The Path – Season 2, Episode 13: “Mercy”

Hulu’s The Path
Season 2, Episode 13: “Mercy”
Directed by Jessica Goldberg
Written by Jessica Goldberg

* For a recap & review of the penultimate Season 2 episode, “Spiritus Mundi” – click here
Pic 1Here we are: the final episode of The Path‘s Season 2! What a ride it’s been, I do hope that we’re getting another season. But first, let’s see where this one ends.
Last we saw, Richard (Clark Middleton) was about to set himself and the compound, specifically the archives room where all the unburdening tapes – the blackmail weapons – are kept.
Sarah (Michelle Monaghan) and Eddie (Aaron Paul) are together with their daughter. They’re living a different life, out in the real world, in a seaside Canadian town. “Are we safe now?” Summer (Aimee Laurence) asks.
Is this a vision of the future, a life beyond Meyerism and its cult for the Lanes? Or are we seeing a dream? It looks like reality. We then see Cal (Hugh Dancy) go back to his little room with Mary (Emma Greenwell) and their newborn baby. It looks as if the Lanes finally made it out, all of them – well, aside from Hawk (Kyle Allen) it seems.
Everyone else is moving on, three weeks after the birth of Emma’s child. The events of the previous episode set off a series of repercussions that everyone’s still learning how to deal with, still understanding. Sarah’s confused; her daughter wants her parents back together, but mom isn’t entirely sure. The entire web of relationships is fractured, possibly beyond repair. Sarah tries justifying what she did with the blackmail, yet also harbours deep guilt over Richard’s death.
Pic 1AThe Meyerists continue trying to move past Richard’s death, the fire. They all lay cacti and plants at the site, a sort of ceremony. Meanwhile, Hank and Gab (Peter Friedman/Deirdre O’Connell) wonder how things will continue, as Bill and a reluctant though present Felicia (Brian Stokes Mitchell/Adriane Lenox) assure them – Cal is “good for the movement.” Right. The fearless leader’s too busy licking his wounds over Sarah that it’s a wonder he can concentrate at all. Between that and having a lovechild with Mary, one everyone’s gossiping about behind their backs.
It’s nice to finally see Eddie, Sarah, and Summer living a normal life away from the compound; too bad Hawk’s brainwashed. The three walk on the beach, they spend time in the open air without having to do any creepy, weird shit. They’re an actual family again, bound by themselves instead of some cult nonsense. More than that it’s clear Sarah’s never actually fallen out of love with her estranged husband.
On the street, Eddie runs into Abe (Rockmond Dunbar). He’s not happy that his case essentially up and ran away. He came to see Eddie, to “bring him back” to his people. Whatever that means.
Pic 2At the centre, Hawk gets an envelope from his mother reading DO SOMETHING WITH IT – the results from the Clarkesville water tests. Hmm. There’s something bigger, more major coming with that whole plotline. I’m just curious to see where Hawk takes it, and whether it changes him.
Abe drops Eddie home. Following nearby is Russel (Patch Darragh), too. Inside are the former Deniers, all meeting to figure out what’s their next step. Eddie tells them about his visions, how it isn’t clear. It’s not about seeing the finish line; he’s on a journey, like the rest of them. “I dont know if Im the one,” he tells them. He’s unsure, even with the blessing of Steve Meyers (Keir Dullea). Nevertheless there are people who now count on him, who BELIEVE in him. Of course Russel brings information back to Cal – Sam Field isn’t who he said he is, he’s been in league with Eddie. And he tells Cal of the Deniers, their hope to reform Meyerism. That doesn’t sit well, either.
Cal’s fragile psychological state is scary. When he goes home to Mary she’s asking questions about Eddie. This further reveals that Cal believes “people don’t know what they want.” He has contempt for others. But Mary’s smarter than he understands. She tells him: “You are what we want.” And she suggests something must be… done… with Eddie. So the two have a chat when Cal shows up down at the Deniers HQ. He acts quite threatening, as well as too sure of himself, full of ego. None of his behaviour will drive Eddie away, though. Unless it comes down to Sarah.
Pic 3Speaking of her, she’s out experiencing the world, dinner at a friend’s place. Then comes the questions of where she came from. Why nobody can Google her. So on. Sarah gets paranoid, so she and her daughter sneak out the bathroom window and run. They head to their house, grab a few things, and they take off. An intense scene, with a pounding score.
Hawk walks in to find Eddie, Cal, and Libby Dukaan. Troubling, not to mention the fact his father appears not as enraged or defiant as normal. A little later Cal talks about Eddie, saying he’s willing to drop all he believes in to help Sarah; funny, as this shows that Cal cares most about the movement and himself. Sadly, Mary can’t see that, not yet. Although she’s full of spite enough to try and twist things up for the father of her child; the identity of whom she reveals to Hawk, in order to stir up some trouble.
Sarah heads for the border with Summer, determined on doing the “right thing” so that her daughter can be proud of her. Will she turn herself in? Is that actually her plan? Meanwhile, Hawk goes to see his dad. He discovers the truth of Eddie as Steve’s chosen one to lead the movement. He also finds out that his dad got Libby to pay back the people Sarah blackmailed. But this also means there’s nothing going ahead with the water tests. Eddie further believes he isn’t the one to lead. Through it all, Hawk, the one who was so brainwashed, falling away from his dad, may be the one to convince him.


A great sequence cuts parallel between Eddie preaching about mercy and Cal practising a speech about loss. What we see is how Cal has to rehearse his movements, whereas the compassion for others, the speech, it all comes easy to Eddie; like a natural extension of himself. This is THE GREATEST SEQUENCE OF THE SERIES! Hands down. And all the while as we visually comprehend the differences between the opposing leaders, Sarah wanders a rock maze, trying to rediscover her own way on the path. Just amazing filmmaking here in this scene, from writing to editing to score.
One good thing, I suppose, is that Cal comes into his own as the father of Mary’s child. They name him Forest Roberts, due to his being born in the wilderness.
Sarah confronts Eddie about his choice to reverse the blackmail. He assures her that her life “will be hell” and she won’t need to look for punishment, not from the law or anywhere else. For once, she’s now the one who wants to walk away and have a family, away from a cult. She doesn’t want him to “go back inside.” She worries it’ll wash away what’s good about him.


At the compound, Ascension Day is underway. Sarah walks into the midst of the celebration, as Cal preaches his rehearsed speech. Everyone eats it up, too. They love it and him. They sing songs of Meyerism, acting like a big, happy family. Then they’re distracted by a noise from out at the gate. The Deniers have come, Eddie leading the crowd. Hank even lets them in willingly.
What a stunning moment! Some greet Eddie, others leave. Perfectly Radiohead’s “Everything in its Right Place” plays in the background. Soon, people walk from out behind Cal, joining the rightful Guardian of the Light. A change is coming. Just a case of who, and what, is left standing when all is said and done.
Pic 6Pic 6AI LOVED THIS FINALE! Even better than the Season 1 finale, as well. Spectacular work, especially now as we sit on the edge, waiting to see how Cal moves forward – no doubt treachery and violence are on his path – and how Eddie handles the movement, plus I can’t wait to see what Sarah chooses as her own personal way forward.
Hulu: renew this, or feel my wrath.

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The Path – Season 2, Episode 11: “Defiance”

Hulu’s The Path
Season 2, Episode 11: “Defiance”
Directed by Phil Abraham
Written by Vanessa Rojas & Andrea Ciannavei

* For a recap & review of the previous episode, “Restitution” – click here
* For a recap & review of the next episode, “Spiritus Mundi” – click here
Pic 1Hawk (Kyle Allen) is in one of those same rooms where his father Eddie (Aaron Paul) sat, staring into the Meyerist eye, repenting for sins. Or whatever. A lot of pain in him. On the outside, Cal (Hugh Dancy) and Sarah (Michelle Monaghan) are basking in the success of their latest talk. Although she’s having a tough time, with family. But Cal says he’s “all in” for their new life, their relationship. Except Eddie’s there to confront him over what he discovered about them. He also shows off the charm Steve (Keir Dullea) gave him, making clear both their leader and Sarah chose him; not Cal. Whoa.
Note: Eddie’s cast in light as Cal, once more as I’ve noted time and again, gets cast in shadow, a great visual in this moment!
Mary Cox (Emma Greenwell) and Sean (Paul James) are talking with his mother and the cult deprogrammer. They’re asked about whether there’s a threat of violence, which neither of them can answer for certain. He wants to take the second chance. She’s still connected, particularly to Cal.
And then there’s Abe Gaines (Rockmond Dunbar), trying his best to blow the lid of the Meyerist cult. He says that “press alone” can take them down, though Sarah’s looking more likely headed to jail all the time. On top of that, there’s the issues with the water, and Abe gets troubling results back on the tests ordered.
Through Richard (Clark Middleton), Eddie wants to send a message for his son. That they need to meet. Although Hawk isn’t doing well. His mother’s going to see him, then gets a call from Cal; he’s surprised to find out that Eddie was in fact in Peru with Steve before he died. The stress sitting on Cal’s shoulders right now is so huge, you can see it about to break. Later, he holds a meeting about Eddie slipping past security, and he goes a bit wild. You can see people a bit scared now for the first time. They can see Cal’s instability raging below the surface.
Hawk’s having trouble seeing how the isolation is meant to help. He doesn’t feel it’s working, and he knows it didn’t work for his father, either. His mother, brainwashed as she is, pushes him to continue: “The Light radiates in you,” she tells him, feeding him the same shit her parents likely fed her. Speaking of Hank (Peter Friedman) and Gab (Deirdre O’Connell), they go to see their daughter Tessa (Alexia Landeau), defying the Denier Policy. Already, a change is coming in the movement altogether. One that Cal might not be capable of stopping.


Eddie, with help of Felicia (Adriane Lenox), continues on his climb to 8R. He does meditation. He threads a needle blindfolded. All while she narrates his journey. Simultaneously, Cal goes through all his things – his memories of Steve, pictures and letters and all sorts of things – wondering if what Eddie told him earlier is actually true. And despite the madness, the nonsense, there’s something to Eddie’s claim of being the “chosen son” because he has a power in him, somewhere deep down.
Returning to life again, Hawk runs into Noa (Britne Oldford). Things are awkward, yet he confesses to being with Ashley (Amy Forsyth). They try moving past it, and he lays on one her lips to prove nothing’s changed. But something has changed, absolutely. He’s only denying it. Then he finds out his father crashed the compound to get to Cal. Coupled with the fact Richard brought word to him in meditation, he’s a confused young man.
For his part, Cal is trying his best to hang on to everything. From Sarah to Mary. Of course when Sarah tells him about the latter wanting to possibly leave, things get tough. Cal tries to pretend like he cares, like he’s not putting pressure on Mary in any kind of way. Sarah’s doing her best to root out who’s exploiting and abusing her. Only a matter of time before she finds out more. And piled on top of everything, Noa contacts Cal to tell him Eddie’s trying to see his son. That’s not all, though. Eddie and his father-in-law Hank are still in league, too.
And Eddie gets beaten up by three men, brutally. Which starts to make him paranoid about who’s pulling those sort of strings. He tells Hank that he now has to “pick sides” and to go with his own truth, instead of that of his wife, his daughter. But Hank can’t, not yet.
Sean gets a bit scared after Mary tells him she let Sarah in on their possible plan to leave. Especially when Cal shows up at their place in the middle of the night. He acts willing to let them go. “You are loved here, the two of you,” he claims. Is this truth? Or merely an act, another mask in the long line of delusions that is Calvin Roberts? Honestly, I can’t tell at this point.
What Abe discovers is that he’s a pawn in a game involving Dekaan, the water wars. He feels more and more isolated, as well. Nobody on his side seems to care about what’s truly happening. When people are dying from poisoned water, and the cult goes on blackmailing and brainwashing and ruining lives in their own way.
Family dinner now includes Cal, something Hawk does not seem to enjoy. Also, Hank and Gab bring up how intense Cal was during their little security meeting earlier. This starts up a conversation about why Eddie showed up at the compound. Everything gets quite intense. Outside, Cal tells Hawk about him and his mother. Then retroactively admits to offering Ashley’s family a house as a bribe to leave Hawk alone. He likewise tries to make her out to be the horrible one. Not a good idea; shit.
That night Eddie’s waiting for his boy as he gets back in the city. Things don’t go well, Hawk wants to throw him away, he believes whatever Cal tells him. He won’t accept anything, and says that Eddie has to accept everything, that he must move on. Poor kid. He goes one step forward, three steps back. Into the muck and the mire of Meyerism.


Sarah goes to see Eddie, and they argue over their respective responsibility for their actions. She’s shocked, knowing that he knows what she tried to make restitution for, and this sends her away angry. Now she can likely guess Richard’s been meeting with her husband. She goes back to the compound rifling through his things, trying to find a clue.
Packing their things into a car in the middle of the night, Sean and Mary plan to leave. But she runs back, unwilling to let go. All he can do is turn around and leave on his own. This is not good.
At home, Eddie hears a noise. Wielding a bat, he finds Abe out poking around his place. He reveals that his child made it, just as Eddie prayed for “to the Light.” More than that he explains why he’s on Eddie’s side. “Everything else has been a charade,” Abe says. Then he reveals more: he’s with the FBI.
Finding keys to a hotel room, Sarah discovers Felicia there.
In the woods, Cal has a vision. He sees Steve “painting flowers on [his] walls of doom.” He attacks his mentor, mad for not receiving the pendant, the one he says he earned. He chokes Steve, but the man only smiles. A terrifying, waking nightmare. We have an idea of all the devious ways in which Cal had to… earn, the pendant. This is the trauma that lingers in Cal constantly, haunting him.


What an intense episode! One of the most emotional, eerie, powerful episodes of all.
Excited to see what happens in “Spiritus Mundi” next, as we get closer to the end of this psychedelic, strange, visceral Season 2.

The Path – Season 1, Episode 3: “A Homecoming”

Hulu’s The Path
Season 1, Episode 3: “A Homecoming”
Directed by Michael Weaver
Written by Annie Weisman

* For a review of the previous episode, “The Era of the Ladder” – click here
* For a review o the next episode, “The Future” – click here
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Further down the spiral we go, alongside Eddie Lane (Aaron Paul) as he wavers on the precipice of losing his faith in Meyersim, in Doc, in the far too enigmatic Cal Roberts (Hugh Dancy).
After last episode when Eddie went in for his fourteen days, leaving behind son Hawk (Kyle Allen) and wife Sarah (Michelle Monaghan), we pick up in Peru.
In his bed lies Steven Meyers (Keir Dullea), net to him Cal. The Doc is not well, as we’ve already inferred. It’s becoming more and more Cal isn’t so much in it for their religion. He’s in it for the power.
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Back into the world, Eddie shares his experiences. Everything is renewed, everything is fine again. Then there’s Cal, pumping everyone up saying there was “light dancing” in Steven’s eyes when he was told about all their work. Capable of seeing both sides we’re able to stay wary of Cal and his wiles. How long can he keep the wool over everyone’s eyes?
Meanwhile, the whole Miranda Frank (Minka Kelly) situation is devolving. She apparently would not “unburden“, and therefore creates an entirely new pocket of troubles. Because how can Eddie explain himself if Miranda will not confess (to something she did not do)?
Most interesting so far is Cal going to see his previously briefly mentioned mother – Brenda Roberts (Kathleen Turner). One thing I have to mention, as I’ve said before: the score from Will Bates is phenomenal. As Cal goes into the apartment building to see his dear ole mom there is such a great piece of music that builds and builds, it has an unasy, warped feeling, and almost puts you directly into the mind and headspace of Cal.
Detective Abe Gaines (Rockmond Dunbar) is still pursuing the cult. He’s out at their camp talking with Richard (Clark Middleton), pretending to be someone else of course. Naturally, he’s trying to get a lead on what these people are all about.
Still meeting with Alison (Sarah Jones), Eddie tries to cut himself off from their previous incognito investigation. He’s drinking their “juice“, but believes he’s “living the truth“; something she will not buy.
In one of the locked rooms, Sarah goes to talk with Miranda, whose confusion only grows more by the second. Except Sarah is convinced of their affair. The layers only twist around one another, wrapping up in a pit of snakes that’s only bound to make things worse for everyone involved.
Back at his mother’s place, Cal tries to clean up. She’s more interested in trying to draw him back into her life. For a seemingly narcissistic man Cal appears concerned for his mother, her safety, her health and sanity, too.


Home in bed, the Lanes “connect” and try to get their energies flowing together. All of their Scientology-like teachings and beliefs make it right into the bedroom. So, like all other major religions, this cult is just like any other operation. They want to control life, they want to lock down personality, to crush individuality. And it’s obvious: Eddie and Sarah have a big Meyerist Eye hanging in their bedroom, right there in the place where they make love.
The sour relationship between Cal and his mother comes out further. She clearly has never had time for any of that cult religion bullshit, though, Cal’s dad entrenched his son in the workings of Meyerism. What’s interesting about their relationship is that there are guaranteed many people Cal’s age, in real life, whose families were torn apart by quasi-hippy nonsense like Meyerism during the 1960s and 1970s. A guy like Mr. Roberts took his son under his wing and immersed him into the cult, which had lasting repercussions on Cal, as well as the family overall. Yet, it’s still clear also that Cal cares deeply for his mother. He even has a drink for her.
Hawk is still trying to live a normal life. He explains the ways of his religion to his new sort-of girlfriend, Ashley (Amy Forsyth). Part of him comes off very abrasive, likely a result of his being raised in the cult of Meyerism. While Ashley doesn’t exactly understand, or dig, the whole religion thing, she does like Hawk a lot.
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Cal’s trying hard to get his mother into a care home. But she pushes and pushes and pushes, until he snaps on her in front of the people there. The rage in him is clear, even though she is on ragged, rough bitch. There’s a hatred in him which runs deep. It’s scary, actually.
At the same time, Eddie is dealing with being pushed, too. The stress of having to admit something he did not do grows around his shoulders. Everybody knows, everybody thinks that he’s “transgressed“, and it is a burden. No matter if he wants to make things right again. Likewise, Cal’s secret life with his mother, his drinking, it puts him in touch with Sarah. Funny, how Eddie never actually cheated, and yet Sarah and Cal have a strange, semi-emotional relationship with one another, very personal, private. I wonder if there are any other secrets of theirs we don’t know about yet. Because she’s already lying about why Cal called.
Further than that, Eddie finds Alison lurking around outside their house. He actually threatens to kill her if she comes around again: “You do not know where I come from,” he warns. It’s like a massive whirlwind of trouble brewing around their lives, ready to encompass everything nearby, everybody has something threatening the integrity of their cult, something about to crash down on top of their systematically structured universe.


Later when Eddie finds out that Miranda is at the compound, unwilling to admit to their non-existent affair, he is rocked. Now what will he do? Somehow this has to go away.
Over at his girlfriend’s house, Hawk does what he can to help Ashley and their family in harsh times. It’s intriguing to watch Hawk go against the wishes of his community because he knows what’s right, he knows to help someone is the ultimate goal, and yet the others around him, his own family, they’re falling way of the path in their own various ways. So to watch the kid be the one whose intentions are lining up true is sort of ironic, when the adults act as if they’ve got it all figured out.
And Cal, he knows exactly where he came from, unfortunately. His mother warns of trying to outrun his identity. That never ever goes the way it’s planned.


Brenda: “Wanting to be someone else never works. Just brings you right back here.”


A fire is lit under Gaines by the father of Mary Cox (Emma Greenwell). The detective is definitely going to start causing some issues for the Meyerists and their community. Coming up against the wrath of Cal, I wonder exactly how out of control things are about to get.
Once Cal gets back to the camp he meets with Sarah. He tells her about something “in Peru” about Doc Meyers. He claims the “next rungs” deal with “succession of leadership” and so on. Of course. No surprise there, right? Cal wants to install himself as the next leader of the Meyerist movement. “Its always been you,” Sarah even assures.
In the end, Eddie goes to see Miranda. And she’s unconscious, likely dead, having drank the juice she was brought earlier by Sarah, or at least that’s what it looks like. Whoa. Is it really the case?
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Let’s find out together. Next episode is titled “The Future” and more revelations are bound to expose themselves.

The Path – Season 1, Episode 2: “The Era of the Ladder”

Hulu’s The Path
Season 1, Episode 2: “The Era of the Ladder”
Directed by Mike Cahill
Written by Jessica Goldberg

* For a review of the previous episode, “What The Fire Throws” – click here
* For a review of the next episode, “A Homecoming” – click here
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After the first episode, Hulu’s The Path continues on its ominous journey.
We open on Eddie and Sarah Lane (Aaron Paul/Michelle Monaghan) going through some type of couples therapy. They go, together, back in time to a different place in their lives. Turns out Eddie’s taking the rap for infidelity, instead of admitting the truth – he is doubting, his faith is crumbling, and he was in that motel meeting a woman named Alison (Sarah Jones). Although, he only goes so far. He adamantly refuses the “14 days“, which seems to be some type of reflective punishment.
Meanwhile, Cal Roberts (Hugh Dancy) is off meeting with a possible wealthy donor to the cause. The family has an addict son who requires a last ditch effort to be turned around. Speaking of young people, Hawk Lane (Kyle Allen) is coming up against the religion of his family. He’s not supposed to spend time with young women outside of school, alone, things like that. Eddie sort of bands with Hawk against the rest of the family, which is obvious. He’s trying to slip out of the whole debacle as it is.


In the aftermath of the tornado also lies the aftermath of Cal supposedly protecting Mary Cox (Emma Greenwell). So then there’s Cal, pushing forward into his own agenda. He talks with Sarah, wondering how the couple therapy – branded with yet another Scientology-like name, IRP (Infidelity Rehab Program) – is actually going. Also, Cal continually presses into the life of Mary, as now they’ve got a bond over what happened in the previous episode. And she definitely, clearly, has a lust for Cal.
We’re finally introduced to Detective Abe Gaines (Rockmond Dunbar). He’s discovered the reach of the Meyerist cult, how they swooped in on the latest disaster area. This will provide an excellent, fun thriller element to the series.
Outside the community, in the real world, Cal and his minions help spread their word. Subtly, sly, they infiltrate the minds of others and casually rope them in.


Deeper down the rabbit hole goes Eddie. He and Alison have another meeting. “Maybe it doesnt matter if its real or not,” says Eddie. Now he’s doubting his doubt. “Because it fucking matters,” Alison replies. She reveals her husband was killed after they tried to leave the cult, and though Eddie doesn’t believe it, there is an obvious fear in him. The elderly people she was going to meet were her grandparents. She’s on the run, “like a fugitive“, and all because of the madness within the cult of Meyerism. For now Eddie decides to halt on going any further with their clandestine activities.
Hawk’s trying hard to fit in with the little family of his maybe-girlfriend, Ashley (Amy Forsyth). He even eats meat. The whole situation is sort of odd, especially in modern times. He asks personal questions of the girl, the mother, he doesn’t like to have the door closed in the room alone with the girl. Such a noble, honourable kind of belief system, though, under it all there lurks darkness.
That darkness is defined in Cal. He appears so candy coated on the outside. But inside, there is chaos. He has huge ideas, wants to help humanity. Yet is he any kind of leader? He manages to keep the anger inside him at bay, at least when required. Then it rips out of him at times. A very Hubbard-esque characterization in contemporary times. One little thread slips out – Cal’s mother. He avoids talk of her completely when asked point blank if they see one another. Mommy issues, Cal?


Eddie and Sarah still struggle. There are tons of underlying bits and pieces to their relationship. He was a sort of outsider, one who found his way into the inner circle with the likes of Sarah and Cal, those who’ve spent their life in the cult. So there’s an aspect to Eddie that’s on the fringes to begin with, and now this bit of doubt pulsing in him only serves to put him further on the edge. But he and Sarah can’t talk too long before they tear one another’s clothes off for a steamy romp. Hawk comes home in the midst of their lovemaking and has a bit of an existential mini-crisis, throwing up the meat he’d ingested earlier.
One way or the other, the Cleary family tries to keep on keepin’ on.
The media are being courted as a new possible avenue for the cult. Cal claims Doc told him the message is ready to spread. It’s obvious there are chains, a hierarchy, one that’s as rung-like as The Ladder they tout – whomever is higher has more authority, more knowledge, supposedly. And Cal exploits that to a certain degree in order to further his personal agenda, where he wants things to head. I love that they’ve used Scientology as a basis for the cult, but steer clear from copying everything too readily.


At school, Hawk gets called “Jim Jones” and warned of bringing the “Kool Aid” too close to Ashley, by her boyfriend. I knew repercussions for this were coming. A fight ensues, no doubt bringing more drama to the Lane clan. Needed at the school, Eddie’s drawn away from investigation the claims of Alison, re: her husband Jason. Mostly here we get an examination of how these cults, these communities affect families, the children in them, their social relationships, and much more.
Closer and closer, Cal and Mary come together. And no longer can he control his urges. Well, sort of, sort of not.
After everything, Eddie wants to go through with the rest of therapy. He wants to normalize their relationship, to “get back” to the old way. It’s the whole fourteen days thing. And into the room he goes, a veritable jail cell, self-imposed. A place of introspection, of clarity. Two weeks in there? Very similar to a practice in Scientology, though, again – not lifted entirely.


The media’s eye is now finally coming down on the cult of Meyerism. On a set, Cal is interviewed by a reporter. He tries to delineate their cult from the very world itself. The power of persuasion is on Cal’s side, as he is charismatic, charming, intriguing. His skills of oration are impeccable, he can almost melt people into the palm of his hand.
With Detective Gaines watching on, Eddie straddling the fence and Alison on the outside fighting, when will the cult find themselves at direct odds with the outside world? Soon enough. I’d bet on it.
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The finale of this episode sees Cal moving on helping the would-be-donors with their junkie son. Not just that, he’s making sure the donor professes his love and admiration for their religion. He wants true, faithful followers, and is doing whatever necessary to ensure that. “Cause I dont give a shit about your million dollars, Mr. Ridge,” says Cal: “I want your faith.”
At the same time, Eddie goes through the beginning of his fourteen days. It is a head trip. A one way ticket to absolute insanity. All billed as therapy, somehow. This whole sequence is almost terrifying, watching Eddie pace around the room, answering questions, painting, throwing paint, all kinds of things. Then, we get another glimpse at his revelation from Peru, behind the door, as Stephen Meyer (Keir Dullea) lays in a hospital bed, draped with a large snake. Back in the stark white room, Eddie loses his mind. Apparently he admits to an affair with Miranda Frank (Minka Kelly), and everything is fine afterwards. A few men go to pick her up in a cult van. What will be her fate?
Cal relays the new happenings to Doc in his bed, pronouncing their new era, “The era of the Ladder“, and now we know for sure what Eddie knew to be true really is true after all.


Where does The Path head from here? Let’s stay tuned together and find out.