Tagged Quan Thang

Quarry – Season 1, Episode 5: “Coffee Blues”

Cinemax’s Quarry
Season 1, Episode 5: “Coffee Blues”
Directed by Greg Yaitanes
Written by Jennifer Schuur

* For a review of the previous episode, “Seldom Realized” – click here
* For a review of the next episode, “His Deeds Were Scattered” – click here
screen-shot-2016-10-08-at-2-07-16-amMac (Logan Marshall-Green) and Joni (Jodi Balfour) are back home after all the madness. They’re a little better for it, too. They’re strong again together. Such a traumatic experience may have, in a roundabout way, done them some good. Horrible to experience, but I’m glad they’re connecting once more after everything they’ve been through to now. Joni admits she wasn’t sure if he’d stick around. He assures his love for her. Aside from all that they have money troubles. She wants him to go to his father. At least that way there’s “one less person” on the list for The Broker (Peter Mullan).
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We see things aren’t going very well for Ruth (Nikki Amuka-Bird) and her family. Her son and daughter have to eat their cereal with water instead of milk. If that weren’t bad enough, her boy Marcus (Joshua J. Williams) then goes to school and his bus is attacked by white supremacists. A bunch of ordinary white dudes. Scary bastards, frightening helpless kids and a terrified bus driver. One man, Eugene Linwood (Christopher James Baker), makes his way inside the vehicle. He knocks out the driver before spewing a bunch of n-word hate. When a kid speaks up Eugene hauls him outside and beats him with a crowbar in front of everybody. Even some of the men outside protest, those bunch of fucks.
Mac goes to see his father Lloyd (Skipp Sudduth) at one of his house viewings. “Hat in hand,” he asks his father for help. Four grand. Lloyd assumes it’s gambling, drugs, something shady. After a bit of arguing though, he agrees to try and do what he can to help.
Detective Tommy Olsen (Josh Randall) stops by Cliff’s place to try rustling up a bit more information with the sister, Sandy (Kaley Ronayne). He tries to figure out if there’s more of a connection between Cliff and Joni. Not much comes out, however, it’s clear he’s not stopping the investigation.
At home, Mac and Joni see a car outside sitting mysteriously quiet. It’s The Broker, certainly. He’s come round to see what Quarry’s been up to, and it looks like they’ve got places to go. Mysterious shit, and that worries Joni. Like it would anyone sensible.

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On the road again – Mac and The Broker are on the road again.
Yet ole Quarry’s got no clue where they’re going, other than by the moment directions from his boss. “Death is just a switch that gets turned off,” The Broker repeats the words of Mac, the night he murdered Cliff. He questions Mac, whether he believes that statement. Is there nothing? Or is there “something else“? Intense conversation for a dude who has people killed for cold, hard cash. When they get where they’re going, it’s a real backwater-type spot with drinks and music and cigars and FUN! So, are they hanging out? I’d bet it’s more than just that.
Joni goes to help Ruth, getting accosted by a few men on the way in; racial tension running high. She understands, only wanting to do what she can for Ruth. Poor Marcus is shaken, depressed. Again, understandable.
In a small backwater casino Mac gets the chance to play a bit of money, work off a bit of debt, and if not Karl (Edoardo Ballerini) takes the hit. Hilarious. They move from roulette to a poker table, where The Broker talks casual smack and plays hard. Everything gets a bit wild after he starts a fight over Mac’s service in Vietnam, prompting Quarry to smash a glass into a dude’s face. I feel like The Broker is a predator. And with Mac left needing somebody to command him, requiring orders after being brainwashed by the army, he’s overly susceptible to getting preyed upon.
At work, Ruth chats with Moses (Mustafa Shakir) about the racist attack on the bus. It’s clear that Moses is keeping an eye on her, trying to find things out. But he’s also a strong, proud, black man. He knows the horror of being black in America, which sort of brings him and Ruth together. Maybe a sympathy that leads to romance? A conflict for Moses and The Broker?

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Out in the dark, The Broker and Mac talk. Seems like Mac has the guy figured out, despite my own thoughts. He knows that it was all a way of bonding “over a common enemy.” I still think the slithering serpent in The Broker’s going to work its way into Mac’s brain. Just the calm before the storm. The wolf playing sheep.
Marcus is absolutely pissed with his mother. He’s pissed with the world. Then on the news we see that Eugene Linwood was arrested. Although “street violence” in the black community looks expected. Why wouldn’t it? Fucking racists beating kids in the street.
Mac and The Broker play some more cards. Except out of nowhere the old bastard disappears. So out wanders Mac, walking aimlessly. He finds his way to a big, old house, looking for a telephone. The place is all wrapped in plastic, nothing working. In another room, Mac hears Asian voices. The Broker is sitting with somebody, listening. An Asian mask appears in the door frame, frightening Mac. Flashbacks. He sees another couple masks, people standing in dark hallways. Quickly he rushes outdoors and away from the place. The Broker finds him when the sun comes up and the head off to get Mac back to his wife.

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The Broker starts asking about Joni, what she believes happened at the motel. Mac explains things, as well as he can to keep the man off their back. Even worse, The Broker puts butter in his coffee. Gross. He’s clearly got problems. A murderous, butter coffee drinking motherfucker.
At the backwater camp, Karl is lurking. The stuff Mac thought was bullshit, the story The Broker told him about the fat man that needed killing – all true. And you can bet that the reptilian side of him is also very real. He’s lying in the grass, hooking Mac, deeper and deeper.
When Mac gets home there’s $100 from Lloyd. Far shot from $4,000.
Joni’s glad to see her man back obviously. When he pours up a coffee, he drops a sliver of butter in: “Tryinsomethin‘,” he tells Joni. A lighthearted ending, but underneath there’s a sinister meaning. That butter in the coffee is just the beginning. Mac’s becoming a bit too accustomed to the world of The Broker. A bit too blind to its unhealthy aspects, just like that butter in the coffee (I don’t care who says it’s healthy that is bullshit). He’s falling into a bad, bad world.


I love this series. Absolutely brilliant! The writing is spectacular and I cannot get enough. Next episode is titled “His Deeds Were Scattered” and I cannot wait to see what’s coming.

Quarry – Season 1, Episode 4: “Seldom Realized”

Cinemax’s Quarry
Season 1, Episode 4: “Seldom Realized
Directed by Greg Yaitanes
Written by Michael D. Fuller & Graham Gordy

* For a review of the previous episode, “A Mouthful of Splinters” – click here
* For a review of the next episode, “Coffee Blues” – click here
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On the dirty floor of a bathroom, Suggs (Kurt Yaeger) strips off his clothes, covered partly in leeches hanging off his wounds. He manages to cut them free with his buck knife before having a little laugh. Like you would.
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Poor Mac (Logan Marshall-Green) is worried about the whole situation, after Joni (Jodi Balfour) spent time under the thumb of Suggs, who’s loose out there. Mac tells Karl (Edoardo Ballerini) over the phone that things need to get sorted, so he can go home. I love this part because we see Mac hiding out in a little motel, one with a dirty, closed pool. Yet he has a swim anyway; it’s in his bones, swimming. I wonder if we’ll see more on that because it’s obviously a big part of his life.
For now he tries to keep under the radar. To keep his wife safe, no matter their differences. A knock soon comes at their motel door. Joni readies a gun, just in case. Looks like it’s only housekeeping. Who can blame her? She was abducted, terrible things nearly happened to her. Things aren’t easy between the married couple, though. She cheated on him a bunch as he served in Vietnam; he returned the favour after getting home and discovering this fact. Mac’s involved with the Broker (Peter Mullan), doing bad things that got his buddy Arthur shot, stuff that Joni has no idea about. So the secrets between these two are thick enough to choke a horse. Plus, who knows what else Suggs will get up to now.
Speaking of the one-legged bastard, he’s made himself at home – in Mac and Joni’s house. He takes a shower, looks around. This is going to get ugly. Interestingly, Detective Tommy Olsen (Josh Randall) and his partner Detective Verne Ratliff (Happy Anderson) happen by the place. Tommy wants to talk with Joni, although after a couple knocks they get pulled away on a call. Fate almost pulled a good one.

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Life at the motel moves slowly. Mac talks about back in the day, Joni looks disillusioned with everything. They end up arguing a bit about starting a family. “Like you woulda made such a great fuckinmother, huh?” Mac spits at her before walking away. He winds up helping the motel owner, Harlowe (Bill Irwin), to try getting the pool back in working shape. At the same time a man in a nice car shows up, spooking Mac. Meanwhile, Suggs is posing as a Memphis detective looking for Joni at the newspaper where she works.
In the background at the motel, Olympic coverage plays. A swimmer named Spitz competes heartily. At the same time Mac hallucinates, seeing that Asian mask draped over the television; cutting to a vision of him in combat boots, falling in the water and reaching for the same Asian mask floating nearby. Then Joni gets back with beer, acting very unfair towards Mac by bringing up his military service. Seems that nowadays he has nobody on his side, not even her like it was first when he got home: “I needed you,” she tells him when he tells her that his men needed him (re: his 2nd tour of duty). There’s an in-depth look at how combat changes people. Particularly vicious combat, as it was during the war in Vietnam. He tries to explain it to her, about how swimming in a pool at home wasn’t comfortable for him while his “brothers” were over there, getting killed and brutalised. He also wanted to do something to make her proud.
Well, on her way for ice Joni bumps into the man in the nice car, the one who showed up the last time we saw the motel manager. He starts asking Joni questions, about where she and Mac are headed. Hmm. Back at the room – after getting a joint from a lady named Shaynie (Ariadne Joseph) – Joni gets high and relaxes a bit, remembering better days (“Mac nJoni nCheese“), before her husband cleans the wound on her back and patches it up again. They come together a bit, but Mac can’t face their harsher realities just yet. He heads to hang out with Harlowe again for a while.
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Suggs has a kid named Billy (Joshua Mikel) tracking down numbers for him; he’s trying to figure out where Joni called in sick from to keep tracking her. Tricky, tricky. And he’s cold blooded, too. Instead of paying his pal, he shoots him right between the eyes – there’s your service charge, ya bastard!
At the motel, Mac watches live on television as word from the Munich Olympics in ’72 comes on about the massacre perpetrated by Black September. Mac’s so desensitised he barely takes time to contemplate the implications of what’s happening. But he does have other things to worry about, such as: who’s driving that fancy car? He pokes around a bit before the guy notices. He asks Harlowe a bit about him, though nothing big comes of that. Then while the motel manager is running around doing a few things, unbeknown to him Suggs calls and finds out the location of Mac and Joni. They’re caught up arguing in the room. Gets fairly rough. “You have no fuckinidea about over there, you understand me? You have not a fucking clue,” Mac screams at her after she accuses him of banging Vietnamese prostitutes. Afterwards, she drops a bit of nastiness about him being “too busy killing women and children” to do anything else over there. His paranoia boils over when he runs to the fancy car man’s room and nearly tears the place apart, believing it’s somebody in cahoots with Suggs. What a doozy of a scene.
Finally ready to talk, Mac asks about Joni and Cliff. Simultaneously we see Suggs pulling up outside the motel. Just as Joni asks her husband about whether he killed Cliff, a knock at the door – it’s Suggs, who kills Harlowe before pistol whipping Mac brutally. An amazing, quick gunfight breaks out when Joni fires a bullet into Suggs’ face, skimming him. Then the woman Mac kept seeing around the motel steps in, putting another couple right in the bad dude to put him down; a headshot to be sure. Turns out the Broker’s had her sitting on the place. A great, unsuspecting choice. Love it. She tells the married couple to flee, and flee they do indeed.

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Back safely in their house Mac explains his relationship with the Broker, how Arthur got into business with him awfully fast. So, above all else, the truth comes out between he and Joni. I mean every last little morsel of honesty. He confesses to the murder of Cliff, her former lover. I wonder how this will ultimately affect their relationship going forward? Joni doesn’t appear overly surprised, though that doesn’t mean she’s happy, either. “How did this become our life?” she asks, exhausted by it all. Mac can only try and apologise, for everything. He’s a gentleman about it all. Offering to leave if she wants, explaining he’ll understand if she calls the police. But really, he wants them to move on. To live life and rekindle their love. Can they ever actually do that?
One thing’s for sure – for all that’s happened, Joni loves Mac. Let’s hope they can make it after all. Because you know there is a lot more struggle to come.
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Another spectacular episode. One of my favourites out of the quartet so far.
Next up is “Horla” and I’m excited to see more of the Broker, Buddy, Karl, and the crew.

Quarry – Season 1, Episode 2: “Figure Four”

Cinemax’s Quarry
Season 1, Episode 2: “Figure Four”
Directed by Greg Yaitanes
Written by Michael D. Fuller & Graham Gordy

* For a review of the premiere, “You Don’t Miss Your Water” – click here
* For a review of the next episode, “A Mouthful of Splinters” – click here
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Mac ‘Quarry’ Conway (Logan Marshall-Green) is probably feeling sort of lost. He’s sitting by the pool listening to tapes Joni (Jodi Balfour) sent him while he was serving in the Vietnam War. Back when they were in love, before he found out about her affair. Before he killed the man who was sleeping with her. This opening sequence is great, watching the paperboy, Joni in her room, Mac by the pool, as the tapes play over top. All the while her lover lies dead in his garage. That’s where paperboy comes in: he finds the man crushed under his previously jacked up car.
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The couple are barely hanging on. Not sure how long that’ll last, either. Detective Tommy Olsen (Josh Randall) is looking into the death of Arthur, the one-legged man. His partner Detective Verne Ratliff (Happy Anderson) doesn’t seem as dead set on it all, but time will tell. Meanwhile, Mac meets the ever strange Buddy (Damon Herriman) and they head for a drink. Although it’s not a friendly one really. Mac’s tense about where the deal with the Broker (Peter Mullan) goes next. “Theres no good news in this world,” Buddy tells him. Either pay the money, or, well… we all know how these stories go, and Mac does, too. At the same time, Joni and her friend Andrea (Heighlen Boyd) discover the former’s lover dead, his house a crime scene.
Ruth (Nikki Amuka-Bird) and her family try to get on after Arthur’s death. Things weren’t perfect before, so they definitely aren’t doing any better now. Mac shows up to pay a visit, though, and Ruth appreciates it. He isn’t there just to check up. He’s poking around trying to find out where Arthur hid the money from the Broker. He cares for his friend, Ruth, but right at the moment it’s only fear and self-preservation that drives him. When he leaves Ruth’s place somebody watches him not far away.
Mac looks more flustered by the minute. He heads over to his father’s place. He isn’t there, only his wife. The one who doesn’t want Mac around. He barges his way in there, drinking up liquor and acting fairly passive aggressive. After leaving abruptly he doesn’t look any better, though he at least makes it home to fall in bed. Except it’s the bed where his wife cheated on him. He drunkenly, sadly, hilariously tries to get the mattress out before giving up and punching the shit out of it.

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Detectives Ratliff and Olsen sit in a bar drinking. Turns out Olsen knew the deceased, Joni’s lover. He wants to keep the case, just finds it “weird” to have known the victim. Naturally. I can see that he’ll be a bigger part of the show moving forward, at least that’s what I imagine. Knowing the guy, plus being police, naturally he’s going to want to find out who murdered him.
At home, Joni finds the vinyl rocking, Mac on the floor, a torn up and bloody mattress in the hallway. He is absolutely wild. Scaring her slightly. I can see that. All the same I totally understand Mac. He went to serve his country, now he’s home and his wife cheated on him, his country doesn’t want to take care of him, the one guy who knew exactly what he’d gone through died on a dirty apartment floor. Life for Mac Conway is absolute fucking shit. But now, after seeing the crime scene briefly from outside, Joni worries what he’s capable of when pushed too far. Murder; that’s what.
Buddy meets with a connect named Joe Don (Owen Harn) to get some guns. He’s a haggler. Trying to knock things down a few notches. After awhile this doesn’t make Joe too happy. What we see here is the intimidation factor of Buddy. He’s not a big man. Commanding, though. And in a split second – “No cussin‘” – he stops Joe in his tracks. Then brokers a proper deal. We already know that Buddy’s likely gay, or at least a bit feminine. Joe almost offends him by offering up a gift: a gun with a nice pink handle. Buddy takes the piece and does not look pleased.
Working at the newspaper, Joni gets called in by Detectives Ratliff and Olsen because of her connection to the dead man under his car. Of course Quan Thang comes up briefly. Mostly, we can see that her affair is probably going to come out eventually. She knows it. The worry is barely containable, she starts having a panic attack at the thought of what could happen. And paranoia’s setting in, as well. She winds up stealing evidence, one of the tapes.

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Mac goes out for a night of Dixie Wrestling with the Broker. They chat. Well, the Broker does, and Mac resents their even being there together, not wanting to deal with what’s to come. What’s noticeable in this scene is the Southern racism – Confederate flag flying, a Mandingo wrestler in the ring being booed as he inches towards victory. The Broker has a line on what’s happening in the investigation, assuring Mac nothing’s coming of it just yet. Mac starts to think Joni’s in danger, but the mysterious Broker only wants him to do more work, and in turn to provide more money for him.
A man named Moses (Mustafa Shakir) dines where Ruth works, he befriends her while she takes his order. He keeps a watchful eye on her. There’s something more in it. He slips back into her house, knowing she’s at work. He looks through the place. But soon the family comes home and he has to make a quick getaway.
Out at the gun meet, Buddy brings Quarry to do his deal with Joe Don. All of a sudden things get sketchy. Guns are drawn on the boys. When shit gets real, Buddy proves he’s not some “cocky little faggot” like Joe taunts with vicious bigotry: he chops big Joe in the throat, starting a gunfight. You know with a guy like Quarry on his side things manage to come out well for them. After a bit of messing around, anyways. Great acting all around from Logan Marshall-Green and Damion Herriman, plus a spectacular showing of practical special effects that will really wow even a horror fan. Intense. The car chase is fun, too.

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Karl (Edoardo Ballerini) and the Broker catch up with the banged up pair. Yet through all the violence there’s just as much sense in what’s happening at home as what happened in Vietnam, for Quarry. Or, now he’s transitioned back to Mac after the dirty deeds are done. He already had to become someone else over there during the war. Now, that someone else is hard to define because he’s becoming a monster at home just like he was as a soldier.
The episode ends with Joni listening to a tape from Mac. Full circle to the episode opening in the opposite way. After she listens to a tape of her and her lover, that is. While she does that, Mac tries to find a bit of love elsewhere; a bit of physical love. They’re certainly drifting apart.
And the man following Mac, he heads up to the house, knocking on the door. Before Joni gets to answer, the credits roll.
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Until next time. Following episode is titled “A Mouthful of Splinters” and there’s no telling what kind of mess Mac and his criminal alter ego Quarry will get into next. No telling what’ll happen at all. So much exciting development here. So much pain and suffering, so much paranoia, all kinds of ways the plot(s) can go.