At the end of their rope in Mexico, the various members of the Clark-Manawa family look to the grim future.
AMC’s Fear the Walking Dead
Season 2, Episode 14: “Wrath”
Directed by Stefan Schwartz
Written by Kate Barnow
* For a review of the previous episode, “Date of Death” – click here
* For a review of the Season 2 finale, “North” – click here
Here we are at the penultimate episode of Season 2! Can’t believe it’s here so quick, honestly.
Ofelia (Mercedes Mason) is off on her own still, only the truck she’s driving breaks down on the road. As she takes care of it a couple walkers sneak up on her. She manages to get out of a jam, but now she finds herself on foot, walking down across a long wall in the middle of the desert. Is she headed back into the U.S. or what is the plan? I only hope she doesn’t get eaten alive.
Nick (Frank Dillane) and Luciana (Danay Garcia) lay in bed together, having gotten closer with each episode as of late. Except he and his buddy Reynaldo (Cuauhtli Jiménez) are sneaking around under the nose of Alejandro (Paul Calderon) trying to make sure things go smoothly for the colonia.
At the hotel, Madison (Kim Dickens) watches over her newly returned husband Travis (Cliff Curtis) sleeping. They’re not doing well since his fateful last moments with Chris (Lorenzo James Henrie) before he callously left his father behind. “He‘s safer with people who understand him,” Madison tries to explain. Not going to fly right now. It’s hard, no matter how shitty of a person they are, to let go of someone you love, especially a child.
At the overtaken supermarket, Nick and Reynaldo head in with the oxy. Not only that, they want to see Marco (Alejandro Edda). They offer him oxy, every week, for a promise to be left alone to their own devices. Turns out Marco doesn’t need them any longer, and that spells trouble for their little colonia. ‘Cause this Marco, he’s fucking ruthless.
Serving up a bit of breakfast, Alicia (Alycia Debnam-Carey) tries to bond a bit with Travis. She feels as if she pushed his son away because of his behaviour. Rightfully so, which he readily admits, too. “He‘s sick,” Travis tells her. He knows, it’s just a damn hard thing to accept as a father. He further apologises not for protecting her when Chris went haywire on them.
Worse than anything is the fact Brandon (Kelly Blatz) and Derek (Kenny Wormald) have wound up in the hotel. And when Madison asks about how they got there, they make it sound like their friend driving, who we assume is Chris, didn’t make it. Shit. That’s going to devastate Travis if and when he finds out. Madison goes to tell Strand (Colman Domingo) about what she’s discovered. He thinks they’ve got to try and keep it from Travis, at least until they can figure out what to do from here. He worries that if Travis finds out Chris is gone for good, it may do terrible and irreparable harm. “He‘s already broken, that‘ll kill him,” confirms Madison.
Back at the colonia, Nick lets Luciana know about their new predicament, advising they tell Alejandro. The head honcho isn’t pleased; not about the whole thing, nor about Nick going out on his own. There’s a bit of zombie trouble first, though. A walker stumbles in, about to bite Nick, and Alejandro takes a CHOMP right in his forearm. Nick tumbles over a railing with the living corpse, and this puts it right in the hospital bed of unsuspecting patient – whose nose gets bits off – then a nurse gets her fingers eaten. All before Nick puts an end to the zombie by pushing his fingers into its eyeballs until POP! What a god damn mess, every bit. Tragic, yet an awesome scene of chaos.
Along the border fence, Ofelia finds a hole cut, and starts in through the desert on the other side. At the same time in the colonia, those bitten – excluding Alejandro – head through the bus, into the wall of undead. Now Nick is worried that soon the “shooting starts” and he knows “faith is not gonna protect us.” He wants Luciana to go, although she isn’t as willing. Until Alejandro reveals to her he isn’t immune, that he was bitten by an addict, then the story went wild. She won’t leave with Nick, no matter the lie.
The hotel turns into chaos, as well. Refugees there in the parking garage aren’t happy that Brandon and Derek are being treated first. Little do they know this is a ploy for Madison to get them out of there without Travis knowing. Only he sees this from upstairs, spying the men who were with Chris. He manages to get down there before they’re tossed out.
Out of nowhere Ofelia gets bullets fired near her feet. She takes off to find what little cover she can. A man (Dayton Callie) with a rifle stalks her down, removing her knife: “Welcome to America.”
Travis has Brandon and Derek taken back inside. He wants to know about Chris. Things get very, very tense. They tell him how it all went on the road. When Chris volunteered to drive, he dozed off and flipped their truck. Instant death through the windshield. Or is it really how things went down? Travis starts noticing their stories don’t add up. Little slips of the tongue. So he locks everyone outside, then starts in on beating the two young men. He kicks the living shit out of them before Brandon confesses: “We killed him.” His injuries were too bad and they decided to put him down. No surprise there. And that’s all Travis needed to hear. He cranks Brandon’s arm back out of its socket. Derek tries to fight him off, but Travis lets the beast out and demolishes what’s left of them both. Even stomps Brandon’s head in leaving him dead like Chris was on the road. Savage.
What a whopper of a penultimate episode. Can’t wait for “North” up next.
AMC’s Fear the Walking Dead
Season 2, Episode 13: “Date of Death”
Directed by Christoph Schrewe
Written by Brian Buckner
* For a review of the previous episode, “Pillar of Salt” – click here
* For a review of the next episode, “Wrath” – click here
Swarms of bodies are at the gates of the hotel. But not walkers: people. They’re refugees trying to find safe haven. Madison (Kim Dickens), Alicia (Alycia Debnam-Carey), Elena (Karen Bethzabe), they all stand there not knowing how to turn people away, yet having to do just that.
Then in the crowd Madison sees a face – it’s Travis (Cliff Curtis). He’s finally come back to her.
We switch back to some time before with Chris (Lorenzo James Henrie) standing over the dead man he shot. This is the moment which ultimately devastates his father. For the time being, Travis sticks around to try helping James (Israel Broussard) got shot in the process, doing a bit of stitching to the best of his ability. The humanity of Travis is still there; he digs a grave for the man who owned the farm, even makes a cross to go on top: “I don‘t even know your name,” he laments over the closed up grave afterwards. Later that night everyone sits by the fire and eats chicken, enjoying the farm’s commodities, except Travis. He has no time for the way his son’s acting after having murdered a man in cold blood. I genuinely don’t like Chris. He is a “savage” just like his father says.
Cut to Travis at the gates of the hotel. Alicia asks him outright where Chris is, and the look on his face certainly does nothing to assuage any fears she might have in her heart. But again, I can’t stand Chris. He deserves whatever he gets.
Madison and Travis talk about Nick (Frank Dillane) a little. Inevitably, Chris comes up. Travis tells her “I had no choice.” And so we’re back to the farm again. The chicken is gone, then the crew are ready to move out after a week; heading to San Diego. Feeling it isn’t the right choice, Travis does his own thing around the farm a while. He searches the house to try and find the owner’s name. After finding a wallet, he’s able to carve out the name in his cross: Elias Suarez. Soon they all board the truck and leave. Not long and they have to stop because James isn’t healed enough to travel. And you know what that means – Travis is at odds with the group again, as they’re ready to leave James behind to die.
Guns are drawn and shit gets serious. Travis waits it out with James to try protecting him from the group. Chris ends up coming in and tricking his father, they hold him down and then James is murdered in mid sentence. “Your way doesn’t work,” Chris tells his father before leaving with the other two men: “I‘m better off without you.” He believes that who he’s becoming is right. He has actually become a sociopath. Much as I hate him, seeing Travis have to watch him drive off is heartbreaking.
At the hotel, Travis at least feels lucky to be at the hotel with Madison. He still feels guilt for what’s happened to his son. “I left him,” he tells Madison. She tries to reassure him things will be okay, but sadly too much has happened and right now Travis is profoundly wounded. His morality is all mixed up for having lost his boy.
Meanwhile, there’s all the refugees. They were let in because the people at the hotel haven’t become hardened, they still want to help others as much as they can. Alicia is checking people out in a makeshift medical tent, although her mother comes to get her – Madison reveals the truth about her father’s death not being an accident, and in fact a suicide. His note simply stated: I LOVE YOU ALL BUT ENOUGH’S ENOUGH. This, of course, rocks Alicia. The honest openness of Madison is enough to keep mother and daughter from any hurt feelings, even if it’s tough to digest. Alicia is strong, though, and together these women can get through anything. At the same time I can see there’ll likely be fallout from this decision of Madison’s because Alicia still feels upset deep down. And who wouldn’t be?
They’ve got worse things to worry about right now. Because at the gates, up turn the group Travis left behind. You know he can’t be in the same place as them. Will Chris pull Travis back in and will they be let past the gates? Or will someone let them through unknowingly? Is Chris even with them??
Can’t wait for next episode – “Wrath” – and I’m hoping for a big, angry confrontation! This was a nice episode. I’ve seen reviews already saying it was boring, nothing happened, same old stuff. This is the episode I’ve waited for, to see a rift open up between father and son. Again, that’s also paralleled in the troubles Madison has with her own kids, albeit less intense than Travis and Chris.
Either way, pumped for the next chapter in Season 2.
AMC’s Fear the Walking Dead
Season 2, Episode 10: “Do Not Disturb”
Directed by Michael McDonough
Written by Lauren Signorino
* For a review of the previous episode, “Los Muertos” – click here
* For a review of the next episode, “Pablo & Jessica” – click here
This episode starts with a wedding reception. Might look familiar, as it’s likely the one that happened right before the zombie apocalypse broke out. Everyone is happy, having a good time. Or at least most people are, anyway. Such is life. The world went on turning while the infection came on strong. And some guests start to get wary of sticking around too long, no matter if it’s a wedding. When the bride’s father collapses mid dance with his daughter, the phone lines go dead, nothing’s looking too good for any of the guests. Dear ole dad comes back to life from the dead, and then one of the women from the hotel locks everybody inside the reception hall to let things take effect. Nasty, creepy opener.
We’re finally back with Travis Manawa (Cliff Curtis) and his son Chris (Lorenzo James Henrie). They’re not exactly bonding, as you can tell Travis has trouble relating to his boy. Nevertheless, he lets Chris head off on his own to check out a nearby building. Voices and walkers send him into survival mode. Several men inside are shocked to see Chris, who takes off with his father quickly, not waiting to find out what the men were up to, or what they were like. With a new-to-them car they’ve stolen, Travis takes his son “away,” he says, wherever they can manage. He lets Chris take the wheel to learn to drive. They have a normal moment for once.
After their car runs out of gas, Travis and Chris start a fire, camping along the highway. They start to figure out what’s next. At least Travis tries to make it seem positive. “It might not be perfect, but it‘ll be ours,” he tells his son. “And then what?” Chris replies hopelessly. Soon, a truck comes by; the men who Chris ran into earlier. They don’t seem dangerous, although they do feel sketchy. For the time being they all relax.
Back with Alicia (Alycia Debnam-Carey) in the hotel, she watches zombies stumble through the hall. Waiting for her time, counting how many of them there are nearby. When she feels ready Alicia walks out into the dark hallway, undead lurking not far. Ofelia (Mercedes Mason) is nowhere to be found. So Alicia goes it alone, down an elevator shaft. Narrowly missing being eaten. The hotel employee from the wedding helps her up, then questions Alicia frantically: “Where is he?”
Where is who?
Chris and Travis get to chatting with the trio. Lots of tragic stuff, as they recount to the men about how California’s basically been decimated. They roast Spam over the fire, talk about killing the “wasted” – what their group calls the zombies. But Travis doesn’t like having his boy around people like them, eager to trade tales about murder and mayhem in this new world. More and more, the father-son duo bump horns.
The hotel employee, Elena, let zombies into the halls. To contain the problem, so she says. She’s searching for a man named Hector. Only Alicia wants to get to her mother, Madison (Kim Dickens), who’s trapped with Strand (Colman Domingo) in the bar. Trouble is this woman seems pretty dead set on keeping Alicia right where she is, and until Hector comes back she isn’t totally thrilled about going anywhere else.
Father and son can’t get on the same page. Travis wants to keep his son non-violent, he doesn’t want him swept away in the carnage of their new existence. “I want to take care of you,” he tells Chris. But the kid doesn’t care. He wants to be with who he sees as strong people. However, Travis finds them too dangerous. And they are, you can just tell.
Alicia and Elena take their chances together. They lure walkers into a room then trap them inside. What I dig in this episode is how Alicia is becoming a big time bad ass. She’s stabbing walkers, dangling from hotel room balconies, she’s just owning it. This is how things are now, and she doesn’t hesitate anymore. Well, Elena and Alicia get downstairs, first to the reception hall. Elena’s no slouch, either. She “contained” that problem and she will continue to contain them all until she’s dead or there are no more problems left to worry about (like that’ll ever happen). “I‘ve seen worse. We‘ve done worse,” Alicia assures her.
Meanwhile, Travis is still highly unsure about being with these new men they’ve met. Chris is right at home laughing and talking with them. His father’s uneasy. “The end times made us gods,” one of them says to Travis. They’re somehow pleased with the evening effect of the apocalypse. Seriously? Fucking idiots. Coming across a farm, Travis suggests they stay there, but Chris thinks they need to be with a group.
Things at the hotel get tense. Other survivors have a hold on Hector and they want Elena out, along with Alicia if she’s on her side. But the sly women make their way out of the situation, down into the bowels of the hotel. There, they find Strand and Madison hiding behind a locked door; reunited and it feels so good!
At the same time, Travis realises someone owns that farm and he’s still around. He has a shotgun, too. Now the men they’ve met want to take the farm. Travis can’t let that slide, even if his son isn’t too bothered. And then Chris shoots the guy, killing him. He and his father have officially been separated, this act made sure of that. There’s no telling what happens next for them.
What a great episode. I often say that, but this one really put the screws to us, emotionally and viscerally. A couple nice zombie kills, plus lots of intrigue. The drama between Travis and Chris is what interested me most, and of course the unstoppable Alicia.
Next episode is “Pablo & Jessica” and I can only imagine what we’ll have in store for us.