A&E’s Damien
Season 1, Episode 7: “Abattoir”
Directed by T.J. Scott
Written by Mark H. Kruger & Glen Mazzara

* For a review of the previous episode, “Temptress” – click here
* For a review of the next episode, “Here Is Wisdom”  – click here
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This latest episode starts off with Damien Thorn (Bradley James) waking in his hospital bed to a raving lunatic above him. Perks of being in psychiatric care. In the halls, things are no better. Everything is dark, scary, unknown. Damien wanders aimlessly hearing the sounds, seeing the sights, of madness.


Damien goes through the motions. He heads to the cafeteria and gets something to eat, again joined by the psychotic who hovered over him as he woke. Amazingly, the Antichrist is stuck between two people who believe they’re Jesus Christ. He’s sort of going a little crazy himself.
At home, Detective James Shay (David Meunier) remembers the supernatural attack he experienced recently. He tries making sense of what it was that actually happened; surely an explanation can be found. In the bushes of his yard something stays low, growling, watching. Shay may not find anything in the pool, but that’s the least of his worries. All around him the forces of evil are gathering. No telling how long he’ll manage to survive being anywhere near Damien.
Finally released from the psychiatric ward, Damien is off into the world once more. The resident Jesus pleads “Kill yourself” in order to spare them all ruination after the Antichrist fully comes into being. That’s some spooky shit right there.
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Shay’s partner worries for his sanity. And that’s the worst part of all this supernatural terror, nobody will believe the person whose claims speak to otherworldly presence. At least Shay does get confirmation from his son about a dog lurking nearby. The hounds of Hell are never far. At the same time, Simone (Megalyn E.K.) is worried about the men that recently tossed Damien’s place. Both she and Amani (Omid Abtahi) are concerned for their friend. Except Damien saw Amani with Ann Rutledge (Barbara Hershey). His paranoia has set in. He trust nobody, neither Amani, nor Simone who broke into his apartment. So with everything whirling around him Damien is caught up in the conspiracy, the paranoid delusions. Exactly what people like Ann, and more importantly John Lyons (Scott Wilson), truly want.
Speaking of Lyons, he’s having lunch with his creepy friends. And then Damien arrives, too. He seems to be thinking clearly at least. Because now he knows about John and Ann, their business relationship, and so on. Then a woman in a wheelchair nearby starts exclaiming things to Damien, her love for him: “I serve you, my master,” she shouts as Lyons wheels her off. Damn, that’s a chiller.
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Tracking down people related to Damien, Dt. Shay comes across Charles Powell (Joe Doyle) who roomed with Thorn at Preston Hall. The vigilant detective is trying everything and anything to root out Damien, what he’s all about. And even though Charles gives over nothing, he looks as if a dark cloud crowds over his head when the cop leaves his little flower shop. Hmm, more to come?
And more investigations come at the hand of Simone. She finds footage of the old woman in Damascus with Damien, she compares it to the pictures from Damien’s place, and finds the same old woman staring back at her. The closer she gets, the worse things could look for her.
Shay finds other people related to Damien, such as Cray Marquand (Cody Ray Thompson). He informs Shay of Powell’s idea that Thorn is the “second coming” – a strange, suspicious term to be used. There’s a story about Powell who was convinced, by the Antichrist, to essentially burn himself. An eerie moment.


So Ann and Lyons meet to discuss the new developments. She sees his survival of a suicide attempt as being proof of his strength, of their efforts. Although, Lyons and Rutledge do differ on their approach – he doesn’t see the need to isolate Damien, but rather to bring him, keep him close. They also discuss the daggers of Megiddo.
But more importantly, Damien sneaks in to see that old woman in the wheelchair. Seems that lady is Margot Lyons (Nicky Guadagni). She reveals more to the chosen one, about John, his intentions. “He slithers before the beast,” she tells Damien. On she goes about the ten crowns for “ten horns“, and more biblical madness. Extremely unsettling scene that makes things all the more frightening. That Margot knows quite a deal.
Her words set Damien off to look for a supposed black church. In the nearby woods he finds a dingy dungeon-like cavity in the earth filled with tools, the stains of blood, so many strange things. A sacrificial chamber, maybe? Nevertheless, he finds a useful tool and then heads back up to see Margot.


Sister Greta Fraueva (Robin Weigert) has arrived in town. She follows Simone in the street, not unnoticed. At the very same time Simone thinks she sees the woman from Damascus. This prompts Greta to introduce herself, already knowing Ms. Baptiste by name. And they’re also being watched by someone in the distance. Greta wants to know more about anything Simone’s seen, the visions passed off as nonsense by others. More are on the case! Is this good? Likely bad. For them.
Back to the flower shop goes Shay. He questions Powell further on his relationship with Damien. On the outside it seems like love. On the inside, Powell was sucked in by the lure of the Antichrist and his persuasion. Damien burned Powell’s hands all those years ago, an awful act, which the latter hoped would keep him away from the eye of the Antichrist. Well, I’d bet money that evil is about find Charles again after all these years.
And when Lyons comes home he finds Margot, the bloody tool in her hands. A veritable omen. Later on down in that chamber, Lyons and his terrifying friends sacrifice a goat on their altar. To appease the beast. They cut its throat, drain the blood. Their ritual continues.


At Damien’s place, Ann shows up. She has one of the daggers of Megiddo, revealing John came looking for it earlier. She tells him about how the daggers, used together all seven, will destroy the Antichrist. Only one would just take his life; all seven rid the world of that evil altogether. But if Damien dies, another simply takes his place, next in line. Ann bares her soul to him. Her commitment is staunch, unwavering. With the option of death now, once and for all right in front of him, Damien chooses not to die, or Ann decides not to help him. One or the other.


In a bathroom, Powell comes face to face with Marquand. The scars all over Charles are savage. The two men have a brief chat. Before Powell heads into the shower behind Marquand and stabs him with a large pair of scissors, over and over. A brutal, bloody death. Has the Antichrist still got a hold on Charlie?


This was a wild and at times devastating episode. Great writing, great direction. Lots to build on heading into the next episode, titled “Here Is Wisdom”, so stay tuned with me.

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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