Tagged The Dog

Fear the Walking Dead – Season 1, Episode 3: “The Dog”

AMC’s Fear the Walking Dead
Season 1, Episode 3
: “The Dog”
Directed by Adam Davidson (Hell on WheelsThe FollowingLow Winter Sun)
Written by Jack LoGiudice (Sons of AnarchyThe Walking Dead)

* For a review of the next episode, “Not Fade Away” – click here
* For a review of the previous episode “So Close, Yet So Far” – click here
Screen Shot 2015-09-14 at 10.05.51 PMAt the beginning of the latest episode, “The Dog”, we see the big family still divided across the city.
While Travis Manawa (Cliff Curtis), his son Chris (Lorenzo James Henrie), his ex-wife Liza Ortiz (Elizabeth Rodriguez), and the Salazars – Ofelia (Mercedes Mason), Daniel (Rubén Blades), and Griselda (Patricia Reyes Spíndola) – are all holed up in the little barber shop owned by Daniel, a riot is going down fiercely in the streets. After a few minutes they’re forced out of the shop and into the street, as a fire next door begins to make the wall literally bubble.
Not just riots are happening; the apocalypse is nigh!
Chris witnesses a person zombified, biting into the neck of another person; in fact, they’re police officers, most likely SWAT Team members. The whole city of Los Angeles, at least that area anyways, looks to be in total panic mode, full-on mayhem.
Screen Shot 2015-09-14 at 10.06.34 PMMeanwhile, back at home, safe and sound, Madison Clark (Kim Dickens) is taking care of her junkie son Nick (Frank Dillane). The two of them, plus Madison’s daughter Alicia (Alycia Debnam-Carey), play a board game.
Great juxtaposition of the two family units, each in their own space – one fighting to survive in the streets, the other in a nice, quaint little living room playing a board game. I also feel like there’s a larger statement in this segment. For instance, the Clarks are all white, and then there’s Travis, his ex-wife, and the Salazars who are all of different ethnicities. While the white people are all cozy in their houses, it’s everyone else left in the streets – at the mercy of police and zombies. I don’t know, perhaps I’m making a mountain out of a molehill, or a pile of lint, but I honestly think there’s a bit of George A. Romero political zombietary dropped in amongst it all. That’s the great part about art in any form: we’re all able to draw out what we want from the themes and events within it. I’m probably way off base from the writing, it’s still fun to theorize.
Screen Shot 2015-09-14 at 10.09.23 PMAn amazing sequence is in this first 10-12 minutes. When Travis leads his group out of the downtown area riots in the truck. The way it’s filmed is heavy, man. The score, the shots themselves, they all amount to a feeling of great unease. Travis and his son Chris look out the window of their truck, as the Salazars and Liza sit in the pan: chaos is erupting, the hospital is overrun with police and at least ONE zombie – no doubt lots more – and an excellent slow motion shot sees an officer running with an automatic rifle in hand. There’s just a real sense of gravitas to everything happening. Even Travis knows it’s more than simply riots; we, the audience, know far more. So in both ways this scene cuts deep, in an immediate sense because we’re watching society begin to breakdown as the zombie outbreak begins so quickly.
Furthermore, once they get out of the populated area up on this hill, Travis and Chris watch through the truck’s windows and we can see in the reflection of the glass city lights are beginning to shut down, one section at a time, Los Angeles descending into a soon to be perpetual darkness.
Screen Shot 2015-09-14 at 10.10.46 PMOnce Travis and his group arrive back to find Madison and the kids, there’s trouble.
A zombified neighbour wanders into the Clark house, killing and eating the family dog. Out looking for a shotgun at another neighbour’s house, Madison isn’t able to warn Travis before he heads inside. ZOMBIE ATTACK! Finally we’re seeing another zombie on human sequence. This time it’s more intense than Madison’s encounter with her co-worker.
Daniel Salazar intervenes on Travis’ behalf by shotgunning the zombie neighbour in the face. SUCH GNARLY EFFECTS! The first shotgun blast is savage. Then Daniel takes another pop shot and the head goes BAM; nevermore. Really wild makeup effects which I loved.
Screen Shot 2015-09-14 at 10.12.26 PM Screen Shot 2015-09-14 at 10.12.43 PM Screen Shot 2015-09-14 at 10.12.49 PM Screen Shot 2015-09-14 at 10.12.56 PMThere’s some family drama happening with everyone now housed temporarily under the Clark roof. First it starts with Chris trying to help Alicia, but getting a hard elbow in the nose. This puts Chris and his father in a room together for a few moments, as they talk a little about the infection; mostly, Travis tries to reassure his son that everything will be all right. Moreover, Travis has obviously got things a bit rough with two wives in one place, which – regardless of the circumstances it being the end of the world outside and all – cannot be easy, it’s obviously a wound still partly open for some of them.
The Salazars are also at odds. Daniel doesn’t want to be in someone else’s debt at a time such as it is in Los Angeles. But clearly it’s also not a time to be alone, cast away from society or people of any kind. Everybody needs somebody (some time). The Salazar women feel a little differently, however, I get the impression Daniel is only looking out for his loved ones; he strikes me as a very family centric man and he’s not about to make anything worse than it is for his own family by siding with the wrong people. I’m sure as time goes by, he and Travis might find a bit of common ground, a mutual understanding on which they might stand together. Eventually.
Screen Shot 2015-09-14 at 10.14.07 PMDaniel and Travis still have a way to go. The old guy is only trying to keep everyone safe, but Travis has a problem with Daniel showing Chris how to use a shotgun. Mainly, I think ol’ Mr. Salazar is a realist. He knows something is wrong, he’s seen some things in his life, and the guy just wants to be prepared; he wants, needs, everyone else to do the same. It’s telling when he sees Travis and Madison at the fence – Travis talks Madison out of killing her zombie neighbour-friend Susan Tran (Cici Lau), Daniel only says to himself “Weak” as they walk away. So it’s obvious he has got the realism hat on while others are having a harder time adjusting.
Even further than that, the Salazars opt not to go with the Clark-Manawa-Ortiz brigade, as Daniel tells his daughter “good people are the first to die“.
Screen Shot 2015-09-14 at 10.13.11 PM Screen Shot 2015-09-14 at 10.13.57 PMThe most intense sequence of “The Dog”, though, has got to be when Patrick Tran (Jim Lau) comes home to his wife Susan. Just as he’s about to grab her in a hug, as she shuffles zombi-ly towards her husband, some National Guardsmen blow a little hole right through dead Susan’s head. I thought for sure there’d be a big zombie chase sequence or simply a blood and gore fest maybe, with a couple deaths. Instead, “The Dog” sets up the next episode with the National Guard moving in on the whole neighbourhood and, at least for the time being, the Clarks, Salazars, and the Manawa-Ortiz clan are safe. Or are they? Who knows exactly what will happen.
As Travis says “It’s gonna get better now” and the episode fades out with a slightly optimistic yet haunting score overtop, it’s hard to tell exactly how things will go immediately. Of course, we know how they’ll start to go on down the line.
But just before the cut to black happens, Daniel says to his wife, while watching the National Guard move through a house next door: “It’s already too late
Very foreboding finish!
Screen Shot 2015-09-14 at 10.14.30 PMCan’t wait for the next episode, “Not Fade Away”. People keep saying the shows is boring, but it isn’t to me. Others expected full-on mayhem and madness. It’s not that type of series! Not yet anyways. The world of Robert Kirkman, Tony Moore, Charlie Adlard, and yes Dave Erickson, has sprung to life in a new, unexpected way in this series which leads us into where original show The Walking Dead has already taken us. So for those who don’t enjoy, here’s a tip: stop watching. The series will do just fine without you.
Screen Shot 2015-09-14 at 10.14.58 PMFor the rest, stay tuned! I’ll be back again next week with another review. Hope to see more and more craziness, now with the National Guard in the mix and the government bearing down on Los Angeles I know there’s going to be something intense and exciting happening in “Not Fade Away”. That episode, by the way, is directed by Kari Skogland whose television work includes Vikings, a 6th season episode of The Walking Dead, the fifth episode of Kurt Sutter’s new series The Bastard Executioner, The KillingThe BorgiasBoardwalk Empire; Skogland’s film credits include the excellent Fifty Dead Men Walking and an adaptation of Margaret Laurence’s The Stone Angel, among others. Looking forward to her at the helm of this next episode, should be fun.

Fear the Walking Dead – Season 1, Episode 2: “So Close, Yet So Far”

AMC’s Fear the Walking Dead
Season 1, Episode
2: “So Close, Yet So Far”
Directed by Adam Davidson (Hell on WheelsThe FollowingLow Winter Sun)
Written by Marco Ramirez (Sons of AnarchyOrange is the New BlackDa Vinci’s DemonsDaredevil)

* For a review of the next episode, “The Dog” – click here
* For a review of the Pilot episode – click here
IMG_1827This second episode begins directly after the Pilot. Madison Clark (Kim Dickens) and her boyfriend Travis Manawa (Cliff Curtis), along with her son Nick (Frank Dillane), are speeding away in the truck after seeing the beginning of an epidemic; what we know is the zombie apocalypse.
Worst part is, Alicia Clark (Alycia Debnam-Carey) went to check on her boyfriend Matt (Maestro Harrell) who stood her up previously. He’s sick, running a massive fever, so something is certainly not right.
When Travis checks on him, Matt seems to have a bite in his shoulder. Though when they saw Calvin (Keith Powers) turn into a zombie in the finale of the Pilot he’d been shot, there’s still something suspicious about it. Alicia doesn’t want to leave Matt, but he begs her to leave because he loves her.
IMG_1828I knew it would happen – in this episode, we’re beginning to see everything go to hell, as well as the fact Nick is going to go through severe withdrawals. No more heroin. He’s on the couch sweating, rolling around, he’s hot then freezing cold. Worst time ever for it to happen, however, he’s lucky enough to have a tough mother like Madison by his side.
IMG_1831Here we’re also seeing lots of him and his sister Alicia together. She is clearly resentful of her junkie brother, whose addiction has obviously affected the whole family and her in particular. I can see how him being an addict, as well as having a completely understanding mother such as Madison, would take most of the attention up. Not saying Alicia is selfish, not whatsoever, but she’s felt the effects of the strained family dynamic due to Nick’s seemingly constant battle with addiction. There’ll be more of this to come up, as the zombie apocalypse takes hold more and more. I’m interested to see how the whole mixed family situations between Madison and Travis will work as things get tense with the zombies rising up.
IMG_1830At the same time, Travis’ own son Chris (Lorenzo James Henrie) is out in the middle of the streets where things seem to be already rapidly breaking down into chaos; police officers are in the streets, paramedics everywhere. Someone was taken down by police in a ton of bullets. True to the modern day we live in, people were of course down there protesting about what happened. Chris moves in with his video camera and a bit of trouble starts, as the crowd supports him and the police officer at the crime scene tells him to shut off the camera.
Travis heads out to find him. Bad idea? Sure, but you don’t realistically think a man would leave his son out there in the midst of everything, who knows where, if he knew some epidemic was on the verge of happening, do you? Not at all. So off Travis goes.
Madison heads out on an expedition of her own to the school to try and find some drugs in order to keep Nick from going cold turkey. There, in an otherwise deserted building, she meets Tobias (Lincoln A. Castellanos) who is looking for the items Madison confiscated in the last episode. He’s stocking up on food and other things, understanding what’s coming, while Madison is a little more apprehensive to give in and accept an apocalypse is about to rain down on them.
IMG_1832We get the first real personal zombie attack in this episode, in the sense that Madison watches her colleague at the school Art Costa (Scott Lawrence) attack her and Tobias. They both end up keeping him off and Madison has to bash ole Artie’s brains in to keep him from coming. Vicious and we’re also seeing how this is truly the beginning: can’t easily bash a person’s head open when they’ve only recently turned into a zombie. That’s part of why I’m interested in Fear the Walking Dead, we’re getting to see all these situations from the beginning; things we already know like how easy or not it is to kill zombies change. Fun!

One thing I’m sure many noticed but I need to mention before moving on.
Travis notices a police officer at a gas station stocking up on cases of water, loading them into the back of his cruiser. This is a highly intense moment because, as I see it, Travis realizes there’s something officially wrong. Not only that, it seems perhaps the police (and no doubt other higher-ups on the social chain) are being made aware of how serious the situation actually is, as most of the people on the streets of Los Angeles and in their homes have no idea exactly what is commencing. I think the look in Travis’ eyes says it all: pure fear. He understands there’s a terrible epidemic about to rock their city, possibly more than just L.A, and constantly throughout the episode we can see this over and over, that look on his face as he watches things fall apart around him.
IMG_1829That’s the scariest part of the zombie apocalypse scenario for me, that the government and law enforcement would take care of themselves first, then whoever else they could spare the room for afterwards. Even further, I’m terrified they would specifically quarantine and blast zones out to rid it of the infection, or that they’d systematically murder citizens in order to wipe it out hopefully. Part of that is what drives the tension in this scene.

Travis meets up with his ex-wife Liza Ortis (Elizabeth Rodriguez), who is less than thrilled to see him. But he warns her of what may be on the rise. When they go to the protest where their son Chris is filming, Liza sees the man who was shot by the police, then witnesses men in Hazmat suits exiting a vehicle; promptly this makes her revise any ideas about going against her husband. From there, anarchy starts to break out like wildfire amongst the crowds, as another zombie shows up behind the police and a SWAT Team marches in on the people. Travis and his family manage to hole up in a barber shop with Daniel Salazar (Rubén Blades), his wife Griselda (Patricia Reyes Spíndola), and their daughter Ofelia (Mercedes Mason). This is a bit of a tenuous situation, though, the Salazars seem to be good people.
Outside of the barber shop fires and riots have erupted in full force already. As Tobias says to Madison at one point, when the end of civilization comes it comes quick. That’s exactly what’s begun to happen in “So Close, Yet So Far”.
IMG_1833 IMG_1834The finale of the episode starts showing us how the virus is spreading. Already, out in the Clark neighbourhood, zombies are wandering and beginning to attack. As one of the neighbours is attacked by another neighbour, Alicia tries to go intervene but her mother stops her. It seems Madison is starting to heed the warnings of young Tobias, who as kids are these days is prepared for a possible apocalypse, or at least wants to be prepared and is willing to accept things might be collapsing.
What’s most telling here is the way Madison shuts the door and she sort of leans back against it, a close-up lingering on her face as she doesn’t want to have to stop her daughter from helping another person – however, this is the new world they’ll be living in. She accepts it partly and by closing the door she’s ushering in a new law of acceptance in her own home, in her mind and heart, that civilization is collapsing and doing so like they’re skiing down a collective slope into oblivion, picking up speed.
IMG_1835 IMG_1836 IMG_1837I’m happy with how the show is starting. Naturally we’re not directly in the midst of everything, it’s the actual start. So things in this episode have actually begun to devolve. Anticipating the third to have a bit of intense violence and zombie madness. There’s a slow burn aspect to these first two episodes that I’m enjoying. Surely there are people who’ve had their share of problems. Me, I don’t see anything to complain about.
Another part of what I like is that it’s not completely copying The Walking Dead. Even the aesthetic is proving different. One thing I noticed watching “So Close, Yet So Far” is the music. LOVING the score! It has a similar edge at times, yet totally different. An interesting electronic vibe going on throughout this episode. Paul Haslinger has been doing the music for this season of Fear the Walking Dead, he’s also scoring the AMC series Halt and Catch Fire. Other films he’s done I’m not overly keen on, so I’m glad to be hearing some work of his that’s pretty awesome so far. Great score helps a horror film/show in an enormous way.
IMG_1838 IMG_1839Dig this episode a good deal. Looking forward to the next one titled “The Dog” which is again directed by Adam Davidson. I’m enjoying that he’s directed the initial three episodes of this show because it offers a bit of continuity. Would’ve obviously been better to have one person direct the whole six episode season, however, it’s still awesome to have him start the season off with three solid episodes. Sets things up nicely moving along.
Stay tuned for next week, Deadites!