Netflix’s Stranger Things
Season 1: “Chapter Four – The Body”
Directed by Shawn Levy
Written by Justin Doble
* For a review of the previous episode, “Chapter Three – Holly, Jolly” – click here
* For a review of the next episode, “Chapter Five – The Flea and the Acrobat” – click here
Chief Jim Hopper (David Harbour) is with Joyce Byers (Winona Ryder) explaining they’ve found the body. Although she is not convinced, whatsoever. “One blink for yes, two for no,” she tells him about their little Christmas light Ouija wall. Only Hopper and her own son Jonathan (Charlie Heaton) think she’s losing grip on reality. He has experience with his own daughter and grief. “This is different,” Joyce makes clear.
Upstairs, Jonathan retreats into the music of his headphones. But Joyce is determined to stand guard with an axe on the couch. Meanwhile the town of Hawkins is reeling, from Karen and Ted Wheeler (Cara Buono/Joe Chrest) to their poor son Mike (Finn Wolfhard) who feels betrayed by Eleven (Millie Bobby Brown). Then she tunes into a frequency on a Walkie Talkie where they hear Will (Noah Schnapp) sing some Clash lyrics.
Somewhere out there, beyond this plane of existence, Will lives. Not in body, but in spirit, in energy.
Mike makes a call to arms for his buddies. First he calls over the Walkie to Lucas (Caleb McLaughlin) who’s mourning in his own way. They need to talk about Will, and Mike says “Screw his funeral.”
There’s some fishy business going on, as Hopper finds out the autopsy on Will was done by someone from the state, as opposed to their own people. As in that’s peculiar. Jonathan and Hopper talk about Joyce’s mental state, though neither of them yet realise the magnitude of what they’re dealing with here. The devastation of a dead child is one thing. The presence of something otherworldly, or supernatural, is another thing altogether. For her part, Joyce doesn’t believe the dead body in the morgue is her son. She refuses to believe he’s gone.
In other news, Nancy (Natalia Dyer) feels strange about her visit to Steve’s (Joe Keery) place the other day looking for Barb. She saw a creep. With no face? Yikes. But Steve is worried about getting busted for a party, showing his true colours to Nancy after all.
The local officers are interviewing Nancy, alongside her mother Karen, about Barb and her whereabouts, the party, her supposedly seeing something – or a man, with no face. The strange thing is that her car is suddenly missing, even though Nancy saw it the other day. Above all else Mrs. Wheeler isn’t happy to hear about her daughter and Steve falling into bed together. And on the opposite side Nancy is deadly worried for her friend Barb. A missing girl is getting wrapped up in typical family-teenager drama.
Hopper’s still worried about the autopsy situation, the strangeness up around the Dept. of Energy. He’s nearing closer and closer to finding out big things, I can feel it.
At the school, Mr. Clarke (Randall P. Havens) runs into Eleven – a.k.a Eleanor – and the boys. They explain her away as a Swedish second-cousin. Luckily, they also get the keys for the Audio Visual Room. Score.
When Nancy pieces together Jonathan’s torn photograph of Barb, she sees something else other than her friend. She sees a strange entity of some kind behind her.
Across a bar Hopper cosies up to a patron, buying drinks and reeling off fake stories about his daughter. It’s the State Trooper who found Will’s corpse. Hopper begins to crack at the guy, hoping to figure out what happened with the handover of the body to the government. He gets a bit of information. The Trooper reveals he wasn’t supposed to let anyone near the body. Why? Infectious? Definitely dangerous.
At home, Joyce blasts The Clash and hopes her son will talk to her again via the lights. At school, the boys get Eleven in to the AV room, though she starts having more flashes back to Brenner, the little room, electrodes on her head. We see more of the MK-Ultra element, a bit of astral projection of sorts, as Eleven is tasked with finding a man, listening to him. In the AV room, the boys hear strange noises over the ham radio, as Joyce hears similar ones in her house, through the wall. They each hear the same sounds, but there’s no telling where Will is trapped. He calls for his mother. When she tears through the wallpaper, it’s as if Will is stuck in a creepy space that’s “like home but it‘s dark” and looks similar to the belly of some great beast. “I will find you, but you have to run now,” Joyce assures her boy. Yet when she breaks through the wall, there is nothing.
When Jonathan helps Nancy with the picture of Barb, they also bond a little. He’s a people watcher because he would much rather look than interact, as people can be so cruel. Then they see a clearer image of the unsettling entity hovering above Barb, the monster. They become further convinced Will, and Barb, just might be living after all.
In the morgue, Hopper takes things to the next level. He punches his way in to where Will’s corpse lies in a freezer. He cuts into the boy only to discover the body cavity is filled with stuffing. OH. SHIT! WILL IS ALIVE. I REPEAT, WILL IS ACTUALLY ALIVE. FOR REAL.
In the middle of the night, Lonnie (Ross Partridge) shows up to find his wife distraught, not knowing where to turn. And Hopper, well, he’s got his eyes set on the U.S. Dept. of Energy, wire cutter in hand and ready to break in.
Wow. What a whopping episode. Intense, emotional at times, always full of intrigue. The next episode is “Chapter Five – The Flea and the Acrobat” and I’m sure you’re all as excited as I am. Personally, I want to binge. But I’m savouring the episodes, hard as that is to do.