Josh Lobo's I TRAPPED THE DEVIL looks like twisted, horrific fun.
Insidious: Chapter 2. 2013. Directed by James Wan. Screenplay by Leigh Whannell.
Starring Patrick Wilson, Rose Byrne, Ty Simpkins, Lin Shaye, Barbara Hershey, Steve Coulter, Leigh Whannell, Angus Sampson, and Tom Fitzpatrick. Blumhouse Productions.
Rated 14A. 106 minutes.
Being a fan of the first film, I was excited to see what James Wan and Leigh Whannell had in store for us. I really think they make a good team. Maybe not a perfect team, but it’d be hard for me to say that there ever was a perfect writer-director team. Every combination, every artist as individual has their faults.
Regardless, Wan and Whannell obviously have very similar sensibilities. I find they know what horror is, or should be, and though there are flaws this series has a lot of the great classic style horror I grew so fond of as a teenager.
What made the first Insidious so interesting for me was that Wan created this incredible atmosphere throughout, which kept on from beginning to end. There were a couple too many jump-scare moments, but not so much it ruined the film.
Personally, I think that Insidious: Chapter 2 capitalizes on its faults from the first and turns those into something even better. From atmosphere, to performances (Patrick Wilson is fantastic here), to a bit better of a script from Whannell, I believe this sequel was able to step it up a notch not only in creepiness, in quality, as well.
Beginning directly after the events of the first, Insidious: Chapter 2 starts as Renai Lambert (Rose Byrne) is being questioned concerning the supernatural activity that supposedly happened in the house, which lead to the death of Elise Rainier (Lin Shaye). The police have to investigate, so Renai and her husband Josh (Patrick Wilson) must take their kids to his mother Lorraine’s (Barbara Hershey) house.
Unfortunately, the ghostly presence continues to haunt Renai – a woman in white appears and terrorizes her. At the same time, Josh is acting strangely; Renai can’t look at him the same, their son Dalton (Ty Simpkins) hears his dad talking to someone while he appears to be alone. Even Lorraine starts to see the woman in white. Josh continues his weird behaviour, beginning to almost physically deteriorate.
Soon, Lorraine goes back to Specs (Leigh Whannell) and Tucker (Angus Sampson) to try and figure out once and for all what can be done to help the Lamberts get away from the evil presence plaguing Josh. And what follows proves to be even more difficult than bringing Dalton back from The Further.
So I’ll begin with the very few things I thought were lacking/did not work in the film.
That “Hunter Ninja Bear” moment is an instance of the dumb comedy between the two ghost hunting characters Specs (Whannell) and Tucker (Sampson) that I thought hindered the first film. Luckily, this one went for much less of that comedy; there are still faint hints of it at times, but it’s less prevalent than in the first. This helps. However, it’s moments like these that make me roll my eyes. Some may find it funny, I find it tedious. Especially in a film that culls together such an pervading and perpetual atmosphere of dread/creepiness, I feel like this comedy is so far out of place that it’s not even sensible.
I get that some horror is infused with comedy, often very dark comedy, this is just not one of those movies, and I think Leigh Whannell basically jammed these bits in like puzzle pieces that don’t fit; it shows how awkward these scenes are when you look at the movie as a whole. In the moment they’re sort of laugh to yourself funny (for others – not me), but when you turn around you think, “Why were these bits of comedy stuck in here?” Just makes little sense to me. I guess that’s why I’m not a famous Hollywood writer/director.
I have long thought Patrick Wilson is a fantastically talented fella. He has that handsome leading man type thing going on, and at the same time he has this weird side to him. The two performances which woke me up to his rising talent: his role as creep photographer Jeff Kohlver opposite Ellen Page in Hard Candy, and the wonderfully pained/tender character Brad Adamson he portrayed in Little Children.
So I think, even more so than the first movie, Wilson does a phenomenal job here. To see him wither away in front of our eyes, in front of his family, is really unsettling at times. Especially once the dark force inside him starts to actual take him apart physically – a nasty, effective scene happens when Josh Lambert starts to pull teeth out of his own face, literally falling to pieces. Not only did the make-up work well in making him look caved/sunken in, Wilson did well at showing Josh fray around the edges; you could see his personality change as the Bride in Black took him over. Great, great stuff.
I thought Lindsay Seim was awesome as the young Elise. Naturally, they used Lin Shaye’s voice and dubbed it over, but Seim still had the feel of Elise in those brief flashback scenes. Excellent choice in casting.
Rose Byrne did a good job, but I also think Barbara Hershey deserves a shoutout. She is such a wonderful actress, with the small part of Josh’s mother she does get a bit of screen time. There were some nice moments with Hershey, as well as a few with her and Steve Coulter, who plays Elise’s old friend Carl.
Again, as was the case with the first film, I love how James Wan builds the atmosphere. There’s a very distinct feeling throughout the entire movie. Also, when people are in The Further, all the dead wandering around in the dark, there’s this other highly distinct feeling. Wan makes us feel that shift between the two worlds, which in turn makes it all the more immersive.
I really enjoy how Whannell chose to explore the Bride in Black character more, then we are revealed the utterly disturbed world of Parker Crane. Worst is Parker’s Mother (Danielle Bisutti) – terrifying! When Specs and Tucker, gang in tow, head to Parker’s old house and they make all those macabre discoveries, I thought that section worked so well. The whole backstory to Parker and his mother is just amazingly ghastly. I loved every second of it!
In particular, there’s a great scene with the young Lorraine (played by Jocelin Donahue from Ti West’s throwback masterpiece The House of The Devil) where she brings her then young son Josh to the hospital where she works. There, Parker Crane (Tom Fitzpatrick) grabs ahold of Josh, howling at him in a terrible voice, frightening the poor boy. MAN! What a scene. I thought it was perfect. There’s a little jump-scare, yet I still found it truly effective. Because you keep reeling moments afterwards. Excellent, well-executed horror.
Sticking to the horror and subtracting some of the outright comedy between Specs and Tucker, I really think Leigh Whannell wrote a great script. Of course, James Wan pulled off the directing near perfectly. However, I still think that there should have been no comedy, whatsoever. Insidious is truly terrifying stuff, I honestly feel that comedy is out of place in a film that has such a pitch-black atmosphere and tone. Mainly it’s the style of comedy – very dumb stuff, I found. If maybe it worked on a darker level, the comedy would have went well with the horror. It doesn’t, though. That being said, I can’t knock the script that much. It fleshes out the characters Whannell introduced with Insidious, explains some of the previously unexplained events of the first film, and there’s the backstory of the Bride in Black, serial killer Parker Crane, which I found perfectly chilling.
This is a slight head above the first, so I’m giving it a 4.5 out of 5 stars. It’s near a perfect horror, for me anyways. I’ve seen it now probably 5-6 times since it first came out. I’d not seen the first in theatre, because I’m not actually a fan of being in the theatre (a cinephile with high anxiety isn’t good at times – I force myself to go for the stuff I really want to see), but I did go see this on the big screen. Good times, I must say. Everything here works, almost to perfection, from atmosphere and tone, to performances, developed characters, and the sound design is much better than the first (not so many purposefully jumpy string additions).
If you’ve not seen it, go watch NOW, and I hope you get the shit frightened out of you.