From Leatherface

LEATHERFACE: An Iconic Killer’s New Awakening

The prequel to Tobe Hooper's classic, by French duo Alexandre Bustillo & Julien Maury, turns up new themes in the iconic killer.

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Leatherface: Texas Chainsaw Massacre III – A Remnant of ’90s Horror

Leatherface: Texas Chainsaw Massacre III. 1990. Directed by Jeff Burr. Screenplay by David J. Schow.
Starring Kate Hodge, Ken Foree, R.A. Mihailoff, William Butler, Viggo Mortensen, Joe Unger, Tom Everett, Miriam Byrd-Nethery, Jennifer Banko, David Cloud, Beth DePatie, & Toni Hudson. Nicolas Entertainment.
Rated R. 85 minutes.
Horror/Thriller

★★1/2
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In the 1990s, I was growing up. By the time I was 10, which would put us at ’95, horror movies were already a staple in my life. To the chagrin of my parents, who lovingly tried their best not to corrupt my young mind. Yet my grandfather let me watch a ton of stuff before I should’ve been able to, after that my best friend’s parents let us watch whatever we wanted, as long as they knew what we were watching. So around 10 or 11 I first saw things like A Clockwork OrangeThe Shining, and far less majestic stuff like LeprechaunDr. Giggles, and so many other horror flicks. Leatherface: Texas Chainsaw Massacre III is a movie I still remember seeing on the shelf at my local video shop, Allan’s Video. Before I’d ever seen the original of the series I remember wanting to pick this up and watch it. When I finally saw Tobe Hooper’s classic it rocked me. Then I went about seeing the series.
This is definitely not the worst of the series. Nor is it close to being best. But it’s a far cry from a couple of the real rough efforts. The third chapter in Leatherface history at least has legendary Ken Foree. Plus, there’s a really terrifying quality to the entire story. As things play out you’re almost sweating right alongside the main characters. The story also opts not to go the route of having a big group of people who meet up with the crazed cannibals. Instead the group is smaller, as well as the mix of personalities is interesting. And as always there’s at least a bit of hack and slash for us to enjoy. At least it’s not Texas Chainsaw Massacre: The Next Generation.
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On the Texas highway travels a fighting couple, nearly separated but still somehow together, Michelle (Kate Hodge) and Ryan (William Butler). As they go, news reports of mass graves out in the desert circulate; putrefied corpses rotting underneath the sandy ground.
After a run in with a crazy gas station attendant, Michelle and Ryan meet a man named Tex (Viggo Mortensen). He helps them out, though, they end up losing track of him after the gas station lunatic wields a gun and runs everyone off. Afterwards out in the desert, the couple end up running into survivalist Benny (Ken Foree).
But worse than all that, the three of them later run into Leatherface (R.A. Mihailoff), whose family is big, weird, and really, really hungry.
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Far from being unique, the scene where Michelle can’t kill an armadillo, twitching and dying on the roadside, is poignant. Yes, that trope has been used time and time again, many of those being in slasher or horror movies in general. But juxtaposing the maniacal ways of Leatherface and his clan which come out later is a perfect way for us to begin understanding the division in mentality between normal people and cannibal nutcases. Y’know, like we need a lot of convincing. This scene, right near the beginning, lets us in on her character as someone who, at that point, is unwilling to even put a dying animal out of its misery. And it sets the tone, in a way. From there we see Leatherface carve up bodies. And there’s almost a wish, a longing to return to the moments where all we knew was the roadkill.
I love that Greg Nicotero and Howard Berger were both involved with this one because they always bring great authenticity to horror with their practical effects. Right from the beginning, these are on display. Then once we move inside the Sawyer home, of course things get even more macabre. There are a number of truly gruesome moments in the last 35 minutes or so. However, that’s only if you’re watching an uncut version. The original one that ran in theatres lacked much outright gore, all in order to satisfy the MPAA. So if you do watch this one, please do so with an unrated copy that holds so much more. Otherwise you won’t get the Berger/Nicotero genius, and Leatherface suddenly isn’t so violent or scary anymore.
On top of nice effects there’s also Kane Hodder; another legend. Well he lent his hand to the stunts for Leatherface, which allowed for Mihailoff to play the bulkier figure while Hodder pulled off the few more trying bits of action. Always a treat for Hodder to be involved in any way. He is a true classic of the genre.
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Having Viggo Mortensen in there is a nice touch, though, he was relatively an unknown at the time. His performance is okay, and he doesn’t go completely over the top as you might expect in a film like this one. Along with him and his subtle creepiness, R.A. Mihailoff does a fine job with Leatherface. When playing a role that doesn’t require actually speech there might be a tendency to do other emotive things that can render a performance into pure ham – such is the case in the previous film, and even though I like the sequel to the original a lot the Leatherface role comes off highly cheesy. Here, Mihailoff is more unsettling. He lurches around with a heavy presence and his guttural sounds are more primitive than mentally challenged, as they were in the performances of others who’ve played the role. With Foree in the mix it’s usually a good thing, depending on the material. Not much to use, but Foree does well with the tough nice guy character, and certainly his size helps give the character himself an honest quality. For a mediocre horror flick the acting definitely could have come off worse.
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There’s not a ton to offer here, but enough so that Leatherface: Texas Chainsaw Massacre III doesn’t come out bottom of the barrel in the series. Once again, you have to check out the unrated version. If not then you’ll be getting a terribly edited, cut to shit piece of horror cinema, and the nastiness of the franchise will not come through. That theatrical release does the film a grave injustice. While it isn’t a great movie, it is especially terrible if you’re watching it that way. Stick to the unrated material and this entry is half decent. Enough to give you a little thrill on a dark night, when you’re by yourself, or a couple of friends want to watch something creepy.

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Prequel to Cannibalism in Texas Chainsaw Massacre: The Beginning

The Texas Chainsaw Massacre: The Beginning. 2006. Directed by Jonathan Liebesman. Screenplay by Sheldon Turner; from a story by Sheldon Turner & David J. Schow.
Starring Jordana Brewster, Taylor Handley, Diora Baird, Matt Bomer, R. Lee Ermey, Andrew Bryniarski, Lee Tergesen, Terrence Evans, Kathy Lamkin, Mariette Marich, and Lew Temple.
Platinum Dunes.
Rated 18A. 91 minutes.
Horror

★★★1/2
TCMB1Sht_rgb3000pxAs I’ve mentioned time and time again, I will always consider The Texas Chain Saw Massacre one of the scariest films of all time. That original Tobe Hooper movie is just terrifying to me. It’s fine if others don’t agree, but something about that horror movie absolutely gets to me right at my core. The whole family and Leatherface himself, they’re creepy. Almost the definition of macabre. Plus, there’s the fact Leatherface is VERY loosely based on serial killer Ed Gein, whom I’ve read a ton about. So I think my own interests play into part of why the movie scares me so deeply.
I’m not a fan of the 2003 remake, but honestly I do dig Texas Chainsaw Massacre: The Beginning. It is nowhere near being a perfect movie, however, I found it a hell of a lot scarier than the remake to which this is a prequel. While there’s still a little of that flashiness from the 2003 film which I complained of in my recent review. Luckily for this movie, it doesn’t try to focus too much on the sexualized females as that one, either. I’m not saying there isn’t any seemingly obligatory sexualization from serial culprits Platinum Dunes – there are bits of half nudity and such, focus on the gleaming wet bodies of young people – but compared to the remake in 2003 it is nowhere near as foolish in that sense.
What I do like is a peek into the history of Leatherface, here named Thomas “Tommy” Hewitt, and his adopted family. This is a nasty bit of horror, that’s for sure. While there are some problems, I think it’s a more interesting movie than the one to which this acts as a prequel, and the script is much better, as well.
01I found the whole Vietnam War angle pretty intriguing. Brothers Eric (Matt Bomer) and Dean (Taylor Handley) have an intense dynamic, as the former – the oldest – clearly cares about his country, in the sense he’s willing to go back over after already clearly experiencing horrors his first time. On the other hand, younger brother Dean burns up his draft card, knowing the post traumatic stress his brother suffers having already served in the army over in Vietnam. So I like how they clash, as well as the fact the climax of their situation comes right at the biggest moment of tension when a biker is chasing them down, gun drawn, and they end up smashing into a cow crossing over the road.
Furthermore, it plays a bit into the brothers’ confrontation with Charlie Hewitt (R. Lee Ermey), a.k.a Sheriff Hoyt after he killed the last bit of law enforcement in their tiny, dying Texas town. When he finds the burned draft card, things get super intense.
the_texas_chainsaw_massacre_the_beginning_01What I love about this one, as opposed to the 2003 remake, is that the four main characters on the road trip kicking everything into gear feel genuine and real. There’s still a bit of that ‘sex sells’ nonsense here like the previous movie, a couple beer ad-like moments. But overall I feel we get to know and care for these characters, as opposed to the 2003 film where it’s just a bunch of sweat glistened young people who have little to no personality, and the whole tired pot angle played into things making it worse. Here, I honestly feel – for all its flawed bits – Texas Chainsaw Massacre: The Beginning gave us a nice dose of character, both in terms of the victims and the Hewitt family themselves, a.k.a the bad guys.
Almost more than Leatherface, I really wanted to see more about Sheriff Hoyt after the first remake in 2003. Most of that movie is pretty mediocre to crap, but R. Lee Ermey does such a terrifyingly fantastic job playing the character he drew me in. Then, of course, with this sequel to the remake we’re finding out deeper, even darker secrets about Hoyt. So while I love Leatherface, Hoyt – or Charlie, whatever you want to call him – is a huge part of the interest I have here. To my mind, things get way more disturbing after the opening events of this film, once we find out what Hoyt is really all about. Watching his mental state sort of go from ‘dealing with things’ to ‘scorched earth’ is pretty chilling.
the-texas-chainsaw-massacre-the-beginning-2006-1080p-largescreenshot2Several parts of the screenplay make this Texas Chainsaw entry better than others. First, I like how there’s an inclusion of different themes from war – what people will do in one while they’re fighting, or what they’ll resort to in situations simply to survive (which further leads into the cannibalism aspect of the story) – to staying true to one’s roots and holding on to one’s culture, to the bonds people people whether blood and family or not. Between all those elements there are so many things happening. Not a groundbreaking work of art, this screenplay, but I think compared to its predecessor this movie has great stuff going on. Because ultimately, we know what’s going to happen – this is a prequel, we get that part. So the writers did a few neat things in order to make the journey more exciting.
Secondly, most of the Texas Chainsaw films – good or not – tend to see one group of people fall into the trap, ending up at Chez Leatherface and then they’re killed. Part of why I enjoy this movie as much as I do is because we see the brother duo and their girlfriends have an altercation with bikers, leading to a crash and that leads into the meeting with Sheriff Hoyt. All the while, this allows for the story to flesh out the backstory of Tommy Hewitt and his adopted family. I’ve always found there was a fun mixture in the plot, which allows for interesting developments – leading to prequel bits filling up/bridging the gaps to the previous remake – and some wild characters + situations.
chainsaw 07This is a 3.5 out of 5 star horror film, for me. It could’ve definitely improved on a few things, mainly losing the glossy 21st century remake look so apparent in many Platinum Dunes productions. However, I can honestly say this is much better and more worthy of your time than the 2003 remake. The acting is better, the characters are more developed and less hateable, as well as the fact you’ll find it cool to watch how things evolved from Leatherface’s meager beginnings to where he horrifically stands now. You can do far worse in terms of remakes, though, it still could’ve done Leatherface and the legacy of Tobe Hooper more justice. But I’ll take what I can when it comes to prequels. I love them, they just don’t turn out the best all the time. This one is good enough to make me recommend it to those wanting more TCM.

The Texas Chain Saw Massacre is Celluloid Terror

The Texas Chain Saw Massacre.  1974.  Dir.  Tobe Hooper.  Starring Marilyn Burns, Allen Danziger, Paul A. Partain, Wiliam Vail, Teri McMinn, Edwin Neal, Jim Siedow, and Gunnar Hansen.  Vortex.  18+.  83 minutes.

★★★★★

Between a mix of Tobe Hooper’s raw filmmaking style, and my ability to empathize fairly well, I was absolutely shaken when I first saw The Texas Chain Saw Massacre. It’s the reason why horror filmmakers are perpetually fascinated by that same recurring plot of “murderous cannibal family lives in the woods and kills people off who wander into their home”. It’s one of the reasons I love horror films in general.  It influenced, and continues to influence, a number of generations of horror fans and filmmakers alike.texas1z.png I remember my mother, who isn’t a stranger to horror (she read most of Stephen King’s work when I was growing up and passed all the books of his she owned onto me), telling me about the first time she watched The Texas Chain Saw Massacre and said it’d terrified her; quote unquote, the scariest thing ever. Of course, being a young male and thinking my mom couldn’t possibly offer me any insight on the horror genre, I went ahead and watched it anyways.
Needless to say, my mom has a fairly accurate opinion about what a scary film is. The first time I saw the movie is forever imprinted in my brain.

There’s something never right even from the very start of TCM, as we get the cringe-worthy sound accompanying the camera flashes while viewing macabre images. Then of course it kicks up a notch after the gang we’re going on a trip with along the Texas highway picks up a hitchhiker who turns out to be far beyond stable. Hooper works in a lot of suspense, and an absolutely unparalleled air of dread before finally letting Leatherface loose for the first time. I remember first watching this when I was 12 years old (I was only born in 1985, so it would have been around ’97 somewhere), surely not supposed to be according to my parents. When Leatherface first blows through that door with that shriek of his, attacking the unsuspecting victim, I was absolutely terrified.
The-Texas-Chainsaw-Massacre-75Even 20 years or so after first scaring audiences in the mid-seventies, it was still working its magical horror on people on my sorry ass. Today, I can still throw it on and be shocked when first meeting Grandpa; the scene where they try to get him to take some of her blood is at once horrifying, and also darkly comic. After all the years of desensitizing myself with horror of all kinds, I can still find a creepy thrill from TCM.
I put myself in the shoes of these people- imagine encountering something like Leatherface. You’d be petrified. The whole family are disturbing characters in their own right, and they bring some black comedy to such a wild horror film. Hooper’s raw way of filming TCM brought a whole new element to the idea of horror, and people for years to come (and still continuing on into the foreseeable future) would try emulating its feel, but nothing can ever top it for the gritty terror it induces.
You can pretend all you want, but if Leatherface burst out from some shut-up door in an old house where you were looking around, you’d not only be terrified, you would most likely die. Along with letting loose most bodily functions. Isn’t that terrifying enough? Hooper didn’t have to add much to make this terrifying for me except the script itself, and the performances that came out of it. I feel a lot of it, if not all, was very natural, and very much how I would imagine people might really react.
THE-TEXAS-CHAIN-SAW-MASSACRE-1974-450x252All in all, this movie gets a full 5-star rating. Hands down. One of the best, and continually most frightening horror films I have yet to see. It always makes me wonder when I am deep in the woods camping somewhere, or hiking, if there really may be people out there living in a big creepy house, killing whoever they can manage to get through their doors. Any film that lingers in your mind, making you wonder the impossible is a solid film to me.
I also love how Hooper was partly inspired by the tales he heard of the infamous Ed Gein, whom always played Muse to some of other very famous horror icons including Buffalo Bill from Silence of the Lambs, as well as the iconic mommy’s boy Norman Bates in Alfred Hitchcock’s 1960 Psycho; Gein used to make things out of skin, including a ‘woman suit’ he apparently used to put on and howl at the moon. You can clearly see where the inspiration for dear ole Leatherface came from while peering into the dark world of Gein. Not that he was like Leatherface much more than at face value (get it – face?), or any of the other characters, but there are bits and pieces of Gein littered throughout them. The most outrageous, of course, are here in The Texas Chain Saw Massacre, and I love every last second of it.