From Glen Mazzara

Damien – Season 1 Finale: “Ave Satani”

A&E’s Damien
Season 1, Episode 10: “Ave Satani”
Directed by Nick Copus
Written by Glen Mazzara

* For a review of the penultimate Season 1 episode, “The Devil You Know”click here

Disclaimer: I was invited to the Damien Season 1 finale screening in L.A. tonight, which includes a lunch, plus Q&A with Executive Producer Glen Mazzara and star Bradley James. Unfortunately travel/time constraints would not permit me being there. However, the people at FOX were kind enough to send me a personal screener. Something for which I was very grateful.
SO… if you’ve not yet seen this finale, DO NOT KEEP READING! You will be spoiled. Otherwise, if you want to be spoiled, dive on in.
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Here we are – the finale of Damien‘s first season. It’s been a great ride, getting better with each chapter. “Ave Satani” is upon us, and with the end of last episode, Damien Thorn (Bradley James) may finally have slipped into full-on Antichrist mode!
We start as Damien leads Simone (Megalyn E.K.) out from the woods. They run up on some big military-style vehicles, men with red dotted sights freeze them in their tracks. Ah, it’s Lyons (Scott Wilson). Of course. Now he’s revealing more of Armitage’s involvement with his supposed future. “Youll rule for a long, long time,” he tells Damien. But the young Antichrist is not happy with any of the explanations and the bullshit.
When Lyons orders Simone shot, then Damien taken in, the power of the Antichrist emerges, as he turns the men and their guns on themselves. While Damien and Simone make off, you can see Lyons is very pleased with how things are going. God damn psychotic. This opener assures us, though – Mazzara and the crew have readied us a properly horrific finale.


Ann (Barbara Hershey) and Amani (Omid Abtahi) take the now dead Veronica back. But Amani makes it clear, mother is to blame. While that’s obvious she clearly doesn’t want to hear that. And downstairs, Amani gets ziptied to a chair. Things are definitely breaking down. Lyons arrives and starts to convince Ann they need to begin action. For her part, she seems ready. Because Ann is one hell of a bad ass lady, no matter if she’s a bit evil and freaky.
Poor Sister Greta (Robin Weigert) finds herself in the hands of Lyons and Armitage. No telling what her fate will be. They’ll keep her around, a while. Then, who knows. The rest of her crew meet a terrible end on their knees in the forest.


Ann (to Lyons): “Blood will spill. Hers, yours, mine.”
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Meanwhile we’re privy to the terrible creepiness of Damien’s Antichrist presence and how it affects others. When Simone and Damien track down a car, the woman inside confesses her love for him – “Its all for you, Damien!” – then tries to kill herself before Simone intervenes. This was honestly one of the most unsettling scenes for me in the whole first season. Just how quickly the sentiment overcame her. Chilling.
Ann comes face to face with Sister Greta, after the awful death of her daughter. She promises the nun a similar end.
Cut to Vatican City – the remaining daggers of Megiddo are packed up and carried off. All sorts of blades and weaponry are likewise packed, and a gang of holy men are off on a mission. Yowzahs! Love this brief moment, really had dark energy. Then there’s Bear McCreary’s eerie score, which only serves to consistently make the atmosphere of this series creepier and creepier.
Out in the woods again at the old trailer where he and Powell used to meet, Damien brings Simone to lay low. Plus, he washes off all that nasty earth and blood from his resurrection the night previous. He even sees a little flash of the old woman from Damascus. All the evil of his life is crowding around him. And that adds more weight to the woman in the car who tried committing suicide, immediately pledging her life to him: it’s as if all those old evils he’d previously experienced, unknowingly the coming of his place as the Antichrist, are coming back around again, now that his eyes are wide open.


The debate about who’s worse rages between Sister Greta and Ann. They’re each hard, tough women. Although, I can’t help but believe they’re equally as stubborn. If in their world both God and the Devil/Antichrist exist, then the label of “cruel Lord” that Ann gives the former is perhaps most relevant. God has been responsible for quite a bit of pain and suffering, under the guise of his supposed plan. At least the Devil revels in what he does. Even after Greta pleads her case passionately, there’s no selling that old chestnut to Ms. Rutledge: “Satan is God,” proclaims Ann, “Long may he reign.”
Now Lyons is interrogating Amani about Damien’s whereabouts. This doesn’t end the best after Amani gets violent, but as Lyons puts things for him there’s no loyalty left that can save Damien. He is becoming something else now.
Doing her best, Simone sticks around with Damien, who insists she go. But she stays, readily admitting she is part of what’s happening. Then Damien says that he killed her sister Kelly, and that the same will only happen to her, as well. Likely true. Still doesn’t make her love, though. She is one tough character. At first I wasn’t a fan of Simone, but over the course of this first season she has truly grown on me. Now she’s really getting good in this finale.


Sister Greta is shown the rest of her people, shot in the head, thrown in a mass grave. Nasty. She and Amani are given the real, brutal view. Lyons tells Amani he must put Greta in the grave, or else – in a roundabout way – he says they’ll kill his mother. HOLY FUCK. That is some hardcore madness right there.
What does the nun have to say? “Gods will be done,” she sweetly, calmly tells Amani. What follows is a dark, emotionally disturbing moment. That includes Lyons putting Amani down there, too. We finally see how deceptive Lyons is, having completely fooled Amani to the end. Watching the two of them start getting dirt rained down on them is so sad, so brief, it stings.
The Antichrist side of Damien is really breaking through. He is gradually accepting his darkness and his vicious power. Further than that the danger to Simone is getting greater almost by the second. And not far outside lurks the woman from Damascus, coming closer to Damien all the time.


There’s a possible rift between Ann and Lyons now, after he effectively executed Amani. She didn’t want him to die. Most of all Lyons wants to get Damien under his control. He saw a fraction of what could be, and can’t wait to use that terrible power inside the Antichrist to bend the world to the will of Armitage.
AND YES, YES, YES! A hand emerges from the mass grave after it’s all covered up. Not all hope is lost.
Poor Detective Shay (David Meunier) is having a worse time of it, too. He thinks he see his boy on the road, then believes he runs him down. Only to discover it’s the powers of the Antichrist out in the world, the evil, sucking him into the downward spiral. On a side note, Meunier is killing it in this role. Very happy with his performance over this season and I keep wondering what will happen next in his story.
Back to the Vatican City assassins. They’re now in the same city as the Antichrist himself. What will come of this? A wild showdown is coming. Especially considering most everybody is heading for Damien, including Shay, Rutledge, Lyons, all of them, and they’re all converging on that old trailer in the woods.
Then Damien reveals he is headed to Megiddo. He figures all the answers are there, the apparent location of Armageddon. But before he can do anything, all forces rain down on the nearby field, just as Dt. Shay creeps up.


An intense little sequence here before Damien and Simone ends up confronted with Ann and Lyons. “I will kill all of you,” the Antichrist rages at them. He then finds out what Lyons did to his best friend, as Ann lays bare the truth. And of course Lyons finds himself being chased down by a pack of Rotties. Nom nom. All the while, Simone pleads him to stop, and Ann gets aroused.
Then a shocker: trying to shoot Damien, the detective puts a bullet right through Simone’s head. Wow. And just as was saying her character got more interesting to me. MAZZARA, WHY DON’T YOU LET ME HAVE NICE THINGS?
Well this is really setting Damien off. You can feel his heart breaking more. Then the woman from Damascus arrives, Damien pleads to be taken. He speaks in a language we’ve never heard of him, to his ‘father’ and then the forces of evil really start to take hold. Blood from the 666 in his head starts seeping out. It drops onto Simone and breathes life into her again. Whoa. Not only can the Antichrist take life, he can give it, too. Shay watches on and sees the power.
And from the darkness come Damien’s legions, the Antichrist’s followers, his fan club. They’re all there. For him. Kneeling, along with Ann. Even Shay. Towards us, the audience, Damien turns with a knowing, devilish smile subtly across his face.
The Antichrist has risen!Screen Shot 2016-05-06 at 4.10.57 PMThis was an exceptional finale. I’m hoping A&E realizes the potential for it to grow, as there are already a dedicated base of fans, particularly online that always seem to be watching, tweeting along with Glen Mazzara and the others live. Personally, I wasn’t sold immediately. The pilot was decent, but I didn’t like the large amount of clips from the original Omen. Then after the second and third episode, I was sold. The whole thing progressed magically, so dark and exciting throughout its first season. And the finale spoke volumes to how wonderfully devious this show can get.

Give Mazzara and Damien another season, A&E! The ratings will get better alongside the quality. Hopefully the finale will pump some decent numbers up. Stick with me and we’ll try to make sure the network knows how much we, the fans, enjoyed this show in its initial season. Here’s to hoping for more Antichrist badness!

FatherSonHolyGore’s Exclusive Interview with Bradley James and Glen Mazzara from DAMIEN

I was lucky enough to have been invited by FOX to attend a screening of Damien’s Season 1 finale, “Ave Satani” – sadly, I couldn’t make it to Los Angeles. However, their publicity department sent me a personal finale screener. Incredibly impressed, I got to watch the episode several days before its premiere. Lucky me, right?
Well I only got luckier. Later I received another bit of correspondence asking if any of us critics who were given the screener might want to conduct an interview, either with Executive Producer Glen Mazzara or any of the actors. Naturally, I jumped at the chance to interview Glen specifically. From The Shield (on the top of my list for Best Series Ever; wrote many of my favourite episodes like “The Spread”, “Strays”, & “On Tilt”) onward everything he’s involved in I usually try and seek out. So then a conference call was set. Another unexpected turn; I figured the interview would likely be via e-mail.
And the hits just kept on coming: not only would I get the chance to ask Glen questions, but star of the show Bradley James was also slated to hop on the line with us. Anybody who doesn’t already know Bradley will certainly know him after Damien. He’s already got a built in fan club, though. As if women fawning over him weren’t enough, there’s the fact he played a pre-King Arthur Arthur on BBC One’s The Adventures of Merlin, he turned up in an episode of Homeland, as well as a handful of iZombie episodes.

Seriously, though – I get to talk with these guys?
I’ve never done any interviews for this site before. But my involvement on social media, coupled with the recaps and reviews I do weekly by episode, got me on the line with these two for almost an hour (half hour each). Between myself and a couple other media outlets, we asked Glen and Bradley some questions. Here’s some of their answers.

SPOILER ALERT: This article contains minor and major spoilers in regards to the May 9th season finale of A&E’s Damien. The areas which contain spoilers have further been marked as such.


Glen Mazzara
Mazzara
Immediately, things turned to Season 2, as we’d all seen the finale that day. Glen told us he’s already mapped it out. For those of us curious how the show is put together, you can see Mazzara likes to think ahead. Not only that, he has specific episodes and ideas ready in terms of the the cast and characters, of whom he speaks highly. He made clear it’s enjoyable working with and writing for them. He told us there’s no mindset about not getting renewed either; he’s operating as if they’re full steam ahead. A confident approach as showrunner.
I asked Glen about the initial catalyst for why he felt Damien, as a series, was worth exploring. He told me he wanted to follow Damien as an Antichrist and to take that seriously. As in, Jesus is fully God and fully human, so the Antichrist should be fully human and fully devil. He hoped to explore the humanity of this situation. He likes the struggle of guessing what’s really going on. Mazzara says good horror makes us question: what is real and what is supernatural? It keeps you uncomfortable. Not only that, the human drama of Damien’s situation inflicts itself upon the other characters, which helps fill out the story and other arcs.
Mazzara first approached this series thinking of Jesus Christ – an unknown carpenter in a little backwater town in Galilee. How does that person start such a massive movement and change the world over two thousand years? He began powerless. In a contemporary version of such an ascent Mazzara knew people would expect an evil senator or similar character archetype. But he took aim at the meaning of religion with Damien as a young war photographer, not just some corrupt type of character that would make moves using the power of the Antichrist. Because where’s the fun in that? It wouldn’t provide much depth or development. First and foremost, Mazzara tried a completely different angle. Being raised Catholic and understanding the religion gave Mazzara his material. For him, the show is equal parts horror and religion. He considers his take not a subjective, judgemental view of religious faith, but rather an examination of that faith, what it means to people, and in turn how the opposite of faith in God (i.e. faith in Satan) would operate with that same devotion. And all through a wonderfully horrific lens.
It’s hard for a messiah to get people to die for them,” Mazzara says. Also a line he hopes to toss in somewhere throughout Season 2.
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Being a huge Barbara Hershey fan (all started due to her powerful performance in 1982’s The Entity), I asked Glen if we could look forward to more of her cutting and oddly masochistic behaviour, or at least an explanation (note: for those who don’t remember Ann cut a fresh 666 into her scarred inner thigh during Episode 3 “The Deliverer”). Being the massive horror fan I am, Mazzara is likely a bigger one. This moment comes from 666 on the inner thigh of the priest from the original film, which he revealed to Gregory Peck’s character before dying. Mazzara found it fun to consider possibly the priest was involved in the larger group watching Damien, somehow. Further than that, it ties into the Book of Revelations which states “his followers will be marked” also with the Number of the Beast. So Mazarra tied Ann into that larger conspiracy making her part of that secretive group watching over Damien, suggesting there’s an overarching connection to many of them with this branding. Even further, this also shows the devotion of Ann in a sick, twisted way to really elevate how dedicated to Damien, or better yet whoever The Antichrist would’ve been. The relationship between Ann & Damien, ultimately, is what Mazzara calls “the wicked heart of the show.”
“No one knows exactly how this is gonna come around,” Mazzara tells us re: the coming of the Antichrist. Ann feels there is a progression, but doesn’t know for sure. She’s there to nurture Damien’s potential. Mazzara claims she wants to be “first amongst his worshippers.” Ann is the Mother Mary figure: she loves Damien as a son, but knows he “belongs to history, he belongs to the world.”
Mazzara feels the show “did a good job” on the front of female characters, ones with actual developed stories affecting the plot/story. And that’s true: we start off with Kelly, she’s essentially the catalyst then for Damien really searching his soul, and of course Simone then becomes involved, then there’s Ann, Veronica, and you can’t forget Sister Greta (played by the ever wonderful Robin Weigert). As Mazzara mentions, a “large amount of story [is] driven by those women.” SPOILER AHEADThis last sentence & following paragraph reveals several fairly major spoilers from the May 9th finale. Please skip ahead before you watch. Even in the finale, John Lyons (Scott Wilson) gets outplayed by Ann, who is a better player in the game than he is, and gets the last laugh, so to speak.

We also discussed further female character strengths, as well as religious connections. During “Ave Satani”, Simone washes Damien’s feet – right in the middle of a manhunt for him. She is a “religious player in this story,” explained Mazzara. She is also a bit of a Christ figure, as well. She is killed, revived, and she doesn’t have any evil side; a “force of good,” Mazzara calls her. In contrast to her, there’s lots of evil in the finale – suicide cops in the opening, nun execution before a mass grave, then two people get buried alive. Simone represents that incredibly opposite good side. She stepped forward to take the bullet for Damien in the end and effectively illustrates her pinnacle of goodness.
Mazzara believes that above all else Simone’s character is about “gaining her voice.” Everyone’s telling her to shut up, essentially. Even in the finale she finds insects flying out of her mouth, choking her. What’s most interesting is that the series starts out with most people expecting Simone to be a disposable character. Only along the line she becomes integral to Damien’s journey.
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Warning: Ahead are some significant spoilers concerning the finale, “Ave Satani”, so if you’ve yet to see it please don’t read these next bits, or else be spoiled!
Mazzara confirms that Detective Shay has officially converted. He is now a believer, for better or worse, in the Antichrist after the finale’s events.
In addition, the last shot holds a great significance for the show’s DNA. Mazzara says that the last scene had been sketched out before they even sold the show. He knew at the end of the season Damien had to enter a “Faustian bargain”. Season 1 is Damien coming around, at the end is him essentially “sacrificing himself to commit evil”. Mazzara calls the season structure serpentine, in that it brings you back to the old film throughout the course of the season until in the finale’s final moment we are literally thrust back into 1976’s The Omen.


Bradley James
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When asked how he manages to get himself into the dark space required for playing the character of Damien, we receive an honest answer: “I’m maybe not quite as dark and twisted as [certain] scenes would suggest.” However, he went on to tell us that many of the tougher scenes were a “cathartic experience”, which he got through using moments in his own life that he related to Damien’s own struggles. Mostly, he credits the crew for making him feel safe in their atmosphere, so much that he felt very comfortable getting into the skin of the character.
I asked Bradley specifically what the most interesting part about Damien as a character was for him. He said the world weariness of Damien intrigued him, as “a 30-year-old man carrying the pain of someone much older” who has seen so much yet manages to still carry on as a functional human being.
Bradley tells us he didn’t know the full arc of the Damien Thorn character. It wasn’t until shooting Episode 7 or 8 when he read the scripts, and afterwards asked Glen to tell him the “endgame.” Before that, not knowing allowed him “fresh eyes” to tackle the character up until the point where Mazzara laid out his plans.
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Then, I ask a troubling question: who is his favourite actor to play off this season?
Most importantly, Bradley loves variety. He tells us how some actors are set in their way before even coming to the scene that day. Therefore, they’re not “alive in the scene at that moment.” In contrast, he went on to say everybody here provided a great atmosphere for a conduit towards their respective chemistry in various scenes. Being amongst a diverse cast, Bradley acknowledges each actor was different, making for good energy and even better scenes.
Morever, Bradley tells us he and Omid Abtahi (who plays Amani) are great friends now after shooting the show together. This helped the natural relationship between Damien and Amani onscreen, as they got closer offscreen.
He also made sure to add he loves Barbara’s presence as Ann Rutledge. He “felt very respected in [his] process.” Bradley also says there existed a mutual appreciation for and understanding of one another. Only too evident in the final product; their onscreen chemistry is undeniable.
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Regarding particular scenes throughout the series, the grave burial/tree wrapping scene in Episode 9 (“The Devil You Know“) was very physical according to Bradley. Shot in Canada, in the woods at 3am, he claims he didn’t “have to work for” his uncomfortable attitude for the scene, as nature provided that. Even worse, the mosquitoes were “relentless” and so he continually “bathed in bugspray.” As a Canadian, from the farthest East Coast, I know the pain. But he also tells us that drama school “hammer[ed] it into [him] to find the truth.” So aside from the physicality of certain scenes, he dug deep into the well of human emotion to make a supernatural story feel more rooted in reality. He adds Glen also wrote very honestly. He says their fearless leader has a “warped mind”, but is someone truthful that can likewise find it in these characters.

WarningAhead is one final (minor) spoiler pertaining to the season finale, “Ave Satani”, so please do not read this last paragraph before watching.
Of course someone had to ask about the original 1976 film. Bradley tells us he rewatched The Omen at the start of production. Later, they all had to look at it again for the final scene in Episode 10, mainly for technical reasons; to make sure the shot was framed right and looking proper. That look is one of “inner peace,” says Bradley, as Damien has finally come to a realization in the season finale. Evil, but a realization nonetheless.


It was a pleasure to interview these two, an honour really. The series became much better as the episodes wore on, so hopefully Mazzara gets a Season 2 to give us more Antichrist fun, and more of Bradley James’ excellent talent.

Damien – Season 1, Episode 8: “Here Is Wisdom”

A&E’s Damien
Season 1, Episode 8: “Here Is Wisdom”
Directed by Tim Andrew
Written by Sarah Thorp

* For a review of the previous episode, “Abattoir” – click here
* For a review of the next episode, “The Devil You Know” – click here
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So many things happening on Glen Mazzara’s excellently macabre series Damien. First, there’s the Antichrist himself, Damien Thorn (Bradley James), whose search for the truth is bringing him further into madness. Then there’s everyone around him.
Simone Baptiste (Megalyn E.K.) is off on her quest for truth, too. After speaking to Sister Greta Fraueva (Robin Weigert) in the last episode, Simone’s further energized to find out exactly what’s going on with Damien. Simone and Greta track down the dagger of Megiddo that the assassin dropped in the sewers. But what does this mean? Will they just have to kill Damien, is that the only way? Surely it is.
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Speaking of Damien, he’s in therapy. He picks up a copy of Nausea by Jean-Paul Sartre briefly. Mostly, he feels like he’s “whining“, and his therapist says he’s got PTSD. What’s most fun about this scene, to me, is that we’ve got the actual Antichrist here. That’s part of the premise. Regardless of where things go, how well they get there, Damien is the Antichrist. And here he is, sitting with a therapist and talking about his feelings. Amazing. At once it’s dark and disturbing, as well as darkly hilarious. Damien and his therapist talk about existential crisis, the toughness of making choices, mentions of Sartre.
Meanwhile, Detective James Shay (David Meunier) is getting shit on even though he knows there’s something shady about Damien. Yet there is the fact Charles Powell (Joe Doyle) just murdered a man, on his own (or was it?), and quite brutally at that. So for now, eyes are off Mr. Thorn.
For his part, Damien is dealing with a little boxed up gift left at his door. It contains a bloody little present. A tongue. Inside it, a roll of film. He’s interrupted by Detective Shay – wow, what timing! This is a tense scene, especially when Damien realizes the very person Shay is talking about, Cray Marquand, had his tongue removed. And it’s right there on the table, barely hidden from the cop. Great writing here. Plus, more intrigue concerning Powell. I’m excited to see how his crazy ass is going to play further into Damien’s story from here on out. As if there’s not enough going on for the poor Antichrist.


Cut to Amani (Omid Abtahi). He’s figuring out some things about Damien’s place getting trashed. With a favour from a buddy, he sees Veronica Selvaggio (Melanie Scrofano) outside the apartment. Uh oh.
And then there’s Ann Rutledge (Barbara Hershey). She’s looking to have a dagger of Megiddo destroyed. A friend breaks out his welding torch. Except the dagger is completely resistant. It will not be burned. Those are some powerful blades.
Now Amani is meeting with Simone and Sister Greta. All their heads are put together now. Greta mentions they’ve suspected someone has been looking out for Damien for years, likely now she believes it to be Rutledge. Also, Amani reveals he’s sleeping with Veronica. But going back to try and get information from her? Is that really smart? I doubt it. Because he’s not subtle enough. And if she sniffs out that he knows more than he should it is bye-bye Amani.


Now Damien is developing the film from the tongue of Cray. When he shines the film under his infrared bulb, every frame is the same but for the last: a solid black frame with the word REMEMBER scratched in. Off Damien goes, followed by Shay. But then the detective’s car shuts down. He’s back in the way of evil. The car locks itself. It catches fire, trapping Shay inside. He just barely manages to escape before the whole thing goes up. Narrowly escaping death. Again. Wonder if this guy will end up getting the axe. I hope not because he’s pretty bad ass.
Damien has officially remembered. He goes to see Powell in a little trailer in the woods. They’d cut classes and go down there back in the day. Charlie’s convinced Damien has killed people, intentionally. “Ive always believed in you,” says Charles. Of course Damien doesn’t see the burning of Powell the same as the burned man himself. And it turns out there are “others“, “nobodies” that Charles murdered… all for Damien. “So, who should we kill next?” he asks a visibly distraught Damien.
The Antichrist almost fully comes out of Damien when he nearly beats the life completely out of Charles, raging, punching him. Now, he may actually become a murderer.
At the same time, Shay is falling apart at home. His son’s drawing a car fire and that freaks him out, naturally. He’s been lying to his husband, though. That’s not cool. Bigger issues on his plate for the time being. He’s a brave dude, heading out into the dark of the forest after all the creepy events starting to cloud around him. He ends up out at the place where Charles and Damien met. He finds Charlie, beaten and raving: “The Devil did this.”
More and more, Damien falls apart, as well. He lets all the anger inside him out to his therapist. She does her best to convince Damien he’s still a human being, that he has a handle on his life, his choices. But the spiral of Damien’s life and delusions are plummeting faster towards something intense.


Damien: “Is that not our responsibility? When we encounter evil, shouldnt we destroy it?”
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Amani finally confronts Veronica, about her mother Ann, her boss. He outright threatens her over Damien, saying he’ll kill for his best friend. She says that their relationship is real. How can you trust her? Well, Amani doesn’t know exactly what’s been going on at the top of all this insanity. Either way, he is pretty serious about it all ending. Not just them, but the whole thing. Only now he’s a part of the whole mess.
Back to Ann goes her daughter. Now that’s another secret out in the wind. So now Ann has got to get some work done. “No more carelessness,” she tells her daughter and puts away the dagger of Megiddo she now knows cannot be destroyed simply by fire.
Greta and Simone do a little bit of bonding. Looks like Greta is pretty on the level. Only I fear for both their safety. Problem is a whole lot more good people are going to die before this is all over. I spoke almost too soon.
Veronica is out looking into Greta, following her in the dark, which attracts Simone’s attention. A very suspenseful sequence shot in the shadowy hallways, lit by stained glass windows. Finally, it’s Veronica who ends up with a bullet in her. Yikes! What will Mama Rutledge do about this now? I can only imagine what wrath that’ll unleash.


Over at Damien’s place, Amani comes to lay bare the truth. He was an unwitting pawn in their game. He also lets Damien know about Ann’s daughter. But further than that Damien realizes it’s his fault Amani is even caught up in this entire debacle.
Worse than anything, in jail Charles receives a therapist. The same one as Damien. She lets slip, very purposefully, that Damien wishes he was dead. She’s a part of it clearly. It all upsets Charles, believing Damien loves him. “Youre not a true servant, youre a liar,” she tells Charles before stabbing him in the neck violently, relentlessly, with a nice sharp pen. Blood everywhere. Did not see this coming all around. Great, gory horror for a few moments.


Anybody who didn’t make it past the pilot episode has been missing out on the all the true horror scenes. This one was a doozy. Dig it. And Dt. Shay is too late to save Charlie, but puts a few bullets in the psychotic therapist. The title of the episode? Right on the pad she’d used for scribbling before murdering Mr. Powell.


What a great chapter in this series. Next up is “The Devil You Know” and it’s the penultimate Season 1 episode! Very exciting. Mazzara and Co have only improved since the beginning. I do hope A&E will give this a chance to develop even further. Season 2 is needed.

Damien – Season 1, Episode 7: “Abattoir”

A&E’s Damien
Season 1, Episode 7: “Abattoir”
Directed by T.J. Scott
Written by Mark H. Kruger & Glen Mazzara

* For a review of the previous episode, “Temptress” – click here
* For a review of the next episode, “Here Is Wisdom”  – click here
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This latest episode starts off with Damien Thorn (Bradley James) waking in his hospital bed to a raving lunatic above him. Perks of being in psychiatric care. In the halls, things are no better. Everything is dark, scary, unknown. Damien wanders aimlessly hearing the sounds, seeing the sights, of madness.

 

 


Damien goes through the motions. He heads to the cafeteria and gets something to eat, again joined by the psychotic who hovered over him as he woke. Amazingly, the Antichrist is stuck between two people who believe they’re Jesus Christ. He’s sort of going a little crazy himself.
At home, Detective James Shay (David Meunier) remembers the supernatural attack he experienced recently. He tries making sense of what it was that actually happened; surely an explanation can be found. In the bushes of his yard something stays low, growling, watching. Shay may not find anything in the pool, but that’s the least of his worries. All around him the forces of evil are gathering. No telling how long he’ll manage to survive being anywhere near Damien.
Finally released from the psychiatric ward, Damien is off into the world once more. The resident Jesus pleads “Kill yourself” in order to spare them all ruination after the Antichrist fully comes into being. That’s some spooky shit right there.
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Shay’s partner worries for his sanity. And that’s the worst part of all this supernatural terror, nobody will believe the person whose claims speak to otherworldly presence. At least Shay does get confirmation from his son about a dog lurking nearby. The hounds of Hell are never far. At the same time, Simone (Megalyn E.K.) is worried about the men that recently tossed Damien’s place. Both she and Amani (Omid Abtahi) are concerned for their friend. Except Damien saw Amani with Ann Rutledge (Barbara Hershey). His paranoia has set in. He trust nobody, neither Amani, nor Simone who broke into his apartment. So with everything whirling around him Damien is caught up in the conspiracy, the paranoid delusions. Exactly what people like Ann, and more importantly John Lyons (Scott Wilson), truly want.
Speaking of Lyons, he’s having lunch with his creepy friends. And then Damien arrives, too. He seems to be thinking clearly at least. Because now he knows about John and Ann, their business relationship, and so on. Then a woman in a wheelchair nearby starts exclaiming things to Damien, her love for him: “I serve you, my master,” she shouts as Lyons wheels her off. Damn, that’s a chiller.
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Tracking down people related to Damien, Dt. Shay comes across Charles Powell (Joe Doyle) who roomed with Thorn at Preston Hall. The vigilant detective is trying everything and anything to root out Damien, what he’s all about. And even though Charles gives over nothing, he looks as if a dark cloud crowds over his head when the cop leaves his little flower shop. Hmm, more to come?
And more investigations come at the hand of Simone. She finds footage of the old woman in Damascus with Damien, she compares it to the pictures from Damien’s place, and finds the same old woman staring back at her. The closer she gets, the worse things could look for her.
Shay finds other people related to Damien, such as Cray Marquand (Cody Ray Thompson). He informs Shay of Powell’s idea that Thorn is the “second coming” – a strange, suspicious term to be used. There’s a story about Powell who was convinced, by the Antichrist, to essentially burn himself. An eerie moment.

 

 


So Ann and Lyons meet to discuss the new developments. She sees his survival of a suicide attempt as being proof of his strength, of their efforts. Although, Lyons and Rutledge do differ on their approach – he doesn’t see the need to isolate Damien, but rather to bring him, keep him close. They also discuss the daggers of Megiddo.
But more importantly, Damien sneaks in to see that old woman in the wheelchair. Seems that lady is Margot Lyons (Nicky Guadagni). She reveals more to the chosen one, about John, his intentions. “He slithers before the beast,” she tells Damien. On she goes about the ten crowns for “ten horns“, and more biblical madness. Extremely unsettling scene that makes things all the more frightening. That Margot knows quite a deal.
Her words set Damien off to look for a supposed black church. In the nearby woods he finds a dingy dungeon-like cavity in the earth filled with tools, the stains of blood, so many strange things. A sacrificial chamber, maybe? Nevertheless, he finds a useful tool and then heads back up to see Margot.

 

 


Sister Greta Fraueva (Robin Weigert) has arrived in town. She follows Simone in the street, not unnoticed. At the very same time Simone thinks she sees the woman from Damascus. This prompts Greta to introduce herself, already knowing Ms. Baptiste by name. And they’re also being watched by someone in the distance. Greta wants to know more about anything Simone’s seen, the visions passed off as nonsense by others. More are on the case! Is this good? Likely bad. For them.
Back to the flower shop goes Shay. He questions Powell further on his relationship with Damien. On the outside it seems like love. On the inside, Powell was sucked in by the lure of the Antichrist and his persuasion. Damien burned Powell’s hands all those years ago, an awful act, which the latter hoped would keep him away from the eye of the Antichrist. Well, I’d bet money that evil is about find Charles again after all these years.
And when Lyons comes home he finds Margot, the bloody tool in her hands. A veritable omen. Later on down in that chamber, Lyons and his terrifying friends sacrifice a goat on their altar. To appease the beast. They cut its throat, drain the blood. Their ritual continues.

 

 


At Damien’s place, Ann shows up. She has one of the daggers of Megiddo, revealing John came looking for it earlier. She tells him about how the daggers, used together all seven, will destroy the Antichrist. Only one would just take his life; all seven rid the world of that evil altogether. But if Damien dies, another simply takes his place, next in line. Ann bares her soul to him. Her commitment is staunch, unwavering. With the option of death now, once and for all right in front of him, Damien chooses not to die, or Ann decides not to help him. One or the other.

 

 


In a bathroom, Powell comes face to face with Marquand. The scars all over Charles are savage. The two men have a brief chat. Before Powell heads into the shower behind Marquand and stabs him with a large pair of scissors, over and over. A brutal, bloody death. Has the Antichrist still got a hold on Charlie?

 

 


This was a wild and at times devastating episode. Great writing, great direction. Lots to build on heading into the next episode, titled “Here Is Wisdom”, so stay tuned with me.

Damien – Season 1, Episode 6: “Temptress”

A&E’s Damien
Season 1, Episode 6: “Temptress”
Directed by Nick Copus
Written by Richard Hatem

* For a review of the previous episode, “Seven Curses” – click here
* For a review of the next episode, “Abattoir” – click here
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After the emotionally devastating “Seven Curses”, Damien Thorn (Bradley James) is being transported to the hospital following his suicide attempt. He wakes to Simone (Megalyn E.K.). She genuinely cares and wants to help. Also kicking around is Ann Rutledge (Barbara Hershey) trying to make things go smoother for the Antichrist.
Except for now he’s under observation. Detective Shay (David Meunier) is on his way. So Damien slips out, nice and quiet. He heads off to meet Amani (Omid Abtahi) in some sketchy alley, heading down into a below ground club. Someone wants to meet Damien. Very secretive. They meet with a tattoo artist who says two men came and roughed him up, asking for a tattoo to be done on someone who’s passed out. Turns out it was Damien. He apparently tattooed the 666 on his scalp. Or so he claims. Is this true? I don’t think it is. Could it really be the case?
This is one of the best openers of any episode yet. Dig it, hard. Makes it all quite exciting.
Love the whole aesthetic of this show. Dark, dreary, though vibrant.
Amani is shown the tattoo. He explains the artist came looking for him, after seeing Damien at the VA hospital. Too convenient. Everything around Damien’s becoming more and more slippery, in terms of reality. He sees people in the distance, a hooded figure. Now all this about his supposed birthmark being faked. He has no way to latch onto anything real, so the world only becomes further confused.
Doesn’t help that John Lyons (Scott Wilson) muddies the waters. He’s in league with Ann, yet there he is telling Damien all about her, the danger he’s in because of her presence. John gives over a big file filled with countless bits of information.
Damien discovers, from a doctor at the hospital, he was given a dose of some incredibly powerful psychedelics. Wild shit. But Lyons is quick to keep things silent. The doctor wants to let police know. Lyons would rather handle it himself. “We dont bring in outsiders to clean up our messes,” he tells Damien.
As the unknowing Antichrist walks the streets, a hooded figure hovers not far away. He ends up meeting with Ann who says she wants to chat. With all the belief instilled by Lyons about Ann waging “psychological warfare” on him, Damien has got his back up. If only he knew. He’s being played on all sides. It really is a setup for complete mental breakdown, as well as the possible emergence of a vicious evil. For now, he rips Ann a new one, even going so far as to verbally threaten her. Yikes.

 


So Damien goes ahead and tosses out all his food. Until Amani arrives. He captured the meeting with Ann as planned. Then he followed her to a meeting with Lyons. Now Damien’s world, his reality, all those truths are slipping even faster. He manages to sneak his way into Lyons’ office under the pretense of a forgotten phone. He locates a file with his name on it and gets it out undiscovered. Inside is everything from pictures to documents and tons of other things. Including pictures of a woman, which intrigue him.
And then he meets her: his mother, Mrs. Thorn (Bess Armstrong). She’d been in hospital when her husband tried to kill Damien, then under the impression they’d both died.
Although, is this all too convenient? Would Lyons really keep a file on Damien with such important, damning evidence right in his desk? All of a sudden, his mother pops up and claims there was nothing ever wrong with him, that she was sucked into thinking all those Antichrist-like things about him by Mrs. Baylock and the like. This feels like an elaborate scheme. Because nothing good can ever come to the Antichrist, can it?
Of course Ann arrives. Then she and Mrs. Thorn have a pretty tense argument. An accident, on Damien’s part, causes his mother to fly down a staircase, cracking her skull along the way. Too good to be true. Ann says she’ll keep his actions a secret, pissing him off enough to strangle her. He ends up having to wrestle her henchmen. We get to see Damien kick some ass here, too. He’s pretty tough when he wants to be, taking them down and getting the hell out of Dodge.
But what did Ann mean when she asked if Damien’s mother would tell him who she really is? Who is she truly? Another ruse on Lyons’ part?

 


When Damien goes to see Simone, something is not right. Everything feels wrong. He heads back out to the streets, and sees smoething even stranger: Amani meeting with Ann. They sit together at a fancy restaurant outdoors. Or at least that’s what Damien thinks he sees. Detective Shay comes out of nowhere and picks him up, wondering exactly what happened with Damien’s mother, wondering what the hell is going on at all; especially after the events he experienced at home a couple episodes. Pleading to be taken seriously, Damien brings Shay to meet the tattoo artist. Problem being the man is dead, murdered, driven through with a bunch of daggers. The plot thickens.
Things are very complicated for Damien. Everything he says is like a dead end because there are too many questions about his mental health involved. He seems absolutely crazy. Right down to a bit of blood Simone smeared on his shirt, actually from a steak, which does him no favours. At all.
And life only gets stranger. Shay drives Damien in a cop car, they stop in the dark and then Lyons gets in. He doesn’t seem too happy with Damien and what’s been going on. But what is it that’s happening here? Is this reality? Outside, something attacks both Lyons and Shay. A bunch of somethings. They climb inside the car, terrorizing Damien.

 


Then he wakes up in an ambulance right after his suicide attempt. The EMTs look like the two henchmen from earlier. Was it all a dream?
He’s awake again, for real this time. In the hospital, Ann waits by his side, comforting him. The whole dream crushes him. He’d hoped none of the Antichrist business was real. And he really hoped Ann was actually dead. Too bad, so sad. He drives her away for now. The emerging Antichrist in him is causing everything to crumble. How can he ever be sure what’s real and what isn’t? His waking life is filled with nightmares, so is his sleep.
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Solid, creepy episode. Very excited for the next episode to see what’s about to happen, as more revelations, more nightmares, more truths come out of the woodwork. Next up is “Abattoir”, so stay tuned with me!

Damien – Season 1, Episode 3: “The Deliverer”

A&E’s Damien
Season 1, Episode 3: “The Deliverer”
Directed by Guillermo Navarro
Written by Ryan C. Coleman

* For a review of the previous episode, “Second Death” – click here
* For a review of the next episode, “The Number of a Man” – click here
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As Ann Rutledge (Barbara Hershey) leads Damien Thorn (Bradley James) back towards his past, the memories, and his seat on the throne as Antichrist, Glen Mazzara’s Damien moves to the next chapter, “The Deliverer”, and one can only hope things get more macabre, more wild from here on in.
After escaping a near stabbing, Damien is really on the radar. Detective James Shay (David Meunier) is also on the case of the dead professor, torn apart by the dogs. Well it’s no secret how it all comes together. Trouble’s around the corner for Shay now, too. The hounds of Hell are lurking around his office. Will he find himself at the wrong end of the Antichrist’s wrath? All the threads of Shay’s investigation lead back to Damien – the deaths, the attempted stabbing. Their paths will crash together soon.
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The flood of memories from Damien’s past aren’t coming easy. He recalls essentially killing his mother: “This is a murder weapon,” he says describing his childhood tricycle. He remembers the governess who killed herself, Ms. Baycroft, all of it. All the while, Ann tells him of a group which protects him, and has for quite some time. Damien seems to believe, as far as he was nearly killed because of some mad belief. But it’s all a shock to his system, like it would be for any rational human being. He doesn’t really want anything to do with it, particularly after Ann gets a little creepy on him.
Simone Baptiste (Megalyn E.K.) is seeking out help in regards to the notebook her sister left behind. All the talk of Satan, “the Book of Revelations” and more. A priest only shoos her away by saying there’s nothing to it. As she leaves, Simone sees a statue of the Virgin Mary start bleeding from a heart full of swords. Then, it’s gone again. Yikes. That can’t be any good.
Damien’s diving in deep trying to track down hospital records. Likely hoping to discover the origins of his birth. Then he’s also stuck on Ann, the relics of his childhood, the fact she bought up a ton of his work. Partner Amani Golkar (Omid Abtahi) thinks there’s a ton of weird shit happening, too, but can’t get on board with Ann being a stalker. Furthermore, Damien shows him the pictures of the old Syrian woman in the background of his other pictures. Yet Amani’s only concerned with their work, and Damien’s mental health. He is obviously a good friend. Though, will that thread wear thin?


Finally we’re introduced to John Lyons (Scott Wilson). He and Damien are “old pals” from when the latter was a part of the White House world. We also get bits to fill in story between The Omen and Damien: Omen II; Lyons mentions Damien left the White House simply because it wasn’t a conducive environment to raising a young boy. Makes sense. But that’s part of what’s making this series solid heading into each following episode. They use lots of clips, which started annoying me earlier. But now, with Lyons and his character, they’re adding bits and pieces to the background of this mythology, and that’s interesting. Aside from that, Damien gets clues as to what’s happening around him out of Lyons – particularly, that Ann Rutledge is a scary lady.
Simone is starting to slip. Well, not really. But outwardly, to Amani now, it’s looking like she’s “grasping at straws“, yet we know the truth. She is beginning to see the light; the dark light of the Antichrist.
Well now we’re also seeing Lyons and Rutledge together. Is Lyons a part of this super secret group? Seems that is the case. “I brought you in,” he tells Ann. John wants Damien under lock and key, unimpressed with her work thus far. “Do you know how much blood Ive spilled keeping him safe?” Ann questions. Apparently there’s no more room for Ann in Lyons’ plans. I enjoy this angle because it speaks to the nature of the Antichrist, how big corporations and secretive societies might try to use his presence as a way to influence world events, politics, economy, who knows what else. Plus, it gives us more to latch onto other than just Damien; even though he’s interesting enough.


Lyons: “This Damascus woman is the sign weve been waiting for
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I also love the investigative nature of Damien’s storyline so far. He’s digging deep and hard into his origins. So there’s a mystery angle to the whole series here in the first few episodes. But Ann is working her own games on the side, too. She sets up a situation where Damien ends up chasing her successor; right into the street, down to the subway. She plays both sides to create a situation where the Antichrist ends up saving a child, before inadvertently causing death as the man he chases ends up shredded to bits on an escalator. Savage. Nasty. Dig it. A bit of gruesomeness added to this A&E series, after a couple mild horror moments in the previous episodes (aside from the throat chomping at the jaws of dogs). Of course Ann hears of it back at the office, faking sympathy and gloating in her latest victory.
Note: the idea of fate and free will come in here plenty, as Damien fights off his destiny/legacy as the Antichrist while trying to be a good person, saving people, and all the while condemning himself for not saving everybody.


Damien: “It seems wherever I go, death follows.”


Quick enough, Detective Shay meets a hound from Hell. I expected it. Although, wasn’t sure if Shay would make it out alive.
On a lighter note, Ann brings Damien some food and now they’re all buddy-buddy again. She’s incredibly dedicated to him, wanting him to accept his position as Antichrist. She pushes him, lightly, towards it every chance possible. He talks about some of the terrible, hideous things he’s seen; the pictures he took, et cetera, in some of the vicious places of the world. “The fields were filled with the screams of the dying,” he recounts with obvious tears welling around his eyes. The story involves a pregnant woman and a disgusting act, a whopping revelation from his time in the fields as a war photographer. “The evil you felt that night, that you always feel, that you keep running away fromit comes from inside of you,” Ann tells him. An all around spooky scene, with plenty of meaty, unsettling dialogue between Ann and Damien. Crazier is the masochistic weirdness of Ann, sporting cuts in the form of 666 on her inner thigh. Wow, just… wow.
The finale is super unnerving, with Ann feeling Damien’s birthmark right after cutting a fresh 666 into her flesh over the last one. It’s all overwhelming for her, as she nearly orgasms from the thrill.


Damien: “Guess there is a God after all
Ann: “Not God; something else.”
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What an episode. Mazzara’s series is getting better by the episodes. Let’s hope this continues in the next one, “The Number of a Man” – stay with me, friends and fellow fans.