From Jennifer Chambers Lynch

American Horror Story – Apocalypse, Episode 2: “The Morning After”

Michael Langdon begins interrogating the survivors at the outpost. A familiar face(/mask) from Season 1 returns.

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American Horror Story – My Roanoke Nightmare: “Chapter 3”

FX’s American Horror Story
Season 6, Episode 3: “Chapter 3”
Directed by Jennifer Chambers Lynch (ChainedSurveillance)
Written by James Wong

* For a review of Chapter 2, click here.
* For a review of Chapter 4, click here.
screen-shot-2016-09-29-at-1-46-49-amWith Lee’s (Adina Porter) little girl disappeared, nothing in that house is going well. In the talking head interviews, the real Lee tells us about the horrifying feeling involved with a lost child, as if it’s not hard to tell just from the tears running out of her. The dramatic reenactment shows us Lee (Angela Bassett), Matt (Cuba Gooding Jr.), and Shelby (Sarah Paulson) dealing with the aftermath. Not easy. The local police aren’t too keen about helping, though they do. But that house is getting a bad reputation, as well as those living in it. Either way, Lee does her best to help with the search, along with Matt and Shelby.
Then they come across the doll Lee’s daughter Flora had, torn to bits on the ground, with a circle of blood and pig’s head to go with it. Oh, the macabre finds in those terrible woods! Naturally they’re all terrified. A ways off they find a “skeleton of a farm” where there’s more strangeness. Such as the other portions of the doll, and a pig. When the trio go inside there’s only squalor with every turn of the head. Nobody home, either.
Out in the barn, though, they find something odd and sickly. Two mentally feeble young kids left sucking on a pig’s nipples, feeding. One of the most disturbing images yet.
screen-shot-2016-09-29-at-1-55-09-amscreen-shot-2016-09-29-at-1-59-04-amSo now the police believe there’s a bit of horror really going on. Finally. The two boys from the barn are useless for help. They only scream: “Croatoan!” The real Matt (André Holland) explains they now, in the present day, understand what they didn’t at the time – this was a warning. Other than that the search goes on, even if Lee and her ex-husband Mason (Charles Malik Whitfield) are losing hope, plus at odds. He is not buying what’s going on, believing it a power play on Lee’s part, a kidnapping to regain custody somehow. For her part, Shelby tries defending her sister-in-law. Matt mostly keeps quiet, not wanting to get too involved until Mason near punches his ex-wife to the ground. The real Shelby (Lily Rabe) points out the obvious: “We were all on edge.”
In the night, Matt gets a call about a body. Is it Flora’s, or no?
Certainly not. It’s her father, Mason – strapped to a symbolic wheel and burned to a crispy bit of charcoal. Holy fuck. That’s rough. Well, what’s troubling is that last night the cameras picked up Lee heading out for several hours at quite a suspicious time. Now Shelby wonders about her sister-in-law. Matt believes something is urging them to leave, and they ought to listen. Just then a stranger turns up: Cricket Marlowe (Leslie Jordan). He claims to have been called there to help find Lee’s girl. A psychic who’s often helped the FBI in tough cases. When Shelby checks him out, he appears legitimate. Then he can hear something, guessing correctly about Flora hiding in the upstairs crawlspace. He also finds a bonnet and knows about Priscilla: “She died in the late 1500s.” You know what this leads to, a good ole fashioned seance.
Cricket gets a typical seance happening, dripping some blood into a candle, all that stuff, y’know. He calls out to Priscilla, but instead gets the response of a “horrible woman.” She speaks to him and reveals herself as The Butcher (Kathy Bates). Cricket tries to ward her off. She then splits a candle in two in front of everybody making believers out of them. “I shall stack the bodies high as cord wood,” The Butcher claims. She tells them they are but trespassers. Screaming out “CROATOAN“, Cricket sends the spirit fleeing – the same word those deformed boys screamed, the same spell Violet tried using unsuccessfully in Murder House.screen-shot-2016-09-29-at-2-05-52-amExcept now Cricket is asking for $25K to track down Flora. So Matt doesn’t want to deal with his bullshit con artist tricks. Cricket’s telling the truth, but sadly this is not the time for greed. Game changes once Lee has enough, pulling a gun to get her answers. Matt talks her down before tossing the psychic out. Before leaving he whispers something to Lee quietly: “Emily says hello. She wonders why you quit looking for her all those years ago.” Hmm, the first daughter of Lee. Secrets. The real Lee explains about having a daughter at seventeen. When Emily was four, Lee went into a store only to come back and find her daughter gone; never to be seen again. Turns out that Lee later sprung for the $25K to pay Cricket.
We learn more about The Butcher from Cricket. Her “Christian name” was Thomason White – wife to governor of Roanoke, The Lost Colony. She was in charge until her husband came home from a journey. Things were getting scarce, people around her worried. Of course Lee doesn’t care about any of that, but Cricket advises not all the public’s been told about Roanoke is true. Seems that back in Thomason’s day she was overtaken. Even her own son Ambrose (Wes Bentley) is forced to turn his back on her. They left her in the forest by herself as they travelled inward somewhere better. There, a strange woman (Lady Gaga) saves her, killing a wild pig that tries to kill her, before feeding Thomason a beating heart and asking for her soul.
And thus began the revenge of Thomas White, The Butcher. She tracked down the men who left her to die, chopping them down one by one. Ambrose is the last left, whom she asks to “beg for a reprieve.” It’s only the fact he is her son that saves him; this time. Where does this get us? Cricket tells that the colony then moved inland, right to where the big house stands today. Dun-dun-DUNNNN!screen-shot-2016-09-29-at-2-33-44-amOut amongst the darkness Cricket calls out to Priscilla, only finding The Butcher and her people. She entertains Cricket’s questions about Flora. A moment later, Lee even says they’ll burn the house down as long as they get her daughter back.
But out of nowhere, Matt disappears. In present day he says he can’t remember ever leaving. When Shelby finds him he’s in the trees having sex with that strange woman who visited The Butcher, animal skull on her head, and two hillbillies watching, masturbating. Good LORD! Present day Shelby looks appropriately torn up.
When Matt shows up he has no clue about what Shelby saw. She’s obviously going crazy, and he’s clueless. No time to worry about that, though. Lee’s being hauled off by the police, and Matt believes it was Shelby, which it was likely. Oh, this is about to get very, very paranoid from here on in.

 

 

 

 


Another stunningly creepy episode for this season. Loving My Roanoke Nightmare, plenty of eerie, juicy, wild, weird stuff going down!
Excited for “Chapter 4” and whatever it brings.

SURVEILLANCE Twists Through Labyrinthine Crime-Horror

Jennifer Lynch walks a different path than her director father, although it's one that is similarly weird. Morbid fascination is clearly a Lynch family trait.

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Damien – Season 1, Episode 9: “The Devil You Know”

A&E’s Damien
Season 1, Episode 9: “The Devil You Know”
Directed by Jennifer Chambers Lynch
Written by Glen Mazzara & K.C. Perry

* For a review of the previous episode, “Here Is Wisdom” – click here
* For a review of the Season 1 finale, “Ave Satani” – click here
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After the shocking events of last episode, the penultimate Season 1 episode is here! I desperately hope this gets a second season. Damien Thorn (Bradley James), Ann Rutledge (Barbara Hershey) – they all need more time.
We start here as Ann meets with someone trying to track down her daughter. Little does she know. Of course this will cause some major mayhem when Ann figures out what’s happened. No telling what kind of reaction a woman like that might have in the face of personal tragedy. Although, she is sort of like the devil’s lover, or well… she wants to be his lover. Or something weird.
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Sister Greta (Robin Weigert) and Simone (Megalyn E.K.) are busy with the aftermath of what’s happened with Veronica. She isn’t dead, surprisingly, but on her way. Greta decides on holding her. Possibly for her own good. Meanwhile, Damien and Amani (Omid Abtahi) are talking about the possibility of the Antichrist, the idea that Damien is the heir to that throne. Certainly it’s nonsense to Amani, intent on rationality. At least their way forward is together despite whatever else is going on, reality or otherwise. Damien needs all the friendship he can get. He wants Amani to get close with Veronica more now in order to get information.Damien wants to get to the bottom of the whole corporation with Lyons (Scott Wilson) and Ann at the forefront, knowing there is absolutely more than meets the eye. The good friend agrees to do his best.
And then there’s Detective Shay (David Meunier). He looks like a madman when bringing up the strange things that happen around Mr. Thorn. Nobody believes him, but Shay knows there’s something sinister going on behind the scenes. He doesn’t know the extent, though suspects a great deal. His bosses have him turn over his gun and badge citing mental health as the problem. Sadly, we’re aware of the truth. I see danger in Shay’s future especially now with a suspension. He might choose to go after Damien, investigating more on his own, which will only throw him right under the bus.


Finally, Veronica reveals Ann knows about the church’s involvement, Simone getting them into the whole mix. Greta talks a good game to try convincing Veronica of her mother’s evil. “Is that a mothers love?” asks Greta. “You dont know shit about me,” replies Veronica. Not much more information is coming out of this one. She is fiesty.
Another detective comes knocking at Damien’s place. He brings the news about Charles Powell, the therapist. Suspicion is growing around the Antichrist, more and more, even without Shay on the case officially now. Because all the little bits add up. And that’s why I dig this series and why Glen Mazzara has done a great job, along with all the various writers, because you wonder – in a real type setting, a real world, how would these events so obviously linked together somehow be explained? Well having these cops involved is one way of tackling that issue.
Back to Damien. He wants to meet with Sister Greta: “I have nowhere else to go,” he quietly pleads with Simone. Amazing to see the nun meet with the Antichrist. She asks to see the Mark of the Beast. He obliges. But she does not recoil, Greta understands his struggle. “You are Gods child,” she assures him and recognizes his suffering. He lets her know about the incidences at the VA hospital, his visions and so on. Turns out those seven people at the hospital he came across represented the Seven-Headed Beast of Revelation. On top of that, Simone now finds out her sister was taken by something… otherworldly, something evil. An intense few moments and a great instance of solid writing. Earlier aspects get explained in a way that isn’t forced, very organic to the plot. Dig it.
Poor Amani gets taken by some masked men while everything else is going on. Now I’m quite worried for him.
Greta later takes Damien by herself, sending Simone upstairs – and she gets locked in with Veronica. Uh oh. Is the renegade nun planning something? In the meantime, Ann’s got Amani in her custody. They’re having a little chat. Or more like she calls him down to the dirt with an eloquent almost Shakespearean jab. She further wants information about the nun, though Amani plays it cool. Until she convinces him Greta will kill Damien, which finally breaks his stand. There may be a big showdown coming. Yet things feel strange, uneasy. Highly unpredictable.


Damien: “What if I really am the Antichrist?”
Greta: “Then that is Gods will


Alone together, Greta and Damien talk more about his being the actual Antichrist. Resulting in her using one of the daggers of Megiddo to stab him. Cut to her wrapping him in thorns on an altar-like slab. SHIT. Greta, you bad motherfucker. That is some raw biblical vengeance, for sure.
Detective Shay is literally sweating the case out. I knew it – he’s at home, studying pictures, looking over crime scenes, and trying to figure out what is going on with Damien. He knows the murders, the events around him – the dogs, the burning car, the therapist killing Powell – are all being heavily influenced by Thorn. Somehow. “There are monsters,” Shay tells his little boy. And his boy creepily whispers in his ear: “The devil did it.” From the god damn mouths of babes. No sooner does Shay’s husband whisk their kid away do more visions plague the crumbling detective.
Over at the rectory, Simone mounts an escape from the room with Veronica. But down at the altar, Damien’s held in thorns, his 666 being cut into by Greta as some dark figures in black watch on behind her. Wicked little bit of gore here! Also, we see that 666 is literally carved right into the poor guy’s skull. Gnarly as all hell. The group then proceeds to lower Damien into a hole in the ground, so he can be “reborn” apparently. His screams echoing through the woods are viciously chilling. Once he’s in the hole it is just more ghostly, haunting hallucinations for Damien, as he envisions demons poking through the ground trying to get at him, themselves wailing and gnashing away. A truly terrifying little sequence. Simultaneously, Veronica ends up getting an Evil Dead-style death via tree, except without any penetration – well, sexual penetration. So this is one fucked up, awesome episode. Horrifically pleasing.

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Shay winds up sneaking himself into Damien’s place. Then he hears his son out of nowhere, voices whispering. A small figure appears behind him. From the sink in Damien’s photo lab he hears the boy’s voice before being startled by a creepy image. This sends him rightfully running back out the door.
But Damien doesn’t get to do that. He’s trapped in that hole, the visions of those seven people from the hospital attacking him, nowhere else to go except stay put. Up above the hole, Simone shows up, but the damage is done. Down there Damien goes absolutely mental. A bloodcurdling noise emanates from the hole, as does Damien. He rises up while everybody watches on. Ominous music makes the scene even more heavy. Is he reborn now? Greta tries stabbing him again, only he stabs her. Without any feeling, any remorse.
The Antichrist has risen. Or has he? Safe to say the evil is flowing in him, and he’s starting to give in to the pulsing hell inside him.


Excited for the Season 1 finale, “Ave Satani”, and can’t wait to see how the team ends things. My hope is that Season 2 will get a greenlight. Mazzara and Co. deserve the chance to flesh this out for at least another season, possibly with another couple episodes – 13 would be a perfect little fitting number. Regardless, they got better and better every episode here and made this into a good one. Let’s have a devilish finale together, fellow fans!