Tagged The Butcher

American Horror Story – My Roanoke Nightmare: “Chapter 8”

FX’s American Horror Story
Season 6, Episode 8: “Chapter 8”
Directed by Gwyneth Horder-Payton
Written by Todd Kubrak

* For a review of Chapter 7, click here.
* For a review of Chapter 9, click here.
screen-shot-2016-11-03-at-2-37-09-amAgnes (Kathy Bates) is being slaughtered by The Butcher (Susan Berger) outside, as Shelby (Lily Rabe) and Dominic (Cuba Gooding Jr.) sit inside, wondering how they’re going to get out alive. They decide to head down for the tunnel. Of course they have to pass Matt’s smashed head, but they manage. Until coming across the Asian family that died in the house years ago. Fucking creepy.
screen-shot-2016-11-03-at-2-39-12-amBack to Mama Polk (Robin Weigert) and her kin, still with Lee (Adina Porter) in their grasp. She’s making her boy Cain (Finn Wittrock) do a bit of slicing to get the good meat. Mama tells a tale about the Depression when there wasn’t much to eat. That’s when the cannibalism started, with a few hobos and such. Now, it’s time to get a few “prime cuts” out of Lee. As suspected the Polks are a bunch of inbreds, as well. Cain talks about being caught “in the middle” of not being able to have sex with mom and not able to cuddle either. Also, Cain wasn’t happy not being able to get into the TV story, so Lee tries making a deal. He goes on to tell her about Kincaid Polk, who wore a pig’s head and killed people before being burned alive. Knowing she’ll die Lee takes a snort of oxy to take the edge off, before Mama takes another cut off her.
At the house Shelby and Dominic run from the terrifying creature at their heels. He tries to keep Shelby from giving up, worried that they’re up against some “Paranormal Activity shit.” Then Pig Man shows up, brandishing knives. Those nurses drag themselves slowly. The house’s spirits come alive, all trying to corner Dominic and Shelby. Even the chandelier drops from the ceiling crushing Shelby’s ankle. The pair make it upstairs and she starts falling apart. She is clearly in shock after beating Matt’s head in downstairs. Soon she cuts her throat wide open.
Lee gets Cain to let her leave a message to her daughter Flora via camera. She continually tries to ingratiate herself to the young man. He even admits not wanting to kill her. She does whatever possible in order to stay alive, to the point of playing to his sexual fantasies. That is just long enough to get the upper hand. Fuck yeah, Lee! She chokes Cain out and manages to get away, stabbing him a good one in the skull for good measure.screen-shot-2016-11-03-at-2-56-17-amPoor Audrey (Sarah Paulson) and Monet (Angela Bassett) are still being taunted by the Polk family. The two women try convincing them that the real Matt and Shelby are to blame. But that matters nothing to these inbred cannibals. They’re more concerned with the Blood Moon coming up. The Polk brothers can’t comprehend the difference between reality and the reenactments on television. And they need teeth, of which the ladies have mouths full. They start with Monet, but the chair and the pliers break. Again, the woman gets the upper hand on the Polks, as Monet gets free. Although she leaves Audrey, weeping, alone. Mama ain’t happy with her boys, all the same. Now she has to get some teeth out of the British girl on her own. A brutal moment to watch. Luckily, Lee comes to her aid with a ball peen hammer. She lets Audrey use it to bash Mama’s brains to slop. Over at the house she and Lee come across the similar brains of Matt, sending his sister into hysterics. At least Shelby’s dead, too. I guess. They find her upstairs with Dominic lurking depressed in the dark. Nobody’s sure what to do next, although Lee and Audrey don’t believe what he tells them about Shelby. They lock him out in the hallway where Pig Man mutilates his body wickedly, blood flicking over the walls everywhere. Shiiiit.
When morning comes Lee says they have to go back to the Polk place. She wants to get the videotape, so nobody can use it against them. She knows that if the “wrong people” get their hands on the tape then it won’t be good, for either of them. True. Especially considering Lee has dealt with this already because of My Roanoke Nightmare.
When the two women make it the front door, there is Pig Man – only he takes off his mask, it’s Dylan (Wes Bentley) who played Ambrose White in the original show. Ah, he’s back again. However, I don’t think he’s the Pig Man that’s been slaughtering.screen-shot-2016-11-03-at-3-12-31-amA nice, bloody, creepy episode! Lots of nastiness going on and unexpected deaths.
Very excited for the next chapter. I can’t wait to see who’ll survive and who’ll be murdered in grisly fashion coming up. Will we see more of The Butcher? And what about the actor who played Dr. Cunningham (Denis O’Hare)? Also, Taissa Farmiga is supposed to show up, and we’ve already seen Finn Wittrock as one of the nasty Polks. So much to look forward to in these last couple episodes. Already primed for Season 7!

 

 

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American Horror Story – My Roanoke Nightmare: “Chapter 7”

FX’s American Horror Story
Season 6, Episode 7: “Chapter 7”
Directed by Elodie Keene
Written by Crystal Liu

* For a review of Chapter 6, click here.
* For a review of Chapter 8, click here.
screen-shot-2016-10-27-at-1-33-03-amReturn to Roanoke: 3 Days in Hell is well underway. Sidney James (Cheyenne Jackson) cheers behind the scenes watching footage like the greasy douche he is, and loving every minute of the drama. Of course nobody knows where Diana went – a.k.a dead. Not that Sidney gives a shit. The cameraman notices Rory Monahan (Evan Peters) getting stabbed, but can’t get his camera ready in time to catch anything. Then comes a scream in the night from their PA. In the dark we hear her choking, Sidney beckons the cameraman. They find the PA with her throat cut. And then Agnes Mary Winstead (Kathy Bates) in The Butcher’s clothing emerges, stabbing Sidney, as well as hacks the cameraman to unseen bits. She proclaims to the fallen camera: “I am the tree and the lightning that strikes it.”
screen-shot-2016-10-27-at-1-34-08-amAudrey Tindall (Sarah Paulson) and the others try finding Rory. Matt Miller (AndrĂ© Holland) keeps telling them that “R is for Rory.” You know nobody wants to hear that. Either way, he and Shelby (Lily Rabe), along with Audrey, Lee Harris (Adina Porter), Monet Tumuslime (Angela Bassett), and Dominic Banks (Cuba Gooding Jr.) all go searching the house for clues. They find a pool of blood upstairs. Audrey convinces everybody that Rory got that part and Sidney convinced him to do them a frighten in order to get their blood pumping. The poor wife is left believing her younger husband took off on her for better things. That’s sad.
Down in that cellar Agnes raves by firelight to a camera. She’s separated completely from reality now, don’t think she’s coming back ever again. Thomas White has taken over Agnes, full stop. She slips in and out of persona, yes, but ultimately The Butcher is becoming her primary personality. To devastating effect. “‘Cause the fans wanted more. And they wanted The Butcher.” However, things get spooky for even Agnes, as the ghosts of Roanoke’s Lost Colony start appearing around her, their wooden symbols hanging from the cellar’s low ceiling.
At the house nothing is getting any easier. Dominic edges up on Shelby, right as Matt appears out of nowhere: “Fuck her right here for all I care,” Matt tells them both defiantly. During an aside confessional, Dominic shows us that Sidney’s given him a body cam in the form of jewellery, to make things difficult for anybody and everybody. What’s better than screen time?
Shelby has a run in with Agnes in the bedroom. The old woman rages, going from The Butcher back to herself, and back again. A legitimately creepy moment. Agnes slices a piece out of Shelby, although Dominic takes her down before she can finish the poor woman off. All the while the cameras are everywhere, constantly rolling and catching the terror. Yet off into nowhere disappears Agnes.

 


Everyone’s becoming desperate. Nobody is coming to help, certainly, and we know why. They don’t know, though. For the time being they try and devise a plan how to get help, or simply get out of there. So several of the group head down into the tunnels below the house, where Edward Mott once supposedly led the Millers. Only they come across a screaming ghost, one that Lee’s gun can’t seem to take down. They rush out into the daylight, no longer fearing Agnes, wherever she’s hiding. Inside the Millers lament their lost marriage: “This place took something from me,” Matt confesses.
In the sky rises the Blood Moon. Lee, Monet, and Audrey finally stumble across the trailer, along with the gutted corpses of the crew and Sidney. No phones, no way to get out even in the car which is dead; you know it is! Then Agnes comes running at them from the woods. Lee shoots her into the dirt luckily, and the three women try to move on. Except torches in the woods alert them to ghosts of the Lost Colony. The Bloody Moon has begat spirits in flesh and blood. Meanwhile, as Audrey gives a Blair Witch Project-style confession to her phone’s camera, blood drips from overhead: from her dead husband. The ghosts still come for them sending the woman running into the darkness.
Or are they ghosts? No, it looks like humans in the night this time.
Oh, and Agnes, she’s survived a bullet in the chest, doing a little homemade surgery. You know that bad bitch isn’t going down. Perhaps it’s just more of the Blood Moon’s dark magic.

 


Poor Matt and Shelby never should’ve agreed to go back to that place. In the middle of the night Matt takes a walk downstairs. As if on a mission. Against his best interest, Dominic follows along with that sneaky body cam. He sees Matt in the basement where the Witch stands in the shadows: “Ive been waiting for you,” says Matt. Right before she grabs him violently, pulling him out of sight in a flurry of fierce noises. Dominic goes to get Shelby, they head back down together. They find the Witch on top of Matt. When Shelby pulls her off Matt tells them he came back for her. This prompts Shelby to smash his head in with a hammer until it’s nothing but mush. Wow.
The hillbillies have got hold of Lee. Tied up, she’s at their mercy. Uh oh. These are the real hillbillies, not the reenactment crowd. They’re the real and nasty deal. The Polk family; living off blood and the land. Mama (Robin Weigert) has her boys get to work on Lee, starting with some thigh flesh. They grease her up, season her. Y’know, that good stuff for “tenderising.” Likewise they’re torturing Audrey and Monet a bit mentally. Surely they’ll be seasoned soon enough. First though, they’re force fed a bit of Lee.
Up at the house Agnes is preparing the place for burning. Behind her rally the ghosts of the Lost Colony. Nice note: a parallel shot of the real Shelby with the fake Matt matches one previously of the fake Matt and fake Shelby from those reenactments, as they watch the torches from the window. Problem now is for Agnes – the real Butcher has arrived, and she isn’t sharing places. Agnes begs that she “only wanted to be on TV.” Not good enough. You’re fucking axed in the face, Kathy!screen-shot-2016-10-27-at-2-12-26-amWhat a solid episode. This really turned things up a gory notch. With that excellent 6th episode the plot twisted, and after that the series did itself a favour by coming out with this blood soaked “Chapter 7” that explodes across the screen. We can only wonder what will happen next. I dig that they’ve shortened the season, too. Not that they couldn’t have stretched it more to 13 again, just that they’ve set themselves a decent round number of episodes, they halved the plot in a sense, and now we’re heading into the homestretch, where anything at all can happen.

 

American Horror Story – My Roanoke Nightmare: “Chapter 3”

FX’s American Horror Story
Season 6, Episode 3: “Chapter 3”
Directed by Jennifer Chambers Lynch (Chained, Surveillance)
Written by James Wong

* For a review of Chapter 2, click here.
* For a review of Chapter 4, click here.
screen-shot-2016-09-29-at-1-46-49-amWith Lee’s (Adina Porter) little girl disappeared, nothing in that house is going well. In the talking head interviews, the real Lee tells us about the horrifying feeling involved with a lost child, as if it’s not hard to tell just from the tears running out of her. The dramatic reenactment shows us Lee (Angela Bassett), Matt (Cuba Gooding Jr.), and Shelby (Sarah Paulson) dealing with the aftermath. Not easy. The local police aren’t too keen about helping, though they do. But that house is getting a bad reputation, as well as those living in it. Either way, Lee does her best to help with the search, along with Matt and Shelby.
Then they come across the doll Lee’s daughter Flora had, torn to bits on the ground, with a circle of blood and pig’s head to go with it. Oh, the macabre finds in those terrible woods! Naturally they’re all terrified. A ways off they find a “skeleton of a farm” where there’s more strangeness. Such as the other portions of the doll, and a pig. When the trio go inside there’s only squalor with every turn of the head. Nobody home, either.
Out in the barn, though, they find something odd and sickly. Two mentally feeble young kids left sucking on a pig’s nipples, feeding. One of the most disturbing images yet.
screen-shot-2016-09-29-at-1-55-09-amscreen-shot-2016-09-29-at-1-59-04-amSo now the police believe there’s a bit of horror really going on. Finally. The two boys from the barn are useless for help. They only scream: “Croatoan!” The real Matt (AndrĂ© Holland) explains they now, in the present day, understand what they didn’t at the time – this was a warning. Other than that the search goes on, even if Lee and her ex-husband Mason (Charles Malik Whitfield) are losing hope, plus at odds. He is not buying what’s going on, believing it a power play on Lee’s part, a kidnapping to regain custody somehow. For her part, Shelby tries defending her sister-in-law. Matt mostly keeps quiet, not wanting to get too involved until Mason near punches his ex-wife to the ground. The real Shelby (Lily Rabe) points out the obvious: “We were all on edge.”
In the night, Matt gets a call about a body. Is it Flora’s, or no?
Certainly not. It’s her father, Mason – strapped to a symbolic wheel and burned to a crispy bit of charcoal. Holy fuck. That’s rough. Well, what’s troubling is that last night the cameras picked up Lee heading out for several hours at quite a suspicious time. Now Shelby wonders about her sister-in-law. Matt believes something is urging them to leave, and they ought to listen. Just then a stranger turns up: Cricket Marlowe (Leslie Jordan). He claims to have been called there to help find Lee’s girl. A psychic who’s often helped the FBI in tough cases. When Shelby checks him out, he appears legitimate. Then he can hear something, guessing correctly about Flora hiding in the upstairs crawlspace. He also finds a bonnet and knows about Priscilla: “She died in the late 1500s.” You know what this leads to, a good ole fashioned seance.
Cricket gets a typical seance happening, dripping some blood into a candle, all that stuff, y’know. He calls out to Priscilla, but instead gets the response of a “horrible woman.” She speaks to him and reveals herself as The Butcher (Kathy Bates). Cricket tries to ward her off. She then splits a candle in two in front of everybody making believers out of them. “I shall stack the bodies high as cord wood,” The Butcher claims. She tells them they are but trespassers. Screaming out “CROATOAN“, Cricket sends the spirit fleeing – the same word those deformed boys screamed, the same spell Violet tried using unsuccessfully in Murder House.screen-shot-2016-09-29-at-2-05-52-amExcept now Cricket is asking for $25K to track down Flora. So Matt doesn’t want to deal with his bullshit con artist tricks. Cricket’s telling the truth, but sadly this is not the time for greed. Game changes once Lee has enough, pulling a gun to get her answers. Matt talks her down before tossing the psychic out. Before leaving he whispers something to Lee quietly: “Emily says hello. She wonders why you quit looking for her all those years ago.” Hmm, the first daughter of Lee. Secrets. The real Lee explains about having a daughter at seventeen. When Emily was four, Lee went into a store only to come back and find her daughter gone; never to be seen again. Turns out that Lee later sprung for the $25K to pay Cricket.
We learn more about The Butcher from Cricket. Her “Christian name” was Thomason White – wife to governor of Roanoke, The Lost Colony. She was in charge until her husband came home from a journey. Things were getting scarce, people around her worried. Of course Lee doesn’t care about any of that, but Cricket advises not all the public’s been told about Roanoke is true. Seems that back in Thomason’s day she was overtaken. Even her own son Ambrose (Wes Bentley) is forced to turn his back on her. They left her in the forest by herself as they travelled inward somewhere better. There, a strange woman (Lady Gaga) saves her, killing a wild pig that tries to kill her, before feeding Thomason a beating heart and asking for her soul.
And thus began the revenge of Thomas White, The Butcher. She tracked down the men who left her to die, chopping them down one by one. Ambrose is the last left, whom she asks to “beg for a reprieve.” It’s only the fact he is her son that saves him; this time. Where does this get us? Cricket tells that the colony then moved inland, right to where the big house stands today. Dun-dun-DUNNNN!screen-shot-2016-09-29-at-2-33-44-amOut amongst the darkness Cricket calls out to Priscilla, only finding The Butcher and her people. She entertains Cricket’s questions about Flora. A moment later, Lee even says they’ll burn the house down as long as they get her daughter back.
But out of nowhere, Matt disappears. In present day he says he can’t remember ever leaving. When Shelby finds him he’s in the trees having sex with that strange woman who visited The Butcher, animal skull on her head, and two hillbillies watching, masturbating. Good LORD! Present day Shelby looks appropriately torn up.
When Matt shows up he has no clue about what Shelby saw. She’s obviously going crazy, and he’s clueless. No time to worry about that, though. Lee’s being hauled off by the police, and Matt believes it was Shelby, which it was likely. Oh, this is about to get very, very paranoid from here on in.

 

 

 

 


Another stunningly creepy episode for this season. Loving My Roanoke Nightmare, plenty of eerie, juicy, wild, weird stuff going down!
Excited for “Chapter 4” and whatever it brings.