The latest edition of Twisted Parallels looks at visual references found in American Horror Story's "Apocalypse" & "Cult."
It all comes down to witches and warlocks at the end of the world
Michael is led towards the apocalypse, as Cordelia and Myrtle attempt one last effort to stop his plans.
Michael searches for answers from his father, but Satan doesn't have much to say.
Cordelia lets Michael take the Seven Wonders, and the results are devastating.
The end is here. Who'll survive and what will be left of them?
These Final Hours. 2014. Directed & Written by Zak Hilditch.
Starring Nathan Phillips, Jessica De Gouw, Daniel Henshall, Kathryn Beck, Angourie Rice, and David Field.
8th In Line/XYZ Films.
Rated 18A. 87 minutes.
Always a fan of Australian films, whether bigger budget or the opposite, it surprisingly took me a while to come around and watch These Final Hours. I’d actually queued it up on my list on Netflix back when it was first added to the service. Only recently when I saw Stephen King tweet his support of the film did I decide to give it a go.
I’m not particularly huge on end of the world scenarios, though, there are several movies which use the idea to craft something incredibly unique. For me, this is one of those movies which is more than the sum of its seemingly typical parts. Director-writer Zak Hilditch takes the apocalypse and crafts it into something not full of action and special effects, laden with CGI and nonsense one-liners, but rather an intensely emotional piece of film with a dose of reality, raw characters, and a chaotic atmosphere filled with, at times, dread while others time it’s pure adrenaline.
These Final Hours takes place in Perth, Australia, where there are twelve hours left before a world ending event. Everyone is either going mad, or going to a party, or simply waiting things out to the bitter finish. James is heading to the apocalypse party, ready to ride it out and not simply sit around waiting for everything to come to a close. Behind him he leaves Zoe, all alone.
By chance, though, James finds himself in the position to gain redemption, as he ends up saving the life of a little girl named Rose. With her along for the ride, James eventually comes to understand what’s important in the final few hours of all life on Earth, and he becomes someone else, someone better, regardless if it’s too late.
These Final Hours excels hugely in the area of grimness. Maybe that’s not exactly what everyone else is looking for, however, in modern post-apocalyptic films I love such as The Road (based on the incredible novel from Cormac McCarthy), Danny Boyle’s 28 Days Later…, and even classics like The Last Man on Earth starring Vincent Price (and the best big screen adaptation of Richard Matheson’s novel I Am Legend), the grim qualities are the best qualities.
Right off the top, there’s just moment after moment of almost horror really. While the majority of the movie is absolutely a dramatic thriller, the opening sets a deep, dark tone. The atmosphere of the film is heavy almost every single step of the way, a constant and consistent weight made out of mayhem, murder, and a relentless pace.
SPOILER AHEAD I think my favourite moment in terms of this film’s grimness is when James (Nathan Phillips) comes upon the father of Rose (Angourie Rice), as well as other adults. They’re lying in a clearing, dead, and even though I was expecting something like that it still hit me like a ton of bricks. There’s a casual manner in how the camera sort meanders along in the woods amongst the trees with James before coming across the bodies that draws us in closely; expected, but effectively executed so that it creeps up and pounces. There are a few great scenes in which this technique comes up. This one is most certainly my favourite, maybe the best.
Though even above these grim bits and pieces, the character of James and his personal journey is what makes These Final Hours into a pretty incredible film. He is, by all accounts, a selfish man more concerned with going to a party at the end of the world than anything else. Even when confronted with young Rose (Angourie Rice), he’s still hesitant to even get involved. Soon he does and this is what shapes the end of his world, specifically. Being forced into caring for this little girl, thrown into a situation he never could’ve anticipated, James is in turn forced outside of himself. In the course of the film James moves from being someone unlikeable to a near noble-like character; we see him looking after Rose, patting her head and putting her seatbelt on, a very far cry from the way he’d been ordering her around originally and getting exasperated with the task of looking after her. I think James is one hell of a great example of how the transformation of a character can truly be a remarkable part of a film.
Nathan Phillips does an excellent job with the character. I’ve liked him in a few other things, from the frightening Wolf Creek to Dying Breed and others. But this film boasts the best of Phillips I’ve yet to see. He starts off fairly despicable at moments, yet always charming even in a lowlife kind of way. It’s this charm which really helps once the character’s turn comes into play. Then he’s still a bit weaselly, but it’s something you can forgive him.. Not only that, the range Phillips displays is excellent. When he drives away from Rose, I found myself tearing up because the emotional journey James takes us on gets intense and the scene played out perfect; his crying in silence underneath the score, driving faster and faster on his way back to Zoe, away from Rose, it’s all SO wonderfully sad that you can feel it under your fingernails.
Young Angourie Rice is a talent. She was perfect acting opposite Phillips’ James as the tenacious Rose. What I liked is that, the character is written not as a weak child but instead a smart, tough young girl. Further than that, Rice portrays the character as such in every way. There are scenes with a woman who thinks Rose is a girl named Mandy, and I thought the way Rice plays off her were brilliant; unsettling in a sense and very interesting. It’s always great to see a young actor hold their own with adult actors, which honestly we don’t see enough of – not knocking child actors, I just think the heyday for truly brilliant little actors has not come back around since years ago. Rice does well with the character of Rose and makes These Final Hours all the better for her smart performance.
There are numerous scenes you could talk about out of the film, so needless to say I found it entertaining, as well as that the whole thing had a heavy impact. Overall, absolutely a 4 out of 5 star film. I could’ve honestly done with maybe an extra fifteen minutes, and I also thought the finale could’ve used a minor tweak, but mostly this one awesome movie. Not many apocalypse/end of the world thrillers, whether action or drama, really end up getting to me. On the contrary, some films are exceptions to that unofficial rule of mine: These Final Hours is one such film in recent memory.
I’ve you not seen this, it’s on Canadian Netflix currently as of my writing this review. Either way you should seek it out. An interesting, and at times unique, plot and story, several stellar performances, and a lot of grim imagery make this a must see. I’ve no doubt you’ll be entertained, as the pace keeps up steady with lots of interesting and wild things happening from visuals to plot movement. If you’re bored with this movie, I honestly don’t know how to help you.