Tagged Slasher Film

Mediocre Yet Nasty Backwoods Cannibal Horror in WRONG TURN 4: BLOODY BEGINNINGS

Wrong Turn 4: Bloody Beginnings. 2011. Directed & Written by Declan O’Brien, based on characters by Alan McElroy. Starring Jennifer Pudavick, Tenika DAvis, Kaitlyn Leeb, Terra Vnesa, Ali Tataryn, Samantha Kendrick, Victor Zinck Jr, Dean Armstrong, Sean Skene, Blane Cypurda, Dan Skene, and Scott Johnson. 20th Century Fox Home Entertainment.
Rated R. 93 minutes.
Horror

★★1/2wrong-turn-4-poster-option-1Declan O’Brien did not impress me with the previous instalment, Wrong Turn 3: Left for Dead, but I’ve got to say I like this one at least a little better than that.
Bloody Beginnings doesn’t particularly pull out all the stops, it isn’t a masterpiece – not by any stretch of the imagination – but aside from the acting, and some of the dialogue, the blood and gore pleased me for a good slasher, and the kills were vicious. This is by all means a slasher movie; a little different from run-of-the-mill horror. I think slashers need to be judged a little differently than other sub-genres of horror, that’s why this one gets a little better of a rating than the previous Wrong Turn disaster under O’Brien’s care.

The premise of Wrong Turn 4: Bloody Beginnings is the origin story of the inbred cannibals in the West Virginia Mountains. We start off in 1974, at the Glenville Sanatorium in W.V, where the three cannibal brothers are patients, locked away for their own safety and that of others. They manage to escape, killing anyone and everyone in their path. Cut thirty years later – a group of friends go snowmobiling in the woods, eventually ending up at the now supposedly abandoned Glenville Sanatorium. A storm rages outside. After not too long, the friends discover someone is still checked in at the old asylum, and the brothers emerge from the depths to carve themselves up a bit of fresh meat to throw on the fire: nothing like a bit of lunch on a quiet, stormy winter’s night.
1643781254Immediately, I loved the first scene when I saw it. You’ve got some great elements going on: the creepy asylum, the West Virginia deep woods, patients going wild, and then the three brothers. The use of classical music over the end of the opening scene is excellent, I love when filmmakers put classical or old style music over horror, or any intense situations on film; the juxtaposition makes for something interesting, you almost want to smile until you remember what’s going on in front of you. There’s just utter madness throughout the opening bit. When the three brothers kill the doctor it is a great, wild kill, and certainly sets the tone. It looks good, too. I was afraid O’Brien would pull out a kill like the first one in Wrong Turn 3: Left for Dead, which looked horrible – and not in any sort of good, practical effects type way, it was cheesy and CGI’d to death. This one was gory fun.
968full-wrong-turn-4--bloody-beginnings-screenshot.jpgI don’t like that O’Brien felt the need to go for nudity again right off the bat. I’m fine with sex scenes, if they serve their purpose; I don’t need to watch a movie for sex. And yeah, it’s a staple of 1980s slashers, but the 80s this ain’t, and the nudity in this was just silly. The first scene with the main characters came off needless, when O’Brien could’ve used that time to really jumpstart our emotions towards the leads – instead, you don’t really care about any of them, not at the start, not much in the end.
Furthermore, the acting in this was not good. A couple people held their own, but much of the acting came off wooden, very stilted. The only real emotions I bought from anyone of these characters was fear; development-wise, they didn’t do much for me. I honestly felt bad a little for the Daniel character [Dean Armstrong] because he was the only sensible, nice guy of the males in the film. Unfortunately Armstrong’s acting is a bit stiff, and he didn’t pull me in far enough with the empathy. The other guys I certainly did not relate to because they were foolish characters. This is the biggest problem for Wrong Turn 4: Bloody Beginnings, the characters don’t catch us and make us care enough for the kills to pay off in the way they are meant to for a slasher; we should care about them, so when they die it’s either a shock or it makes us emotional. The script isn’t perfect, though, it wasn’t so bad a group of solid actors could’ve have made things work. These actors aren’t the worst, but they’re far from the best. Horror needs good acting, or else so much of the framework of a horror film will fall flat on its face.
tumblr_lykqz70ONx1qdmxoco1_1280The kills are my favourite part of this entry in the series.
When they first killed the doctor I anticipated there might be some better deaths in this movie than in the last one, which relied too much on computer generated-looking junk that ultimately does not sell itself. Here, there are some great practical style effects. Those types of kills in horror always come off more effective because it’s visceral, you can see and almost feel the skin peel off, slice open, bleed, and it makes for a better reaction.
Wrong Turn 4 2011 Bloody Beginnings (6)In the auditorium of the asylum, one of the girls is killed (one of the couple pictures above), and it works so well. The blood is plenty, and the reaction of the guy trying to grab onto her feet as she hangs from a barbed wire-like noose is perfect: he screams a wild, high yell, his face getting covered in the blood running faster and faster with every second from her open wound of a neck. You almost want to laugh at the scream this guy lets out, but it is perfect. It struck me as absolute shock and terror. Plus, the blood work is incredible. Great stuff.

I hate the term “torture porn”. So silly. I understand what it means, and the intentions of such a term in trying to describe the types of films that run under that banner, but – aren’t slashers meant to be full of blood and kills and carnage? Yeah, I get that some of it is overkill, what I don’t get is how relevant that is to anything. A slasher is a slasher is a slasher. You can try to spice things up – I loved You’re Next and thought it was a fresh new slasher flick for the modern era – but a slasher will always be made up from some basic elements: one of which is gore. What else do people expect a bunch of cannibals stuck in an asylum out in the deep woods of West Virginia are going to do? You think they’re going to all of a sudden start hunting? No, they’re going to eat people, they’re going to chop them up and make new dishes out of them – stir fry and all kinds of crazy concoctions – and it’s going to be a big, bloody, rotten mess. That’s what I came here for, anyways.
wrongturn4bloodybeginnings2011dvdripxvidac3-yefste_screen[1]People will say I’m mental, but I’ll give this a 2.5 out of 5 stars. There is effort here, regardless if you can’t seem to notice right away. The horror element of this movie really works, for me at least. All the gore and the kills and the creepiness pays off. Whereas in Wrong Turn 3: Left for Dead there’s a lack of both good horror and any decent acting, this entry into the series gives us some worthy terror, packed with savage, bloody murder, and plenty of brutality to make things worthwhile. If that isn’t what you’re looking for, then go watch a ghost story, or a haunted house movie – or anything else than a slasher. Because if you’re looking for a slasher… there will be blood.

COLD PREY II Gives Homage & Stays Brutal

This sequel to COLD PREY homages HALLOWEEN 2, though stays fresh in its own right.

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Cold Prey is a Vicious Modern Slasher

Fritt Vilt (English title: Cold Prey). 2006. Dir. Roar Uthaug. Screenplay by Thomas Moldestad, Martin Sundland & Roar Uthaug; story by Jan Eirik Langoen & Magne Lyngner.
Starring Ingrid Bolsø Berdal, Rolf Kristian Larsen, Tomas Alf Larsen, Endre Martin Midtstigen, and Viktoria Winge.
Anchor Bay Entertainment.
Not Rated. 97 minutes.
Drama/Horror/Mystery

★★★★ (Film)
★★★★★ (DVD release)

I don’t think that Fritt Vilt a.k.a Cold Prey necessarily reinvents the wheel on slasher horror films or anything, however, I really love this, and I do think it’s one of the better offerings of modern slasher movies I’ve personally seen. Specifically post-2000. There are a few I really enjoyed, but not many since the millenium dropped. Most are a tired rehash of older films, which were far better than they’ll ever end up being.

Fritt Vilt follows a group of friends who head up into the snow covered hills of Norway to get into a good weekend of snowboarding. Deceptively simple. Once Morten Tobias (Rolf Kristian Larsen) hits a bad jump and breaks one of his legs fairly badly, the group are forced, with night falling plus the snow yweather getting worse, to take shelter in a strangely abandoned ski lodge in the middle of the mountains. The place seems idyllic, yet for some reason or another it is totally vacated. Not a soul is left. Or so they think.
Once the group settles in, everything seems all right for the time being. Morten Tobias is put on bed rest, laying on a couch in the lobby, and topped up with booze. The rest, including the one taking most charge Jannicke (Ingrid Bolsø Berdal), try to sit back and relax. One of the couples on the trip head off to a room for a more secluded and romantic getaway in the lodge. Shortly after, it becomes quite apparent to the audience, and soon enough the characters, the lodge has not been totally abandoned. There are still signs of life on the premises. To the eventual dismay of all the snowboarding friends, a terribly dangerous man is still living in the rundown mountain hotel, and he is not happy to have any guests.
The film begins giving us shots of a young boy fleeing from an unseen force behind the camera, running through snow. This is cut with his parents being asked questions by reporters, news clippings and the like; the boy’s mother and father miss him, and say he has never run away from home before like this.3253708506_977628aOnce things start going wrong for the group of friends in the lodge, it takes us back to the beginning montage, and we start to piece together clues of the killer’s identity, as well as exactly why he may be a killer in the first place. I really enjoy the whole backstory. Also, it helps there are two other films in the Fritt Vilt franchise: Fritt Vilt II, which follows directly after the events of the first, and Fritt Vilt III takes us back to the origins of the killer long before even this installment. Personally, I love all three of them. It’s one of the better slasher trilogies out there. Brutal, savage, and interesting.

Immediately, any horror movie that isolates its characters in a believable way has my attention. Not to say I end up enjoying all those films – of course not. But isolation generally equals tension, and if a filmmaker can play with that tension, build up suspense, both subvert and engage typical tropes of the genre, it really turns out to be an excellent horror film. The mountain setting in Norway here is especially awesome. The idea these friends are all going to snowboard is a normal, understandable situation. Furthermore, once Morten Tobias smashes his leg up, the setting moves to a once glorious mountain lodge. A lot of horror films, slashers in particular, tend to avoid much of a setup. In turn, that usually leaves a movie lopsided because without a setup, without legitimate reasons for why characters are in the setting they appear, or move to a different setting, then things really start to fall apart. I can’t really be truly terrified by any horror that doesn’t properly set up the premise. I can enjoy a movie, regardless of this aspect being poorly executed, but I won’t really be affected in a big way if it doesn’t come off organically. At least in part. It doesn’t have to be absolutely perfect. I love a lot of horror that certainly is far from perfect.
Fritt Vilt does a good job of working with isolation and making it a part of why its horror comes off as natural and terrifying.  One of the reasons many people often say John Carpenter’s films, most notably The Thing, are so creepy is because he really gets into your head with the isolation and all the tension utilized in the stories he tells. This film does a good job of emulating that sort of feeling. There are a lot of ominous shots of emptiness here; hallways, snowy valleys and mountain peaks, the cold and vacant feeling of the lodge itself. It really makes me think of Halloween at times, and some of the spooky shots Carpenter achieved there were these real empty looking moments where it felt as if danger lurked everywhere. You get a lot of those same feelings here, though with a more modern look all the same. This helps the horror and shock of the film come off even more fiendish, as it almost literally comes out of nowhere.
In fact, just to mention, the sequel Fritt Vilt II is set in a hospital and has a feel quite similar to the 1981 sequel of the original Halloween. Not a bad thing in the least. I loved that one just as much as this one, if not more. Certainly doesn’t hurt they hit a lot of the same tones Rick Rosenthal did with his sequel to Carpenter’s masterpiece.
I hate comparing films to others just because it often makes it seem like I’m saying one is derivative of the other – I am absolutely not making that statement about Fritt Vilt. This great Norwegian horror movie pays homage to a couple of the greats which really paved the way for these types of modern horrors. Everything from Carpenter’s films to Tobe Hooper.
For instance, another homage-like moments is the first kill we witness. One of the girls is left alone after a small fight with her boyfriend (yes a typical trope yet one that works). There is a brief moment where she bends down to pick up a necklace she’s dropped, and just as she stands up the killer strikes. This reminds me so much of The Texas Chain Saw Massacre, and that first quick bit where Leatherface appears, screaming, before smashing his mallet down on the unsuspecting victim at his door – before he pulls him away and slides the metal door shut viciously. That moment really terrified me. And here, whether homage or not, I dig this moment. Kicks things into gear quickly, efficiently, and using an old horror trope we’ve all seen plenty of times before. It works well because of the situation going on at the time. Once again, I like things if they work in naturally. No matter if it’s a trope of the genre or not, a film can still be fun and exciting while also retaining some of the typical things we’re expecting to see.

Another aspect of Fritt Vilt I enjoy is the brutality. Honestly, when you go to see a slasher, what drives you? You’re not going to see the drama of the people being hunted by the killer. Ultimately, regardless of whatever it is about movies in general you love, when you’re watching a slasher horror you are watching because there is something inside you wanting to see the people (a.k.a victims) murdered. Not saying we’re sick. Who knows – maybe we are?
What I’m saying is the point of a slasher is the violence. Therefore, the hallmark of any true, great slasher is brutality.
First and foremost on the top of the list, you absolutely have both Michael Myers and Jason Voorhees as top dogs in the brutality department. While Freddy Krueger is certainly up there in the big shots list, his kills are more wild, I would say. Jason and Michael each kill a lot of times with their bare hands, or wielding a knife or machete respectively. Their kills are more upclose and personal. The brutality is a lot more present in their murders.
That’s where the killer in Fritt Vilt really excels. The sheer brute force of the man is absolutely unbelievable. He is a scary, scary character. Though we do get bits of his origin story, there’s still enough mystery left around him to make things thrilling. His face is almost fully shrouded the entire film. It is really unsettling to watch his devilish grin behind the ski-mask getup he wears. He looks the part, that is for sure. That’s another thing – as a slasher, he’s a very great and realistic character. Yes, there are horror tropes involved with him, too. But you can’t deny this guy is a terrifying fellow. He is savage. His kills are just full of pure hatred.
One wonderful addition to the slasher genre and certainly one of the best slasher characters in the post-2000 horror landscape.
cold_6Strong female leads in horror are excellent. I’m not talking about the waif-like girl with big breasts who ends up as the “Final Girl” when things come to an end. I’m talking about kick ass women who take charge of a situation, whether it’s fighting off a bad guy, or just helping a friend mend his broken leg for the time being. Jannicke, played by the talented Ingrid Bolsø Berdal, is one of the latter types. She’s not only tough, but also a great friend, as she refuses to leave friends behind, and instead opts to face the killer and all his horror. She doesn’t run around, flailing about, and just so happens to end up in the right place at the right time by the film’s close – she actively fights back. This is why Fritt Vilt isn’t the same as all the other slasher films out there. Sure, it isn’t the first, or the last, to use the strong female lead as a subversion of the genre. That being said, it is definitely one of the better ones in the genre, and absolutely one of the greatest modern horrors to do so.

The film itself is a 4 out of 5 star horror. I can’t praise this Norwegian horror enough to make you realize how excellent of a movie you’ll be getting yourself into if you choose to watch. I recommend you do. There are some great kills, a bit of suspenseful and tense drama, and a really great lead character who doesn’t fall into the typical trappings of a female lead in many slasher movies. Plus, you get a nice few bloody moments that are more than worth it.

This film’s DVD released by Anchor Bay Entertainment really hits the mark. Not only is there good stuff like an Alternate Ending and a featurette called “Behind Cold Prey“, as well as a very cool look at the visual and audio effects in the film (everything from sound design to colour grading), the best feature of the DVD is the inclusion of a couple short films: a 2-minute short called Mountain Rose Runs Amok (a sort of spoof making fun of their own film) and An Evening in the Green (an early film made by the director; at home in his parents’ backyard). The second is absolutely hilarious and gory – you can tell he had an early knack for horror. I always love seeing things like these included. It doesn’t all have to be behind-the-scenes and movie magic stuff – you can have fun with the features. These are a great addition to an already excellent DVD release. I recommend anyone who is a fan of Fritt Vilt to pick this up – I’ll be getting a Blu ray soon, as I’d love to see the horror and terror of this film in amazing quality. Excellent slasher and a great release, as well.

Check out my review for the sequel Fritt Vilt II.