AMC’s Preacher
Season 1, Episode 8: “El Valero”
Directed by Kate Dennis
Written by Olivia Dufault

* For a review of the previous episode, “He Gone” – click here
* For a review of the next episode, “Finish the Song” – click here
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In a ski lift heading up a mountain, the Quincannon family drop off the wire and to their certain death. Odin (Jackie Earle Haley) sits in his office with crates in front of him. Is this his family? He looks dishevelled and worn out.
Simultaneously we hear him talking to John Custer (Nathan Darrow), as we switch to Odin covered in blood, organs in his hands; either his daughter’s organs, or the dead cow’s next to him. In those boxes are his family, indeed. He’s looking for proof of God, though Custer will not denounce his faith. Outside waits a young Jesse, catching a slight glimpse of the horror inside before leaving with his father.
Whoa. Preacher steps up the game with this one.
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At the church in present day, Odin finds his guys aren’t having much luck infiltrating the church of Jesse Custer (Dominic Cooper). Speaking of the preacher, he’s inside drinking, brandishing guns and speaking with God. Or at least speaking at him.
When he makes a deal not to use his powers again, he manages to lift Eugene (Ian Colletti) right up from out of the earth beneath the floorboards. He’s back! Poor dude has been places. He’s alive, though. When they talk, Eugene says that hell was pretty “crowded.” Not surprising.
Outside Odin and his gang are frothing at the mouth. Inside, the preacher doesn’t sweat it. He’s busy trying to lay bare his ego, though I’m not so sure if that’s going to last. Either way he admits, for the time being, Eugene was right about God being the only one to judge him re: Tracy Loach. In this moment Jesse has clarity. He knows that DeBlanc (Anatol Yusef) and Fiore (Tom Brooke) were right to come take the power from him. But then we start to see that Eugene isn’t just thirsty because he’s been in hell for a little. He’s FROM hell. An apparition of Jesse’s guilty mind.


The ever fun Tulip O’Hare (Ruth Negga) is on the look for a dog. She finds one named Brewsky. Perfect. At the same time, Emily (Lucy Griffiths) is experiencing a slight crisis. She’s also got Mayor Miles Person (Ricky Mabe) sniffing around, as usual. Plus he drops the bombshell about Jesse supposedly giving up his church to Quincannon. Man, is Miles ever a creepy dude. Sure he helps out around the house, but that’s not exactly his place.
Donnie (Derek Wilson) leads the charge for Odin’s men on the church. They head in, weapons ready and bulldozer going hard. Except Jesse can shoot a rifle like nobody’s business, as well as tosses a few molotov cocktails. When Odin thinks the preacher won’t hurt anybody he’s swiftly proven wrong: one of the boys, Clive, had his dick shot “clean off” by the renegade Custer. Oh shit. Is this Custer’s last stand? Too on the nose.
Jesse asks for the agents – our heavenly hitmen. They go to see him with all their equipment in tow, as Sheriff Hugo Root (W. Earl Brown) stands out with Quincannon, wondering about his kid inside. He also doesn’t like that Odin is trying to tear down the church. We know, from that vicious opener, he is not a religious man. Not for a long time.
Everyone’s worried about Jesse and his mental state. He still sees Eugene. Although Fiore lets sleep there is actually a way to bring a person back from hell, which DeBlanc doesn’t seem too pleased about. Outside, Mayor Miles talks a good game about Quincannon and his plans to Emily, conning her in. He’s got blood on his hands, literally, so I wouldn’t trust him. That’s for sure.
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DeBlanc and Fiore plan to use their little tune to draw out Genesis. For his part, Jesse wonders why he was chosen. Why he didn’t explode like the others. “No one understands Gods plans at first,” Jesse wonders to them aloud, trying to hold onto Genesis awhile longer. “And what good have you done with it?” questions DeBlanc. Good point, dude.
Just about the whole of Annville is waiting outside to see the show at the church. They’re all hoping for more shooting. Y’know, yeehaw! Fitting that Donnie is dressed in his Civil War reenactment costume. Looking like an asshole. Then he heads over to his car, puts his head in the trunk, then places a gun inside before pulling the trigger.
It seems like Genesis has been pulled from out of Jesse. With DeBlanc and Fiore heading off, not planning on helping with Eugene, or not so concerned really, Jesse is not playing nice. Not to mention Genesis isn’t done with the preacher. It’s found a home, even blowing the can apart. Then they’ve given up. What’s the next step, though? Is there a more extreme measure DeBlanc and Fiore will take now that their basic methods aren’t working?
Now a gunfight is raging. Bullets fly through the walls of the church, as jaded Texas residents stand watching; some in awe of the violence, others nearly sexually aroused by the carnage. Jesse holds tough inside, shooting back between swigs of liquor. Then Donnie shows up. Whaaat? Has something taken hold of him? No, he’s popped his ear drums. He can’t be forced to do what it is Jesse (and Genesis) wants him to do.

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Donnie gets the upper hand. Inside the church, Jesse signs over the deed to his father’s land, the church. “The God of Meat” is now a thing, ruling over the tangible and everything genuine. Well, in this comics universe, God does exist. As does the Devil. As does some other intense creation, Genesis. And so all of that logic Odin tries using means nothing. Jesse opts to make a double or nothing deal, of sorts. He says he’s literally going to bring God to Sunday’s next service. If not, he’ll denounce his faith, God, all of it.
And that dog Tulip picked up? I think she’s fed it to Cassidy (Joseph Gilgun).
Sheriff Root takes Jesse off to jail. He’s also still wondering about where his boy has gone with no answers from the preacher, either.
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Down in a dark room, Pappy (Biff Yeager) stops a pressure overload, working in Quincannon’s factory. What exactly’s happening, and where is this leading? Another good bit of mystery.
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Loved this episode. Very different, very cool. Also, we’re seeing the ego of Jesse come out, more and more. Likewise we’re starting to understand the power of Genesis. And all the mystery, the intrigue, it’s so gradual in the right kind of way that I dig the writing so much. Next episode is titled “Finish the Song” – the penultimate Season 1 finisher.

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I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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