when we’re outdoors in the light, or walking with a character through a hallway of the house where sun is shining through the windows, there’s a dim quality to everything I find keeps things eerie. Not to say it’s all drenched in darkness. There are so many scenes, though, almost every one, where Collister keeps things shadowy. Something of which I’m a huge fan. Gave the film that atmosphere I enjoy.
amityville_horror_16Something I enjoyed about this Amityville Horror is that even quicker and more immediately than the original, the plot of this film kicks in with intensity almost the minute they move into the house. The tension between George (Ryan Reynolds) and Kathy (Melissa George) Lutz goes up ten notches under the house’s influences. Otherwise, there is barely any real tension. Even the kids – George’s stepchildren – become more irritating to him than they ever were before. You can tell when they first get there, after a scene or two with him and the kids, there’s a tiny bit of awkwardness still left, as the kids do miss their father; obviously. But so quickly, the house exerts its grip on George, and it begins to affect everything and everyone around him.
Another thing is that I enjoyed the way the children were so affected by the house, as well. In the original they experienced quite a bit in their own right, but the majority was heaped all on George. It’s still mostly like that, however, we see the kids all get terrorized a for nice while. The youngest boy sees a ghastly image next to him in the bathroom mirror while he washes his hands in the middle of the night – a solid jump scare. Worst of all, little Chelsea Lutz (Chloë Grace Moretz) seems to be entranced by the invisible friend she calls Jodie – who is actually Jodie DeFeo (Isabel Conner), murdered by her older brother as he killed their entire family a year before the Lutz’s arrival in 1975. This goes to great lengths, as Chelsea and Jodie get closer and closer.

The downfall of The Amityville Horror remake, why it can’t surpass the original for me, is mostly because it gets that modern day Platinum Dunes treatment, as I mentioned before – the one suffered by The Texas Chainsaw Massacre and Friday the 13th remakes alike.
Rachel-in-The-Amityville-Horror-rachel-nichols-6965532-2560-1706First of all, there’s the part with the babysitter. I mean – there was just no need to sexualize that character so much. It’s fine to have a wild babysitter, that would’ve been different than the first film, but why make her a young girl all dolled up wearing the tiniest top, low-cut jeans, showing off her ribs and her stomach? It’s just another obvious idiotic marketing film executive thinking “Hmmm how do we get more young men watching horror? Let’s add sex”. But then there’s the further idiotic idea that, because she’s an obviously sexual young woman, an even younger boy drooling all over her, and because she smokes pot in the bathroom, then OF COURSE SHE MUST BE TERRORIZED IN THE CLOSET! Sure, put her in the closet – why does it need to feel like she’s being set up to be punished, though? Make her sexy then make her pay? Dumb Platinum Dunes style crap.
I felt truly weird about the whole scene where she was laying on the bed with this kid talking to her. Such an awkward scene.
maxresdefaultThen we can’t ignore Ryan Reynolds showing off his abs – seemingly always greased and glistening – which is just downright silly. It was like at certain times someone said “WHIP OFF THAT SHIRT, RYAN. SOMEBODY: GREASE HIM UP!” I mean, I get that sometimes people don’t have shirts on, but it’s like there’s such an intense need for Platinum Dunes remakes to try and focus on wet, slick bodies, as if that draws people somehow to the movie.
This is the sort of stuff which really tears me out of a film, regardless if it’s horror or not. Another reason for people to hate remakes, so it irks me when I see this kind of stuff. Does not help the genre whatsoever.

George Lutz: “There’s no bad houses there’s just bad people

So, as I said before, I do like the backstory they put into the remake. I have no time for the supposedly “true story”, because it’s not true. Though I really enjoy the fictionalized telling of the story. Here, we get disturbing and weird stuff as George Lutz descends from a fairly regular, everyday man towards a pit of madness into which he gets sucked by the evil in that house. He looks tired all the time, he’s getting angrier by the minute, and his paranoia begins to pulse almost as noticeable as the blood in his veins, the beat in his heart. All due to the house and the demons living in the very foundation.
This is the best stuff. As George starts to see and hear so many things throughout the house, we’re treated to a lot of macabre and unsettling imagery. They’re not all jumpy NOISE TO SCARE YOU type shots either. A couple come up, no doubt, but they’re not relied on solely for Andrew Douglas to scare us. We get enough to be able to enjoy; I find when too many jump scares happen, I’m just desensitized and not scared any longer. With only a handful, this helps to creep me out. Most of all, it’s the weird story of the preacher, the things he did to the Indians and all that which freaks me out most. Great work on that part because it was intense and freaky.
george-lutz-ryan-reynolds-amityville-horrorIn the end, I really enjoy Ryan Reynolds in this film as George Lutz. Not to say I put him or James Brolin over one or the other, but what I truly liked is how much of George going crazy is fit into the script for this remake. There is a lot more to him stalking around the house, digging around in the basement, in the walls, watching videos, waking up to the clock at 3:15 AM. So I think that’s something, plus the creepy as hell backstory of the house with the preacher and all that, which made me enjoy this almost as much as the original. Not quite as much, close though.
This is about a 3.5 out of 5 film. That whole bit with the babysitter, the sexualization – really takes things down a notch, and I wish Platinum Dunes would keep the needless stuff out of their remakes. It would help them if they want to appeal to true genre fans. We don’t need that sort of crap just thrown into scenes, especially if it makes no sense and serves no purpose whatsoever.
If you really want the best, go for the original. That being said, there are a lot of worse remakes than this one, and at least Andrew Douglas tried to craft a genuine atmosphere of suspense and fear instead of relying totally on shock horror or jump scares to get the response for which he was looking.

The Amityville Horror Never Lets Truth Get in its Way

The Amityville Horror. 1979. Directed by Stuart Rosenberg. Screenplay by Sandor Stern; based on the book by Jay Anson.
Starring James Brolin, Margot Kidder, Rod Steiger, Don Stroud, Murray Hamilton, John Larch, Natasha Ryan, K.C. Martel, Meeno Peluce, Michael Sacks, Helen Shaver, and Amy Wright. American International Pictures. Rated 14A. 117 minutes. Drama/Horror.

★★★★
tumblr_my6iwqtjYe1qh35m6o1_1280 When it comes to the haunted house movies that go for the possessed angle – the house driving someone crazy or literally possessing them – I still think The Amityville Horror is near the top of my favourites. Different than The Exorcist where that’s a demon, I love this even without all the true story aspects of it, which are likely a hoax as far as I’m concerned. But that’s a discussion for another time.
This movie just creeps me out. I mean, when the priest is in that room with the flies covering his face, then all of a sudden you here it softly first – “Get out” – the priest looks around in awe and it says once more, louder and raspier this time – “GET OUT” – every time I see that part, I know it’s coming, and consistently it freaks me out. Love it! Always enjoy a movie which continually scares me any time I watch it over the years.
Plus, there’s something about the idea of a house’s history affecting the people who live in afterwards that gets to me at my core. Because, although I don’t believe in any life after death, I’m forever sceptical at the same time. I’m always questioning. So, I can’t fully discount that there may be something we don’t know about yet, something that could be proven eventually. For me, watching horror movies is not always about realism. In this type of film, you have to try and remove yourself a little from reality, but at the same time you can still stay slightly grounded. Just imagine, what would you do if a house started driving you crazy? What could you do, really? When I watch horror, I’ll usually try to put myself in the shoes of the characters involved. That’s one reason this movie scares me because if I were in that house with James Brolin going slowly mad, I’d probably have been terrified right to the bone.
TheAmityvilleHorror1The Amityville Horror is based on the, supposedly, true events which transpired in the house of George (James Brolin) and Kathy Lutz (Margot Kidder) – where years before, Ronald “Butch” DeFeo Jr. murdered his family in cold blood as they slept at night. Moving in with their children, the Lutz family find a great new home; spacious, a boathouse out back with a small dock, good land. Once moved into their house, strange things begin to happen. George begins to wake up every morning at 3:15 AM on the dot. The young daughter starts talking about an imaginary little girl named Jodi who actively becomes more and more involved in her life. Even a priest comes to the house trying to bless the place when Kathy sends request, but he is driven from the premises by some evil force, screaming at him, sending him away by any means. Things get worse and worse, and slowly George seems to be sucked into whatever terror lays beyond the veil between the living and the dead.

I think a part of what makes The Amityville Horror work is the family dynamic. When considering the real supposed story, George Lutz (Brolin) is the husband of Kathy (Kidder), but the children are his stepchildren. Apparently he was not exactly the perfect stepfather and he was a bit tough on them. He’s running a business and everything is on him, so while the house exerts its evil influence over George his business begins to suffer. Then Kathy is of course concerned about him, trying to figure out what’s going on. There are so many things at play within the Lutz family. It’s as if the house feeds off any already negative energy or presence within its walls, it uses that to generate more of the negative energy still left over from the past. That’s what makes this movie real interesting for me.
TheAmityvilleHorror2In the early scenes as Brolin and Kidder stroll through the house, there’s some really excellent editing which truly caught me off-guard. I didn’t expect the quick cuts to, what ultimately are, the murders of Butch DeFeo Jr. These are the murders of course that happened in the now haunted house. I love how they’re incorporated here. As I said, some spot-on editing. Great stuff from editor Robert Brown, whose work includes Damien: Omen IIBrubakerThe Pope of Greenwich VillageThe Lost Boys, and Flatliners. Kudos to him for the stuff in this film. He has a real touch for the horror genre, as far as I’m concerned.

All the little touches are creepy. Such as George’s waking up at exactly 3:15 AM. This is supposedly the time when Butch DeFeo killed his family in their beds. So even though the supposed hauntings are inspiration for this, and I don’t believe the real story in so far as I’m concerned, I still find the whole thing utterly unsettling. The movie stands well enough on its own for me.
Still, the part that has always gotten to me the most is the scene when the babysitter gets locked in the closet. Damn, does it ever work on my nerves. I always feel so bad for her because I don’t like closed spaces, so I think if I’d have been locked in there – by a child or a ghost or whoever – I would lose my mind eventually. Plus, the blood on her knuckles, rapping on the door, beating against it; such a vicious image. Then the light goes out, and to this day, no matter how many times I’ve seen it my spine will chill. From bottom to top and back again. Great, spooky stuff!
axe-terrorThe reason my love for this movie endures is the atmosphere. Time and time again I’ve said it: atmosphere and tone, these are things which work for me. If a movie has those and can keep up relatively nicely with a bit of solid dialogue, add in some decent characters and you’ve sold me!
Stuart Rosenberg, as far as I’m concerned, is a classic director. Not everything he did was perfect, but I think he has enough wonderful pictures under his belt we can look back on his career to say it went well. He did some great ones – Brubaker with Robert Redford, Cool Hand Luke including the classic performance of Paul Newman, and The Pope of Greenwich Village featuring Eric Roberts and Mickey Rourke in maybe the performances of their careers or at least close to it. So, I’d throw this film on the list. He’s good at crafting tension and suspense, in everything he has done. Most certainly here. There are a ton of moments that have me held close to the screen each time I see the movie. Some of the shots of the Lutz house are downright ominous and foreboding, I absolutely love them. That iconic red filtered shot of the Lutz house from the outside is KILLER! Dig that one, so much.

A particularly favourite shot of mine is at almost the 40 minute mark. George (Brolin) is putting wood in on the fire. The flames are crackling and licking up. You can barely see his features, but the fire casts on his face in a reddish glow; his beard/goatee looks as if it were the devil himself. Then, as he leans back, the glow leaves and he looks like a frightened man, losing his mind. Perfect stuff.
Not only do I love the shot, we get to see a great bit between Kidder and Brolin. The look in Brolin’s eyes is insanely perfect. He is one great actor, man. I’ve always thought that, anyways, aside from this movie. But there is something in his face, a great gift of expression, which works like a charm for the character of George Lutz. While I love a movie like The Shining, I’ve always agreed with Stephen King when he says that Jack Nicholson sort of starts off crazy; I mean, you get that typical Nicholson feel right from the very beginning in the opening car scene. Here, with Brolin’s depiction of George Lutz, it gives the genuine feeling that he is a man who is going crazy. At the beginning he’s definitely a sombre guy – I attribute that mostly to the fact he’s a bit of a serious guy, lots of stuff going on with his business, buying the house, probably how a lot of people might be in the situation. There’s something, however, which changes as time goes on, and as opposed to something like Nicholson’s performance – which I do enjoy – there’s that honest feeling something is going seriously awry in the Lutz house.
large amityville horror blu-ray10Margot Kidder is no slouch either. Ever since seeing Black Christmas and the under-seen/under-appreciated Brian De Palma horror-thriller Sisters I have been in love with this woman! Wonderful, talented actress. She is a true great. Her performance here matches the intensity of Brolin at the right times and we really get the feeling this is a woman who loves her husband, as she tries so hard to help him hold onto reality, but also works to the bone trying to protect her children.
Oh, and Rod Steiger – bad ass. Constant bad ass. I love him in this and I could watch it a hundred times just for his scenes because they’re enough to make you stand up and shout. He’s a classic actor and this is one role that will always, always come up when I think of his name. Solid stuff out of him, as is to be expected. He plays a typical role we’ve seen, a million times since, yet it’s one I would rank up there with Max Von Sydow in The Exorcist. Absolutely.

While I love this horror movie, tons, I’ll only be able to say it’s a 4 out of 5 star film. There are a few points of dialogue I’m not too keen on, mostly when it concerns other characters outside of the Lutz’s themselves. I think at times the script in general could’ve been tighter, mainly to compact things a bit more. Great film, in spite of its dubious “true” roots – still, I tend to find it’s a little longer than it needs to be. I think with Brolin and Kidder, with Steiger thrown in for good measure, this movie didn’t need to be close to 2 hours long. A solid hour and a half would’ve done the job quite proper.
Either way, it is a classic of the genre and will forever be a favourite of mine in the haunted house genre. Near the top. Great performances are what drives the best bits here, as well as good atmosphere and quality editing. Always recommend this to anyone who has to see it.