Dracula reawakens from the bottom of the ocean in the 21st century
Dracula tells the tale of crossing the sea towards England, aboard the Demeter.
Afflicted. 2013. Directed/Written by Derek Lee & Clif Prowse.
Starring Derek Lee, Clif Prowse, Michael Gill, Baya Rehaz, Benjamin Zeitoun, Zach Gray, Jason Lee, Edo Van Breeman, Gary Redekop, Lily Py Lee, & Ellen Ferguson. Automatki Entertainment/IM Global/Téléfilm Canada.
Rated 14A. 85 minutes.
When I start reviews of films which use the found footage format, often I try to defend the sub-genre. Because while some don’t care for it there are certainly enough people out there, such as myself, who can still enjoy these movies. Particularly those that use the technique well. Afflicted doesn’t revolutionize the sub-genre, nor does it give us a plot and story that turn things on its head. What we do get is an interesting, well-filmed found footage horror that is full of mystery and has plenty of thrills. With two actual lifelong friends writing and directing, as well as starring in the picture, a dark and twisty path takes us along for the ride. Even with its flaws Derek Lee and Clif Prowse make Afflicted into an exciting little flick with solid pacing and tons of energy. This is a movie with the ability to impress via makeup effects, the lead performances, and its story also reels you in with a charmingly emotional beginning that slowly descends into the stuff of nightmarish terror.
Derek Lee (playing a version of himself) is diagnosed with a brain illness that can and will either paralyze him, or possibly kill him. So Derek and his closest friend Clif Prowse (also playing a version of himself) set out to travel the world. They plan on documenting every last second of their trip for a video blog, “Ends of the Earth”, and Clif takes all his video equipment, from body-mounted cameras to small Go Pro-styled units.
When they start to hop from one place to the next, Clif is determined to hook Derek up with a lady. But Derek beats his friend to the punch and runs into a beautiful woman at a club; they dance, they go home together. When Clif goes back to the room he finds Derek knocked out, bleeding from his head profusely, as well as a cut on his shoulder. Derek refuses to go to the hospital, even after vomiting everywhere and then later punching a hole right through concrete. As things get progressively more strange, Clif tries to convince Derek he needs to seek medical help.
Something takes over Derek’s senses. He starts to become something else. At first it seems beneficial in most ways, as Derek can run over 60km/hr and can jump over a story high. But the virus infecting him proves to be far from beneficial – Derek can’t eat anything without throwing it up, his body starts deteriorating, and his powers start to become more powerful than he thought possible.
The makeup effects are incredible. One of the first truly impressive moments is when Derek tries to take out a contact and pulls off part of his eye; such a simple effect, but how they shoot it works so well. All the effects get better as the film progresses, even the simple little things are done right, which adds a good dose of reality to things alongside the use of found footage. There’s a head that gets blown out the back with a gun at one point, and it is unreal how awesome it looks (plus you’ll be blown away similarly by the twist of it); such nasty effects work, dig it.
Also, not sure if it’s done digitally, but regardless – the Sun Test that Derek does on his hand is so gnarly, in the best sense. Added to that sequence is good sound design. As Derek runs through the streets, his skin sizzles and you can hear it underneath the plethora of other sounds, and is it ever well done. The body-mounted camera works like a first-person shooter video game here, which I enjoy. Though it’s shaky cam for a couple minutes, the found footage takes on a more action oriented perspective than simply people running through the dark, in the woods, screaming. So points for that whole segment, it is super neat.
All stunts involved are excellent, so perfectly executed. The car-punch scene was great, as are the scenes were Derek tries jumping up some buildings. Other than Chronicle, most found footage films don’t go for such big scenes. There are others that have tried, but none other than that film which succeeded like this one. Again, the body cam chase scenes do it for me. They made it look like a whole lot of fun, in the most dangerous way. Plus, the plot gets more frantic and wild, so the frenetic bits there play into that whole element.
The performances of both Derek Lee and Clif Prowse were good. It helps they are actually close friends and have made short films together, because their natural relationship comes across, sort of anchoring us to the characters almost immediately. Working from there, the screenplay is pretty solid. A few points could’ve been tightened, though, on the whole it is mostly intriguing. The movie’s exciting and certainly deserves 4 stars. With found footage it can be a really mixed bag more often than not. It’s still a sub-genre in which I’m very interested. It does have a lot to offer when used appropriately, which Lee and Prowse do here. Everything works towards a proper mix of horror, mystery, and thriller. We’re lucky to get a different type of vampire flick in the midst of so many sub-par films trying to do different things with the vampire lore. The last 20 minutes or so give the real goodies.
The Stranger. 2015. Directed and Written by Guillermo Amoedo. Starring Cristobal Tapia Montt, Ariel Levy, Luis Gnecco, and Nicolas Duran. Sobras International Pictures. Unrated. 93 minutes. Drama/Horror/Mystery.
Eli Roth, though some may say different, is a great talent. I enjoy his movies because they’re fun. I really enjoy him as a producer, as well. He manages to find people with interesting little concepts and help the directors/writers/et cetera bring them to life. One such film is the latest from writer-director Guillermo Amoedo, The Stranger, which is now available through VOD platforms.
The film has a fairly simply premise we’ve seen before – the titular character, the ever mysterious Stranger (Cristobal Tapia Montt) ends up in town looking for a woman. One night, a group of idiots confront him for no other reason than boredom. Peter (Nicolas Duran) watches these same idiots leave the man for dead, beaten, stabbed in the street. After the group leaves, Peter heads back and takes the Stranger home to his place. From there, the Stranger’s arrival in this small town creates a number of problems, all falling over one another, and everyone he comes in contact will be affected.
This isn’t a perfect film, nor can say I it’s perfect to me, but it’s a real great little independent horror. One of The Stranger‘s biggest strengths is that, while still remaining balls-out horror, it does not push too far too soon. Good horror can be like good food – way too much at once and it’s no good, boring even. There are good hardcore horrors, but the absolute greatest, in my opinion, are those which deal out equal doses of horror and of character, good dialogue, and a certain feel. For the most part, The Stranger has those.
My biggest complaint is the dialogue. Some of it is pretty good – I like a lot of the exchanges between the Stranger and Peter, especially nearing the end, for reasons you’ll understand once you see the film. The cop, played by Luis Gnecco, is my issue. I don’t know what’s worse, Gnecco or the written character. I think the dialogue was really stiff when it comes to the cop, and there were some cringeworthy moments between him and his son, played by Ariel Levy. Gnecco doles out some terribly stunted, flat, and downright boring delivery. To his defense, I really don’t think that character was written well, along with the other police officer who seemed highly one-dimensional.
Other than that, I was impressed with the acting. Particularly I thought Cristobal Tapia Montt was excellent in the role of the Stranger. He played very subtle, laid back, which gave the character a great vibe; instead of the whole ‘tough guy outsider’ he seemed more fragile, even when angry, and the brief outbursts from the regular subtlety he conveyed were still contained, they were like a scared and wounded snake. I think if the Stranger had been miscast there could have been major problems, the character needed the qualities Montt brought personally. Very expressive actor.
I like that there weren’t jump scares and all the typical bells and whistles modern horror movies often move towards. This one bucks the trend, or more like what’s become a habit. The atmosphere of dread builds towards intense scenes or shots, in turn this makes the fear more visceral than many modern horrors with shiny cinematography, jump scares, pretty looking actors, and CGI buckets of blood. I like that there weren’t jump scares and all the typical bells and whistles modern horror movies often move towards. This one bucks the trend, or more like what’s become a habit. The atmosphere of dread builds towards intense scenes or shots, in turn this makes the fear more visceral than many modern horrors with shiny cinematography, jump scares, pretty looking actors, and CGI buckets of blood.
The slow reveal of what’s really going on behind The Stranger‘s story is what propels this movie past a lot of recent efforts. Even once you’ve figured out what’s happening, who the Stranger is, the rest of the film doesn’t come off as played out or tired. From the beginning things get going. In the first fifteen minutes I was actually thinking to myself “this is a bit too vague”. However, by the time I thought that the mystery quickly wrapped me up. The more things are given out to us in terms of backstory, the more I found myself thrilled with the suspense, wondering when we’d find out exactly who or what the Stranger might be. There are some slowburns which really don’t end up being worth how slow the burn was, but Amoedo does a fantastic job creating a perfect atmosphere.
I can safely say The Stranger is a 3.5 out of 5 star film. There are things I would’ve loved to see changed; mainly my problems with the cops, particularly Luis Gnecco, and the dialogue. One thing I also keep coming back to is that I wonder why there was a need they felt to set the film in Canada? I’m a Canadian, and love to see fiction of any kind set in my country, but it just struck me odd after watching that there was any reason the filmmakers would have set it in Canada. Not that it’s a bad thing, just strange. Especially seeing as how they didn’t shoot it in Canada.
I highly recommend giving this movie a shot. The main character does a great job, as does the actor who plays Peter. The dialogue them both is spot on. There is plenty of horror, it’s just doled out sparingly, when it needs to be. So those of you horror hounds who need the blood, hang in there – blood will come. The make-up effects are so damn solid; later on, the character Caleb (Levy) has some injuries and they are incredibly nasty looking, stellar practical effects.
I don’t want to say exactly what “type” of movie this is – you’ll figure that out once the plot moves along. Let’s just say it’s one we’ve seen plenty of. Yet this doesn’t feel like it is jumping on the trend or anything, this is a genuinely fresh take. Amoedo isn’t exactly offering up completely new visions of this sub-genre in horror, but I do think he’s given us something at least not as predictable as others, and certainly not squeamish – late in the film there is one severely nasty little kill, emphasis on little, which harkens back to ballsy films like John Carpenter’s Assault on Precinct 13 containing a kill along similar but different lines.
Snatch this up on VOD – I love seeing independent horror making waves lately. There seems to be a change of tide, people are recognizing, as those of us who love the genre have always known, that horror is not all just blood, guts, killers. There is more to it, and the indie horror scene in the past few years now has been really churning out the good product; not all, but plenty. So support this, hopefully you like it, and equal hope to seeing more fun, innovative ventures in the horror genre from interesting minds like Guillermo Amoedo.