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Quarry – Season 1, Episode 5: “Coffee Blues”

Cinemax’s Quarry
Season 1, Episode 5: “Coffee Blues”
Directed by Greg Yaitanes
Written by Jennifer Schuur

* For a review of the previous episode, “Seldom Realized” – click here
* For a review of the next episode, “His Deeds Were Scattered” – click here
screen-shot-2016-10-08-at-2-07-16-amMac (Logan Marshall-Green) and Joni (Jodi Balfour) are back home after all the madness. They’re a little better for it, too. They’re strong again together. Such a traumatic experience may have, in a roundabout way, done them some good. Horrible to experience, but I’m glad they’re connecting once more after everything they’ve been through to now. Joni admits she wasn’t sure if he’d stick around. He assures his love for her. Aside from all that they have money troubles. She wants him to go to his father. At least that way there’s “one less person” on the list for The Broker (Peter Mullan).
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We see things aren’t going very well for Ruth (Nikki Amuka-Bird) and her family. Her son and daughter have to eat their cereal with water instead of milk. If that weren’t bad enough, her boy Marcus (Joshua J. Williams) then goes to school and his bus is attacked by white supremacists. A bunch of ordinary white dudes. Scary bastards, frightening helpless kids and a terrified bus driver. One man, Eugene Linwood (Christopher James Baker), makes his way inside the vehicle. He knocks out the driver before spewing a bunch of n-word hate. When a kid speaks up Eugene hauls him outside and beats him with a crowbar in front of everybody. Even some of the men outside protest, those bunch of fucks.
Mac goes to see his father Lloyd (Skipp Sudduth) at one of his house viewings. “Hat in hand,” he asks his father for help. Four grand. Lloyd assumes it’s gambling, drugs, something shady. After a bit of arguing though, he agrees to try and do what he can to help.
Detective Tommy Olsen (Josh Randall) stops by Cliff’s place to try rustling up a bit more information with the sister, Sandy (Kaley Ronayne). He tries to figure out if there’s more of a connection between Cliff and Joni. Not much comes out, however, it’s clear he’s not stopping the investigation.
At home, Mac and Joni see a car outside sitting mysteriously quiet. It’s The Broker, certainly. He’s come round to see what Quarry’s been up to, and it looks like they’ve got places to go. Mysterious shit, and that worries Joni. Like it would anyone sensible.

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On the road again – Mac and The Broker are on the road again.
Yet ole Quarry’s got no clue where they’re going, other than by the moment directions from his boss. “Death is just a switch that gets turned off,” The Broker repeats the words of Mac, the night he murdered Cliff. He questions Mac, whether he believes that statement. Is there nothing? Or is there “something else“? Intense conversation for a dude who has people killed for cold, hard cash. When they get where they’re going, it’s a real backwater-type spot with drinks and music and cigars and FUN! So, are they hanging out? I’d bet it’s more than just that.
Joni goes to help Ruth, getting accosted by a few men on the way in; racial tension running high. She understands, only wanting to do what she can for Ruth. Poor Marcus is shaken, depressed. Again, understandable.
In a small backwater casino Mac gets the chance to play a bit of money, work off a bit of debt, and if not Karl (Edoardo Ballerini) takes the hit. Hilarious. They move from roulette to a poker table, where The Broker talks casual smack and plays hard. Everything gets a bit wild after he starts a fight over Mac’s service in Vietnam, prompting Quarry to smash a glass into a dude’s face. I feel like The Broker is a predator. And with Mac left needing somebody to command him, requiring orders after being brainwashed by the army, he’s overly susceptible to getting preyed upon.
At work, Ruth chats with Moses (Mustafa Shakir) about the racist attack on the bus. It’s clear that Moses is keeping an eye on her, trying to find things out. But he’s also a strong, proud, black man. He knows the horror of being black in America, which sort of brings him and Ruth together. Maybe a sympathy that leads to romance? A conflict for Moses and The Broker?

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Out in the dark, The Broker and Mac talk. Seems like Mac has the guy figured out, despite my own thoughts. He knows that it was all a way of bonding “over a common enemy.” I still think the slithering serpent in The Broker’s going to work its way into Mac’s brain. Just the calm before the storm. The wolf playing sheep.
Marcus is absolutely pissed with his mother. He’s pissed with the world. Then on the news we see that Eugene Linwood was arrested. Although “street violence” in the black community looks expected. Why wouldn’t it? Fucking racists beating kids in the street.
Mac and The Broker play some more cards. Except out of nowhere the old bastard disappears. So out wanders Mac, walking aimlessly. He finds his way to a big, old house, looking for a telephone. The place is all wrapped in plastic, nothing working. In another room, Mac hears Asian voices. The Broker is sitting with somebody, listening. An Asian mask appears in the door frame, frightening Mac. Flashbacks. He sees another couple masks, people standing in dark hallways. Quickly he rushes outdoors and away from the place. The Broker finds him when the sun comes up and the head off to get Mac back to his wife.

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The Broker starts asking about Joni, what she believes happened at the motel. Mac explains things, as well as he can to keep the man off their back. Even worse, The Broker puts butter in his coffee. Gross. He’s clearly got problems. A murderous, butter coffee drinking motherfucker.
At the backwater camp, Karl is lurking. The stuff Mac thought was bullshit, the story The Broker told him about the fat man that needed killing – all true. And you can bet that the reptilian side of him is also very real. He’s lying in the grass, hooking Mac, deeper and deeper.
When Mac gets home there’s $100 from Lloyd. Far shot from $4,000.
Joni’s glad to see her man back obviously. When he pours up a coffee, he drops a sliver of butter in: “Tryinsomethin‘,” he tells Joni. A lighthearted ending, but underneath there’s a sinister meaning. That butter in the coffee is just the beginning. Mac’s becoming a bit too accustomed to the world of The Broker. A bit too blind to its unhealthy aspects, just like that butter in the coffee (I don’t care who says it’s healthy that is bullshit). He’s falling into a bad, bad world.


I love this series. Absolutely brilliant! The writing is spectacular and I cannot get enough. Next episode is titled “His Deeds Were Scattered” and I cannot wait to see what’s coming.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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