Tagged Scott Thompson

Hannibal – Season 3, Episode 11: “…And the Beast from the Sea”

NBC’s Hannibal
Season 3, Episode 11
:…And the Beast from the Sea
Directed by Michael Rymer (Queen of the Damned)
Written by Bryan Fuller & Steve Lightfoot


* For a review of the previous episode, “…And the Woman Clothed in Sun” – click here
* For a review of the next episode, “The Number of the Beast is 666” – click here

DISCLAIMER: DO NOT READ THIS IF YOU DON’T WANT TO BE SPOILED! I shouldn’t have to put this here, but people whine and complain. Why are you looking if you haven’t seen yet? This is a review, it’s bound to contain spoilers. GET OFF THE INTERNET!
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Will
: “He ate a painting
Jack: “He ate it!?
Will: “He ate it up

Now the hunt is on. With only two episodes left after this one, “…And the Beast from the Sea” has started off directly after Will Graham (Hugh Dancy) and Francis Dolarhyde (Richard Armitage) had their brief meeting at the end of last episode.

Will: “Jack Crawford, fisher of men. Watching my cork move against the current. You got me, again.

Francis: “The Dragon has never spoken to me before. It was frightening.
Hannibal: “What did it say?
Francis: “It called my name. It wants her.
Hannibal: “If it weren’t for the power of your becoming, if it weren’t for the Dragon you could never have had her.
IMG_1087We’re seeing the vengeance in Hannibal Lecter (Mads Mikkelsen) come out of him. He has found a new friend, one who embraces him without the need for law, justice, or order. Someone else amongst the chaos of life and abroad the ocean of murder upon which they’ve both set sail. Lecter and Dolarhyde are kindred spirits. Will has scorned Hannibal; two heterosexual lovers, one turned away ultimately by his empathetic need to help, the other stuck in a muddy world of intellectualism and cannibalism.
The naughty doctor does one of his naughtiest deeds yet. Over the phone with Dolaryhde, he says the unthinkable.

Lecter: “Save yourself. Kill them all.
IMG_1088 IMG_1089Armitage continually proves he has the chops. Incredible actor. Not only is the physicality he’s bringing to the role of Francis Dolarhyde marvellous, the gentle and quiet way in which he portrays the madness of Dolarhyde is a revelation. Again, as I’ve said before, I love both Tom Noonan and Ralph Fiennes in their respective performances – Manhunter and Red Dragon – however, it’s Armitage who is able to bring the full scope of emotions, the density of the torment and suffering inside the character into our eyes right before us.
Scenes with Francis and Reba (Rutina Wesley) are very tense in this episode. Dolarhyde, in a scene familiar to many, watches some ‘homework’, as Reba lays in his lap drinking with him. All the while, Francis is watching footage of his possible next victims: through the frame walks Molly Graham (Nina Arianda). DAMN! Not that I wasn’t expecting it, but still – chilling, to say the least.
IMG_1091Slowly, it looks as if we’re seeing the Great Red Dragon head towards Graham and his family. Ominous and very terrifying. First, the dogs are sick. Though the doc tells Molly and her son it’s possibly due to the Chinese dog food she’s feeding them while Will is away, I know it’s Dolarhyde. He’s watching them, he takes care of the pets before moving in, and that’s just a part of the system.
As Molly leaves the vet, there’s a warning sign from the FBI on a bulletin board. Unfortunately, Mrs. Graham is not thinking about any of this. We watch on helplessly.
IMG_1096Will: “He’s contacted you
Hannibal: “How do you imagine he’s contacted me? Personal ads? Writing notes of admiration on toilet paper?
IMG_1092 IMG_1093 IMG_1094 IMG_1095Constantly there are wonderful nods from Bryan Fuller & Co. to the source material. Those familiar with Red Dragon will remember these bits as they pour in. Excellent little bites of Thomas Harris coming out the woodwork.
In the scene where Will heads back to visit Lecter, there’s so much animosity between the two which works up more and more every episode. They have an even better repartee now that Hannibal is the rejected lover type. Such a saucy and angrily ignorant Hannibal! Mads is also a revelation. I love that Armitage fans have come to the series, but don’t forget: both Mads Mikkelsen and Hugh Dancy have been putting in consistently nuanced performances since the start of Season 1.

Hannibal: “They’re not my family, Will. And I’m not letting them die – you are.
IMG_1100 IMG_1101Another familiar image crops up in maybe one of the most intense scenes ever on Hannibal. Tom Noonan had the whole creepy pantyhose thing going on over the top half of his face in Michael Mann’s Manhunter, and as Francis Dolarhyde makes his way into the home of Will and Molly Graham, where she and her son are sleeping alone, he has a similar style thing happening – teeth grimly apparent, stocking-like hat drawn down to his nose.
Such a creepy look for Dolarhyde. He looks just downright horrifying here, stalking around quietly over the property looking for the Grahams. It is incredibly tense, I can’t get over how much I was biting my lip during this scene!
Afterwards, as Molly escapes, Dolarhyde lets rip a gruesome scream “NO” into the air, his haggard teeth in full view. As if the Great Red Dragon were bellowing up and out of his guts.
IMG_1103 IMG_1104 IMG_1123What I find most interesting about this whole angle is that now it’s not only the FBI work affecting Will himself, the madness is spreading out from him and touching his new family. Molly takes a bullet, in what looks like her shoulder. Poor Will shows up at the hospital where Jack Crawford (Laurence Fishburne) is waiting with Molly’s son.
Amazing scene between Will and his adopted son. Incredibly moving to see Graham and the boy together; he asks about Will and his time in the Baltimore State Hospital for the Criminally Insane. Tough, rough stuff, and it’s a well-written, well-adapted scene from the work of Harris. More of the ongoing adaptation I love so much.

Wally: “You shouldn’t put this guy in a mental hospital. You should kill him.
IMG_1107Smarty pants, one of my favourites, Dr. Alana Bloom (Caroline Dhavernas) has figured out that Hannibal hasn’t been on the phone talking with his lawyer as of late. She’s a sly one. Not only that, Jack Crawford shows up much to the chagrin and simultaneous pleasure of Dr. Hannibal Lecter. Though, the naughty doc is peacocking like a real saucy serial killer. He has this strut when Jack walks in, as if he’s holding every last card in his palm. Love the way Mads pulls off the classic character with his own way of doing things. Helps to separate himself from Anthony Hopkins, whom I also love. It’s just that Mads is another beast entirely; incredible performer.

Alana: “Would you have told me the truth?
Hannibal: “In my own way, I always have.
IMG_1108 IMG_1110 IMG_1111 IMG_1112 IMG_1113 IMG_1114 IMG_1115In this amazing episode, we actually see a physical fight between Francis and the Dragon. We get little bits of him fighting the fictional image of the Dragon, juxtaposed with the reality: he is beating the life out of himself. Dolarhyde beats himself bloody onto the floor. One of my favourites thus far including Armitage.
There’s a bunch of excellent imagery in this episode concerning the Dragon. Over and over, we see it. More and more, the Dragon wants Reba. Though, dear ole D is trying his hardest to suppress the desire to let the Great Red Dragon emerge. This is perfectly shown in their fight together, cutting back and forth between his vision of the Dragon and what’s truly happening – the battle within himself.
Another scene with Dolarhyde and Reba is impeccably done: she touches him over the lip, running her finger over his most maligned physical feature in his own mind. There’s an acceptance, but Francis tells her he’s afraid he will hurt her, that they cannot continue on. This hurts Reba, naturally, but something dark all of a sudden appears across his face. He’s basically watching the only good thing in his life be left behind, walking away from their relationship. Dolarhyde will now, no doubt, spiral downward further into the clutches of the beast within.
IMG_1116 IMG_1118Francis: “How do you know it’s dark?
Reba: “The lights aren’t on
Francis: “Do you remember – the light? Is it worse to have seen it and lost it?
Reba: “I know I can never have the light. But there are things I can have.

More Hannibal and Francis bonding time now, except Dr. Bloom and Jack Crawford are listening in. While the two eavesdropping hope to hear something, Hannibal abruptly tells him they’re listening. I actually dropped my jaw! It was an awesomely devilish moment that I’d not seen coming. What I imagined happening was that Hannibal would stay silent and soon Francis would soon come to understand something was not right. However, Lecter shuts it all down in an instant. He loves it, too. He loves to see Jack get frustrated.
IMG_1119Francis: “Do you know how easily she will tear?
IMG_1120 IMG_1121Finally – FINALLY! We get to see Dr. Lecter in a version of the iconic mask put on Hopkins in The Silence of the Lambs. He’s being held in stasis, as Alana has everything stripped bare. It looks as if those privileges Lecter had are quickly going out the window. More and more, the sweet adaptation continues with recognizable scenes twisted into something slightly new. Dig it.
IMG_1122Will: “I’m just about worn out with you crazy sons a’ bitches
Hannibal: “The essence of the worst in the human spirit is not found in the crazy sons a’ bitches. Ugliness is found in the faces of the crowd.
Will: “What did you say to him?
Hannibal: “Save yourself, kill them all. Then I gave him your home address. How’s the wife?

The wear and tear of dealing with Hannibal is breaking the seams at the edges of Graham’s existence. When he goes to see Hannibal, the bad doctor helps him realize that Dolarhyde did not murder the families, “he changed them”. This is an excellent closing scene to another fantastic episode. Will is really starting to get angry and we’re seeing a different side of him now: a clear, angry Graham. So many times before, he has either been too forgiving with Hannibal, or too damaged by encephalitis and people not believing him to effectively do anything. Now, I’m wondering where Will is headed after this intense episode.
IMG_1125 IMG_1126Hannibal: “When you look at her now, what do you see?
Will: “You know what I see
IMG_1129Tune in next week with me, as the penultimate episode of Hannibal‘s swan song airs – “The Number of the Beast is 666”. We’re about to see an amazing send off to this series, one of the greatest television has ever seen I predict. Because these two final episodes are going to get serious – Will Graham is not happy, Hannibal Lecter is in a corner, and the Great Red Dragon keeps on becoming.

Stay strong, my fellow Fannibals! Keep trying to #SaveHannibal

Hannibal – Season 3, Episode 9: “…And the Woman Clothed with the Sun”

Screen Shot 2015-07-31 at 3.19.25 AMNBC’s Hannibal
Season 3, Episode 9: “…And the Woman Clothed with the Sun”
Directed by John Dahl (RoundersJoy RideBreaking BadDexter)
Written by Bryan Fuller/Steve Lightfoot/Helen Shang/Jeff Vlaming

* For a review of the previous episode, “The Great Red Dragon” – click here
* For a review of the next episode, “…And the Woman Clothed in Sun” – click here
Screen Shot 2015-07-31 at 3.23.30 AMWill Graham (Hugh Dancy) has become distanced from Dr. Lecter (Mads Mikkelsen) since three years ago, when they were still sickly close to one another, tit for tatting with arterial spray all over the place. Now they’re no longer on a first name basis, as Will seems to completely refuse calling him by name – always doctor, or Dr. Lecter. Evidence of Will truly wanting to have a life separate from their odd connection that once was, and still is – deep, beneath the skin, down in the heart. As always, Hannibal mines for details trying hard to uncover all he can about Will’s personal life: his new life, without Hannibal. It’s intriguing and sad all at once.

We’re served up a flashback from events in the very first season with Hannibal and Abigail Hobbs (Kacey Rohl), as he prepares the crime scene he concocted which framed Will for a time.

Basically we are seeing Hannibal, jealous of Will’s new life/fatherhood, looking back at the closest he’ll ever come to that sort of life – the family life. Abigail became like the child of Hannibal and Will. Hannibal reverts back to moments with Abigail, to both capture that feeling Will has which he is missing out on and also to feel close with Will; like a divorced parent remembering the good times with his child that helps him simultaneously remember the good days with his ex-partner.
You accepted your father. Would it be so difficult to accept me?” Hannibal asks.
I don’t know if it would be smart,” replies Abigail.
We don’t get wiser as we get older, Abigail. But, we do learn to avoid or raise a certain amount of Hell. Depending on which we prefer.
I’ll need to collect some flesh,” says Hannibal. “Not a pound, only a piece.
Screen Shot 2015-07-31 at 3.19.50 AMScreen Shot 2015-07-31 at 3.20.01 AMIncredible exchange here as they play on the phrase of “The King is dead – long live the King“…
Hannibal: “Abigail Hobbs is dead.
Abigail: “Long live Abigail Hobbs.
Screen Shot 2015-07-31 at 3.26.27 AMPoor Will is being reluctantly sucked back into the entirety of his old life, working with the FBI and Jack Crawford (Laurence Fishburne). Also there is Dr. Alana Bloom (Caroline Dhavernas) who has brought a Verger baby into the world herself, a true son of her own with Margot Verger (Katharine Isabelle).
But it’s Will who is in the most danger. Everyone else seems sort of sectioned off and encased in their own new worlds, yet Will is always in that danger, the peril of slipping back into the arms of Hannibal.
Screen Shot 2015-07-31 at 3.26.32 AMHannibal: “This is a very shy boy, Will. I’d love to meet him.
As they work together, Will and Hannibal inhabit the Memory Palace. It goes to show how Will and Hannibal are so intricately linked in their psyches now that the Memory Palace where they go together is something of their simultaneous creation; they are partners, in so many senses of the word. They have rooms in their Memory Palace which are identical, perhaps even meant solely for the two of them and no one else. It’s a great visual representation that doesn’t have to do a big ton of exposition to get the point across.
Furthermore, Hannibal and Will walk around in the crime scene together. A testament to both of their powers to empathize, their twisted minds much alike, and also that connection constantly running strong. It’s as if they hadn’t skipped a beat in those years apart, each living other lives yet yearning to be together in some way.
Screen Shot 2015-07-31 at 3.23.40 AMHave you ever seen blood in the moonlight, Will? It appears quite black.
A great image of Will standing like Francis Dolarhyde (Richard Armitage) did in the previous episode, painted in the black blood of his victims and naked in the moonlight.
Screen Shot 2015-07-31 at 3.23.51 AMBack again is Freddy Lounds (Lara Jean Chorostecki), the awful and immoral tabloid reporter. Snooping around, watching Will Graham. Naughty, naughty. Tsk. How rude, Ms. Lounds!

Will: “You called us Murder Husbands.” – CLASSIC LINE! I fucking loved that.
Screen Shot 2015-07-31 at 3.26.40 AMScreen Shot 2015-07-31 at 3.24.02 AMI like the new dynamic between Dr. Bloom and Dr. Lecter. Very interesting. They’ve crossed so many borders in their relationship. Especially when Alana let him go at Muskrat Farm when she could’ve just as easily let Mason Verger (Joe Anderson) eat him, torture him kill him. So it’s fun to see scenes between them both now. Once lovers, now enemies, at odds with one another. Furthermore, Hannibal is in a different position from before. He is uneasy now because of being trapped in that big cell, that fish tank, that observatory – like some bug, there to be studied. And Alana is there, poking, prodding. We also find out that the reason Lecter has cushy surroundings is due to Alana getting some of that Verger cash from the new male heir she gave birth to along with Margot, so that’s how he has been afforded some luxuries. It’s also a way for Alana to existentially torture him, I suppose.
Screen Shot 2015-07-31 at 3.24.56 AMScreen Shot 2015-07-31 at 3.25.12 AMScreen Shot 2015-07-31 at 3.25.32 AMScreen Shot 2015-07-31 at 3.26.10 AMMore Francis Dolarhyde moments bring us deeper into the psyche of Mr. Tooth Fairy himself. INCREDIBLE MOMENT = as Dolarhyde squirms and groans in his becoming there slithers a dragon’s tail back beyond the projector – amazing little shot thrown in there.
What interests me here is we’re seeing Dolarhyde trying to come to grips with who he is – he does not know, he thinks he’s becoming and he’s undergoing a transformation – meanwhile, Will is trying to get inside this guy’s head. It’s an almost impossible task; surely why Will feels the need to go back to Hannibal. However, it’s still an excellent duality where we’re seeing Will fall apart again, at least slightly, while trying to figure out who this man is: a man who does not even know himself.
There’s some amazing yet brief shots giving bits of insight into the past of Dolarhyde. I’ve included a couple screenshots that show a wonderful scene that goes so quick you can almost miss it. Includes some stuff from the Thomas Harris novel Red Dragon in a real intense, fast moment.
Screen Shot 2015-07-31 at 3.24.26 AMScreen Shot 2015-07-31 at 3.24.33 AMScreen Shot 2015-07-31 at 3.24.45 AMI cannot get enough of Richard Armitage as Dolarhyde. I mean, it’s incredible. His physicality, the way he embodies the character and truly becomes him; it’s the essence of the character. Plus, he has several episodes to flesh out that performance. Perfect actor to have chosen for this role. Armitage rules – I am now a believer!
Screen Shot 2015-07-31 at 3.27.12 AMHere in this episode, “…And the Woman Clothed with the Sun”, Dolarhyde meets his blind love interest. A perfect fit I always thought, for a man who has truly disturbing issues surrounding his own physical appearance. Rutina Wesley plays Reba McClane, previously a role inhabited by both Joan Allen and Emily Watson – so I’m interested to see Wesley’s take on it and see how well she handles it. From what we get to see in this episode, she will do great! She has a nice presence and tons of charisma.
I find the relationship between her and Dolarhyde so ripe for tension. It just fits so perfectly. Incredible adaptation here of Harris’ work. However, the original characters in the Harris novel are just amazing as is; what a writer.
Screen Shot 2015-07-31 at 3.27.18 AMAgain, again – love the visuals!
While the conversation between Will and his wife Molly (Nina Arianda) happens, Will uses his Memory Palace to imagine the two of them on the bed together, sitting, in love. It’s an awesome little use of the imagery we so often get on Hannibal. Plus, a nice scene between Will and his loving wife; she is good for him, even if he’s beginning to tear at the seams of his being. The dreams are starting to reappear, he’s sweating: harkens us back to the first two seasons when he descended into madness and instability.
Screen Shot 2015-07-31 at 3.27.27 AMJack: “We’re all in this stew together, Dr. Lecter.
Such a fitting line for Jack to say. It describes everything so perfectly, almost literally at times as Hannibal has made plenty of stews/other dishes out of people, ones they’ve known, and at the same time they’re all just boiling in one big pot together with their hatreds and their grudges and ill feelings towards one another – Hannibal, Jack, Will, Alana, Bedelia – like a giant circle, swirling in that pot, they all curl around each other. We’re constantly wondering: who’s the next to die, to be eaten, to feel the full length of the horror?
Screen Shot 2015-07-31 at 3.27.40 AMScreen Shot 2015-07-31 at 3.27.48 AMThe end of the episode is excellent. We get another great flashback involving Hannibal and Abigail; right after Will called Hannibal in the Season Two finale. There’s lots of good things here, giving us more and more insight into the “sensitive” side, if you will, of Hannibal Lecter; if there truly can be one.
Then of course we see another relationship budding – a new one for Hannibal onto which he can latch (because for all he is Lecter is a parasyte). Francis Dolarhyde reaches him by phone, posing as Lecter’s attorney.

Screen Shot 2015-07-31 at 3.28.04 AMDolarhyde: “The important thing is what I am becoming.
This moment with Hannibal and Francis on the phone at the end is a creepy bit. There’s a duality again between Hannibal and Francis, just as there exists one between Hannibal/Will and Will/Francis. So much going on, like a twisted and scary love triangle of the worst kind.
Gets really tense especially after Lecter asks him what he’s becoming, to which Dolarhyde replies, in an awful tone: “The Great Red Dragon
We’re building more and more to see a huge confrontation between Will and Francis Dolarhyde, ultimately another game initiated by Hannibal. This time, I think it’s also a confused bit of revenge/an attempt at bringing Will Graham back into his world on Hannibal’s part. Either way, there are so many things happening and I can’t wait to see how Dolarhyde is slowly going to go further mad and twist things up.

Stay tuned for next week’s episode, directed by Guillermo Navarro, titled “…And the Woman Clothed in Sun”

I hate that this is cancelled, shame once more NBC! I say it again. Such great horror. I hope this will somehow help mainstream horror television, maybe, maybe not. Wish there was some way to #SaveHannibal – alas, it looks as if it is dead. Hannibal, we hardly knew ye.