One of the best intertextual horror films out there: a deconstructionist look at the slasher sub-genre.
One of the best intertextual horror films out there: a deconstructionist look at the slasher sub-genre.
Sometimes sequels improve on the original, sometimes they're only a bit better. Other times, they're rougher than that.
Adam Green hunts down real monsters in this horror mockumentary, which takes a turn for the worse when one man's assumed fictional obsessions turn out to scarily true.
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