A woman once named Jane now goes by Offred, living under the rule of an authoritarian, patriarchal nation-state ruled with an iron fist.
Harp faces the noose. Can he escape?
Season 1, Episode 9: “The Well-Tempered Clavier”
Directed by Michelle MacLaren
Written by Dan Dietz & Kath Lingenfelter
* For a review of the previous episode, “Trace Decay” – click here
* For a review of the next episode, “The Bicameral Mind” – click here
Maeve Millay (Thandie Newton) – where are you going, where have you been? Right now she’s back out in the lab. Fellow host Bernard Lowe (Jeffrey Wright) checks her out. He tells her about the “unscripted incident” that’s brought her there. Will she start to use her power of influence over Bernie? Oh, I’d love to see that. For now he discovers the changes in her code, finding it rather suspicious. He calls Dr. Ford (Anthony Hopkins) immediately, but Maeve reaches out. She recognises Bernie from somewhere before. And then, she freezes his motor functions stopping him dead. This is when he has to come to grips with the “hideous fiction” of their lives as hosts. What we’re seeing is the beginning of the robots rising up, coming together. Meanwhile, Maeve is headed back to Sweetwater, as Bernie stumbles back into motion confused yet enlightened all the same. Disturbing to watch him go through this whole ordeal.
Logan (Ben Barnes) is in the desert with his captives William (Jimmi Simpson) and Dolores (Evan Rachel Wood). “There are more important things going on here than your war games,” William says. He tries explaining there’s something different about Dolores. And he wants to get her out of the park. But she starts wondering that if the world is so wonderful in reality, why do they die to get into Westworld? Such an amazing and perfect moment. So succinct, on the nose. Now I’m afraid Logan’s planning on killing Dolores.
In the meantime, Bernie goes to see the doctor. Ford is downstairs in the sea of washed up hosts, deactivated in the creepy warehouse. They talk about their relationship, as well as Arnold. What Bernie wants is access to all his memories, to find whether Arnold has another purpose for him, the other hosts. Ford beats around the bush.
Until a lobotomised Clementine (Angela Sarafyan) is brought in to point a gun on the ole doc; she’s been reset and she can actually do damage. Ah, tricky Bernie. Once Ford activates Lowe’s memories, they flood back heavy. He goes from past to present, everything in between. He sees his wife, his sick child, Theresa (Sidse Babett Knudsen). Is he losing his mind? Well, we do see that it was him who grabbed Elsie in the dark. Shit. The devious Dr. Ford and his “uncomfortable decisions.” What a rat bastard.
Out in the desert, Logan taunts William over his wife at home, real life outside Westworld. He mocks William’s feelings for Dolores. Logan decides to give his friend a wake up call. He stabs her in the gut, ripping her flesh open to reveal the robotic insides. This not only sends her into shock, it deals William a devastating blow to the mind. Then Dolores fights back, she grabs a gun and start to fire on Logan and his men.
She takes off into the desert with the voice of Arnold in her head: “Remember.” And suddenly she’s okay, running on into the night.
In other parts, Hector Escaton (Rodrigo Santoro) and his crew bed down for the night when Maeve comes across their camp. She is by far my favourite character, not only bad ass but smart. Maeve is taking upon herself the task of changing the narrative, or trying to at least. She predicts what will happen next, so that when it does Hector understands completely, and then she steps in and blows away the only other person left. “I want you to see exactly what the gods have in store for you.” When she opens the safe the gang stole from Sweetwater, it’s empty. Like everything else in their little world. She’s bringing the other hosts over to her side, showing them the way. Hector starts seeing what’s been right before his eyes but what he’s been programmed not to see the entire time.
Poor Billy, Big Willy style. He’s confronting the hard truths of Westworld. Logan tries to show him how they’ve bonded, discovering things together. About life. About themselves. They share a drink and everything’s fine. Is it, though?
The Man in Black (Ed Harris) and Teddy Flood (James Marsden) are still tied in the desert. Things aren’t looking good. Not at all. Wyatt (Sorin Brouwers) isn’t around – he’s in Escalante, most likely. Where he and Teddy shot down their fellow soldiers in a vicious mutiny. “It was like the devil himself had taken control of me,” Teddy claims. Or is that really the case? Looks more like he was a lawman and he took the place out single handed. Oh, god damn. Plus he gets stabbed in the guts by their captor. A brutal end to Teddy’s current storyline. As for Black, he’s knocked out cold. When he wakes in the morning, he’s left on his own, tied to a horse by the noose on his neck. Precarious, to say the least. That is a Western scene right there if I’ve ever seen one! Black manages to get the knife out of Teddy’s chest in time to cut the rope before the horse hangs him. Afterwards, Charlotte Hale (Tessa Thompson) shows up to have a chat with Black about Theresa’s death, “the game” and all those things. We find out a little more about Black and his involvement in things behind the scenes, his role alongside Charlotte, et cetera.
Stubbs (Luke Hemsworth) gets word about a signal from Elsie Hughes’ tablet from a sector that’s not been worked on for weeks. Very curious. I keep trying to figure out what Stubbs means in all this, because he seems like a genuine character. I’m wondering more and more if he’ll play a bigger role at some point, or if he’ll wind up dispatched by one of the out of control hosts. When he goes to check out the signal from Elsie, a tribe of Natives find him. And he can’t get any of the master controls working to stop them from tackling him.
In the desert, Logan wakes to find a massacre around him. Bodies all over. Arms and legs and appendages everywhere. At the middle is Billy Boy. He’s been having quite the morning. Are we seeing him become The Man in Black here? Is that what’s happening? He’s going full psycho on Logan, wanting to track down Dolores now. Uh oh. Or, is this a bit of red herring served up?
Other memories leak back to Bernard, he goes through a moment where he saw Maeve kill herself in an “empathic response” not usual for hosts. Ford chastises him for thinking of it too much. More memories of the past, then back to the present again. Furthermore, we see Bernie asking Ford about Arnold, as cuts take us back and forth to Dolores searching out the very same man. She finds a town, one she remembers. Ford keeps on telling Bernie about Arnold wanting to actually create consciousness. But all Bernie wants is to “go back to the beginning” of his own memories. Ford returns him to the moment of his son’s death, the “cornerstone” around which his entire host identity is built. In effect, this returns him to a state of normalcy. Tabula rasa. Starting over at the moment of his conception when Ford crafts him in the likeness of Arnold.
On and on Dolores is called out to that familiar church, through its doors, where people sit in a state of mourning, crying and raving to themselves. In a confessional-type booth Dolores sits in a chair which takes her to a lower level. It’s like the dingy basement of an ageing hospital. Corpses lay about all over the place, as if it’s a downgraded version of the lab space they have in Westworld. But out of nowhere, Dolores is in her costume again. She sees hosts in rooms going through narratives. Then, a young Ford appears shouting at Arnold in the distance. She makes it to another basement where it looks like the modern Westworld lab. Dolores goes right back to that moment where she returns to Arnold, as they sit and converse together. Two hosts lost in a cyclone-like narrative, swirling around and around again. Are they able to break free? And who’ll break first? The way this sequence is filmed, with Dolores on her own and Bernard recounting his memories of being ‘born’ as it were, is downright fascinating. Proof that Westworld is dominating in the cinematography and creative areas of the writing together.
And when Dolores comes back from downstairs, to the surface, in walks The Man in Black to horrify her. Down in the Westworld lab Clementine still holds a gun to Ford. For his part, Bernie is piecing it all together. Then he orders Clementine to pull the trigger. Only there’s a “backdoor” built into the hosts, by Bernie himself. Shiiiiiet. Now Lowe is made to put a gun to his head while the doctor leaves him. Just as the true voice of Arnold comes out, for a second.
Ford leaves and we see Bernie in the other room, pulling the trigger.
Holy fuck. This episode was a god damn roller coaster! I can’t get over this series. I love it. Either way, finale is next up and it’s titled “The Bicameral Mind” and I’m way too excited for it, to see how HBO will wow us in the lead up to another hopefully fantastic season.
Declan Harp seeks allies
Lily finds herself all the way in Candle Cove, and Mike needs to get there, worse than ever.
FRONTIER begins with blood, war, and plenty of colonialism.
FOX’s The Exorcist
Season 1, Episode 6: “Star of the Morning”
Directed by Jennifer Phang
Written by Laura Marks
* For a review of Chapter Five, “Through My Most Grievous Fault” – click here
* For a review of Chapter Seven, “Father of Lies” – click here
After the longest break of my god damn life, The Exorcist returns after dropping the bomb that Angela Rance (Geena Davis) is in fact Regan MacNeil. We start on an old television show where young Regan and her mother are being interviewed about the whole Georgetown incident. She doesn’t remember much, though her mother insists she does. “The demon girl” obviously had to do some distancing to get away from her past since that show. I find it fascinating they did this, plot-wise, as the whole thing opens up a lot of great paths the show can take from here. Dig it wholeheartedly.
Chris MacNeil (Sharon Gless) has shown up on the Rances doorstep. She and Kat (Brianne Howey) try to do a little bonding, sort of, while Angela is decidedly unhappy about her mother showing up. Unfortunately there’s the whole cover-up asect to Angela’s marriage, Henry (Alan Ruck), very appropriately, is upset about what his wife has hidden. Can he blame her? She was exorcised, she saw several people die – albeit while possessed – and went through a terrifying ordeal. It’s sad that she couldn’t tell her husband at some point, however, I don’t blame her.
Everyone’s clearly worried for Casey (Hannah Kasulka), who is god knows where and doing who knows what. Right now Henry wants to take his chances with the mother-in-law. All to find his daughter; she’s now on the lam and people are left dead in her wake. I’m even more worried for Angela right now. Her old life is clawing back. She even hears strange noises in her head for just a moment. All the same, Father Marcus (Ben Daniels) feels pissed about not having all the facts before going into Casey’s room. “Possession is like a virus,” he tells the scared mother and makes painfully obvious what the consequences are if they can’t find her daughter in time. “Integration” – the next step – is a permanent destruction of the soul, when the girl’s soul will come inextricably linked to that of the demon. Father Tomas (Alfonso Herrera) feels that his counterpart is a bit harsh. They simply don’t have enough time to piss about.
A press conference is called, the Rances in attendance with famous grandma in tow. They’re the centre of a publicity carnival. But not everyone is so concerned with the Rance family. People were murdered – butchered, and brutally – recently and nobody seems too quick to seek out the answer on that. Meanwhile, we see some of the dastardly, wholesale nastiness of those that killed these victims, using the organs taken for sinister purposes. A woman at the press conference calls out the names of the victims, hoping for justice. Nobody there understands exactly the significance of those murders, not just yet.
The police are curious about Father Marcus, having been arrested after performing the exorcism. They want to shut the whole “possession” story down, so as not to confuse the public. Of course they show Angela and Henry the pictures of what happened during the ambulance ride Casey took. Upstairs, Chris tries to talk with Kat about what happened to her mother, formerly known as Regan. A media circus ensued, partly because Chris needed to keep her career alive. She talks about the Ouija board and “Captain Howdy.” Eerie fucking conversation, to say the least. Kat believes her grandmother is victim blaming a little by attributing it all to Regan not listening about the Ouija being no good, although Chris admits she failed her own daughter ultimately.
Father Bennett (Kurt Egyiawan) and Father Marcus are still getting a bit of help from Cherry and Lester Rego in their quest outside the reaches, and know, of the Church. And in a defiant statement, as per his bad ass usual, Marcus tells Bennett: “I don‘t care about God‘s will.” At the very same time something terribly ungodly calls Angela over the phone, taunting her about Casey. The demon produces a horrific image for the frantic mother. All a dream. Has Pazuzu returned for Regan?
Then there’s Jessica (Mouzam Makkar), she’s left her husband and found herself a new apartment. A place where there’s no “guilt” and no “shame” for neither she, nor Father Tomas. He still resists, even though he loves her. Deeply, too. His faith has been shaken in so many ways at once it’s likely he doesn’t know where to turn.
Poor Henry’s having a lot of trouble. With his recent head injury there are gaps in his memory. He says what held that together is his wife, his family. Most of what hurts him is the fact Angela couldn’t trust him enough to reveal her former life as Regan MacNeil. There are more problems for Angela, as well. She isn’t happy about her mother returning, dragging the media into their home all over again. “You used me,” Angela yells at Chris. Worse than any of that the coroner calls. They may have Casey.
Simultaneously, a report of wild dogs going mad in a neighbourhood prompts Father Tomas to text Marcus, which sets the renegade priest off to check it out.
At the party Maria Walters (Kirsten Fitzgerald) throws for the upcoming papal visit, Father Bennett comes across Dr. John Rexroth (Michael Patrick Thornton), whose talk of angels on Earth draws his attention. Bennett believes what the doctor is actually talking about are demons in our world trying to influence how it works.
At the coroner’s office everyone awaits the news of whether Casey is dead. In go Angela and Henry to make the identification. Gladly, their daughter is still alive. Yet surely in a great deal of existential agony. Finally, Chris and the girl formerly known as Regan embrace. Maybe those wounds can heal. Someday.
The real excitement is in the journey of Father Marcus into the underbelly of the city. He finds a tunnel filled with homeless, possibly possessed individuals. He searches for Casey, calling her name. One woman looks him dead in the eye, repeating: “Stop it, stop it, stop it, stop it.” All around him are the signs of evil at work. Then from nowhere Marcus is attacked. He commands them in the name of Christ, which holds them at bay temporarily. Behind him Casey crawls the walls and the floor doing the spider walk her mother did down the stairs all those years ago.
At the Walters party we come to discover that Dr. Rexroth, Maria herself, one of the priests, among others, are in fact working together in order to complete the vocare pulvere ritual. They even have the little bowl of ashes those killers filled with the ashes of the organs they’d stolen. Wow. I didn’t see this coming, at all. “Star of the morning” is a reference to Lucifer, The Morning Star. Brother Simon (Francis Guinan) leads the ceremony.
All of a sudden, HE IS COMING doesn’t only signal the coming of the Pope. And what’s worse is the fact there are so many influential people at that table, including the police superintendent. “Please take me” everyone around the table declares, as the priest at the table blows ashes into the air. It is in fact the superintendent who receives demonic power from the ashes, and something other takes over his body.
Everyone present looks very, very pleased. A delighted, evil laughter rises from the table. Maria doesn’t look particularly happy; she wanted to be chosen. How sad when the devil passes you over.
On the shore near the tunnel Father Marcus locates Casey feasting on a sea bird. He approaches her, reciting Christian incantation. Before the demon attacks him, trying its best to murder the priest. A perfect place, kinda. Marcus uses the water to in effect baptise Casey, releasing the demon. Then she returns, herself once more.
Except she tells Marcus: “He‘s coming back. Help me.”
This was the best episode yet! Creepiest, nastiest, wildest, most intriguing. So much going on. The preview for Chapter Seven “Father of Lies” looks insane. Seems Pazuzu is back for revenge against the girl able to survive his wrath. Excited to see what’s next.