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The Walking Dead – Season 4, Episode 11: “Claimed”

AMC’s The Walking Dead
Season 4, Episode 11: “Claimed”
Directed by Seith Mann
Written by Nichole Beattie & Seth Hoffman

* For a recap & review of the previous episode, “Inmates” – click here
* For a recap & review of the next episode, “Still” – click here
IMG_0169Sergeant Abraham Ford (Michael Cudlitz) and his people have picked up Tara (Alanna Masterson) and Glenn (Steven Yeun) on the road; they’ve got a large military truck. The Sarge is a tough motherfucker, a real slick talker, too. Tara finds it strange that he was smiling while he killed. His response? “Well, Im the luckiest guy in the world.”
Oh, he’s a treat! Not only is Abraham a solid character, Michael Cudlitz is a fantastic actor whose role on Southland is one of the all-time greats on television. A welcomed addition on The Walking Dead.
IMG_0170In a house together, Carl (Chandler Riggs) and Michonne (Danai Gurira) sit together at a table eating cereal. They have a nice morning, until he remembers Judith, imagining the worst. Nice that we know the truth, though painful to watch them not know.
Michonne is more committed to staying with people, she knows the depths of depravity to which her own mind sinks when she’s isolated; as we saw recently. At the same time, Rick (Andrew Lincoln) is worried, faltering in his own confidence. He doesn’t know what the best pay forward is anymore. This is perhaps his lowest point yet, and he’s seen some shit. But there’s much more at play at this juncture, after the war with the Governor, the fall of the prison. He’s got some personal development to do. And Season 4 takes him to an extraordinary place. Starting with his day at home alone while Carl and Michonne go out scavenging together.
The pair head off through the neighbourhood, they get to know one another more than before. I like seeing them together because they’re friends. He also sees her, slightly at times, like a mother figure. She’s super bad ass, so it’s only naturally he feels comfort in being around her. She agrees to answer questions about her old life after they’ve cleared a room in the house; on they go, as he discovers her boy’s name was Andre, among other tidbits. They also stumble upon an ugly end to a once happy family in their home.
IMG_0176Then suddenly Rick wakes in his bed to voices downstairs. A bunch of men. Dangerous sounds. WHO ARE THEY? He can’t find his gun, so he rolls out of bed and hides underneath it. A man with a gun walks through the upstairs hallway, searching the rooms. Then into Rick’s room. The man lays down on the bed.
How the fuck is our sheriff getting out of this one? The man falls asleep and another one comes in, angry, wanting to lie down. They fight, the man in the bed sees Rick under it but is choked out by the other. Still not getting anywhere fast.
Once Glenn wakes up, again, he’s riding on the truck with Tara and their new friends. He isn’t exactly thrilled, he wants to be searching for Maggie (Lauren Cohan). Abraham is on his own mission. He doesn’t particularly want to let Glenn leave, either. He says they’re on a mission to get Dr. Eugene Porter (Josh McDermitt) to Washington, he knows what started the zombie plague. They want Glenn’s help, he’s a fighter. But he needs to find his wife. They wind up having a proper fist fight before anything else happens. Like walkers coming out of the trees. We also see Dr. Porter’s uselessness, too. He puts a hole in the gas tank firing at walkers.
More importantly, back to Rick – he waits until the latest man in the bed sleeps, then crawls out slowly. He makes it to another room before Joe (Jeff Kober) walks by, tossing a tennis ball around leisurely. Rick tries to find a way out, hearing that they’ve found evidence a woman’s been staying in the house. The men start gathering downstairs. In the bathroom, Rick runs into a man on the toilet, whom he strangles to death.
IMG_0173Abraham can’t figure out how to fix the truck, the tank is busted. Rather than stick around Glenn leaves, and Tara can’t leave his side. The Sarge doesn’t want to leave, though his friend Rosita (Christian Serratos) decides they’ll go, as well. Nowhere else to be, right? A destination is a destination, you can’t stop for long on the road in the post-apocalypse world.
Rick gets himself out the window before anyone can find him in the house, down to the ground and in time to meet with Michonne and Carl, so they don’t walk into a house of horrors. They get away without anyone knowing they were there. Except, is the gang’s dead buddy in the bathroom reanimating? Yikes, that’s brutal. Could mean trouble if they were able to track Rick.
On the train tracks, Rick, Carl, and Michonne come across a sign pointing to a destination further down the road. A sanctuary, a community, directions on a map. They decide to head onward. Will it be what they hope?
IMG_0178A great episode, introducing more stories and characters. As well as sets up a few different things we’ll find coming back into play the more we get towards the end of Season 4. “Still” is next.

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About Father Son Holy Gore

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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