Posted on

Bates Motel – Season 5, Episode 2: “The Convergence of the Twain”

A&E’s Bates Motel
Season 5, Episode 2: “The Convergence of the Twain”
Directed by Sarah Boyd
Written by Alyson Evans & Steve Kornacki

* For a recap & review of the Season 5 premiere, “Dark Paradise” – click here
* For a recap & review of the next episode, “Bad Blood” – click here
Pic 1Norman (Freddie Highmore) is heading up to the prison. He and Alex Romero (Nestor Carbonell) have things they need to discuss. And that surprises the former sheriff. He isn’t exactly happy to see his former stepson. Especially considering the guy he sent to see Norma was supposed to kill him. Lots of tense mindgames going on right now. And outright threats, too. While Norman gloats, Alex makes clear he isn’t going away.
But on life goes for Mr. Bates. Another day, another act for him to perform.
In other news, Caleb (Kenny Johnson) has left. Emma (Olivia Cooke) tells Dylan (Max Theriot) she talked to him about their worries with him around. “No secrets,” she tells him. Dylan understands. Although he’s rightfully conflicted. He still has his concerns over what happened to Emma’s mother. Whether Norman did something terrible.
And Caleb, he’s back at the motel. Not knowing the truth of what’s happened there since he’s been gone. Nobody is around, so he lets himself inside the house. He quickly sees something isn’t right, the place is messy and generally looks unkempt. He finds no one. He does find a book called The Lost Art of Mummification. Creepy shit, all things considered.
Pic 2In prison, Alex gets into a nasty fight with another inmate. Taking quite the beating. Because his mind is elsewhere. Being locked up is one thing, knowing your former wife – saint or no – was killed by her son is an entirely other beast. And speaking of the beast, Norman is honing his focus on Madeleine Loomis (Isabelle McNally), whom he watches from afar. She actually offers to fix him up with someone she knows. A double date with her and her husband. Although there’s definitely a weird chemistry between them. Then we see that David Davidson is her husband, Sam Loomis (Austin Nichols). Ohhh damn, he knows a little secret, and that could be a thorn in Sam’s side. Yikes!
At home Norma (Vera Farmiga) is learning French online. Might as well keep her mind active, right? Being dead can really take its toll. She senses something, and coaxes out a conversation about Romero. A little later Chick Hogan (Ryan Hurst) turns up knocking at the door with apples. And a business proposition. He’d like Norman to do a bit of taxidermy from time to time, then he’ll help sell the pieces. A partnership is born.
Caleb checks himself into a motel and finds out indirectly that Norma died. That’s rough. Devastating way to discover her supposed suicide.


Sam Loomis goes to see Norman, looking for discretion. He doesn’t wholly get what he wants. Instead, he threatens Norman. God damn, did he ever pick the wrong creepy motel manager to fuck with! As if he could know how insane Norman is, it was like a twist of fate they’ve come across one another.
No matter how unsettling the relationship between Caleb and Norma Louise, there’s still heartbreak seeing him at her grave. I don’t care. I know he’s a terrible person for what he did when they were younger. Regardless, he experiences horrible emotion having to see that Norma died while he ran away elsewhere.
Norman: “Please dont be childish, mother. Its boring.”
Out for his date, Norman plays the part of normal human being, alien amongst people in a skin suit. He asks his date all the right questions, all the while Sam stares him down, wondering if his dirty little secrets will trickle out. The two men are verbally at each other’s throats. Yet Norman is sharper, one step ahead at all times, in every way. Worse than anything mother turns up in the washroom to chastise her boy for lying about the double date dinner. Tsk, tsk, Norman. Of course he isn’t actually lying to her. She’s fucking dead. He’s only lying to himself, which is nothing new.


After getting beat up, Alex is looking to get himself out of prison. Using it as an excuse to say his life is in danger. This would get him out into the free world again. To… take care, of Norman. Like a good stepfather, whose wife the boy murdered and passed off as suicide. So messed up. Not quite as messed up as Norman, though. Who’s interested in Madeleine specifically because she looks like his mother. And that bothers Norma, even though, y’know, they’re technically the same person. So deliciously unhinged.
Seeing him become Norma in his own skin is visually interesting, also a great feat of acting on Freddie Highmore’s part. The way he embodies Norma, moving like her and taking on her mannerisms, et cetera. Amazing work. And the writing is top notch.
Meanwhile, Chick is writing it all down in one of his notebooks. Telling the story of Norman Bates. He also notices, across the bar, Caleb sitting for a drink. That’s a score left to be settled, in a massive way. But Chick knows everything about their family, the darkest of the hidden secrets. That’s a lot with which to be armed. We see that Caleb is more interested in holding Norman responsible for the death of his sister.
He goes to the house and breaks inside. But he finds nobody, again. Aside from the corpse of his dead sister in the basement. All the while Norman is running around dressed as mother. He knocks Caleb out. Right as Chick comes in to witness it all. Whoooa!


I knew this was coming and yet the way the writing manages to weave things it’s all a nice surprise. The addition of Chick as a character in the mix is an interesting one. Excited to see what happens next with him and Norman/Norma.

Advertisements

About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

Tell me what you're thinkin'

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s