After so much time, Norman Bates finally comes home. With Mother.
As Dylan & Emma struggle in the wake of revelations about Norman, former Sheriff Alex Romero heads straight for the station intent on being judge, jury, & executioner.
After Norman confesses & Sheriff Greene takes him into custody, it's up to Mother to get her boy out of a cell & back home.
Norma & Mother must come together closer after his kill at the hotel. At the same time, a body's dragged from the water nearby, which means trouble.
Trying to accept his insanity, Norman battles with his inner Norma, as Marion Crane's arrival at the motel comes with unexpected consequences.
While Norman loses track of mother, Dylan struggles in his new life with Emma because of the Bates family secrets.
Meanwhile, Marion Crane steals a briefcase full of money & heads to her lover Sam Loomis.
A new sheriff in town starts making trouble for Norman & Mother once there's a search for Jim Blackwell. Meanwhile, Romero edges closer & closer to White Pine Bay.
With Uncle Caleb in the basement, Norman has to navigate between Chick & Mother to figure out how best to handle the situation.
Norman goes on a double date, though clearly he has a thing for Madeleine Loomis.
Is this to be a fatal attraction?
Season 1, Episode 10: “Ave Satani”
Directed by Nick Copus
Written by Glen Mazzara
* For a review of the penultimate Season 1 episode, “The Devil You Know” – click here
Disclaimer: I was invited to the Damien Season 1 finale screening in L.A. tonight, which includes a lunch, plus Q&A with Executive Producer Glen Mazzara and star Bradley James. Unfortunately travel/time constraints would not permit me being there. However, the people at FOX were kind enough to send me a personal screener. Something for which I was very grateful.
SO… if you’ve not yet seen this finale, DO NOT KEEP READING! You will be spoiled. Otherwise, if you want to be spoiled, dive on in.
Here we are – the finale of Damien‘s first season. It’s been a great ride, getting better with each chapter. “Ave Satani” is upon us, and with the end of last episode, Damien Thorn (Bradley James) may finally have slipped into full-on Antichrist mode!
We start as Damien leads Simone (Megalyn E.K.) out from the woods. They run up on some big military-style vehicles, men with red dotted sights freeze them in their tracks. Ah, it’s Lyons (Scott Wilson). Of course. Now he’s revealing more of Armitage’s involvement with his supposed future. “You‘ll rule for a long, long time,” he tells Damien. But the young Antichrist is not happy with any of the explanations and the bullshit.
When Lyons orders Simone shot, then Damien taken in, the power of the Antichrist emerges, as he turns the men and their guns on themselves. While Damien and Simone make off, you can see Lyons is very pleased with how things are going. God damn psychotic. This opener assures us, though – Mazzara and the crew have readied us a properly horrific finale.
Ann (Barbara Hershey) and Amani (Omid Abtahi) take the now dead Veronica back. But Amani makes it clear, mother is to blame. While that’s obvious she clearly doesn’t want to hear that. And downstairs, Amani gets ziptied to a chair. Things are definitely breaking down. Lyons arrives and starts to convince Ann they need to begin action. For her part, she seems ready. Because Ann is one hell of a bad ass lady, no matter if she’s a bit evil and freaky.
Poor Sister Greta (Robin Weigert) finds herself in the hands of Lyons and Armitage. No telling what her fate will be. They’ll keep her around, a while. Then, who knows. The rest of her crew meet a terrible end on their knees in the forest.
Ann (to Lyons): “Blood will spill. Hers, yours, mine.”
Meanwhile we’re privy to the terrible creepiness of Damien’s Antichrist presence and how it affects others. When Simone and Damien track down a car, the woman inside confesses her love for him – “It‘s all for you, Damien!” – then tries to kill herself before Simone intervenes. This was honestly one of the most unsettling scenes for me in the whole first season. Just how quickly the sentiment overcame her. Chilling.
Ann comes face to face with Sister Greta, after the awful death of her daughter. She promises the nun a similar end.
Cut to Vatican City – the remaining daggers of Megiddo are packed up and carried off. All sorts of blades and weaponry are likewise packed, and a gang of holy men are off on a mission. Yowzahs! Love this brief moment, really had dark energy. Then there’s Bear McCreary’s eerie score, which only serves to consistently make the atmosphere of this series creepier and creepier.
Out in the woods again at the old trailer where he and Powell used to meet, Damien brings Simone to lay low. Plus, he washes off all that nasty earth and blood from his resurrection the night previous. He even sees a little flash of the old woman from Damascus. All the evil of his life is crowding around him. And that adds more weight to the woman in the car who tried committing suicide, immediately pledging her life to him: it’s as if all those old evils he’d previously experienced, unknowingly the coming of his place as the Antichrist, are coming back around again, now that his eyes are wide open.
The debate about who’s worse rages between Sister Greta and Ann. They’re each hard, tough women. Although, I can’t help but believe they’re equally as stubborn. If in their world both God and the Devil/Antichrist exist, then the label of “cruel Lord” that Ann gives the former is perhaps most relevant. God has been responsible for quite a bit of pain and suffering, under the guise of his supposed plan. At least the Devil revels in what he does. Even after Greta pleads her case passionately, there’s no selling that old chestnut to Ms. Rutledge: “Satan is God,” proclaims Ann, “Long may he reign.”
Now Lyons is interrogating Amani about Damien’s whereabouts. This doesn’t end the best after Amani gets violent, but as Lyons puts things for him there’s no loyalty left that can save Damien. He is becoming something else now.
Doing her best, Simone sticks around with Damien, who insists she go. But she stays, readily admitting she is part of what’s happening. Then Damien says that he killed her sister Kelly, and that the same will only happen to her, as well. Likely true. Still doesn’t make her love, though. She is one tough character. At first I wasn’t a fan of Simone, but over the course of this first season she has truly grown on me. Now she’s really getting good in this finale.
Sister Greta is shown the rest of her people, shot in the head, thrown in a mass grave. Nasty. She and Amani are given the real, brutal view. Lyons tells Amani he must put Greta in the grave, or else – in a roundabout way – he says they’ll kill his mother. HOLY FUCK. That is some hardcore madness right there.
What does the nun have to say? “God‘s will be done,” she sweetly, calmly tells Amani. What follows is a dark, emotionally disturbing moment. That includes Lyons putting Amani down there, too. We finally see how deceptive Lyons is, having completely fooled Amani to the end. Watching the two of them start getting dirt rained down on them is so sad, so brief, it stings.
The Antichrist side of Damien is really breaking through. He is gradually accepting his darkness and his vicious power. Further than that the danger to Simone is getting greater almost by the second. And not far outside lurks the woman from Damascus, coming closer to Damien all the time.
There’s a possible rift between Ann and Lyons now, after he effectively executed Amani. She didn’t want him to die. Most of all Lyons wants to get Damien under his control. He saw a fraction of what could be, and can’t wait to use that terrible power inside the Antichrist to bend the world to the will of Armitage.
AND YES, YES, YES! A hand emerges from the mass grave after it’s all covered up. Not all hope is lost.
Poor Detective Shay (David Meunier) is having a worse time of it, too. He thinks he see his boy on the road, then believes he runs him down. Only to discover it’s the powers of the Antichrist out in the world, the evil, sucking him into the downward spiral. On a side note, Meunier is killing it in this role. Very happy with his performance over this season and I keep wondering what will happen next in his story.
Back to the Vatican City assassins. They’re now in the same city as the Antichrist himself. What will come of this? A wild showdown is coming. Especially considering most everybody is heading for Damien, including Shay, Rutledge, Lyons, all of them, and they’re all converging on that old trailer in the woods.
Then Damien reveals he is headed to Megiddo. He figures all the answers are there, the apparent location of Armageddon. But before he can do anything, all forces rain down on the nearby field, just as Dt. Shay creeps up.
An intense little sequence here before Damien and Simone ends up confronted with Ann and Lyons. “I will kill all of you,” the Antichrist rages at them. He then finds out what Lyons did to his best friend, as Ann lays bare the truth. And of course Lyons finds himself being chased down by a pack of Rotties. Nom nom. All the while, Simone pleads him to stop, and Ann gets aroused.
Then a shocker: trying to shoot Damien, the detective puts a bullet right through Simone’s head. Wow. And just as was saying her character got more interesting to me. MAZZARA, WHY DON’T YOU LET ME HAVE NICE THINGS?
Well this is really setting Damien off. You can feel his heart breaking more. Then the woman from Damascus arrives, Damien pleads to be taken. He speaks in a language we’ve never heard of him, to his ‘father’ and then the forces of evil really start to take hold. Blood from the 666 in his head starts seeping out. It drops onto Simone and breathes life into her again. Whoa. Not only can the Antichrist take life, he can give it, too. Shay watches on and sees the power.
And from the darkness come Damien’s legions, the Antichrist’s followers, his fan club. They’re all there. For him. Kneeling, along with Ann. Even Shay. Towards us, the audience, Damien turns with a knowing, devilish smile subtly across his face.
The Antichrist has risen!This was an exceptional finale. I’m hoping A&E realizes the potential for it to grow, as there are already a dedicated base of fans, particularly online that always seem to be watching, tweeting along with Glen Mazzara and the others live. Personally, I wasn’t sold immediately. The pilot was decent, but I didn’t like the large amount of clips from the original Omen. Then after the second and third episode, I was sold. The whole thing progressed magically, so dark and exciting throughout its first season. And the finale spoke volumes to how wonderfully devious this show can get.
Give Mazzara and Damien another season, A&E! The ratings will get better alongside the quality. Hopefully the finale will pump some decent numbers up. Stick with me and we’ll try to make sure the network knows how much we, the fans, enjoyed this show in its initial season. Here’s to hoping for more Antichrist badness!
I was lucky enough to have been invited by FOX to attend a screening of Damien’s Season 1 finale, “Ave Satani” – sadly, I couldn’t make it to Los Angeles. However, their publicity department sent me a personal finale screener. Incredibly impressed, I got to watch the episode several days before its premiere. Lucky me, right?
Well I only got luckier. Later I received another bit of correspondence asking if any of us critics who were given the screener might want to conduct an interview, either with Executive Producer Glen Mazzara or any of the actors. Naturally, I jumped at the chance to interview Glen specifically. From The Shield (on the top of my list for Best Series Ever; wrote many of my favourite episodes like “The Spread”, “Strays”, & “On Tilt”) onward everything he’s involved in I usually try and seek out. So then a conference call was set. Another unexpected turn; I figured the interview would likely be via e-mail.
And the hits just kept on coming: not only would I get the chance to ask Glen questions, but star of the show Bradley James was also slated to hop on the line with us. Anybody who doesn’t already know Bradley will certainly know him after Damien. He’s already got a built in fan club, though. As if women fawning over him weren’t enough, there’s the fact he played a pre-King Arthur Arthur on BBC One’s The Adventures of Merlin, he turned up in an episode of Homeland, as well as a handful of iZombie episodes.
Seriously, though – I get to talk with these guys?
I’ve never done any interviews for this site before. But my involvement on social media, coupled with the recaps and reviews I do weekly by episode, got me on the line with these two for almost an hour (half hour each). Between myself and a couple other media outlets, we asked Glen and Bradley some questions. Here’s some of their answers.
SPOILER ALERT: This article contains minor and major spoilers in regards to the May 9th season finale of A&E’s Damien. The areas which contain spoilers have further been marked as such.
Immediately, things turned to Season 2, as we’d all seen the finale that day. Glen told us he’s already mapped it out. For those of us curious how the show is put together, you can see Mazzara likes to think ahead. Not only that, he has specific episodes and ideas ready in terms of the the cast and characters, of whom he speaks highly. He made clear it’s enjoyable working with and writing for them. He told us there’s no mindset about not getting renewed either; he’s operating as if they’re full steam ahead. A confident approach as showrunner.
I asked Glen about the initial catalyst for why he felt Damien, as a series, was worth exploring. He told me he wanted to follow Damien as an Antichrist and to take that seriously. As in, Jesus is fully God and fully human, so the Antichrist should be fully human and fully devil. He hoped to explore the humanity of this situation. He likes the struggle of guessing what’s really going on. Mazzara says good horror makes us question: what is real and what is supernatural? It keeps you uncomfortable. Not only that, the human drama of Damien’s situation inflicts itself upon the other characters, which helps fill out the story and other arcs.
Mazzara first approached this series thinking of Jesus Christ – an unknown carpenter in a little backwater town in Galilee. How does that person start such a massive movement and change the world over two thousand years? He began powerless. In a contemporary version of such an ascent Mazzara knew people would expect an evil senator or similar character archetype. But he took aim at the meaning of religion with Damien as a young war photographer, not just some corrupt type of character that would make moves using the power of the Antichrist. Because where’s the fun in that? It wouldn’t provide much depth or development. First and foremost, Mazzara tried a completely different angle. Being raised Catholic and understanding the religion gave Mazzara his material. For him, the show is equal parts horror and religion. He considers his take not a subjective, judgemental view of religious faith, but rather an examination of that faith, what it means to people, and in turn how the opposite of faith in God (i.e. faith in Satan) would operate with that same devotion. And all through a wonderfully horrific lens.
“It’s hard for a messiah to get people to die for them,” Mazzara says. Also a line he hopes to toss in somewhere throughout Season 2.
Being a huge Barbara Hershey fan (all started due to her powerful performance in 1982’s The Entity), I asked Glen if we could look forward to more of her cutting and oddly masochistic behaviour, or at least an explanation (note: for those who don’t remember Ann cut a fresh 666 into her scarred inner thigh during Episode 3 “The Deliverer”). Being the massive horror fan I am, Mazzara is likely a bigger one. This moment comes from 666 on the inner thigh of the priest from the original film, which he revealed to Gregory Peck’s character before dying. Mazzara found it fun to consider possibly the priest was involved in the larger group watching Damien, somehow. Further than that, it ties into the Book of Revelations which states “his followers will be marked” also with the Number of the Beast. So Mazarra tied Ann into that larger conspiracy making her part of that secretive group watching over Damien, suggesting there’s an overarching connection to many of them with this branding. Even further, this also shows the devotion of Ann in a sick, twisted way to really elevate how dedicated to Damien, or better yet whoever The Antichrist would’ve been. The relationship between Ann & Damien, ultimately, is what Mazzara calls “the wicked heart of the show.”
“No one knows exactly how this is gonna come around,” Mazzara tells us re: the coming of the Antichrist. Ann feels there is a progression, but doesn’t know for sure. She’s there to nurture Damien’s potential. Mazzara claims she wants to be “first amongst his worshippers.” Ann is the Mother Mary figure: she loves Damien as a son, but knows he “belongs to history, he belongs to the world.”
Mazzara feels the show “did a good job” on the front of female characters, ones with actual developed stories affecting the plot/story. And that’s true: we start off with Kelly, she’s essentially the catalyst then for Damien really searching his soul, and of course Simone then becomes involved, then there’s Ann, Veronica, and you can’t forget Sister Greta (played by the ever wonderful Robin Weigert). As Mazzara mentions, a “large amount of story [is] driven by those women.” SPOILER AHEAD: This last sentence & following paragraph reveals several fairly major spoilers from the May 9th finale. Please skip ahead before you watch. Even in the finale, John Lyons (Scott Wilson) gets outplayed by Ann, who is a better player in the game than he is, and gets the last laugh, so to speak.
We also discussed further female character strengths, as well as religious connections. During “Ave Satani”, Simone washes Damien’s feet – right in the middle of a manhunt for him. She is a “religious player in this story,” explained Mazzara. She is also a bit of a Christ figure, as well. She is killed, revived, and she doesn’t have any evil side; a “force of good,” Mazzara calls her. In contrast to her, there’s lots of evil in the finale – suicide cops in the opening, nun execution before a mass grave, then two people get buried alive. Simone represents that incredibly opposite good side. She stepped forward to take the bullet for Damien in the end and effectively illustrates her pinnacle of goodness.
Mazzara believes that above all else Simone’s character is about “gaining her voice.” Everyone’s telling her to shut up, essentially. Even in the finale she finds insects flying out of her mouth, choking her. What’s most interesting is that the series starts out with most people expecting Simone to be a disposable character. Only along the line she becomes integral to Damien’s journey.
Warning: Ahead are some significant spoilers concerning the finale, “Ave Satani”, so if you’ve yet to see it please don’t read these next bits, or else be spoiled!
Mazzara confirms that Detective Shay has officially converted. He is now a believer, for better or worse, in the Antichrist after the finale’s events.
In addition, the last shot holds a great significance for the show’s DNA. Mazzara says that the last scene had been sketched out before they even sold the show. He knew at the end of the season Damien had to enter a “Faustian bargain”. Season 1 is Damien coming around, at the end is him essentially “sacrificing himself to commit evil”. Mazzara calls the season structure serpentine, in that it brings you back to the old film throughout the course of the season until in the finale’s final moment we are literally thrust back into 1976’s The Omen.
When asked how he manages to get himself into the dark space required for playing the character of Damien, we receive an honest answer: “I’m maybe not quite as dark and twisted as [certain] scenes would suggest.” However, he went on to tell us that many of the tougher scenes were a “cathartic experience”, which he got through using moments in his own life that he related to Damien’s own struggles. Mostly, he credits the crew for making him feel safe in their atmosphere, so much that he felt very comfortable getting into the skin of the character.
I asked Bradley specifically what the most interesting part about Damien as a character was for him. He said the world weariness of Damien intrigued him, as “a 30-year-old man carrying the pain of someone much older” who has seen so much yet manages to still carry on as a functional human being.
Bradley tells us he didn’t know the full arc of the Damien Thorn character. It wasn’t until shooting Episode 7 or 8 when he read the scripts, and afterwards asked Glen to tell him the “endgame.” Before that, not knowing allowed him “fresh eyes” to tackle the character up until the point where Mazzara laid out his plans.
Then, I ask a troubling question: who is his favourite actor to play off this season?
Most importantly, Bradley loves variety. He tells us how some actors are set in their way before even coming to the scene that day. Therefore, they’re not “alive in the scene at that moment.” In contrast, he went on to say everybody here provided a great atmosphere for a conduit towards their respective chemistry in various scenes. Being amongst a diverse cast, Bradley acknowledges each actor was different, making for good energy and even better scenes.
Morever, Bradley tells us he and Omid Abtahi (who plays Amani) are great friends now after shooting the show together. This helped the natural relationship between Damien and Amani onscreen, as they got closer offscreen.
He also made sure to add he loves Barbara’s presence as Ann Rutledge. He “felt very respected in [his] process.” Bradley also says there existed a mutual appreciation for and understanding of one another. Only too evident in the final product; their onscreen chemistry is undeniable.
Regarding particular scenes throughout the series, the grave burial/tree wrapping scene in Episode 9 (“The Devil You Know“) was very physical according to Bradley. Shot in Canada, in the woods at 3am, he claims he didn’t “have to work for” his uncomfortable attitude for the scene, as nature provided that. Even worse, the mosquitoes were “relentless” and so he continually “bathed in bugspray.” As a Canadian, from the farthest East Coast, I know the pain. But he also tells us that drama school “hammer[ed] it into [him] to find the truth.” So aside from the physicality of certain scenes, he dug deep into the well of human emotion to make a supernatural story feel more rooted in reality. He adds Glen also wrote very honestly. He says their fearless leader has a “warped mind”, but is someone truthful that can likewise find it in these characters.
Warning: Ahead is one final (minor) spoiler pertaining to the season finale, “Ave Satani”, so please do not read this last paragraph before watching.
Of course someone had to ask about the original 1976 film. Bradley tells us he rewatched The Omen at the start of production. Later, they all had to look at it again for the final scene in Episode 10, mainly for technical reasons; to make sure the shot was framed right and looking proper. That look is one of “inner peace,” says Bradley, as Damien has finally come to a realization in the season finale. Evil, but a realization nonetheless.
It was a pleasure to interview these two, an honour really. The series became much better as the episodes wore on, so hopefully Mazzara gets a Season 2 to give us more Antichrist fun, and more of Bradley James’ excellent talent.
Season 1, Episode 9: “The Devil You Know”
Directed by Jennifer Chambers Lynch
Written by Glen Mazzara & K.C. Perry
* For a review of the previous episode, “Here Is Wisdom” – click here
* For a review of the Season 1 finale, “Ave Satani” – click here
After the shocking events of last episode, the penultimate Season 1 episode is here! I desperately hope this gets a second season. Damien Thorn (Bradley James), Ann Rutledge (Barbara Hershey) – they all need more time.
We start here as Ann meets with someone trying to track down her daughter. Little does she know. Of course this will cause some major mayhem when Ann figures out what’s happened. No telling what kind of reaction a woman like that might have in the face of personal tragedy. Although, she is sort of like the devil’s lover, or well… she wants to be his lover. Or something weird.
Sister Greta (Robin Weigert) and Simone (Megalyn E.K.) are busy with the aftermath of what’s happened with Veronica. She isn’t dead, surprisingly, but on her way. Greta decides on holding her. Possibly for her own good. Meanwhile, Damien and Amani (Omid Abtahi) are talking about the possibility of the Antichrist, the idea that Damien is the heir to that throne. Certainly it’s nonsense to Amani, intent on rationality. At least their way forward is together despite whatever else is going on, reality or otherwise. Damien needs all the friendship he can get. He wants Amani to get close with Veronica more now in order to get information.Damien wants to get to the bottom of the whole corporation with Lyons (Scott Wilson) and Ann at the forefront, knowing there is absolutely more than meets the eye. The good friend agrees to do his best.
And then there’s Detective Shay (David Meunier). He looks like a madman when bringing up the strange things that happen around Mr. Thorn. Nobody believes him, but Shay knows there’s something sinister going on behind the scenes. He doesn’t know the extent, though suspects a great deal. His bosses have him turn over his gun and badge citing mental health as the problem. Sadly, we’re aware of the truth. I see danger in Shay’s future especially now with a suspension. He might choose to go after Damien, investigating more on his own, which will only throw him right under the bus.
Finally, Veronica reveals Ann knows about the church’s involvement, Simone getting them into the whole mix. Greta talks a good game to try convincing Veronica of her mother’s evil. “Is that a mother‘s love?” asks Greta. “You don‘t know shit about me,” replies Veronica. Not much more information is coming out of this one. She is fiesty.
Another detective comes knocking at Damien’s place. He brings the news about Charles Powell, the therapist. Suspicion is growing around the Antichrist, more and more, even without Shay on the case officially now. Because all the little bits add up. And that’s why I dig this series and why Glen Mazzara has done a great job, along with all the various writers, because you wonder – in a real type setting, a real world, how would these events so obviously linked together somehow be explained? Well having these cops involved is one way of tackling that issue.
Back to Damien. He wants to meet with Sister Greta: “I have nowhere else to go,” he quietly pleads with Simone. Amazing to see the nun meet with the Antichrist. She asks to see the Mark of the Beast. He obliges. But she does not recoil, Greta understands his struggle. “You are God‘s child,” she assures him and recognizes his suffering. He lets her know about the incidences at the VA hospital, his visions and so on. Turns out those seven people at the hospital he came across represented the Seven-Headed Beast of Revelation. On top of that, Simone now finds out her sister was taken by something… otherworldly, something evil. An intense few moments and a great instance of solid writing. Earlier aspects get explained in a way that isn’t forced, very organic to the plot. Dig it.
Poor Amani gets taken by some masked men while everything else is going on. Now I’m quite worried for him.
Greta later takes Damien by herself, sending Simone upstairs – and she gets locked in with Veronica. Uh oh. Is the renegade nun planning something? In the meantime, Ann’s got Amani in her custody. They’re having a little chat. Or more like she calls him down to the dirt with an eloquent almost Shakespearean jab. She further wants information about the nun, though Amani plays it cool. Until she convinces him Greta will kill Damien, which finally breaks his stand. There may be a big showdown coming. Yet things feel strange, uneasy. Highly unpredictable.
Damien: “What if I really am the Antichrist?”
Greta: “Then that is God‘s will”
Alone together, Greta and Damien talk more about his being the actual Antichrist. Resulting in her using one of the daggers of Megiddo to stab him. Cut to her wrapping him in thorns on an altar-like slab. SHIT. Greta, you bad motherfucker. That is some raw biblical vengeance, for sure.
Detective Shay is literally sweating the case out. I knew it – he’s at home, studying pictures, looking over crime scenes, and trying to figure out what is going on with Damien. He knows the murders, the events around him – the dogs, the burning car, the therapist killing Powell – are all being heavily influenced by Thorn. Somehow. “There are monsters,” Shay tells his little boy. And his boy creepily whispers in his ear: “The devil did it.” From the god damn mouths of babes. No sooner does Shay’s husband whisk their kid away do more visions plague the crumbling detective.
Over at the rectory, Simone mounts an escape from the room with Veronica. But down at the altar, Damien’s held in thorns, his 666 being cut into by Greta as some dark figures in black watch on behind her. Wicked little bit of gore here! Also, we see that 666 is literally carved right into the poor guy’s skull. Gnarly as all hell. The group then proceeds to lower Damien into a hole in the ground, so he can be “reborn” apparently. His screams echoing through the woods are viciously chilling. Once he’s in the hole it is just more ghostly, haunting hallucinations for Damien, as he envisions demons poking through the ground trying to get at him, themselves wailing and gnashing away. A truly terrifying little sequence. Simultaneously, Veronica ends up getting an Evil Dead-style death via tree, except without any penetration – well, sexual penetration. So this is one fucked up, awesome episode. Horrifically pleasing.
Shay winds up sneaking himself into Damien’s place. Then he hears his son out of nowhere, voices whispering. A small figure appears behind him. From the sink in Damien’s photo lab he hears the boy’s voice before being startled by a creepy image. This sends him rightfully running back out the door.
But Damien doesn’t get to do that. He’s trapped in that hole, the visions of those seven people from the hospital attacking him, nowhere else to go except stay put. Up above the hole, Simone shows up, but the damage is done. Down there Damien goes absolutely mental. A bloodcurdling noise emanates from the hole, as does Damien. He rises up while everybody watches on. Ominous music makes the scene even more heavy. Is he reborn now? Greta tries stabbing him again, only he stabs her. Without any feeling, any remorse.
The Antichrist has risen. Or has he? Safe to say the evil is flowing in him, and he’s starting to give in to the pulsing hell inside him.
Excited for the Season 1 finale, “Ave Satani”, and can’t wait to see how the team ends things. My hope is that Season 2 will get a greenlight. Mazzara and Co. deserve the chance to flesh this out for at least another season, possibly with another couple episodes – 13 would be a perfect little fitting number. Regardless, they got better and better every episode here and made this into a good one. Let’s have a devilish finale together, fellow fans!