AMC’s The Walking Dead
Season 4, Episode 12: “Still”
Directed by Julius Ramsay
Written by Angela Kang

* For a recap & review of the previous episode, “Claimed” – click here
* For a recap & review of the next episode, “Alone” – click here
IMG_0179On the road together, just the two of them, Beth (Emily Kinney) and Daryl (Norman Reedus) face harder times than a lot of their friends. They seek refuge wherever and whenever they can, walkers everywhere outside. It’s never easy, though this is a new level even for them.
Beth is giving it her all. She’s come a long way from the girl who once wanted to kill herself and be done with the world. She starts her own fires, rigs a line of hubcaps to use as a signal for intruders. Daryl kills a rattlesnake for them to eat for dinner; he’s a bit more eager to chow down than she is, and I don’t blame her.
She’s getting restless. She wants to go have a drink, like in a bar. He doesn’t pay much mind to it, believing she’s just rambling. But she’s serious, and she is going with or without his help. He tries bringing her back to their camp. She just won’t have it, sitting around doing nothing except surviving. It’s hard to take, especially for young people who’ve barely lived their lives outside a farm.
Beth: “Im not staying in this suck ass camp!”
IMG_0180They find a golf course and head into the country club attached. Inside is dark and full of walkers. Beth is almost chomped by one before she stabs it in the head. Daryl scavenges anything and everything he can find. In the pro shop they find new clothes among other things, including a woman zombie, bloody, dressed in clothes with a sign reading RICH BITCH across her chest. Beth insists they cover her up, for dignity’s sake. Long after dingnity has ceased to walk the Earth.
Further on they run into a grandfather clock that starts sounding; not a good sign, as it draws walkers to their position. They move on, fighting off a few of the dead while they go. Daryl messes up Beth’s brand new white t-shirt when he whacks a head to bits all over her. They manage to get to the bar, where she finds a bottle of peach Schnapps. Shitty booze, but you take what you can get! Daryl says fuck that, they need to find a better drink for her first one.
IMG_0183He knows the backwoods, he’s a hunting, tracking machine. They head out into the woods in search of a cabin, one Daryl found before with Michonne. Inside he knows there’ll be moonshine, somewhere. Just like back home with daddy. This is where things start to take a little turn. Because we already know Daryl Dixon didn’t have it easy, we’ve sen the lash marks on his back, dug deep in his skin. He’s been to a terrible place as a boy, lucky to have escaped, I imagine. Being in a place reminiscent of home, drinking shine, it brings up emotions he probably didn’t plan on experiencing.
Before Daryl can go over the edge as their drinking game goes wrong, he sees himself clearly. He takes pleasure in killing the already dead. Then she points out that not everybody is like him, they can’t shrug it all off. She doesn’t think he cares about those they’ve lost.
He doesn’t want to be that man. He feels responsible for what happened at the prison, for Hershel’s death, for the place going to ruin, and he feels that their friends are all dead. And Beth can only think to hug him, hold him close.
Beth: “Killing them is not supposed to be fun
IMG_0184 The two of them get closer, they talk more about life before the turn. Daryl talks about a stupid situation with Merle at a tweaker’s house, and he reveals he didn’t have a job before everything went to hell. He and his older brother were drifters, essentially. He was just “some redneck asshole with an even bigger asshole for a brother.”
Their bonding helps them feel better about the world. And they’re becoming better friends, as well. Later, they decide to burn the little cabin down. To leave the bad memories with it, to start fresh and let the fire signal a new beginning. In a way, it’s Daryl leaving part of his ugly past behind, a way to symbolically tear down that part of his life that’s useless to keep around even in memory. They head onto the road, again, and the cabin burns behind them. Flipping the bird as they go.
IMG_0186A quiet, more subdued episode. I did enjoy it. First time I saw this one I didn’t find it as engaging. This time around, I pick out more nuance than before. It’s a great look at Daryl, as it is Beth, too. They’re both on show in their own respects. Love it.
“Alone” is next and we’ll see more of our survivors trying to get down the road in one piece.

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I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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