SundanceTV’s Hap and Leonard
Season 1, Episode 3: “The Dive”
Directed by Nick Gomez
Written by E.L. Katz

* For a review of the previous episode, “The Bottoms” – click here
* For a review of the next episode, “Trudy” – click here
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A new chapter in the stories of Hap Collins (James Purefoy) and Leonard Pine (Michael K. Williams).
After “The Bottoms”, we now find Hap and Trudy Fawst (Christina Hendricks) still laying next to the water. A flashback shows us when Hap was getting served papers for dodging the draft. Cut to Howard (Bill Sage), Chub (Jeff Pope) and Paco (Neil Sandilands) discovering them laying there together. When Hap finally comes to things aren’t too awkward.
Meanwhile, Leonard wakes up after a night with his man, who’s busy making breakfast for them both. I fucking love Leonard. He loves hot sauce as much as I do.


Leonard: “Yeah I like spice. Cant taste unless it lights my ass on fire.”


Part of why I love Hap in particular is because he doesn’t buy into the 1960s hippy bullshit. Not after taking it hard for believing in all of that stuff when Vietnam was calling. But still, he is a rebel. Despite not digging on the peace and love and “fighting against the man“-type stuff, Hap is on the other side. He’s just a part of the middle class. He’s not, as Karl Marx might say, part of the lumpenproletariat such as somebody like Howard. Hap is all proletariat. He and Leonard come together so perfectly because of their similar situations in life, despite race. Yet Hap’s love for Trudy buys him into the current plan.
Great little conversation between Leonard and his boyfriend Raoul (Enrique Murciano). The latter talks a bit about hoping George Bush will be better than “that actor” Reagan. Even though Leonard believes him to have been a “damn good” one. Joe Lansdale’s writing shows here with the portrayal of Leonard, as the adaptation gives us a great look into the normal life of a gay couple at home. It isn’t pigeonholed and cliched. It’s simply two dudes, in love, conflicted, and all that stuff.
But it’s Hap and Leonard whose relationship shines through most. For the time being, Leonard isn’t sure about the “hippie scavenger hunt” while his partner wants answers soon. “A mull takes as long as a mull takes,” explains Leonard.
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The desperate nature of Hap is always present. Even after a phone call, he checks the money slot in case of quarters. The reality of a character is always interesting, and Hap is real. He’s a broke, and broken in senses, type of a man. Always struggling to stay afloat, like so many of us (myself including). Part of that is honourable because he makes it work, no matter the odds. Part of that also leads him down the garden path. Right now he’s following Trudy down a path Howard is breaking in. Who knows where that’s headed.
A song on the radio takes Hap back through time. We get glimpses of Hap with Trudy. “Aint a time machine, Hap,” says Leonard, warning of nostalgia. Then they have a hilarious little moment over the radio. Their comedic charm together is unreal, leaves me insatiable because they feel like such good friends.
Soon we follow a woman home from the gas station where Hap and Leonard stopped. She arrives home to find her door open, blaming it on herself. Uh oh. We know where this is headed, right? She comes across Soldier (Jimmi Simpson) and Angel (Pollyanna McIntosh) and this ends terribly; for her. These two are wildly psychopathic.


On the river, Hap and Leonard get things ready for their adventure. They set up some gator bait, as Leonard goes diving. What a wild time. “The world dont run on fairy dust,” says Leonard, as they talk about the plans of Howard and his gang of hippies.
Below the water Hap comes across some human remains, including a mask; the damn car! Then in a bit of excited fright he gets stuck. When Leonard spots a gator in the water things get tense. Meanwhile, Hap dreams of Trudy, back before he went to jail, her promises, her talk of how noble it is to do what he’s done, what he’ll do. Luckily Leonard hauls Hap out of the water and to safety.
News of the woman murdered earlier hits the news. But nobody worries, because for now Angel and Soldier do their nefarious deeds unbeknownst to Paco, who they’re apparently headed towards.
Back to the lake with gear goes the Scooby Gang along with Hap and Leonard. The two pals head under the water once again, together this time and using lots more equipment. But up above some law enforcement patrols the river, putting everyone in lock down briefly, as Howard and the others lay low. Regardless, Hap and Leonard scoop up the contents of the sunken car, and everyone leaves in high spirits. Only on the road home they find police waiting. All because of Prescott Jones (Jay Potter). So the gang recedes into the night instead of crashing at Howard’s place.


At Leonard’s house, they check out the findings from the river. Drinks and weed are broken out. A celebration. Some Nila cookies. “Crack a window,” Leonard shouts: “Smell like Woodstock in here.” Everyone has a good time, though, Leonard isn’t all that thrilled about hosting the get-together. His whiskey’s being drank, his table needs protection from the old mud caked cases from the car. Love the idiosyncrasies of his personality.
And just as much we get the personality of Hap, especially in this episode. The bits of his past come amazingly subtle with the short cuts to those flashbacks, as he goes in to jail sporting an American flag dress shirt they painted up and everything. The acting of Purefoy allows those memories to resonate in the moments we watch him in the current timeline while he connects with Trudy again. Their connection’s marred by his inability to connect with the ideology she’s about nowadays, and has always been. He’s changed, she hasn’t, and that doesn’t allow him what he wants: “I just want to be with you,” Hap tells Trudy. Not enough for her, apparently.
In the kitchen, Howard and Paco discover one of the cases of money is rotten. All the bills, or most of them, soaked and moldy. Then Hap and Leonard find themselves on the end of guns – Chub, Howard, and Paco are taking all the money left. That’s their decision now after doing little to no work. I knew something had to happen.


What’ll come next in the wild tales of Hap and Leonard? Find out wtih me next in the episode titled “Trudy”, which hopefully will give us more on the lady herself. Surely there’s going to be excitement either way. And hopefully, finally, Soldier and Angel will meet the gang.

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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