A first-person shooter inside an action film inside a sci-fi story inside a whole lot of fun.
Afflicted. 2013. Directed/Written by Derek Lee & Clif Prowse.
Starring Derek Lee, Clif Prowse, Michael Gill, Baya Rehaz, Benjamin Zeitoun, Zach Gray, Jason Lee, Edo Van Breeman, Gary Redekop, Lily Py Lee, & Ellen Ferguson. Automatki Entertainment/IM Global/Téléfilm Canada.
Rated 14A. 85 minutes.
When I start reviews of films which use the found footage format, often I try to defend the sub-genre. Because while some don’t care for it there are certainly enough people out there, such as myself, who can still enjoy these movies. Particularly those that use the technique well. Afflicted doesn’t revolutionize the sub-genre, nor does it give us a plot and story that turn things on its head. What we do get is an interesting, well-filmed found footage horror that is full of mystery and has plenty of thrills. With two actual lifelong friends writing and directing, as well as starring in the picture, a dark and twisty path takes us along for the ride. Even with its flaws Derek Lee and Clif Prowse make Afflicted into an exciting little flick with solid pacing and tons of energy. This is a movie with the ability to impress via makeup effects, the lead performances, and its story also reels you in with a charmingly emotional beginning that slowly descends into the stuff of nightmarish terror.
Derek Lee (playing a version of himself) is diagnosed with a brain illness that can and will either paralyze him, or possibly kill him. So Derek and his closest friend Clif Prowse (also playing a version of himself) set out to travel the world. They plan on documenting every last second of their trip for a video blog, “Ends of the Earth”, and Clif takes all his video equipment, from body-mounted cameras to small Go Pro-styled units.
When they start to hop from one place to the next, Clif is determined to hook Derek up with a lady. But Derek beats his friend to the punch and runs into a beautiful woman at a club; they dance, they go home together. When Clif goes back to the room he finds Derek knocked out, bleeding from his head profusely, as well as a cut on his shoulder. Derek refuses to go to the hospital, even after vomiting everywhere and then later punching a hole right through concrete. As things get progressively more strange, Clif tries to convince Derek he needs to seek medical help.
Something takes over Derek’s senses. He starts to become something else. At first it seems beneficial in most ways, as Derek can run over 60km/hr and can jump over a story high. But the virus infecting him proves to be far from beneficial – Derek can’t eat anything without throwing it up, his body starts deteriorating, and his powers start to become more powerful than he thought possible.
The makeup effects are incredible. One of the first truly impressive moments is when Derek tries to take out a contact and pulls off part of his eye; such a simple effect, but how they shoot it works so well. All the effects get better as the film progresses, even the simple little things are done right, which adds a good dose of reality to things alongside the use of found footage. There’s a head that gets blown out the back with a gun at one point, and it is unreal how awesome it looks (plus you’ll be blown away similarly by the twist of it); such nasty effects work, dig it.
Also, not sure if it’s done digitally, but regardless – the Sun Test that Derek does on his hand is so gnarly, in the best sense. Added to that sequence is good sound design. As Derek runs through the streets, his skin sizzles and you can hear it underneath the plethora of other sounds, and is it ever well done. The body-mounted camera works like a first-person shooter video game here, which I enjoy. Though it’s shaky cam for a couple minutes, the found footage takes on a more action oriented perspective than simply people running through the dark, in the woods, screaming. So points for that whole segment, it is super neat.
All stunts involved are excellent, so perfectly executed. The car-punch scene was great, as are the scenes were Derek tries jumping up some buildings. Other than Chronicle, most found footage films don’t go for such big scenes. There are others that have tried, but none other than that film which succeeded like this one. Again, the body cam chase scenes do it for me. They made it look like a whole lot of fun, in the most dangerous way. Plus, the plot gets more frantic and wild, so the frenetic bits there play into that whole element.
The performances of both Derek Lee and Clif Prowse were good. It helps they are actually close friends and have made short films together, because their natural relationship comes across, sort of anchoring us to the characters almost immediately. Working from there, the screenplay is pretty solid. A few points could’ve been tightened, though, on the whole it is mostly intriguing. The movie’s exciting and certainly deserves 4 stars. With found footage it can be a really mixed bag more often than not. It’s still a sub-genre in which I’m very interested. It does have a lot to offer when used appropriately, which Lee and Prowse do here. Everything works towards a proper mix of horror, mystery, and thriller. We’re lucky to get a different type of vampire flick in the midst of so many sub-par films trying to do different things with the vampire lore. The last 20 minutes or so give the real goodies.
The Raid: Redemption. 2011. Dir. Gareth Evans. Starring. Iko Uwais, Joe Taslim, Donny Alamsyah, Yayan Ruhian, Pierre Gruno, Tegar Satrya, and Ray Sahetapy. XYZ Films.
Rated 18A. 100 minutes.
★★★★★ (Blu ray release)
There are not a lot of action films I truly love, in the sense I don’t particularly favour the genre over others. Whereas I’m a bigger fan of horror and thriller films, action movies really need to be a big deal for me to get hooked in, and for me to walk away thinking it’s a great piece of film. That being said, there are a few I absolutely love. For instance, The Terminator to me is the best action-thriller ever conceived; it’s not only thrilling and full of great action sequences, a great plot to boot, it has the sci-fi element thrown in, which really helps it. However, there are action films that come along from time to time which really surprise me. Not only are they jam packed with some really impressive fighting and choreography, they’ve often got one or two solid performances alongside a decently entertaining plot and story.
The Raid is one such film. At the beginning I sort of expected something derivative of a typical ‘good cop gets in over his head’ scenario. I soon changed my mind. Quickly.
The story follows a rookie member of an elite special-forces quad named Rama (Uwais) who is allowed to go along as the team attempts to extract a savage crime boss called Tama (Sahetapy) who runs a dilapidated apartment complex.
But when a spotter blows the team’s cover, Tama offers up a great incentive for anyone on any floor of the building who brings him the heads of the intruding police. Rama ends up having to take charge when a big load hits the fan.
From there it’s basically a massively entertaining and brutal action film. Yet it isn’t just an action film. It really is thrilling. I really can’t get over a few of the fight sequences. The choreography is some of the best I’ve ever seen, in any action movie. While there’s a beautiful rhythmic way the camera follows these fights, it is all very real. The punches and kicks are hard and crushing. You can almost feel every bit of it. There are so many action movies where the fight scenes are either outrageous, or consist of people fake fighting. Instead, The Raid is like a giant sparring session.
One thing I really love is that this film doesn’t at all go for the ‘one man versus ten’, as they all go at the one man individually, single file, and he fights them off. In particular, one scene in the hallway where Rama is basically forced to fend off several men at one time by himself really does away with this tired trope. But what I love isn’t necessarily that it bucks the norm, it’s the fact that we get to see the fighters really showcase their talents. After this film, as well as its sequel The Raid 2: Berandal, I suspect Iko Uwais’ name will only get bigger and bigger.
Another little scene I love is when Rama and Officer Bowo (Satrya) are forced to hide in one of the building tenants apartments. They’re hiding behind a wall, as a gang of thugs lead by a machete wielding maniac (when in fact they’ve all got machetes) search the place for the two cops. The maniac puts his blade in through the wall, one place after another, until it slides in and slices open Rama’s face. At that instant, the owner of the apartment urges them to get out. The maniac leaves his machete in the wall and yells at the man. Evans really pulls out a great gem of a moment here – Rama holds the blade, and as the man hauls the machete back out, he wipes the blood off it, so nobody is the wiser. We’ve all watched those scenes where someone is hiding, just about to be caught, and yet something prevents it; this moment really subverted those typical scenes into something new. I dig that. Not usual many action films really screw with the tropes of the genre, and The Raid does a great job with this at times.
There’s really something to be said about action films being violent. I mean, isn’t that the point of certain action really? When I go to see action movies, I don’t particularly look for a great performance. What I do focus on while I’m watching them is what the fights look like, how they’re paced. I don’t want to go and watch an action film that’s got too much drama. Although I like some; there’s a mix that can be attained. There’s just enough here in The Raid to satisfy the drama quotient. Just a little. Sort of like adding flavour. What really sets this apart as a great action film is the fact it isn’t rated PG-13. Evans pulls out some perfect gory kills here. Even some vicious kills that weren’t gory, just really nasty. One I thought was unique happened when Rama just tosses this guy running at him over the ledge of one floor, and the guy lands on the opposite side, one floor down, right on his back; I actually said “ouch” aloud. Delightfully awful. Another is after a savage brawl with the machete gang when Rama jumps back through a doorway hauling one of his opponents’ heads down with him, putting a jagged piece of broken door through a guy’s neck and throat. I just didn’t see it coming, and it was one of those martial arts moments where you realize this guy Rama is so aware of his surroundings; he’s a god damn excellent candidate for law enforcement.
Iko Uwais is a really talented guy. Of course there wasn’t really a massive amount of drama here as I said, he still pulled off his character convincingly – in between kicking ass, dodging bullets, and generally saving the day. The beginning, as well as a few points in the latter half of the film, show him with his wife, and he did a nice job. Certainly things also get dramatically tense once we find out more about the plot, as the film goes on. He gets more chances to showcase his acting abilities over his fighting prowess, and gave a nice performance. I won’t give away exactly what happens or who he meets, just for those who’ve yet to see it, but one other moment I love is when Rama comes in contact with somebody he did not expect to see in the apartment complex. Both him and the other actor did great. I loved their scenes together. It adds more complexity to Rama’s character, as well as the entire film.
The rest of the cast was great. Although I honestly did not enjoy Ray Sahtapy as Tama, the crime boss. It never clicked with me. Also, I wasn’t really a huge fan of Pierre Gruno here. I didn’t like his portrayal of the character. I felt he was flat compared to everyone else.
But aside from those two, the rest of performances were good. The brief bits we get with Yayan Ruhian as Mad Dog were spectacular, and he was one of the real shining points in the supporting cast. Even in a smaller role he blew me away. Not only with his fight scenes, which were outrageously awesome, but his acting was surprisingly nice (I only say surprisingly because I’ve never seen him anywhere else but here – that I know of anyways). I hope to see more of him outside The Raid movies.
Another aspect of this film worth mentioning is the excellent music. The dubstep-style songs in certain parts really fit, as well as the rest of the suspenseful, intense scoring during other moments. Everything really piece together well. The music helped with the film’s tight pacing. One of my favourite moments concerning the music is when Rama is trying to bust a hole through the floor with an axe; there’s just something so gritty and kick ass about the music there, it really sets the tone. Action films need more music like this. When it wasn’t the dubstep-style music, we got some great, low-key electronic scoring, and at other times it sounded beautifully dark and intricate. Amazing.
I’m absolutely in love with this movie. One of the best action films I’ve ever seen. Certainly one of the best in the last 10-15 years, if not the best action film of those years period. I give this a 4.5 star rating. It’s almost a perfect film. I cannot recommend it enough. Especially if you’re having one of those movie nights where you can’t decide on something. If you’re looking for an action-thriller of the highest quality, look no further.
The Blu ray release is also pretty damn fantastic. First of all, Claycat’s version of The Raid was so funny and so awesome. Put it on and you will most definitely have a blast. I cracked up.
The featurettes on this release are beyond incredible. Listening to Gareth Evans break down scenes as he shot them is inspirational, honestly. Some of the takes here were insanity. They broke down the ‘Hole Drop’ scene, as Rama busts a hole in the floor for the team to escape through. While one of the actors jumped down through the hole, a camera operator was sort of lowered partly down into the hole, and another operator took the camera from him continuing on to shoot as he follows the actor. Watching it while Evans talks is so cool. I always love seeing these types of things on a Blu ray or DVD release because, as someone who eventually wants to make films (short films at the least) it’s interesting to watch certain scenes broken down because it gives me ideas, and also exposes people to the intricate process of filmmaking most movie watchers often don’t pay attention to, or are even aware of in a lot of cases.
Evans talks further about the stunts, and how many scenes were actually stitched together to make them look how they did in the final film; particularly, the kill I mentioned with the broken back. Very cool. Most of the stunts, of course, were natural in the fighting process. There weren’t many shots here that needed any wire work. Not as far as I can tell, anyways. Regardless, watching the filmmaking in all its forms is amazing. The featurettes go through everything from soundtrack and themes to stunts to production. Mike Shinoda and Gareth Evans sit down and talk through a lot of it, which was definitely an interesting watch. The Blu ray is hands down a 5 out of 5 stars. Nothing wrong with this release. There is beautiful sound design, the picture is magnificent, and the special features really do the release justice.
If you haven’t seen The Raid: Redemption, go see it now. If you love it – get a copy of the Blu ray, and sit back to some amazing visuals, balls-out fights, plus a pack of extra features to keep you busy.