Tagged Rhea Seehorn

Better Call Saul – Season 1, Episode 8: “Fifi”

AMC’s Better Call Saul
Season 1, Episode 8: “Fifi”
Directed by Larysa Kondracki
Written by Thomas Schnauz

* For a review of the previous episode, “Inflatable” – click here
* For a review of the next episode, “Nailed” – click here
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This episode starts with some Mexican food trucks heading across the border. One of them is taken aside to be searched. The whole process is incredibly detailed, thoroughly every aspect of the truck is checked, rechecked, examined under close scrutiny. Meanwhile, the driver stands waiting for clearance. Afterwards he drives on towards his destination, which is a little more unorthodox than the strict, ordered procedure he’d just watched happen. We’re also very aware this is not the first time this man’s gone through the whole mess.

 


Funny. Jimmy (Bob Odenkirk) and Kim (Rhea Seehorn) eat outside a place called the Dog House. Well, he wants Kim to get her resignation taken care of that night. But she’s setting boundaries and making sure they stick to their own type of lawyering, one way or another.
She heads over to see Howard Hamlin (Patrick Fabian), to get things done on her own terms. Of course he’s already heard, supposedly, about where she’s headed. He has no idea about her branching out solo, though. A nice shock to his system. Naturally, he susses out that she and Jimmy will be having something to do with each other. Either way there seems to be no hard feelings. Not off the bat, anyways. For his part, Howard has dreams that fell short despite all the things he does have. There’s a little sad boy lurking somewhere in Hamlin, crushed down by money and power. First thing he does when she’s right out the door? Starts going after the big clients she wanted to take with her.

 


In other news, the man from the truck earlier drops off product to the Mexican groceteria. The one Mike (Jonathan Banks) is staking out, where he had his meeting with Hector Salamanca (Mark Margolis) and the crew. Exactly what is Mike planning? We’ll sure find out soon enough. He’s watching the place like a hawk, and finally a car pulls through after hours. Sure enough it’s Hector. Who knows what Mike is about to do. Something drastic, no doubt.
Kim is busy pitching herself to the Mesa Verde folk, and doing a nice job. But it’s tough on your own. She then heads off with Jimmy to look at possible locations for their new office. Her distracted attitude catches his attention, obviously. She all but locked down the Verde deal. Things are looking really good.
At home, Chuck (Michael McKean) is, as always, sitting in the dark working. Up turns Howard, worried about Mesa Verde. Chuck’s very annoyed once figuring out Jimmy has a part to play in the whole situation. Nevertheless, Howard is focused on keeping their big client. And so Chuck readies himself. Anything in order to stop the greasy power of younger brother Jimmy. He’s even willing to forego shutting off the lights and having everyone hand in their cellphones, hoping to not appear “crazy” or anything similar. Before the meeting he struts around in his tinfoil cape. He’ll push himself through the illness all to keep the client, to screw Jimmy, and by proxy Kim, too.
Chuck lays it on real thick. He even manages to plant a seed of doubt into the whole conversation, casually turning their eyes back towards HHM. Hmm. Seems the older brother is as good as the younger brother McGill at selling the slick one. Then once they’re finished he nearly collapses. Crazy bastard.

 


On an air base, Jimmy’s got another scheme happening. We’re introduced to the titular Fifi – a large aircraft. Along with the two young men who helped film his earlier commercial at Davis & Main, McGill’s got a lot of fun going on, making things seem legit. Until they’re left alone with the big bomber. They’ve got themselves another filming going on.
Jimmy gets a call about Chuck, who’s having lots of trouble after his day at the office. It’s clear Jimmy cares about his brother. But quickly he has to get back to the bomber scheme, as some military men want pictures with the supposed war hero they’ve been wheeling around. This is one of my favourite scenes of the season on comedic value. Almost made me cry a couple times, the veteran was way too funny.
Tragedy now for Jimmy and Kim, as the verdict on Mesa Verde comes down; they’re sticking with Howard and Chuck. Now she wants to think things over, though, Jimmy would rather go forward, as a “team” and such. His optimism nearly outshines his willingness to do things outside the box.

 


Back to Mike now. He’s spying on Hector still, as they’ve arrived at a garage somewhere. It’s clear some type of deal is going down. The delivery truck shows up, too. Off to the side Mike sits in his Chrysler, laying low, watching via binoculars. What are they doing inside? And what exactly is Mike going to do with/about it?

 


The devastated Chuck lies on his couch under a foil blanket, lantern burning in the darkness. His younger brother checks on him to make sure he’s all right. Even if he doesn’t want to necessarily. And naughty, naughty; Jimmy goes through some of Chuck’s files. Particularly those marked Mesa Verde. Then again, if the older brother is ready to play underhanded ball, then I suppose we can’t blame him either.
Then the genius of James McGill comes out. He goes to a copy place and gets to work, cutting out numbers, gluing them elsewhere, scanning documents, copying. Oh, he’s got some nastiness up his sleeve. All those years as an amateur conman are proving themselves worthy in his lawyer days. Back at Chuck’s the documents are slipped into their rightful place once more.

 


Again, we’re with Mike. He helps his granddaughter doing some chores around the house. It’s so cute how he acts with her, very clear that this grandpa is a loving one. No matter if he’s involved in nefarious doings under the cover of night. But getting those glimpses of him with his family, this caring side, it fleshes out his character instead of him being totally one-dimensional.
What’s most interesting, though, is how the project his daughter helped him with is not a sprinkler for the “rhododendrons” in his backyard, but a hose he’s filling with nails, fitting them into the holes he and his granddaughter drilled. Looks like he’s planning to blow a few tires. An ambush, maybe.
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We need to wait for “Nailed” – appropriately titled – in order to figure out what Mike has in store for Hector and the crew. Stay tuned with me, fellow fans.

Better Call Saul – Season 2, Episode 7: “Inflatable”

AMC’s Better Call Saul
Season 2, Episode 7: “Inflatable”
Directed by Colin Bucksey
Written by Gordon Smith

* For a review of the previous episode, “Bali Ha’i” – click here
* For a review of the next episode, “Fifi” – click here
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This episode begins with The Stampeders’ “Sweet City Woman” playing softly in the background. A young kid grabs himself a copy of Playboy off the shelf – young James McGill, in fact. Meanwhile, his father listens to a man at the counter with his father. This exchange pits little Jimmy against the man; one bullshitter knows another. The father, all the while is clueless. Before the man leaves he says to Jimmy: “There are wolves and sheep in this world, kid. Wolves and sheep. Figure out which one youre gonna be.” Afterwards, this prompts lil’ Jim to take a bit of cash from the till for himself.


Back to present series times. Mike Ehrmantraut (Jonathan Banks) has Jimmy McGill (Bob Odenkirk) helping him once more. He’s trying to get the whole Tuco Salamanca (Raymond Cruz) situation cleared up, or else deal with the wrath of the cartel and Uncle Hector (Mark Margolis). Naturally, Jimmy works a bit of magic, and then slips Mike out of the room without saying too much.
On the phone later, Jimmy talks with Kim Wexler (Rhea Seehorn). She’s still whipping up a nice deal with Rick Schweikart (Dennis Boutsikaris). Hopefully it goes well. She has been the slave girl at HHM far too long. At the same time, Jimmy’s getting ready to resign from Davis and Main. Omar (Omar Maskati) brings up a few good points, though, about the company car, et cetera, and possible payments he’d have to make. So Jimmy switches his tune proper quick.
What’s going on in the mind of James McGill? An oddly happy look in his eyes is tough to read. Well, at home, the first look of Saul Goodman comes out. After seeing one of those big inflatable men in the wind his style comes out. Lots of wild looking colours, bright ties. His whole demeanour changes, he becomes more of who he once was, back when that man in the store told him – choose, or else the world will choose for you. Even a ridiculously funny scene where Jimmy’s busted for not flushing his shits, concerned about the local “watershed” and so on. This whole sequence absolutely slayed me. It introduces us to who Jimmy will become. Plus, he’s obviously looking to be fired, or pawned off somewhere. Finally it’s the bagpipes he plays in his office that puts Clifford Main (Ed Begley Jr) over the edge. Now Jimmy’s got himself out, bonus in tact.


Jimmy: “Hey Clifffor what its worth, I think youre a good guy.”
Cliff: “For what its worth I think youre an asshole
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In other news, Jimmy has the idea of starting his own firm with Kim – Wexler McGill. He loves her, but also has huge faith in her skills as a lawyer. Together, they could be a force to be reckoned with, possibly. “Or we fail and we end up with nothing,” Kim quips. She still has doubts, clearly. Especially with Schweikart’s deal on the table, very enticing, very surefooted unlike this new enterprise with Jimmy. She wants his assurance that he’ll “play it straight” and not “be colourful” – he tries to pretend, then comes clean. He can only be himself. Ultimately, Kim wants Jimmy, as a lover, a friend. Not a partner in law.
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Jimmy: “Ive been tryinto be the person someone else wants me to be for I dont know how long. I mean first it was Chuck, then it was youand that’s not your fault, that was my choice. But if were gonna do this, I gotta go into it as me. So, yeah. Colourful, I guess.”


Mike’s busy trying to move daughter-in-law Stacey (Kerry Condon) into a nice place. She is very happy to be getting into a new neighbourhood, a safe place. At heart, he is a good man. An honourable one, to the fullest. Might be mixed up in some wild shit, but Mike is a decent human being. Somewhere along the line things just got complicated. Later, we find him still watching the Salamanca crew, their little diner hideout. What’s he planning?
Back at the nail salon, Jimmy is moving things in, including his cocobolo desk from Davis and Main. “Onward and upward,” he says to Omar. But without Kim and the supposed new firm, where does Jimmy go next from here? Somewhere colourful, no doubt. He starts to record a voicemail message for himself, one to lure people into believing he’s got an actual office. It’s going to something more for him to break through this way.
And Kim is meeting with Schweikart and his people. They seem fairly impressed with her, especially Rick himself, who eyes her with both admiration and maybe something else. Regardless, they’re all happy with her interview. Even after she calls Rick by the name of Howard. There’s something else going on with Kim, too. The relationship she has with Jimmy has an odd sort of stranglehold on her.
She rushes over to the salon quick. He is happy as a clam being on his own again, even if in the back o a nail shop. Then Kim reveals her decision to go “solo practice” and it catches Jimmy off guard. She proposes they find a space together, just practice law separately. A-ha. Although, it doesn’t seem to be exactly what Jimmy had hoped. It’s still good, all the same.


Nice episode that’s heading towards something big. What can we expect from Mike’s situation? And how much more of Saul Goodman is going to peek its head from under the disguise of Jimmy McGill? We’ll see in the next episode, titled “Fifi”, so stay tuned with me, fellow fans.

Better Call Saul – Season 2, Episode 6: “Bali Ha’i”

AMC’s Better Call Saul
Season 2, Episode 6: “Bali Ha’i”
Directed by Michael Slovis
Written by Gennifer Hutchison

* For a review of the previous episode, “Rebecca” – click here
* For a review of the next episode, “Inflatable” – click here
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With the previous episode giving us more insight into the troubled relationship between the Brothers McGill – Jimmy (Bob Odenkirk) and Chuck (Michael McKean) – this week’s “Bali Ha’i” promises even more developments.
We start out with an image similar to where we saw Chuck in the last episode with his former wife. Except it’s Jimmy, in bed. Alone. Unable to sleep, Jimmy flicks through the channels from infomercials to C-Span to a Sand Piper commercial like the original one before he got his hands on it. Things aren’t looking so glamorous here for ole James McGill. He spends a bunch of the night throwing little decorative wicker balls around, in different ways, different made-up games. Until he can’t take it anymore. He heads over to the old spa, to the shifty backroom where he practiced law before Clifford Main (Ed Begley Jr) scooped him up, before Howard Hamlin (Patrick Fabian) got right in the picture. Before all this. Back there, Jimmy can lay his head down and actually get some sleep. Almost heavy handed, yet love this opening sequence. Great writing, on the nose.

 


Meanwhile, Kim Wexler (Rhea Seehorn) is just as interesting a character. Her whole life has been thrown for a whirlwind since Jimmy’s commercial fiasco. On her answering machine, she gets a message from Jimmy singing the titular song “Bali Ha’i” by South Pacific. He’s clearly in love, bad. Even though he screws up, even though he can’t keep from being criminal, he is charming.
Nothing is going too smooth for Jimmy right now. Not his life, not even fitting the coffee mug Kim gave him into the cupholder of his car. Back to Kim, though. She is trying to get a read of Howard now that she’s no longer banished to the boardrooms of nowhere sorting files. Howard upsets me; he’s like a robot, a soulless man who puts on a mask. Either way, they meet with Kevin Wachtell (Rex Linn) and Paige (Cara Pifko) on the new business.
Then there’s Mike Ehrmantraut (Jonathan Banks). He’s greeted at home by an associate of Hector Salamanca (Mark Margolis) named Arturo (Vincent Fuentes) who requires an answer re: the deal from last episode. “Respectfully Im gonna have to say no,” advises Mike. Afterwards, he literally lays a welcome mat on his front porch. Curious.
Kim’s in court doing her thing over the Sand Piper case. At the defense table is Rick Schweikart (Dennis Boutsikaris). He takes it upon himself to talk with Kim. “You went down swinging and I admire that,” says Schweikart. He ends up inviting her out for lunch, which might possibly lead to something better career wise for Kim. Let’s hope. She acts grateful to HHM, but you know there are some bad feelings on that part. He gives her a good pitch about the life of a lawyer, and offers her a position at his firm; including helping to pay off her student debt, et cetera, all the bells, the whistles, too. And still she is reluctant. Too loyal. Perhaps says something about the way she is with Jimmy, as well. Her loyalty brings her nothing in the end, sadly.

 


At his place, Mike reveals the trick to his mat – underneath is a sheet of paper, helping him figure out there’s been people at the door. He checks everything carefully, rubbing the door frame, the knob, checking for any sign of people entering his home. He heads inside, gun drawn. All I keep thinking is, despite whatever’s happened since, Mike must’ve made an impressive cop once upon a time. He isn’t perfect, though, the way he does things is so methodical. And it doesn’t feel contrived as a character, like the writers are almost visible there crafting him in front of us. His character comes off as organic, especially considering how Jonathan Banks plays him.
He ends up getting the jump on two guys waiting for him. It’s Arturo and another man. “Whats the message?” asks Mike. They were only trying to “scare” him. Nonetheless, the older man wins out, then washes the blood of his hands and gun in the sink. You can tell he doesn’t want to live this life. More than that, his hands are shaking, it’s giving him pause about all of the things he’s forced to do; all out of necessity. Even further, his granddaughter and daughter-in-law are stuck at the motel. Everything is pressing down on Mike.
The worst yet? He spies two men watching him – another Breaking Bad reference, as the Cartel brothers Marco (Luis Moncada) and Leonel (Daniel Moncada) loom in the distance. Trouble; big fucking trouble. And Mike don’t like that. Not when it involves his family. What I like is that he’s still tender with his granddaughter while stressed to the maximum, he doesn’t freak out and haul her away like a madman. The writing of his character is excellent and nuanced.

 


Kim does consider the offer she got earlier, sticking around the restaurant bar after Schweikart leaves. Then a man tries picking her up, which she seems to dig. At least a little. All of a sudden, she calls Jimmy: “Ive got a live one on the hook.” So that hook up on the verge of happening wasn’t exactly one after all. More so it’s Kim realizing she may be more like Jimmy than she’d ever imagined. They start running a con on her target. Jimmy reels out a big story about their dot-com company maybe going public, drawing out the big fish in him. Looks like Jimmy and Kim are a couple again. Momentarily, anyways.
At a groceteria, Nacho (Michael Mando) receives Mike. There, he meets with Hector, the Cartel Brothers and Arturo along as protection. Hector wants Mike to go to the D.A, to get Tuco (Raymond Cruz) off the hook for the gun possession. No more cash, either. “How about the payment is you get to leave?” Hector asks, and warns all at once. Everything starts getting tangly, with Mike reaching for his gun, starting to make everyone nervous. Seems for now a deal is struck. $50,000 and Mike takes the rap for the gun.

 


Hector (to Mike): “How you managed to live so long with a mouth like that, hmm?”

 


Luckily, Mike does have Nacho on his side. Not that it makes things better for Nacho. But Mike offers up half of the money to him; payment for a job completely improperly.
On the other side of town, Jimmy and Kim are waking up together. They pulled a fast one on their friend at the restaurant, coming out of it with free drinks, dinner, and a nice “souvenir” cheque made out to Ice Station Zebra Associates. Amazing. Also, Kim is wobbling between wanting to leave HHM, and not knowing what’s best for her. Just like her situation as a lover to Jimmy – maybe not the best thing for her, and she keeps on keeping on like an addiction. The cup she gave him not fitting in the holder is symbolic of their lives together; they do not fit. So in the end Jimmy uses a tire iron to smash the holder apart. He makes the cup fit. A perfect parallel to the relationship with Kim. They don’t fit, but he is determined to make his life fit the required structure. No matter what the consequence or price.

 


This is such a great season. Very excited to see next week’s episode, “Inflatable”, so stick with me as we cruise through Season 2 together.

Better Call Saul – Season 2, Episode 5: “Rebecca”

AMC’s Better Call Saul
Season 2, Episode 5: “Rebecca”
Directed by John Shiban
Written by Ann Cherkis

* For a review of the previous episode, “Gloves Off” – click here
* For a review of the next episode, “Bali Ha’i” – click here
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With Mike Ehrmantraut (Jonathan Banks) recovering from his recent beating, as well as Jimmy McGill (Bob Odenkirk) licking his wounds for the time being and trying to keep Kim Wexler (Rhea Seehorn) in his life, Better Call Saul‘s Season 2 continues on full steam ahead.
This episode begins with Chuck McGill (Michael McKean) setting up dim lights, putting on a record then getting dinner ready. His wife, Rebecca (Ann Cusack), is helping, too. They’re normal, happy, talking about work and their day. Turns out this is when Rebecca meets brother Jimmy.
What an excellent, interesting flash into the past of the Brothers McGill. A time when Jimmy was unsuccessful, the lesser brother doing nothing, and when Chuck did not have his serious affliction to the electronics around him. So what exactly happened from there to the present timeline? Regardless, Chuck gives the signal to his wife, hoping to get Jimmy out of the house, but she’s more interested in hearing the younger brother’s jokes. Later in bed when Chuck tries one out it doesn’t get near the same response.
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Back to 2003. Jimmy is finding it tough to adjust to office life, from the regular everyday grind to the recycling situation. The “house style” is being introduced to Jimmy, including punctuation and so on. Something he’s not entirely interested in; too much micromanaging. At the same time, Kim is dodging Jimmy on the phone while doing the dirty work in a boardroom, her new assignment for aiding him in the commercial fiasco. He shows up soon enough suggesting she sue Hamlin, Hamlin & McGill. Jimmy’s mostly concerned with Chuck and his involvement, though she insists this is her “paying the price” for her idiotic decision to side with Jimmy. And she wants him to clean up his act, as well as to stop bullshitting.
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Kim: “You dont save me. I save me.”
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At the office, Jimmy is forced to deal with the co-worker, Erin (Jessie Ennis), he ducked the night before. Simultaneously, Kim is trying to gain more clients for HHM, either getting refused or hit on or let down easily from one call to the next. Kudos to her all the same; she’s trying, unlike Jimmy who takes frequent shortcuts.
And finally, back to Mike. He’s checking in on daughter-in-law Stacey (Kerry Condon). Grandpa Mike has put her and his granddaughter up in a hotel, having fun. He’s busy with his day job, nursing those old wounds, which he attributes to a car crash. The next chapters in the life of Mike will certainly be interesting to see.
Erin and Jimmy come up against one another when he tries to give over a Beanie Baby to get a court date. She won’t have this “bribe“, but he insists it’s simply a little gift. He’s forced to take later date than hoped, worried about Howard (Patrick Fabian) getting reports from Erin. In a bathroom, Jimmy sees an old friend who queries him on all the benefits of working at Davis & Main: “Id kill my mother for a fireplace,” he says after hearing Jimmy has one in his office.
A nice Spanish cover of Frank Sinatra’s “My Way” accompanies more of Kim wheeling and dealing, trying to drum up some more business for herself in order to get back in the HHM good books. Not too long and she receives a positive phone call, one that has her nearly jumping for joy. Maybe things are looking up for ole Wexler.

 


Up at the HHM offices arrive Paige (Cara Pifko) and Kevin (Rex Linn), clearly from a large banking institution. Howard lays on the charm with stories of being a boy and his “first bank account“, along with a silhouetted cowboy banking book. What a greaser. None of what Kim’s done phases him, as he keeps up a smug demeanour the entire time. He essentially banishes her back down to the boardroom on review without looking at her twice. Ouch.
In the low light of Chuck’s place, Howard meets with him. They talk of Kim and her latest accomplishment. But she’s not “out of the doghouse“, as Howard makes that clear. A ton of work coming from what Kim has done, yet Hamlin is far less enthused than Chuck. Perhaps a further vendetta by Howard is causing this behaviour towards Kim?

 


In other news, Chuck arrives, lantern in hand, to the office. At his desk he whittles away the time doing work. Until a low level light starts to bother him. He finds Kim putting away some files and they chat over coffees. She flat out asks Chuck: “Do I have a future at this firm?” He goes into his own disappointment with brother Jimmy, as if trying to sabotage every bit of the life he’s trying to create for himself. There’s a discussion of the McGill father, supposedly a perfect, good man, whose hard work allowed them to survive and prosper. Until money troubles made it all difficult, prompting Chuck into an accounting position; Jimmy “pilfered” thousands of dollars, according to big brother. The start of all the woes. The start of all Chuck’s aggravation with his brother.
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Chuck (re: Jimmy): “He cant help himself. Then everyones left picking up the pieces.”
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At a diner, Mike is greeted by a familiar Breaking Bad face: Hector Salamanca (Mark Margolis). He wants to talk about the recent trouble with Tuco (Raymond Cruz), the old man’s nephew: “He should have shown you respect. I apologize to you, on behalf of my family.” Mike accepts this gracious offering. They talk about how long Tuco ought to stay behind bars, perhaps there’s a different way out of everything.
It’s fun to see Hector long before the stroke immobilized him, before he could only talk with a bell nailed to his wheelchair. Adds a larger dimension to him, as well as gives us things to look forward to in this series.

 


Can’t wait for the next episode, “Bali Ha’i”, and with all these developments it’ll absolutely be intriguing. Stay tuned, my fellow fans.

Better Call Saul – Season 2, Episode 4: “Gloves Off”

AMC’s Better Call Saul
Season 2, Episode 4: “Gloves Off”
Directed by Adam Bernstein
Written by Gordon Smith

* For a review of the previous episode, “Amarillo” – click here
* For a review of the next episode, “Rebecca” – click here
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With Jimmy McGill (Bob Odenkirk) in hot water with Clifford Main (Ed Begley Jr) over the Davis & Main commercial, is Kim Wexler (Rhea Seehorn) about to feel blowback, too? And what about Nacho (Michael Mando) and his request to Mike Ehrmantraut (Jonathan Banks) at the end of “Amarillo”?
“Gloves Off” begins on Mike, which is always a treat. He comes home with a manila envelope filled with money. He has a nice sip of Blue Ribbon from the fridge and puts some frozen carrots on his aching face. Mike sits in his living room and rests. It’s clear there have been goings on. Likely major ones. Then in the light we see his face is beat to pieces; a swollen eye, cuts, Band-Aids. From his pocket he removes a silver chain of some sort, two diamond-studded boxing gloves on it. Very, very interesting.
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Cut to Jimmy’s commercial – the black-and-white setup, the old woman in the rocking chair as she does a voice-over narration, then looks into the camera. Jimmy’s trying to show Cliff and the board what he came up with, though, nobody looks too pleased. At all. They couldn’t care less about money. They’re mostly concerned with their name being on it. It’s definitely cheesy. However, Jimmy reveals they’ve received a couple hundred phone calls. Above all else, it’s insubordination on his part. But Jimmy fights, he’s always fighting, he clearly only wants to get ahead. “We are a team at Davis & Main,” says Cliff, trying to make Jimmy understand. It’s a 2-1 vote to fire him. Except Cliff is a “fan of second chances” and that keeps him around a little while longer.
Jimmy tries to call Kim. But she’s in a meeting with Howard Hamlin (Patrick Fabian), and surprise, surprise – Chuck McGill (Michael McKean). They are not pleased either, with her involvement concerning Jimmy’s experimental commercial. So, yes, Kim is getting the blowback of Jimmy’s decision. It’s unclear how hard that will come at her.


So finally, back to Mike and Nacho. We’re likely going to see more of Tuco Salamanca (Raymond Cruz), as he’s brought up in conversation by Nacho in reference to the new job for which they require Mike’s help. Special reference.
There is a plan in place. Mike gets tasked with the “headshot“, but he has lots of questions for Nacho. Mike’s a guy who likes to have everything planned, start to finish; he needs an exit plan, all the details. Yet Nacho says that’s he is there for – to iron all that out. What I love here is that Nacho sheds light on the character of Tuco, more than we’ve even seen from Breaking Bad, and we’re able to get a look behind the curtain of madness. We hear a story about Tuco killing a guy, which put a piece of the man’s skull underneath Nacho; a mark he still carries with him. So, this entire plan is a way to get Tuco up and out, as he’s getting hard into the crystal meth. But we know better, those of us Breaking Bad fans, about what happens to Tuco. What’s extremely fun to watch is how everything plays out, not knowing exactly how things end up the way they do. And regardless, Mike is in on the job for “fifty grand“, so I can’t wait to connect the events of the episode to our grim beginning.
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At the office, Jimmy shows up after hours. He finds Kim’s desk wiped out, completely bare. Downstairs in one of the board rooms, she’s face down in a ton of work. Jimmy tries apologizing. But that doesn’t do a whole lot of good. He’s safe in his job for now, yet Kim has been knocked down a few pegs, taking the blame. Their relationship is fast degenerating. Every greasy move Jimmy makes puts them further apart. He wants to fight the good fight for her. Although, that’s not what she wants either. “If you go to Howard, you and I are done,” Kim explains to him. They aren’t finished just yet, but she tells Jimmy: “I need this job.”
Nevertheless, Jimmy does go to see Chuck. He’s about to go inside without checking his electronics at the door. Instead, being the dutiful brother, Jimmy deposits them loudly into the mailbox then heads inside. He finds his brother wrapped up in a foil blanket on the couch, in what looks like great pain. Something I love about Jimmy is that he hates how his brother treats him, hates the be underestimated and looked down upon, but STILL, he always helps Chuck, he looks after his older brother without question, even in times he’s incredibly aggravated with him. It’s noble. Tragic in a way, too.
Another Breaking Bad reference – Lawson (Jim Beaver), the man who got Walter White some of his heavy artillery later in the series, brings a sniper rifle for Mike to look at. They meet in another little hotel room, all hush-hush. Mike’s not too happy with the weight and size of the first one. Then he’s shown a smaller one, that might not be “a hernia with a scope on it“; excellent line. Love how the parent series bleeds into this one without feeling forced. These characters we see again, other than the main ones, are worked in organically, and provide that little thrill for fans who remember them. Finally, he finds the A-1 model of sniper rifle, one he seems to know well – this gives us an idea that Mike possibly served in the army, remarking someone ought to have figured out its complications before sending it into the “jungle“; highly suggests Vietnam. More character development, another thing I dig so much about this series.


Jimmy’s trying to talk with Chuck about Kim. The older brother denies his part in any of the nonsense happening. Chuck lays it all on Howard – “Can he talk when you drink a glass of water?” Jimmy asks. But Jimmy goes on white knighting, trying his hardest to take the full blame of his commercial fiasco. At the same time, Kim didn’t say a word about not knowing what was going on, and that shows she tried protecting him. “Thats your problem,” Chuck tells his brother: “You think the ends justify the means.” Instead of trying to stand behind his brother at all, Chuck harps on about Jimmy being irresponsible, about his inability to take things seriously. Furthermore, Jimmy tries to make a deal with his brother. Chuck won’t admit he doesn’t want Jimmy in the law business. But the latter knows his older brother wants that: “I need to hear it from your mouth.” Essentially, Jimmy wants him to commit extortion, he simply can’t get Chuck to admit the real truth, despite anything that’s at stake.
Meanwhile, Mike doesn’t agree to the job Nacho offers. He doesn’t want to “draw Salamancas like flies” by killing Tuco and alerting the cartel. “Somethings gotta give,” Nacho says: “With or without you.” Not trying to rock the boat hard enough to sink it, Mike suggests making Tuco “go away“, but how?
Now we get another Breaking Bad reference – Krazy-8 (Max Arciniega) meets with Tuco and Nacho, dropping off a fat roll of money. Interesting to see Krazy-8 not as the gangster he was when meeting Walter and Jesse, but a green little guy worming his way into the meth business. Again, love these characters reappearing and filling out the world of Vince Gilligan and Co.


Outside the restaurant where Tuco and Nacho conduct business, Mike waits across the street by a payphone. He puts a voice on, reporting a “gang thing” happening around the area. Perfect, slick little moment on the part of Mike; he wipes off his fingerprints before heading out. Pulling into the restaurant parking lot he dings Tuco’s car a little. On purpose, or no? Tuco’s not happy – you can also notice the diamond-studded pendant hanging from his neck. Mike gets confronted by Tuco, who calls him “Mr. Magoo” and gets angry when he thinks the old guy is calling him “a liar“, which then brings Nacho into the situation. The talk heads outside, with Mike getting more belligerent by the minute; he agrees to exchange insurance and so on. Tuco won’t be having any of that. But the further this goes, we can see Mike is playing a game. What is it? How will it play?
After things start to get a little physically intimidating, and Nacho looks more nervous by the second, Tuco brandishes his gun. Once Nacho leaves at the sound of sirens nearby, a fight starts between Tuco and Mike. The older man manages to keep himself from death, but gets a nasty beatdown. When the police show up, things finish. And Mike is able to live another day, albeit with a few nasty bumps and bruises.
Afterwards, he meets Nacho in their usual dark place. “Wow,” exclaims Nacho after seeing Mike’s face: “Look at you.” At least now Tuco will be out of commission for a while. “You went a long way to not pull that trigger,” says Nacho: “Why?” But no reply from Mike, no answer at all. Just a look, a bruised and beaten smile.


This way another excellent chapter in the series. I love that Mike Ehrmantraut gets as much of a backstory and dissection as Jimmy/Saul. Can’t wait for “Rebecca” next week. Stay tuned with me, friends and fellow fans.

Better Call Saul – Season 2, Episode 3: “Amarillo”

AMC’s Better Call Saul
Season 2, Episode 3: “Amarillo”
Directed by Scott Winant
Written by Jonathan Glatzer; Story by Gordon Smith

* For a review of the previous episode, “Cobbler” – click here
* For a review of the next episode, “Gloves Off” – click here
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The third episode of AMC’s Better Call Saul Season 3 kicks off as Jimmy McGill (Bob Odenkirk) stands against a wall painted like the Texas state flag. He’s dressed like a true blue-and-red cowboy, with a bag at his feet. A bus stops then Jimmy heads inside looking for an Alma Mae, who he couldn’t get to see at Sand Piper. He talks with Alma a little about the money he’s going to get back for her. Jimmy does his best talking, as usual, to try and get everyone on the same page. The showman in Jimmy comes out and impresses all the seniors on the bus. Another move in the sly poker hand of lawyer James McGill. In fact, he’s so impressive all the people on the bus are right in the palm of his hand.
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At the table of Davis & Main, Chuck (Michael McKean) sits across from Jimmy now, as well as Kim Wexler (Rhea Seehorn), then there’s bossmen Clifford Main (Ed Begley Jr) and Howard Hamlin (Patrick Fabian). Of course Jimmy gets to boast about signing all those Sand Piper clients on the bus (though I’m sure how he did so was a secretive venture). Cliff is happy. Although, Chuck does his best to punch his brother in the gut, bringing up the possibility of his “solicitation” and making things awkward for everybody. Yet Jimmy’s slippery, as we know. He retorts with the claim of Sand Piper as a “closeknit community“, which seems to assuage the board’s curiousity. Chuck lets it go. For now; he’s just hellbent on torpedoing his brother.
Jimmy’s still after Kim, playing footsie beneath the table. Only she seems reluctant to engage. Then Jimmy pipes up saying he’ll hold back on big meetings with the seniors, possibly hoping to impress Kim. Because she’s still not happy about the events of “Cobbler” where Jimmy falsified evidence, or more so fabricated it. She is further unhappy with Jimmy likely soliciting all those clients. “You said in there youd find another way,” Kim starts: “Did you mean it?” He tells her yes, but she isn’t exactly convinced. Their relationship is fragmented. She put herself out there with everyone to get Jimmy in that position, now his conman ways that won’t wash off are threatening her reputation. Not immediately. But if Hamlin and Main, as well as Chuck, figure out what he’s up to all the time, there’s no telling what might happen.


Cut to Mike Ehrmantraut (Jonathan Banks). He’s playing with his granddaughter. Meanwhile, his own daughter-in-law Stacey (Kerry Condon) is cooking in the kitchen. He also has money to drop off. Stacey’s got worries, though. Gunshots have been blasting a little too nearby for her liking. Mike offers to stay over, to keep them safe, but Stacey is obviously as independent as possible, a proud, strong woman in her own right. We know that Mike isn’t going to let the gunshot business sit. What’s he going to do from here?
At the office, Jimmy is trying to figure out how to do things without soliciting clients. He brings problems with the mailers to Cliff. Jimmy believes very specific television advertising is the answer, to mash in a Davis & Main between Murder, She Wrote and other similar programs the seniors watch.
Here, we finally see the first television advert involving Jimmy; one of many, as us Breaking Bad fans remember. Originally they get a terribly generic, uninspired advertisement just giving the basic facts, a phone number, et cetera.
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Jimmy: “What ever happened to showmanship?”
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On his own, Jimmy gets two young film students to help him record an advertisement segment. He’s got his own ideas on how to boost their clients. Hilarious banter to start between Jimmy and the young dudes. We’re now seeing the Saul creep out of Jimmy, more and more. “Im ready for my closeup, Mr. McGill,” says an old woman coming down the stairs on an electric lift. One of the best lines I’ve heard on anything in ages. Especially with Jimmy holding his fingers up like a frame, watching her descend.
Back to Mike. He’s taken it upon himself to do a stakeout at his daughter-in-law’s place – radio via earpiece, sandwich and all. Sitting quietly outside, Mike sees a car pull up slowly. He readies his piece, checking that it’s loaded. But it’s just a car dropping newspapers off. When the morning comes and nothing is wrong, Mike heads in to work, obviously tired, back likely hurting from sitting in the car all night. Then he gets a call on his cell from Stacey – he rushes back to her place. She shows him a bullet mark by the garage door, saying she heard shots in the night. But Mike was there all night, he knows it didn’t happen then. Still, he tells her: “I believe you.”
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Hanging out together once more, Jimmy and Kim are always hovering around becoming a serious couple. For now, Jimmy shows off the ad he put together. Shot in black-and-white, circling around to find an old woman rocking in a chair by herself, along with a tragic voiceover narration. The old lady cries, due to “Visine“, and then Jimmy comes in with the phone number, the information, all that over top. Kim is actually impressed with the directorial efforts by Jimmy, saying it’ll definitely get to the Sand Piper seniors. However, little comments from Kim make it clear to Jimmy he’s still the underdog, still being considered as someone who can’t get things done right or in the ‘honest’ way. The look on his face says it all. Over in the office, Jimmy hops on the phone to try and get hold of a television channel in Colorado. Is he about to sell the advertisement?


Jimmy: “Dont be jealous of my big bowl of balls. Its unbecoming.”
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Mike’s looking for a job. The vet he knows has a couple jobs, bodyguard positions mostly. Except everything Mike hears, he doesn’t exactly enjoy. The shady vet explains the need for “next level work” and that’s all there is to it. Quickly, though, Mike accepts a cheap job. Not that he wants to, but such are the times. It’s obvious, seeing him in Breaking Bad and seeing him now, Mike will do anything to help his family; anything.
Switch over to Jimmy. He seems a little nervous and sketchy. Obviously he’s waiting for the phone calls to come in from seniors. There’s a whole team of people setup to start receiving calls. All the while, Jimmy waits as the ad runs on television. This is a big moment for him – if the ad fails to draw in a significant number, perhaps Jimmy loses his pull with Cliff, and everyone else, and then Chuck wins. So Jimmy sits next to the phone, waiting impatiently.
When the calls do start coming, it finally lifts Jimmy’s spirits, and he sees the progress right in front of him; the ad worked perfectly.


While Stacey and her daughter sleep, Mike takes the couch. Though he doesn’t sleep, really. His phone rings about some “next level pay” – a serious, hush-hush job. Mike was specifically asked for to take care of the job.
Cut to Jimmy lounging with Kim. He gets a call, too. It’s Cliff, and he is not happy with the commercial. The boss lets loose over Jimmy for not passing the commercial through his approval. Cliff calls him “a god damn arsonist” while Jimmy tries to spin things for him, then gets hung up on. He has a date with the board to show them all the commercial. He then spins things for Kim, as well. Always spinning, that Jimmy.
Mike is heading out to latest job, shrouded in mystery. In a deserted location, he pulls up in his car, leaving the lights on. Nacho (Michael Mando) is waiting. He has a problem – “A who or a what?” asks Mike. Nacho needs a guy to “go away” and we end on a look from Mike that spells exasperation, as if he knows what’s coming.


Next episode is “Gloves Off” – who knows where the McGill story will head next.

Better Call Saul – Season 2, Episode 2: “Cobbler”

AMC’s Better Call Saul
Season 2, Episode 2: “Cobbler”
Directed by Terry McDonough
Written by Gennifer Hutchison

* For a review of the previous episode, Season 2 premiere “Switch” – click here
* For a review of the next episode, “Amarillo” – click here
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After the excellent start to Season 2, Better Call Saul continues on, as we open on Chuck McGill (Michael McKean) playing the piano to his metronome. He plays beautifully, too. He stops once then goes again until messing up, getting angrier with himself this time. Soon, Howard Hamlin (Patrick Fabian) arrives bearing newspapers, groceries and the like; an unexpected visitor. Chuck mentions he wants to go into the office for “an hour or two” soon, which surprises Hamlin. Then Howard also mentions Jimmy (Bob Odenkirk) is working for Davis & Main, the firm of Clifford Main (Ed Begley Jr). Neither of them particularly respect Jimmy all that much from what I can tell. Is Howard using this as a way to push Chuck? Or do they merely share a caution re: Jimmy? Hard to know for sure. However, Chuck’s eyes tell the entire story afterwards when he sits back down to play his piano some more. He becomes lost, transfixed by the metronome. Interesting to see where Chuck goes from this point on.
Kim Wexler (Rhea Seehorn) is busy getting things ready in a board room, making sure Jimmy is sitting next to her when the meeting happens. The sit close together while Clifford goes over some documents. Underneath the table, Kim plays a little footsie. Cut to the both of them having a cigarette in the parking garage, chatting. There’s an obvious feeling between them, whether or not Kim wants to push forward. But we can see, no matter how she plays it cool when they’re together, Kim is into Jimmy, big time. She even gives him a hilarious little coffee cup with “Worlds 2nd Best Lawyer” printed on it. They share a kiss before he leaves, though, she looks over her shoulder. Such a conflicted woman.
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Over at the salon, Jimmy shows off his new decked out car, which takes him away from the old office and into his new life. He looks through all the bells and whistles before trying to fit his new coffee mug in the holder. Except it’s too big: “Must be metric,” he says to himself. So ironic that such an expensive, beautiful piece of machinery can’t even fit his cheap little cup. This show cracks me up because, just like Breaking Bad, there come these hilarious little moments that would never be that funny anywhere else, yet here they are making me crack up.
Meanwhile, Mike Ehrmantraut (Jonathan Banks) sees the ghastly yellow Hummer belonging to Daniel Wormald (Mark Proksch) pull up. He’s not pleased at all. Daniel is there to talk with the police, which does nothing further to please Mike. They have a chat in the Hummer. Mike advises him it isn’t the greatest idea for a criminal to willing talk with cops, but Daniel brings up an interesting point: because he falls outside the law sometimes when selling his pharmaceuticals, does that put him outside the help of the police? I don’t know; sort of interesting. Mike tries his best to talk Daniel out of talking with the police, though Wormald is pissy and only wants his baseball cards back. Turns out, some of the cards stolen belonged to his father, so y’know – sentimental value and all. Mike reluctantly tells his dumb friend: “Ill find your cards.”
Head down, pen to paper, Jimmy is working hard for the new firm. After hearing a bit of beautiful guitar music through the office he finds his way into Clifford’s office, the man obviously has a talent on the six-string. Jimmy chats briefly with his new boss and brings up some interesting points he might have stumbled across already looking through the papers on their case. A good start for the scrappy dog McGill.
Mike is busy tracking down the baseball cards. He goes into an auto shop and pretends to be looking for seats to be upholstered. This is the workplace of Nacho Varga (Michael Mando). They end up outside, alone and able to talk. Nacho’s definitely not happy to see the old guy, not that it bothers Mike; he lays things out for Nacho, how it needs to work. But the younger of the two gets his back up, thinking Mike is threatening him, his family. Mike makes clear there’s a profit to be made if they do things his way.
Chuck’s almost ready to leave his house, to head into work. His foil-lined jacket on, chin up. Did Howard’s plan work? What’s the long-term game?
Cue Daniel handing his ghastly yellow and flame-painted Hummer’s keys over to Nacho. In return, the baseball cards go in Mike’s trunk, back to Wormald. Of course the nerd in Daniel has to go through the cards, tracking down particular items to make sure they’re in tact. “Looks like everyones here,” says Daniel with a big, goofy smile.
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Nacho (to Daniel): “Now, our business is concluded.”
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In the midst of Jimmy telling everyone what’s happening on his end of the case, Chuck shows up at the board room. Preceding this Howard asks everyone to turn off electronics, give over their cell phones, et cetera. A worried, downtrodden look appears on Jimmy’s face as he watches this begin to happen. Howard comes off as smug, letting Jimmy continue, as if expecting a big fuck up. Only with Kim giving him strength via a thigh squeeze under the table he has the confidence to speak with pride. After the meeting finishes, Jimmy and Chuck have an awkward conversation. “Why are you here?” asks Jimmy; “To bear witness,” Chuck replies cryptically.
Then Mike calls Jimmy, asking if he’s still “morally flexible” because Daniel is going to need representation. The younger McGill heads to the station to try and help the situation. For his part, Daniel bumbles and rambles through the interview. The detectives obviously know he’s guilty, or at the least that he knows something more than is being said out loud. But save-the-day-Jimmy swoops in with a hilarious “art patron” story, claiming Daniel made some “personal videos” which were later stolen by that patron; “lovers quarrel” as Jimmy puts it. A genius way to get Daniel out from under the police: “Squat cobbler,” says Jimmy – “Full moon pie. Boston Cream Splat. Simple Simon the Assman.” I almost cried listening to Odenkirk describe the supposed videos. Spot on comedic writing, which serves the purpose of making us laugh, as well as being weird enough to help get Daniel free from any suspicion. Even better? Daniel’s actually going to have to make a video.
Directly following this scene, Jimmy heads to see Kim – with a stack of pies they dig into together. Apparently the pies are leftovers, “untouched by human buttocks.” Kim’s not impressed, though. Jimmy has now faked evidence to get a client off. She doesn’t understand why he’s risked so much for “a friend.”
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Kim: “I cannot hear about this sort of thing, ever again, okay? I mean it, Jimmy.”
Jimmy: “You wont
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This episode started a lot of things moving for the second season, in particular more of the relationship between Jimmy and Kim, as well as that of Jimmy and his brother Chuck, plus there’s the deviousness of Howard, and also the Mike situation re: Daniel. Many, many threads. Looking forward to where things progress after “Cobbler”, in the next episode titled “Amarillo” which will no doubt make things even more exciting.

Better Call Saul – Season 2, Episode 1: “Switch”

AMC’s Better Call Saul
Season 2, Episode 1: “Switch”
Directed by Thomas Schnauz
Written by Peter Gould & Thomas Schnauz

* For a review of the Season 1 finale, “Marco” – click here
* For a review of the next episode, “Cobbler” – click here
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The lead-up to Season 2 is promising an even further shift in the nature of Jimmy McGill (Bob Odenkirk) – the man many of us first knew as Saul Goodman. But we’re still on our way to the days of Saul.
Season opener “Switch” begins as another flash into the future of Jimmy, the obvious change in identity which follows his business with Walter White and Jesse Pinkman throughout AMC’s Breaking Bad. I love that we see these future flashes because it parallels the flashback through Jimmy’s life that is Better Call Saul overall. In a sense, what happens in the future almost negates anything Jimmy did previously, the whole change to another person in his new life as Saul that he cultivates in this series basically becomes moot due to Walt and Jesse’s operation. There is some sort of tragic and also funny mix to the whole thing. Especially when Jimmy gets locked out where the dumpsters are at his workplace, and we can see his obvious reluctance to open the Emergency Exit; he sees on the door a note stating the police will be called if the door opens and the alarm goes off. Jimmy won’t do it because his new life working for Cinnabon is of an inconspicuous, low-key nature. Eventually he gets out when a janitor comes back, but to see him sitting there, unable to or unwilling to push that door open, it’s an excellent and powerful statement about him. Even better, a long, drawn out close-up comes up against the wall and we see what he left: “SG was here” scrawled on the paint.
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Back to where we currently know Jimmy McGill in 2002, he’s over at the office of Howard Hamlin (Patrick Fabian) to see Clifford Main (Ed Begley Jr), as well as his associates Brian and Erin. Then before any business Jimmy calls Kim Wexler (Rhea Seehorn) aside to ask about their relationship, and how his new case might affect any of that. “One thing has absolutely nothing to do with the other,” she tries to reassure him. Still, though, Jimmy refuses the job and walks out.
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Heading through the gate, he stops to talk with Mike Ehrmantraut (Jonathan Banks) about the money; the stuff he decided not to take. Mike lays down some rules of criminal code. “Well I know whats stopping me,” Jimmy tells him: “And you know what? Its never stoppinme again.” He drives off humming Deep Purple to himself, showing up at the spa from where he does all his business. I love this whole location, such an awesome look to the whole thing. Best scene so far comes quick when Jimmy wants some cucumber water but the spa owner replies, as always, it’s “for customers only“. So Jimmy lets the tap loose and drinks straight from it, letting lots spill to the floor. Is this a new James McGill? I believe so. He even rips the makeshift sign off his office door.

 


In other news, Mike waits in a parking garage where a terribly flashy Hummer pulls up, spinners on the wheels, huge flames all over the side, and the entire thing painted in yellow. Ehrmantraut scolds Daniel (Mark Proksch) inside his car does not illustrate “restraint“, especially considering they’re headed to a job. Daniel says fuck it, he won’t pay Mike any longer to supposedly protect him on deals against Nacho Varga (Michael Mando), he’ll go alone. Mike advises otherwise, and he’s most likely right. Out on the meet, wearing shoes to match his vehicle, Daniel meets Nacho, the latter of whom declares the Hummer “interesting” and asks to take a look. Things seem friendly, as if two buddies were checking out a car in the garage. But while Daniel counts his cash, Nacho looks in the glovebox to find the man’s registration; home address and all. Trouble’s definitely on the horizon, at least for Daniel.
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Jimmy’s busy doing his own thing now. Floating in a pool with a drink, some dip, the whole nine yards. He gets a call and claims he’s “no longer a lawyer“. Arriving soon after, Kim is pissed about Jimmy passing up the big opportunity with Clifford Main. For his part Jimmy doesn’t appear too phased: “I just finally decided to be me,” he tells her. At the bar they talk a little. Jimmy hammers home the point he went into law for all the wrong reasons. He wants to use his talents elsewhere. Across the bar while they chat, Jimmy keeps hearing an asshole stock broker (likely the same man whose car Walt blew up in Breaking Bad‘s “Cancer Man“) speaking loudly into a Bluetooth headset, swearing, laughing like a dolt. So the new Jimmy heads over and asks a question about investments on stocks, pretending they have money to put somewhere, which eggs the guy on a little. Jimmy’s essentially showing Kim his powers of persuasion, his gift of gab. And those of us who’ve followed Odenkirk from Breaking Bad to now know this guy has got the goods. He could’ve been a great, straight lawyer, but his abilities certainly tailor him to a specific line of business re: law. Funny how Kim falls in line quickly while Jimmy spins his magic. They pull a fast one on Mr. Wall Street then bounce, leaving him with a massive bill. Jimmy and Kim hook up, too, but it’s clear he wants it to become something bigger, something more.
Little Breaking Bad reference – Kim orders the trio a bottle of the fictional tequila Zafiro Añejo, which people will remember from Season 4. Love how little bits and pieces of the original show come out here, adds little dashes of spice to an already fun series in its own right.
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Not surprisingly, Daniel’s house has been broken into and ransacked. He calls the police and two officers come to investigate. His baseball card collection, “a major collection“, was taken. A bunch of cash was taken, as well. Daniel doesn’t seem too intent on revealing how much cash was taken, diverting the conversation back to his cards. The cops look pretty damn suspicious, as Daniel rambles on about his collection. They ask about what Daniel does for work – he’s an I.T. guy at a pharmaceutical company, naturally, which they find a little interesting. When the two officers discover Daniels’ couch was moved they further find a stash spot along the baseboards of the wall; inside, nothing. Clearly there used to be something important in that spot, that we already know. But the police know now.
Jimmy is over at the pool, again. He floats and makes a call on his cell, then admires a beautiful women poolside who shows up to tend to a large gold chain wearing man, who also happens to be clothed in high priced clothing. Jimmy wants to use this guy as a “mark“, the next one on his new road trip to a new life. Seems being a criminal comes naturally to a man who once tried upholding the law. Mostly, he’s calling Kim, hoping she’ll come down and have fun with him. She doesn’t call back, but he decides to call Davis & Main, obviously where Clifford practices.
Cue Jimmy at his office, checking things out. A far cry from the pool where he previously lounged. He’s always doing things for other people, not for himself, just as he stated earlier to Kim about his brother being the reason he practiced law. Now it’s as if he is only doing this for Kim; to impress her, to have her in his life. There are two ends of the rope tugging – Jimmy is a criminal at heart, but these other people in his life pull him towards a stable, more professional and most importantly legal state of living. Just seeing Jimmy at the office in front of a big desk, strange art on the wall, he doesn’t belong. No matter how hard he tries to fit on, no matter if he wants to. Regardless, the clash of his two lives brews more and more.
Most interesting is the light switch on the wall. It has a sign that declares ALWAYS LEAVE ON. But the small screaming rebel inside Jimmy won’t let it be; he tears it off. Of course, nothing really happens, not that he notices. Yet it speaks louder than words, this action: Jimmy cannot, he will not, conform to the fully straight and normal life. He will always have to tear that tape off, do things his own way. Always.

 


Looking forward to the following episode in this new season, “Cobbler”.