From Season 6

American Horror Story – My Roanoke Nightmare: “Chapter 10”

FX’s American Horror Story
Season 6, Episode 10: “Chapter 10”
Directed by Bradley Buecker
Written by Brad Falchuk & Ryan Murphy

* For a review of Chapter 9, click here.
screen-shot-2016-11-17-at-2-07-35-amThe cast of My Roanoke Nightmare attend Paleyfest, where Shelby (Lily Rabe) and Matt Miller (AndrĂ© Holland), Audrey (Sarah Paulson), Lee (Adina Porter), Dominic (Cuba Gooding Jr), Monet (Angela Bassett), William Van Henderson (Denis O’Hare), Rory (Evan Peters), Sidney James (Cheyenne Jackson) – they all answer questions for the crowd on a panel. The fans all go wild. One especially for Lee, who she feels has been unfairly judged. Shit. If the girl only knew.
The Lee fanatic posts online about the second series being “crass” instead of doing anything artistic. We also find out Lee’s headed for a murder trial. And the remaining Polk brother Lot intends on murdering her if the courts won’t do the job.
screen-shot-2016-11-17-at-2-12-23-amWe get television special on Lee and her history. Her family, the addiction, the custody battle, her husband’s murder. Once Return to Roanoke: 3 Days in Hell was filmed, things changed, as we know. The trial went on. The video of her torture by the Polks was used to get her acquitted, playing sympathy to the juror. But the murder of her ex-husband Mason is still on the books. Her own daughter witnessed Lee crack her dad in the head with a rock: “You killed daddy,” she says on the stand. Only problem is that Flora sounds crazy because she saw ghosts in and around the Roanoke House. And so the verdict comes back Not Guilty.
Now we get Lana Winters (Sarah Paulson) back for another season! A survivor in her own right, she is now interviewing Lee Harris after her big murder trial. “Questions remain,” Lana explains. She’s come out of retirement and everything, just for the live TV interview. We get a very familiar looking format, makes the whole bit feel genuine. Lana asks her questions, starting off with soft lobs and working up towards the harder stuff. First, it’s about the custody. Secondly those murders still linger on in public consciousness. Then we get a Bloody Face namedrop, as Lee brings up Lana’s own history with maniacs.
Afterwards comes an intense moment. Lana asks where Flora is, after reports of the girl going missing just before they began their interview. Suddenly outside is the sound of assault weaponry. Lot Polk has arrived. He wants revenge. Lana tries talking him out of it and only gets knocked out with the butt of a gun. Luckily, a cop busts in and blows the guy away. Lee makes away again.

 


A show called Spirit Chasers takes Ashley Gilbert (Leslie Jordan), star in the original series’ reenactments, out to the Roanoke House in order to try figuring out: is it all real? A steel fence went up around the place trying to keep people out, but the show’s crew heads in on their own. During the Blood Moon. Isn’t that great? They head on in without understanding how real any of the madness there is, and surely something nasty is poised to happen. As night falls the crew go about their usual routine, detecting spirits and hoping to find conclusive evidence. Soon, the spirits start to wake. Doors slam shut. Air rushes through the rooms. Ashley even finds a bonnet laying around: “The Real McCoy,” he says and not a prop.
Craziest of all, Lee shows up from out of the blue. That is fucked up. She wants to find her daughter, and she looks crazy as hell. She warns the crew and Ashley away. The Spirit Chasers want to help her, although she isn’t too keen. On one of the crew’s thermal videos they see one of the Chen family, creeping around the walls. A recording captures the eerie voices of children, Priscilla to be exact. When Piggy Man turns up, game over! Ashley is dispatched first. Then another, as one of the Chens hauls them off. Police show up and by that time even The Butcher is carving people to bits.

 

screen-shot-2016-11-17-at-2-42-44-amIt seem as if the whole thing’s turned into Lee in a hostage crisis. We get plenty news coverage on the ordeal, including Lana Winters at home recuperating well. People want all the reality they can get. From reality television series to complete reality. “When we latch onto something it becomes our destiny,” says Lana prophetically.
At the Roanoke House, Lee and Flora are inside just fine. Her mother asks about what she ate in the woods, how she survived. Mostly she tries to explain to Flora how things ever got so bad, what it’s like to be a parent trying to make the best life for her and her family. None of that is any good when the girl clearly saw her own mother murder her father. The hardest part of everything is the fact Flora still has Priscilla kicking around in her head, or y’know, right in front of her.

 


Then the house begins to burn, out walks Flora safe and sound. Inside, Priscilla helps Lee dies, and the house blows nearly to smithereens, the top exploding with fire. While Flora is taken away from the old house her mother and Priscilla walk into the darkness together, torches light the woods, and the Lost Colony descend with the Blood Moon high in the sky.
screen-shot-2016-11-17-at-2-50-35-amI absolutely fucking adored this season! So many interesting things went on and the format really worked out in the end. Very fun to bring Lana Winters back, too. Such great stuff. I’m excited now to see what they’ll do next season. This series, for me, gets better each year. Some don’t agree, but I couldn’t care less. A spectacular bit of television, and this season was beyond expectation.

American Horror Story – My Roanoke Nightmare: “Chapter 8”

FX’s American Horror Story
Season 6, Episode 8: “Chapter 8”
Directed by Gwyneth Horder-Payton
Written by Todd Kubrak

* For a review of Chapter 7, click here.
* For a review of Chapter 9, click here.
screen-shot-2016-11-03-at-2-37-09-amAgnes (Kathy Bates) is being slaughtered by The Butcher (Susan Berger) outside, as Shelby (Lily Rabe) and Dominic (Cuba Gooding Jr.) sit inside, wondering how they’re going to get out alive. They decide to head down for the tunnel. Of course they have to pass Matt’s smashed head, but they manage. Until coming across the Asian family that died in the house years ago. Fucking creepy.
screen-shot-2016-11-03-at-2-39-12-amBack to Mama Polk (Robin Weigert) and her kin, still with Lee (Adina Porter) in their grasp. She’s making her boy Cain (Finn Wittrock) do a bit of slicing to get the good meat. Mama tells a tale about the Depression when there wasn’t much to eat. That’s when the cannibalism started, with a few hobos and such. Now, it’s time to get a few “prime cuts” out of Lee. As suspected the Polks are a bunch of inbreds, as well. Cain talks about being caught “in the middle” of not being able to have sex with mom and not able to cuddle either. Also, Cain wasn’t happy not being able to get into the TV story, so Lee tries making a deal. He goes on to tell her about Kincaid Polk, who wore a pig’s head and killed people before being burned alive. Knowing she’ll die Lee takes a snort of oxy to take the edge off, before Mama takes another cut off her.
At the house Shelby and Dominic run from the terrifying creature at their heels. He tries to keep Shelby from giving up, worried that they’re up against some “Paranormal Activity shit.” Then Pig Man shows up, brandishing knives. Those nurses drag themselves slowly. The house’s spirits come alive, all trying to corner Dominic and Shelby. Even the chandelier drops from the ceiling crushing Shelby’s ankle. The pair make it upstairs and she starts falling apart. She is clearly in shock after beating Matt’s head in downstairs. Soon she cuts her throat wide open.
Lee gets Cain to let her leave a message to her daughter Flora via camera. She continually tries to ingratiate herself to the young man. He even admits not wanting to kill her. She does whatever possible in order to stay alive, to the point of playing to his sexual fantasies. That is just long enough to get the upper hand. Fuck yeah, Lee! She chokes Cain out and manages to get away, stabbing him a good one in the skull for good measure.screen-shot-2016-11-03-at-2-56-17-amPoor Audrey (Sarah Paulson) and Monet (Angela Bassett) are still being taunted by the Polk family. The two women try convincing them that the real Matt and Shelby are to blame. But that matters nothing to these inbred cannibals. They’re more concerned with the Blood Moon coming up. The Polk brothers can’t comprehend the difference between reality and the reenactments on television. And they need teeth, of which the ladies have mouths full. They start with Monet, but the chair and the pliers break. Again, the woman gets the upper hand on the Polks, as Monet gets free. Although she leaves Audrey, weeping, alone. Mama ain’t happy with her boys, all the same. Now she has to get some teeth out of the British girl on her own. A brutal moment to watch. Luckily, Lee comes to her aid with a ball peen hammer. She lets Audrey use it to bash Mama’s brains to slop. Over at the house she and Lee come across the similar brains of Matt, sending his sister into hysterics. At least Shelby’s dead, too. I guess. They find her upstairs with Dominic lurking depressed in the dark. Nobody’s sure what to do next, although Lee and Audrey don’t believe what he tells them about Shelby. They lock him out in the hallway where Pig Man mutilates his body wickedly, blood flicking over the walls everywhere. Shiiiit.
When morning comes Lee says they have to go back to the Polk place. She wants to get the videotape, so nobody can use it against them. She knows that if the “wrong people” get their hands on the tape then it won’t be good, for either of them. True. Especially considering Lee has dealt with this already because of My Roanoke Nightmare.
When the two women make it the front door, there is Pig Man – only he takes off his mask, it’s Dylan (Wes Bentley) who played Ambrose White in the original show. Ah, he’s back again. However, I don’t think he’s the Pig Man that’s been slaughtering.screen-shot-2016-11-03-at-3-12-31-amA nice, bloody, creepy episode! Lots of nastiness going on and unexpected deaths.
Very excited for the next chapter. I can’t wait to see who’ll survive and who’ll be murdered in grisly fashion coming up. Will we see more of The Butcher? And what about the actor who played Dr. Cunningham (Denis O’Hare)? Also, Taissa Farmiga is supposed to show up, and we’ve already seen Finn Wittrock as one of the nasty Polks. So much to look forward to in these last couple episodes. Already primed for Season 7!

 

 

American Horror Story – My Roanoke Nightmare: “Chapter 7”

FX’s American Horror Story
Season 6, Episode 7: “Chapter 7”
Directed by Elodie Keene
Written by Crystal Liu

* For a review of Chapter 6, click here.
* For a review of Chapter 8, click here.
screen-shot-2016-10-27-at-1-33-03-amReturn to Roanoke: 3 Days in Hell is well underway. Sidney James (Cheyenne Jackson) cheers behind the scenes watching footage like the greasy douche he is, and loving every minute of the drama. Of course nobody knows where Diana went – a.k.a dead. Not that Sidney gives a shit. The cameraman notices Rory Monahan (Evan Peters) getting stabbed, but can’t get his camera ready in time to catch anything. Then comes a scream in the night from their PA. In the dark we hear her choking, Sidney beckons the cameraman. They find the PA with her throat cut. And then Agnes Mary Winstead (Kathy Bates) in The Butcher’s clothing emerges, stabbing Sidney, as well as hacks the cameraman to unseen bits. She proclaims to the fallen camera: “I am the tree and the lightning that strikes it.”
screen-shot-2016-10-27-at-1-34-08-amAudrey Tindall (Sarah Paulson) and the others try finding Rory. Matt Miller (AndrĂ© Holland) keeps telling them that “R is for Rory.” You know nobody wants to hear that. Either way, he and Shelby (Lily Rabe), along with Audrey, Lee Harris (Adina Porter), Monet Tumuslime (Angela Bassett), and Dominic Banks (Cuba Gooding Jr.) all go searching the house for clues. They find a pool of blood upstairs. Audrey convinces everybody that Rory got that part and Sidney convinced him to do them a frighten in order to get their blood pumping. The poor wife is left believing her younger husband took off on her for better things. That’s sad.
Down in that cellar Agnes raves by firelight to a camera. She’s separated completely from reality now, don’t think she’s coming back ever again. Thomas White has taken over Agnes, full stop. She slips in and out of persona, yes, but ultimately The Butcher is becoming her primary personality. To devastating effect. “‘Cause the fans wanted more. And they wanted The Butcher.” However, things get spooky for even Agnes, as the ghosts of Roanoke’s Lost Colony start appearing around her, their wooden symbols hanging from the cellar’s low ceiling.
At the house nothing is getting any easier. Dominic edges up on Shelby, right as Matt appears out of nowhere: “Fuck her right here for all I care,” Matt tells them both defiantly. During an aside confessional, Dominic shows us that Sidney’s given him a body cam in the form of jewellery, to make things difficult for anybody and everybody. What’s better than screen time?
Shelby has a run in with Agnes in the bedroom. The old woman rages, going from The Butcher back to herself, and back again. A legitimately creepy moment. Agnes slices a piece out of Shelby, although Dominic takes her down before she can finish the poor woman off. All the while the cameras are everywhere, constantly rolling and catching the terror. Yet off into nowhere disappears Agnes.

 


Everyone’s becoming desperate. Nobody is coming to help, certainly, and we know why. They don’t know, though. For the time being they try and devise a plan how to get help, or simply get out of there. So several of the group head down into the tunnels below the house, where Edward Mott once supposedly led the Millers. Only they come across a screaming ghost, one that Lee’s gun can’t seem to take down. They rush out into the daylight, no longer fearing Agnes, wherever she’s hiding. Inside the Millers lament their lost marriage: “This place took something from me,” Matt confesses.
In the sky rises the Blood Moon. Lee, Monet, and Audrey finally stumble across the trailer, along with the gutted corpses of the crew and Sidney. No phones, no way to get out even in the car which is dead; you know it is! Then Agnes comes running at them from the woods. Lee shoots her into the dirt luckily, and the three women try to move on. Except torches in the woods alert them to ghosts of the Lost Colony. The Bloody Moon has begat spirits in flesh and blood. Meanwhile, as Audrey gives a Blair Witch Project-style confession to her phone’s camera, blood drips from overhead: from her dead husband. The ghosts still come for them sending the woman running into the darkness.
Or are they ghosts? No, it looks like humans in the night this time.
Oh, and Agnes, she’s survived a bullet in the chest, doing a little homemade surgery. You know that bad bitch isn’t going down. Perhaps it’s just more of the Blood Moon’s dark magic.

 


Poor Matt and Shelby never should’ve agreed to go back to that place. In the middle of the night Matt takes a walk downstairs. As if on a mission. Against his best interest, Dominic follows along with that sneaky body cam. He sees Matt in the basement where the Witch stands in the shadows: “Ive been waiting for you,” says Matt. Right before she grabs him violently, pulling him out of sight in a flurry of fierce noises. Dominic goes to get Shelby, they head back down together. They find the Witch on top of Matt. When Shelby pulls her off Matt tells them he came back for her. This prompts Shelby to smash his head in with a hammer until it’s nothing but mush. Wow.
The hillbillies have got hold of Lee. Tied up, she’s at their mercy. Uh oh. These are the real hillbillies, not the reenactment crowd. They’re the real and nasty deal. The Polk family; living off blood and the land. Mama (Robin Weigert) has her boys get to work on Lee, starting with some thigh flesh. They grease her up, season her. Y’know, that good stuff for “tenderising.” Likewise they’re torturing Audrey and Monet a bit mentally. Surely they’ll be seasoned soon enough. First though, they’re force fed a bit of Lee.
Up at the house Agnes is preparing the place for burning. Behind her rally the ghosts of the Lost Colony. Nice note: a parallel shot of the real Shelby with the fake Matt matches one previously of the fake Matt and fake Shelby from those reenactments, as they watch the torches from the window. Problem now is for Agnes – the real Butcher has arrived, and she isn’t sharing places. Agnes begs that she “only wanted to be on TV.” Not good enough. You’re fucking axed in the face, Kathy!screen-shot-2016-10-27-at-2-12-26-amWhat a solid episode. This really turned things up a gory notch. With that excellent 6th episode the plot twisted, and after that the series did itself a favour by coming out with this blood soaked “Chapter 7” that explodes across the screen. We can only wonder what will happen next. I dig that they’ve shortened the season, too. Not that they couldn’t have stretched it more to 13 again, just that they’ve set themselves a decent round number of episodes, they halved the plot in a sense, and now we’re heading into the homestretch, where anything at all can happen.

 

American Horror Story – My Roanoke Nightmare: “Chapter 6”

Everything changes in this episode, as we go behind the scenes with Sidney James and discover a Season 2 is underway. Only nobody realises how much blood is coming.

Read more

American Horror Story – My Roanoke Nightmare: “Chapter 5”

FX’s American Horror Story
Season 6, Episode 5: “Chapter 5”
Directed by Nelson Cragg
Written by Akela Cooper

* For a review of Chapter 4, click here.
* For a review of Chapter 6, click here.
screen-shot-2016-10-13-at-1-36-10-amWhere does the nightmare go from here?
Edward Philippe Mott – undoubtedly related to Dandy Mott from Season 4 – is the one who built the Big Shaker House, the house where Shelby and Matt Miller (Lily Rabe & AndrĂ© Holland) experienced their personal nightmare. We get flashes of this Mott, as a historian tells us about the old property.
And who is it that plays Edward Mott? In a dramatic re-enactment (remember this well; this re-enactment business has a purpose), Evan Peters plays the man himself.
The historian tells us Mott had severe social anxiety. So he went out into the woods to build himself a home, away from the hustle and bustle of the city. Even during the building process, things got strange. Like they would. Most interesting is that Mott had the house mostly to be with his homosexual lover, away from his family. He’s got lots of other things going on, though. Mott is gay; no big deal. It’s his madness I care about. Before the house starts fucking with him he’s already a bit insane.
Then the haunting begins. Poor Edward, he finds his paintings destroyed. The very things he’d only recently rambled about while in the tub with his lover. He interrogates his staff, not getting any of the answers he wanted. He locks them away like animals. That house is bringing out the worst qualities in him. “Do not judge me,” he tells his lover – a black man – who he also points out is only a servant. Harsh, dude. Fucking low.
Finally, in the night Edward hears sqeuals, noticing a fire outside. It’s Thomasin White (Kathy Bates) and her rowdy band of settlers. They do him in, stabbing a pike through his chest before setting him ablaze. Of course the poor servant gets the blame. They even find the other servants down in the cellar, only starved skeletons left. A truly, unbearably nasty history. Real estate nightmare.

 


With Thomasin right outside the house where we last left the Millers, Shelby and Matt (Sarah Paulson & Cuba Gooding Jr.) wait at their window, calling 9-11. Ambrose White (Wes Bentley) calls out to them about a “merciless reckoning.” The couple try to enact a plan to escape, although splitting up is never good; at least not for the victims of horror. And when Flora (Saniyya Sidney) gets snatched up by a terrifying, ghostly figure that scampers away on all fours, nothing is looking good for anybody. Then the fucking Pig Man shows up, the dead hunters. All the ghosts and ghouls come out to play, commanded by Thomasin and her power. From nowhere comes Mott, leading the Millers into a tunnel downstairs; is he on their side, or that of The Butcher? “I will keep her from killing you, no more, no less,” explains Edward. He wants solitude. Too many souls kicking around in the house. Y’know, practical ghost shit.
Side note: check out the effects on Peters’ eyes as he moves the torch around, very cool.
Out in the woods after Mott leaves them, the Millers and Flora try to find a way elsewhere, but surprise, surprise – they’re stopped, bags over their head and knocked out.screen-shot-2016-10-13-at-1-54-23-amWaking up, they’re at the farm where the feral boys were found. Elias Cunningham (Denis O’Hare) is on a table, bleeding, in terrible fucking shape. He tells Matt: “Mama took my leg.” He warns to leave, before she comes back. Mama Polk sounds like a real butcher in her own right. And Mama, she turns up again: it’s Frances god damn Conroy, baby! She’s as bad ass as ever, trying to serve up a bit of questionable jerky. Oh, you know what it is. A little bit of Elias. To boot, he’s bad meat. BAD MEAT! BAD MEAT!
The head smash here is one of the greatest. Ever. Some legitimately enviable practical effects work. Kudos to the technical team here because this is awesome, in the grisliest horror way possible. JUST. WOW.
Anyway, Mama’s kin made a pact with The Butcher around “200 years ago.” She needs new blood each year. Their family helps, now and then. The crops are the whole deal, so that keeps them going. But cannibals is cannibals; they like doing their thing. Problem is the hillbilly Polks are upset about their feral children being taken away. Mama keeps calling Shelby “sweet meat” and that’s pretty creepy.
Lee (Angela Bassett) got stuck talking to the police, due to Shelby cluing them into her possibly having something to do with Mason’s death, Flora gone. Of course we know the truth, but none of them know what’s been going on back at the Miller place and the Polk farm.screen-shot-2016-10-13-at-2-06-43-amLots of blood tonight! As the Polks take Shelby, Matt, and Flora who knows where, Matt takes advantage, sending a shotgun blast into the cab, as his wife puts one of the men over the truck’s pan into the road. But where can they go?
In the forest they hide. Meanwhile, Lee knows something isn’t right. Mama and her remaining kin take the Millers out to subdue them until they can get to The Butcher. Then Mama goes ahead and nearly chops Shelby’s foot clean off. So. Brutal. This episode has really brought its A-Game in terms of gore.
They’re brought back to the house, again. The Butcher and her colony waiting for blood. Flora is being readied for sacrifice. When Lee arrives, the policeman takes off on her; what a bitch! She’s left to try saving her family on her own. From nowhere, Ambrose smashes his mother with a block of wood, grabbing hold to her and puling her into the fire with him, as they burn alive. Mott frees the Millers, as Lee flies in to save her girl from the Pig Man; to save them all.screen-shot-2016-10-13-at-2-18-15-amSo that takes us to the end of the story at the house. The Roanoke Nightmare is over, right? Oh, I doubt that.
Shelby has recurring nightmares, long after their experience. Nothing can quite that it away. “We escaped with our lives that night, but I never completely got over it. Im not sure I ever will,” the real Shelby explains. And that makes a lot of sense to me.
screen-shot-2016-10-13-at-2-21-02-amHow do you think the re-enactments will play into the overall season arc? I feel the actors playing the parts are going to be affected by their roles in the re-enactments, in how you always hear about plagued movie productions. I see the actors themselves being haunted further later on. Who knows. I hope it’s a nice surprise either way.
Excited for Chapter 6!

 

 

 

American Horror Story – My Roanoke Nightmare: “Chapter 4”

FX’s American Horror Story
Season 6, Episode 4: “Chapter 4”
Directed by Marita Grabiak
Written by John J. Gray

* For a review of Chapter 3, click here.
* For a review of Chapter 5, click here.
screen-shot-2016-10-06-at-1-26-34-amIn the talking head interviews, Matt (AndrĂ© Holland) relates how Shelby (Lily Rabe) was pissed after supposedly seeing him having sex with a woman in the woods. During the reenactments, Shelby (Sarah Paulson) confronts Matt (Cuba Gooding Jr.) until he breaks down: “Its like a part of my brain was cut out.” She comforts him, though the real Shelby affirms that she knew there was something not right, at all. What she saw was real.
That night Shelby sees the Pig Man. And he is also very real. Matt wrestles with him briefly before the couple get away. They’re saved by Dr. Elias Cunningham (Denis O’Hare), from out of nowhere. He uses the “Croatoan” spell, shouting it and dispelling the creature. But warns: “Hell be back.”
screen-shot-2016-10-06-at-1-29-36-amSo Dr. Cunningham tells us about Croatoan. How it was left when Roanoke Colony disappeared. Really, it’s blood magic. Spooky. The doctor quickly relays that he’s the so-called guardian of the house, trying to make sure people know about its history. Matt’s eager to kick him out, although Shelby has seen the Pig Man before. Through the craziness, she believes Elias. In the basement, he shows them some of his work: all the “paranormal activity” that’s occurred in and around the house. Essentially, a history of horror and torture concerning various families that were unfortunate enough to have bought the house over the years. Like the Chens, who were taken by surprise once the Pig Man showed up. And once Thomasin “The Butcher” White (Kathy Bates) came by? Shit. Things got much, much worse. Cunningham tells Shelby and Matt about how even those nasty nurses were afraid of the place. The Butcher did them in good, too. Real medieval style. On and on and on the tales go. He mentions the “Dying Grass Moon” as being when the disappearances and murders take place.
Lee (Angela Bassett) is on the hook for her missing daughter, though Matt and Shelby wanted to get to the bottom of the whole Priscilla mystery. Something with which Elias can help. Lots of creepiness when Matt spies the strange woman (Lady Gaga) from afar. Shelby chases her until eventually getting lost and running into some hunters – the ones Dr. Cunningham told her about, who once stayed in the house and turned their guns on each other. Well, they’re still wearing those wounds. Quite graphically; dig it. Shelby didn’t, and tried using the Croatoan spell. Doesn’t work because of the lunar cycle, so says Elias. Then in the middle of the forest they see Flora with a bunch of ghosts (people who’ve died or disappeared in the house), the Pig Man, and of course Ms. Priscilla. A horn begins to blow soon. An arrow, or three, are plugged into the poor doctor. While the couple run off there’s no doubt we’ll see Elias again. I’d bet on it.screen-shot-2016-10-06-at-1-44-14-amAt the house, Cricket Marlowe (Leslie Jordan) is ready to rock. They’re obviously ready to do whatever they can to get Lee’s daughter back. He tells them about talking to The Butcher. She’s pretty ready to rock, as well. Y’know, with the bloody moon rising and all. “Id kill for a Coke Zero right now,” Cricket says as he tries to get psyched up about what to do next. He takes off only to return hours later: “I met the bitch with the real power.” It’s that strange woods woman. She temporarily blinds him, puts a knife to his throat. Tricky lil’ Marlowe’s able to get himself out of it, after discovering a few things first. She shows him a vision. They’re in a cornfield. Hundreds of years ago. At the Lost Colony in Roanoke. This is where they came, to where the house now stands. They did terrible things, such as sacrificing little children; Cricket witnesses The Butcher smash a girl to death with a rock. Yikes. Her own son Ambrose (Wes Bentley) wasn’t pleased with the new path, under tutelage of that strange woman, the woods witch. The Butcher then pretended to repent for her wrongdoings, only to kill everyone. Even her boy. She puts a cleaver right in his chest to boot before slashing anybody not fully dead yet right into the grave. She binds them to their new land with blood. Lots of it. Her own, too. She lets the woods witch cut her throat, “bonding” the whole colony to the land “for all eternity.” Cricket says he’s got the spell to clue everything up.
Yeah, right. In his Uber on the way home Cricket spies Flora running across the road. So he gets out of the car and now you know he’s not getting back to the Millers any time soon.

 

 


Matt and Shelby wait for him. But he never comes. Night comes, Matt’s feeling a little creeped out. Foolishly, he heads outside – though with a gun – after hearing things, seeing fleeting images. The sounds they draw him to the cellar out in the woods. He finds the witch there, waiting. “Debts must be paid,” she tells him. Oh, you know what she means! Don’t pretend. A little later Shelby wakes and can’t find her husband. He’s stuck down in the cellar, mesmerised by her story. She was a “descendant of the Druids and their Roman conquerors.” Instead of being a victim, she slaughtered the soldiers keeping her captive. Anyway, Matt was lured into the honey trap. Meanwhile Shelby’s laid siege to by The Butcher and her ghostly hordes, Flora in their grasp. When Matt finally tears himself out of the spell, they get some help from Priscilla; she manages to get Flora away from them.
But poor Flora, she’s frightened. Then outside they all see Cricket. The Butcher rips his guts open while the Millers watch from inside. The colony gets truly medieval on Mr. Marlowe. Absolute savagery.
Things aren’t looking good for Matt and Shelby. We know they survive it. Yet even in the real footage of their interviews – are so sure they’ll be safe in the near future?screen-shot-2016-10-06-at-2-06-26-amscreen-shot-2016-10-06-at-2-07-15-amLove this season so much! Lots of creepiness, a bit of gore. Some strange oddities of various types. Can’t wait for more in the next chapter.

 

American Horror Story – My Roanoke Nightmare: “Chapter 3”

FX’s American Horror Story
Season 6, Episode 3: “Chapter 3”
Directed by Jennifer Chambers Lynch (Chained, Surveillance)
Written by James Wong

* For a review of Chapter 2, click here.
* For a review of Chapter 4, click here.
screen-shot-2016-09-29-at-1-46-49-amWith Lee’s (Adina Porter) little girl disappeared, nothing in that house is going well. In the talking head interviews, the real Lee tells us about the horrifying feeling involved with a lost child, as if it’s not hard to tell just from the tears running out of her. The dramatic reenactment shows us Lee (Angela Bassett), Matt (Cuba Gooding Jr.), and Shelby (Sarah Paulson) dealing with the aftermath. Not easy. The local police aren’t too keen about helping, though they do. But that house is getting a bad reputation, as well as those living in it. Either way, Lee does her best to help with the search, along with Matt and Shelby.
Then they come across the doll Lee’s daughter Flora had, torn to bits on the ground, with a circle of blood and pig’s head to go with it. Oh, the macabre finds in those terrible woods! Naturally they’re all terrified. A ways off they find a “skeleton of a farm” where there’s more strangeness. Such as the other portions of the doll, and a pig. When the trio go inside there’s only squalor with every turn of the head. Nobody home, either.
Out in the barn, though, they find something odd and sickly. Two mentally feeble young kids left sucking on a pig’s nipples, feeding. One of the most disturbing images yet.
screen-shot-2016-09-29-at-1-55-09-amscreen-shot-2016-09-29-at-1-59-04-amSo now the police believe there’s a bit of horror really going on. Finally. The two boys from the barn are useless for help. They only scream: “Croatoan!” The real Matt (AndrĂ© Holland) explains they now, in the present day, understand what they didn’t at the time – this was a warning. Other than that the search goes on, even if Lee and her ex-husband Mason (Charles Malik Whitfield) are losing hope, plus at odds. He is not buying what’s going on, believing it a power play on Lee’s part, a kidnapping to regain custody somehow. For her part, Shelby tries defending her sister-in-law. Matt mostly keeps quiet, not wanting to get too involved until Mason near punches his ex-wife to the ground. The real Shelby (Lily Rabe) points out the obvious: “We were all on edge.”
In the night, Matt gets a call about a body. Is it Flora’s, or no?
Certainly not. It’s her father, Mason – strapped to a symbolic wheel and burned to a crispy bit of charcoal. Holy fuck. That’s rough. Well, what’s troubling is that last night the cameras picked up Lee heading out for several hours at quite a suspicious time. Now Shelby wonders about her sister-in-law. Matt believes something is urging them to leave, and they ought to listen. Just then a stranger turns up: Cricket Marlowe (Leslie Jordan). He claims to have been called there to help find Lee’s girl. A psychic who’s often helped the FBI in tough cases. When Shelby checks him out, he appears legitimate. Then he can hear something, guessing correctly about Flora hiding in the upstairs crawlspace. He also finds a bonnet and knows about Priscilla: “She died in the late 1500s.” You know what this leads to, a good ole fashioned seance.
Cricket gets a typical seance happening, dripping some blood into a candle, all that stuff, y’know. He calls out to Priscilla, but instead gets the response of a “horrible woman.” She speaks to him and reveals herself as The Butcher (Kathy Bates). Cricket tries to ward her off. She then splits a candle in two in front of everybody making believers out of them. “I shall stack the bodies high as cord wood,” The Butcher claims. She tells them they are but trespassers. Screaming out “CROATOAN“, Cricket sends the spirit fleeing – the same word those deformed boys screamed, the same spell Violet tried using unsuccessfully in Murder House.screen-shot-2016-09-29-at-2-05-52-amExcept now Cricket is asking for $25K to track down Flora. So Matt doesn’t want to deal with his bullshit con artist tricks. Cricket’s telling the truth, but sadly this is not the time for greed. Game changes once Lee has enough, pulling a gun to get her answers. Matt talks her down before tossing the psychic out. Before leaving he whispers something to Lee quietly: “Emily says hello. She wonders why you quit looking for her all those years ago.” Hmm, the first daughter of Lee. Secrets. The real Lee explains about having a daughter at seventeen. When Emily was four, Lee went into a store only to come back and find her daughter gone; never to be seen again. Turns out that Lee later sprung for the $25K to pay Cricket.
We learn more about The Butcher from Cricket. Her “Christian name” was Thomason White – wife to governor of Roanoke, The Lost Colony. She was in charge until her husband came home from a journey. Things were getting scarce, people around her worried. Of course Lee doesn’t care about any of that, but Cricket advises not all the public’s been told about Roanoke is true. Seems that back in Thomason’s day she was overtaken. Even her own son Ambrose (Wes Bentley) is forced to turn his back on her. They left her in the forest by herself as they travelled inward somewhere better. There, a strange woman (Lady Gaga) saves her, killing a wild pig that tries to kill her, before feeding Thomason a beating heart and asking for her soul.
And thus began the revenge of Thomas White, The Butcher. She tracked down the men who left her to die, chopping them down one by one. Ambrose is the last left, whom she asks to “beg for a reprieve.” It’s only the fact he is her son that saves him; this time. Where does this get us? Cricket tells that the colony then moved inland, right to where the big house stands today. Dun-dun-DUNNNN!screen-shot-2016-09-29-at-2-33-44-amOut amongst the darkness Cricket calls out to Priscilla, only finding The Butcher and her people. She entertains Cricket’s questions about Flora. A moment later, Lee even says they’ll burn the house down as long as they get her daughter back.
But out of nowhere, Matt disappears. In present day he says he can’t remember ever leaving. When Shelby finds him he’s in the trees having sex with that strange woman who visited The Butcher, animal skull on her head, and two hillbillies watching, masturbating. Good LORD! Present day Shelby looks appropriately torn up.
When Matt shows up he has no clue about what Shelby saw. She’s obviously going crazy, and he’s clueless. No time to worry about that, though. Lee’s being hauled off by the police, and Matt believes it was Shelby, which it was likely. Oh, this is about to get very, very paranoid from here on in.

 

 

 

 


Another stunningly creepy episode for this season. Loving My Roanoke Nightmare, plenty of eerie, juicy, wild, weird stuff going down!
Excited for “Chapter 4” and whatever it brings.

American Horror Story – My Roanoke Nightmare: “Chapter 2”

FX’s American Horror Story
Season 6, Episode 2: “Chapter 2”
Directed by Michael Goi
Written by Tim Minear

* For a review of Chapter 1, click here.
* For a review of Chapter 3, click here.
screen-shot-2016-09-22-at-1-56-18-amLast we left Matt and Shelby Miller (Cuba Gooding Jr. & Sarah Paulson in the “dramatic reenactment“; AndrĂ© Holland & Lily Rabe in the documentary-style clips), things were bad. Shelby’s lost in the woods, finding a strange torch wielding cult (including Wes Bentley) and a man whose skull has been… partially removed. The strange woman Shelby thought she’d run over chants in the darkness (Kathy Bates), a group of people surround a man having a pigtail nailed to him. Terribly creepy little cuts.
After running and running, Shelby stops a moment. Only to find more madness. “I never thought about what could be in the wilderness, hiding in the dark,” the real Shelby recounts. We see Bates’ character lead a strange ceremony involving a man put up on a cross, a pig’s head stuck on his shoulders. Shelby takes off again until passing out in the middle of the road, where Matt’s sister Lee (Angela Bassett) finds her. Of course it all sounds mad to the police and everyone else. Poor Shelby. God damn. Ultimately she too believes it’s the “mountain men” trying to drive them out of the house.
A very bad, tragic misunderstanding.
screen-shot-2016-09-22-at-1-59-39-amscreen-shot-2016-09-22-at-2-01-50-amWe get to see more about Lee now, she and her ex-husband Mason (Charles Malik Whitfield) exchange their daughter Flora (Saniyya Sidney) for a while. Yeah, that’s a great fucking idea. Bring a little girl into a haunted house, or at the very least a house out in the country being laid siege to by hillbillies. Anyway, things kick off real quick once Lee finds Flora talking to somebody upstairs. Who? Oh, just somebody named Priscilla. Who isn’t there. A ghost? Or something more? Lee does the smart thing and pries a bit. “She said shes tired of all the blood,” Flora responds when questioned about Priscilla and her bonnet. When Lee literally finds one laying around, she gets spooked.
The great thing about any haunted house film or show is that part of everything is the human, psychological drama happening. There’s Lee and her girl, as well as Matt and Shelby, everyone with their own issues, taking things in differently.
That night more pig noises come from outside. Shelby takes action and insists on tracking them down, so Matt tags along. In the dark, out amongst the trees, they get separated. As one would expect from any horror. When they find each other, they come across a large stick figure with a pig’s head on top, roasting in fire; the skin and meat hanging below dripping into the flames. “This was beyond having a cross burned on your lawn. There was something demonic about it.” the real Matt speaks through voice-over.
With a bit more evidence this time, the police reluctantly look into what’s happening around the Miller’s place. Then a phone call comes through to Matt in the night. Except the phone’s disconnected. In the shadows, he finds an apparition: mean nurses tending to an old, frail and sickly woman named Margaret (Irene Roseen). They can’t hear Matt, but he watches on as one of the nurses tells their patient “Youve been warned” before blowing her brains out with a revolver. Now he’s seeing terrifying things, it isn’t only Shelby anymore.screen-shot-2016-09-22-at-2-14-57-amThis incident sets things into a frenzy. The police, as suspected, can’t find anything to backup Matt’s story. He starts questioning the integrity of his brain, literally, after the incident in the city. Problem is the cops are gradually getting less interested in helping, which isn’t all that abnormal by real world standards.
When Mason shows up for Flora, they can’t find her. It used to be a game she played with them. This time, not finding her may have something to do with the house. They find Flora in a crawlspace talking to Priscilla, who disappears quickly. Apparently Flora tried to make a trade: a doll for their lives. Seems Priscilla is homicidal. And it’s not just her. Flora warns her parents: “Theyre going to kill us all. And save me for last.” Fuck. That’s eerie. Dad hauls his daughter off and things aren’t looking any better for Lee as a mother. Especially considering she started drinking afterwards, off the wagon again. She broke a few things. Shelby’s not happy to find knives in the ceiling, although we can guess that probably wasn’t Lee. Those nurses are creeping about, too. In her drunken state Lee sees a lot of things from pigtails to pig heads and it’s one bad hangover she’s headed for in the morning.
There’s a little girl hanging around outside to boot, which sends Matt and Shelby outside. They come to a trap door with a ladder leading below ground a ways; hmm. Inside are a number of things including tapes in a camcorder. On them is a man named Dr. Elias Cunningham (Denis O’Hare). He speaks frantically saying things like “Im not what I am” and generally in distress over “forces that will not let me sleep.” He speaks of the house and its forces wanting to kill him. He further assures the viewer he’s not crazy. Then Cunningham tells us of his book about two nurses – Miranda and Bridget Jane. Oh yes, you guessed which nurses. Twisted bitches. They killed people with specific names to spell out MURDER. Everything got even wilder as it went on turning into one of those epic, insane tales of true crime.screen-shot-2016-09-22-at-2-24-14-amMore craziness to set the Millers off. Peeling away wallpaper, Matt finds the unfinished word MURDE written on the wall. Everything gets more real at this point. They keep on listening to Cunningham’s rambling tape. Doesn’t help any, except to frighten the shit out of them further. Scariest yet is when the tormented doctor heads inside the house with only his camcorder, night vision on, to guide him through the silent hallways. “Show yourself,” he yells to whatever’s in the dark. Before something, someone appears and startles him. And downstairs, a butcher’s knife with blood on it is stuck in the front door.
They just wanted to leave. Not so easy, though. No getting out of that mad house. Everything amps up a notch after Lee shows up with Flora again. When she’s clearly not supposed to have here there. More of that impulsive Lee behaviour already. Her brother tries to talk sense into her. Shelby tries talking the ex-husband down from calling the cops.
But can Mason get there to take his daughter away before anything worse happens? The little girl whom I assume to be Priscilla beckons Flora to come outside, out near the trap door in the field. Then she goes missing. The adults start to search frantically.
In a clearing, Lee finds her daughter’s yellow sweater at the top of a thin, ridiculously tall tree, its trunk looking almost stained with blood. They stand below, not sure what to do next.
And what can they do?screen-shot-2016-09-22-at-2-42-05-amscreen-shot-2016-09-22-at-2-42-58-amVery pumped for “Chapter 3” next week. Some people keep complaining, and I have no idea why. I love the re-enactment stuff, it adds a fun twist to the show. I’m still feeling like there’s going to be an angle to all that. Just like My Amityville Horror had its drama, My Roanoke Nightmare is going to bring something with that faux-documentary posing as a real documentary. Mark my words.
Also, did you catch Lady Gaga in her brief appearance? She shows up a couple times early on. Very unnerving look to her character. Can’t wait for more, of everything!

 

 

 

American Horror Story – My Roanoke Nightmare: “Chapter 1”

FX’s American Horror Story
Season 6, Episode 1: “Chapter 1”
Directed by Bradley Buecker
Written by Brad Falchuk & Ryan Murphy

* For a review of Chapter 2, click here.
screen-shot-2016-09-15-at-1-23-25-amThis year’s theme? My Roanoke Nightmare. Delicious.
We open on a series of talking heads. Almost seems like an Amityville Horror sort of thing, too. My Amityville Horror is a documentary by the man who was a child during the supposed Lutz story, and this seems to mirror its style a bit.
Well, Shelby (Rabe) and Matt (AndrĂ© Holland) are a married couple. They tell us about their relationship, what they do for a living, so on. They talk about the “worst night” of the their lives when Matt is randomly knocked out by some gang of kids. He nearly died because of their foolish brutality. We see Sarah Paulson playing Shelby and Cuba Gooding Jr. as Matt, like reenactments of that night. Sadly, Shelby lost her baby on that evening. After the event they took a trip out into the wilderness: “We werent city folks,” Matt says.
Out in the woods is an old farm house. A massive backwoods mansion. The house is cheap, just like the one the Lutz family fell into buying in Amityville. They snatch it up, now owning a surely haunted house. Shelby knew it from the beginning, in the back of her mind.
screen-shot-2016-09-15-at-1-23-34-amStrange banging in the night already starts Shelby and Matt off on a rough note. Interracial couple, rednecks kicking around. They’ve had troubles before, but were more than willing to fend any trouble off. Nothing’s too great. When Shelby’s home alone it starts raining teeth. TEETH! That’s pretty fucking unsettling. Of course no teeth are left when Matt gets back. To be expected when you live in a haunted Southern mansion. I mean, even the house, the big windows upstairs, the shape, it’s so reminiscent of The Amityville Horror. Not in a bad sense. Dig the homage.
One evening while cooking, home alone, Shelby sees two young women pass in the hallway, staring at her. Nice bit of tension, as she goes to check out where the women went. Finding nothing, only a suspenseful moment or two. Later when she relaxes in the hot tub outside until somebody holds her under. She calls Matt, who gets home quick, and the police, of course. Although the police don’t care much. Lots of paranoia swirling already. The couple aren’t sure anymore what to believe. So I LOVE the cinematography so far this season – the house especially looks ominous even in how the shadows cast over everything, big windows everywhere like eyes, darkness crowding around them.
Living in the house only gets worse, as you’d imagine. Weird noises get Matt out of bed and he finds a mutilated pig on the porch outside. He doesn’t tell his wife, he assumes it was the redneck boys who wanted to buy the house. So like a smart person, he hooks up lots of cameras and a nice security system hooked to his phone. Better yet, he gets his sister Lee (Angela Bassett) to go out there and look after Shelby. Lee was a bad ass cop, whose injury from getting shot on the job led her to taking medication a bit liberally. One day, really lit up on pills, she chased a serial rapist and her addiction was discovered. This got her fired, before wreaking absolute havoc on her personal life; she lost her husband, even her daughter. A sad, human tragedy.

 

 


Nothing changes in the house. Just because a security system’s in place and a former cop is looking after Shelby doesn’t mean whatever inhabits that house is going away. Paranoia runs mad now with another person kicking around. Only makes it easier for Shelby to confuse ghostly apparitions with Lee moving things, walking around, et cetera. An added interest is that Lee is still an addict. She asks Shelby not to drink, though I’m not sure how well that will hold up. On the other side is the fact Lee is also sceptical of her sister-in-law.
Then the house starts working on Lee. A lone wine bottle rolls across the floor at her, so she assumes it’s Lee being a bitch. “Why would you do something like that?” she questions Shelby. Now the accusations fly between the both of them. Meanwhile, Matt gets a text from his automated security: people in hoods carrying torches have headed through the gate up to the house. Oh, my. He tries to call the ladies, but they’re too busy arguing.
Suddenly, Shelby and Lee are interrupted by a videotape playing on the television, the strange noises from the night coming out – then on the tape appears a pig-headed man in the wilderness, squealing and bloody. Like anybody would be, the women are terrified. The hooded people with their torches get inside the house while the pair hide, and Matt rushes from a couple hours away to try getting home. When the ladies finally come out of hiding there are tons of creepy stick figures a la Blair Witch Project hanging about the house. Cops once more do nothing.
screen-shot-2016-09-15-at-1-45-55-amscreen-shot-2016-09-15-at-1-59-43-amWhen Matt is back he watches the video, only getting angrier at the local hillbillies. He still doesn’t want to leave; Shelby takes off in the car thinking only “fight or flight.” On her way she hits somebody in the road (it’s Kathy Bates and she just walks it off). Shelby chases her into the nearby woods and gets lost. She winds up finding more of the stick figures that were hung in the house, which sends her running into a place where the earth below seems to breathe. Deeper in she comes across a man missing some of his scalp and skull, brain exposed. And in the darkness lurks a man holding a torch, among many others holding torches – Wes Bentley’s character. We’ll just have to wait and find out who he is, as well as what happens to Shelby out there.

 

 


I don’t care what any of these other horror sites are saying – they probably won’t continue watching after the first episode of the series, anyways. So fuck ’em. This was a great start to the new series. Fun references, eerie shots and sequences, a bit of character intrigue and gritty development. “Chapter Two” will likely be good fun.

The Walking Dead – Season 6, Episode 16: “Last Day on Earth”

AMC’s The Walking Dead
Season 6, Episode 16: “Last Day on Earth”
Directed by Greg Nicotero
Written by Scott M. Gimple & Matthew Negrete

* For a review of the previous episode, “East” – click here
* For a review of the Season 7 premiere, “The Day Will Come When You Won’t Be” – click hereScreen Shot 2016-04-04 at 1.21.10 AM
So we’ve arrived at the end of Season 6.
Open on Morgan (Lennie James). He comes across a horse in a field. Towards him walks the man who survived Carol (Melissa McBride) previously.
Back at Alexandria, Carl (Chandler Riggs) is getting ready to roll, as Enid (Kately Nacon) doesn’t quite believe in what they’re all doing. Meanwhile, Rick (Andrew Lincoln) is saddling up. Abraham (Michael Cudlitz), Eugene (Josh McDermitt) and Sasha (Sonequa Martin-Green) are going, too. Everyone wants to go, no matter what. Aaron (Ross Marquand) is game, as well. In other news, Father Gabriel (Seth Gilliam) is proving himself a proper savior in his own right. His character development is some of my favourite, honestly, outside of the very main cast.
Out in the woods people are whistling, unseen, and a man runs away, scared. They track him down and beat him. The Saviors? You bet. The tension of this opening, score and all, is impressive. Starts to set up an epic showdown.


On the road in the RV, Rick and crew are heading to Hilltop. Maggie (Lauren Cohan) is having big time pregnancy troubles, and obviously worries. But Rick assures: “Everything weve done, weve done together.” No matter how bad things get he can always at least put a little faith in people, he’s a charming, charismatic leader. Can he save them all from what comes next?
Morgan tends to a wounded Carol. She’s in need of stitches. He wants to help more, though, she isn’t readily allowing any of that. She doesn’t want to go back.
Along the road, Rick and Abraham see The Saviors with the man they’re holding. Uh oh. It’s already starting. Out they go to meet in the middle of nowhere. The Saviors aren’t joking around and make it clear someone’s got to die. Instead, Rick has other ideas. They all slowly back off. For now, things are fine.
For now.


Rick: “You wanna make today your last day on earth?
Savior: “No, but that is a good thing to bring up. Think about it, what if its the last day on earth for you? For someone you love? What if thats true? Maybe  you should be extra nice to those people in that RV because you never knowjust like that. Be kind to each other. Like you said, like it was your last day on earth.”
Rick: “You do the same
Screen Shot 2016-04-04 at 1.23.20 AMScreen Shot 2016-04-04 at 1.23.36 AM
Morgan and Carol are alike, yet still at odds. She has to school him on how things are: we must kill if there are people around us. You don’t get to have people and have a normal life. You either get to be with people and kill, or be on your own and not have your hand forced. She pleads with Morgan to leave. “If you care about anyone theres a price, Morgan, and youre gonna have to pay it,” Carol tells him.
The most tense and unnerving part about what’s happening so far is that we know a big, tragic finale is coming, some way. Right now, they’re building up the happy moments, the emotional bits and pieces. Up until the moment The Saviors appear, once more, in the middle of the road. Always waiting, watching. Now the survivors are preparing to do whatever’s necessary. Very eerie atmosphere, as the group tries to figure out how best to get down the road.
Under his nose, Morgan finds himself deserted. Because Carol is adamant about not going back, she’s sick and tired of the new world and how it is to worry, care, love if another person is involved. I understand, sadly. Can’t be easy for anyone to exist. Aside from trying not to get bitten by zombies you’ve got to worry about all of the rest of ordinary life, too.


Another ways down the road the RV encounters a ton of walkers. They’re chained and left in the middle of the road – “a Red Rover,” as Eugene puts it. They discover things belonging to Daryl (Norman Reedus) and Michonne (Danai Gurira) attached to the zombies. Out of nowhere gunfire explodes at them from the hills. They respond and things get real tense. Luckily, they clear the road and get through. Heading deeper into the belly of the beast.
Rick is already dying with anticipation. Now he knows they’re being led in a particular direction. Worse, Maggie doesn’t seem to be doing too well. Then more trouble on the road – Saviors, everywhere. They’ve got nowhere else to really turn. At every last corner there The Saviors are, waiting for their arrival.
Morgan finds rosary beads in the street. Will there be a showdown between him and the Savior left after Carol’s massacre? Will the man find Carol? I’m terrified to find out. Not a second later does he show up. Carol finds herself at the mercy of this man. He puts one in her arm, planning to watch her die on the pavement.


Again and again we’ve been getting views of someone stuck inside a box, or somethng similar. Likely Michonne and Daryl? Who knows. Glenn? We’ll see.
The hardest part about the Maggie situation, for Rick, is watching another pregnant woman go through the post-apocalypse world. Even worse, she’s having a rough time. Hopefully she’ll last. Too many tragedies have fallen upon their group, and they’re no saints, but they don’t deserve all their hardships.
But for Carol’s part, she wants to die. Done with the world, she hopes to leave. Might come sooner than later, as the man puts yet another shot through her leg. Still, she keeps up her sarcasm under duress. Soon enough Morgan arrives. He shoots the man dead, going against his precious life philosophy. Although, it’s for a good purpose.
Afterwards, some armoured folk come out of the forest. They actually own the horse Morgan rode. The men agree to help them. Is this all it seems? Can’t trust anyone right off the bat.
Screen Shot 2016-04-04 at 1.33.40 AMScreen Shot 2016-04-04 at 1.34.12 AM
Carol: “The world doesnt decide, you decide. You dont get to walk away and get what you want.”


Through the forest stride Rick and his crew. A tree roadblock keeps them from going further, and then they witness the man from the road earlier being hung. He dies brutally in front of them before a fire starts in the roadblock. Such ominous stuff, as the Savior from earlier speaks from behind the slowly building fire, warning of the last days on earth and such. Spooky.
Everybody’s worried, obviously. I would be. At each turn they’ve encountered a literal roadblock. They decide to ditch the RV and head onward. Eugene first gives over a bullet “recipe“, one that will help them in the future. It’s a very goodbye-type moment. Touching. Plus, there’s a better one with Abraham and Eugene, an honest and beautiful moment between two friends. Definitely touches the heart, and scares me about what will happen in the last ten or fifteen minutes.
So Rick and the crew head out with Maggie, leaving the RV in the hands of Eugene. The score even tugs at the heartstrings, more than ever before on the series. It’s real epic sort of stuff. Again, this worries me. A strong setup for brutal tragedies.


In the woods, Rick and the group hear the whistles. It sends them deeper into the forest. Some of the creepiest stuff EVER on the show. When they run out into a massive gang of Saviors, things turn around quickly. The creep factor goes up, so does the pulse. Rick looks devastated already, as Eugene is seen kneeling on the ground nearby.
Welcome to where youre goin‘,” the Savior from earlier greets them all. For the first time in a long time, Rick is in a position of absolute weakness. Totally castrated, effectively. The games are about to begin. Last time Rick was made to get on his knees, he bit out a man’s throat. What will happen this time?
The light inside the box was the others, after all – Daryl, Michonne, Glenn, Rosita (Christian Serratos). The gang is all back together. Lined up for the big entrance. He has arrived – Negan (Jeffrey Dean Morgan) walks out to see them all. He taunts them about “pee pee pants” and other juvenile phrases. Then he chats with Rick. Tides are about to turn, drastically. “You are so gonna regret crossinme in a few minutes,” Negan says plainly to Rick. The law is laid down.


Negan: “You ruled the roost. You built something. You thought you were safe, I get it. But, the word is out: you are not safe. Not even close.”
Screen Shot 2016-04-04 at 1.55.37 AMScreen Shot 2016-04-04 at 2.02.24 AM
In the end, there is punishment. Negan selects himself a victim, introducing everybody to Lucille, his barbed bat, using more juvenile phrases – this time some Eenie Meenie Minie Moe. The whole sequence is so intense you’ll find yourself racing, heart pumping, pulse ready to leap out of your body. The tension is drawn out perfectly.
Only problem is AMC has decided to stick a thumb in the viewer’s eye by not letting us in on who Negan decides to kill. We’re given POV that simply lets us in on the savagery of Negan, the bloody brutality he brings to this world. Not impressed, I must say.


Stay along for the ride. Or don’t. Many say they’ll stop watching because of the ending. Me, I fucking hate it. I do. But I’ll keep watching because I have to know. Although, that being said: Season 7 has to pick up and do some different things, take different routes, figure out a fresh new formula, because after this finale I’m starting to get sick of the predictability of the series. Much as I dig the show there are serious flaws. Here’s to hoping the writers start listening to the roar of fans and switching things up. Maybe that’s what Negan will do overall. We’ll have to wait and find out in October.

Vinyl – Season 1, Episode 7: “The King and I”

HBO’s Vinyl
Season 1, Episode 7: “The King and I”
Directed by Allen Coulter
Written by David Matthews

* For a review of the previous episode, “Cyclone” – click here
* For a review of the next episode, “E.A.B” – click here
COVER
After the literal and titular “Cyclone” of last episode, Richie Finestra (Bobby Canavale) is back!
This episode begins as Richie reads The Farther Reaches of Human Nature by A.H. Maslow. He’s having Cece (Susan Heyward) cart out all the alcohol. He’s “on the wagon” apparently, so everyone else is excited to get the runoff. In the American Century Records boardroom, Zak (Ray Romano), Scott (P.J. Byrne) and Skip (J.C. MacKenzie) are trying to help Richie get things running “lean“, which includes cutting up the company cards and such. They discuss how to trim all the fat, including getting rid of their plane, et cetera. Then up turns Andrea Zito (Annie Parisse). She’s doing her best to keep her end of the ship above water. Nevertheless, Richie’s still having trouble keeping it together. Being sober and dealing with everyday problems, plus ACR’s bullshit, can’t be easy.


On their plane, while they’ve still got it, Richie talks to Zak about Devon (Olivia Wilde). Although, it’s pretty clear that Zak has problems with him. He doesn’t have much sympathy for Richie and his broken marriage. Still pissed about his daughter’s Bat Mitzvah, and Richie showing up stoned, very, very late, and so on. Their issues all come out over the ride. It’s obvious Zak is more than offended, he is genuinely hurt by someone whom he thought was a close, dear friend. A slight discussion about Maury Gold (Paul Ben-Victor) and Corrado Galasso (Armen Garo) comes up. Yet Richie does his best song and dance to let this slide by without much talk. And his addiction, the want for booze, for anything, is certainly clear.
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Zak: “Because youre an infant, Richie. I trust my wife, naked, in bed with Burt Reynolds before I trust you with a hundred grand in cash.”
Richie: “I partly see your point
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In the life of Jamie Vine (Juno Temple), her mother is trying to control her life. But Jamie’s one strong lady, and she’ll do whatever it takes. Meanwhile, Clark Morelle (Jack Quaid) is busy out doing his new duties, getting dogged by a bunch of black employees, which is damn hilarious. He’s trying, anyways. There’ll definitely be more to come out of his little situation.
Zak and Richie get their plane off-loaded, with Lou Meshejian (John Ventimiglia), who’s very happy to have it, lots of plans. But the boys from ACR aren’t feeling so hot, as they’re looking like the ones on the block who can’t get things done right.
At a big lavish party, Richie decides he’s going to try and lift some clients for Lou’s sassy behaviour. He passes by a few people, such as Mama Cass, then Zak introduces him to Gram Parsons (Wesley Tunison), and then there’s Stephen Stills (Brett Schneider) whom Richie already knows. “Pheasant just lands on your shotgun, doesnt it?” Zak quips when a woman feeds Richie pineapple out of nowhere. A little later, we see Crosby, Stills, and Young in the same spot. Awesome little drop in the bucket of the massive universe within Vinyl.
Above all else, Richie realizes the word on ACR is out in the air and he has to do something to change that soon. At the party there’s a bit of talk Zak hears, which prompts him to suggest to Richie they ought to try signing Elvis Presley, whose unhappiness at his label is a hot topic in the rumour mill.


Jamie and Clark bond a little. Turns out, Clark had her job several years ago, now he’s back down in the trenches. “Hustle and moxie,” Jamie suggests as what the ACR heads want in their people. There’s simply something missing in Clark. He fits in, slightly, but he doesn’t push, he doesn’t go for broke on the right things, and above all else he is fairly spineless. Especially after breaking down crying in front of Julie (Max Casella) a couple episodes ago. Still, though, Jamie tries to help him keep his spirits up because she is a good soul. Bringing a bit of marijuana to work might help Clark bond with his new co-workers in receiving.
At a hotel, Zak and Richie meet with legendary Colonel Tom Parker (Gene Jones) – manager of the famed Elvis. The whole thing is like a clandestine meeting, off the books, but it’s whatever it needs to be. They’ll do anything necessary.
In other news, Joe Corso (Bo Dietl) is out doing his thing, throwing money and orders around. “Stop beina cock,” he tells one radio man before shelling out even more money. Even further, Corrado and Maury arrive. Nothing looks too friendly, particularly when it concerns Corrado’s name getting tossed around willy nilly. “Think before you talk,” Maury advises Joe. And just around the corner sits one of the police investigating Rogers’ murder. Hmm.
Waiting around to their deals, Zak and Richie strike up conversation and drinks with a couple pretty ladies. Only problem? The cocaine comes out. Instead of doing it, he skips a bump, tosses one of the women in the pool then jumps in himself. Smart move, Rich. Can he last? Can he turn away from the lure? Only time will tell.
A little bit of Elvis (Shawn Wayne Klush), too. He rocks onstage, as Zak, Richie, the women, and a huge crowd watch on. Zak isn’t impressed for his part, not with the new Elvis Presley. “This isnt Elvis,” shouts a drunk Zak.


Zak (watching Elvis): “This is a tragedy. Fuck JFK, MLK, Vietnamthis, thisI cant. Rock nrolls died tonight.”


In the hotel room, Richie leaves Zak to the two women.
He goes to meet Elvis instead. They have a down to earth chat. Seems they’ve both been reading the same material, re: Maslow. Then Richie gets to talking him up, though, not a hard sell. He merely gives Elvis compliments, genuine ones, and plays on the King’s love of the form of rock n’ roll. It’s a great scene, the whole thing is intense, weird, and well-written. These appearances of people playing music gods since the first episode have been interesting. They don’t come off at all as gimmicks or inorganic. Dig every last one of them. Perhaps Elvis is my favourite thus far. Furthermore, we see the grip the Colonel seemed to have had on Presley, acting almost like an abusive master than a manager.
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Elvis: “I want them to feel the music, yknow, I want them to live in the music. Thats where I live; in the music, man.”


Back at the room, the girls cleaned Richie and Zak out. Big time. Including their safe, the cash inside. Looks like Zak fucked them even worse than anything he perceived Richie’s done. Well, at least it’s on par. For all his faults, Richie mostly drained their wallets with his coke habit, which is no more. Now it’s Zak making things into a mess: “I wanna die,” he weeps to Richie. “Everyone fucks up, okay?” he reassures in reply. Through thick and thin, these guys.
Or is that the case? We skip back a little. All the number 18 moments hit Richie. So he went to the room as Zak got his three-way on, and he took the money downstairs: all on 18 at the craps table, over and over, loss after loss. So on the plane home, he naturally has a drink. So much for being off the wagon. Then, the symbol of the two travel bottles of vodka leave stains on his book from earlier, as if the inescapable nature of his addiction leaves an imprint on every little aspect of his life; that’s his human nature.


Excited for the next episode. This has been an amazing season, better and better as time wears on. Next up is “E.A.B”, so stay tuned with me!