It all comes down to witches and warlocks at the end of the world
Cordelia seeks out the aid of Haitian Voudo to try stopping Michael
Michael Langdon begins interrogating the survivors at the outpost. A familiar face(/mask) from Season 1 returns.
This is not for the fainthearted. However, if you want to see a compelling, though disturbing, look at the misogyny inherent in Roman Catholicism: press play, if you dare.
Season 1, Episode 10: “Ave Satani”
Directed by Nick Copus
Written by Glen Mazzara
* For a review of the penultimate Season 1 episode, “The Devil You Know” – click here
Disclaimer: I was invited to the Damien Season 1 finale screening in L.A. tonight, which includes a lunch, plus Q&A with Executive Producer Glen Mazzara and star Bradley James. Unfortunately travel/time constraints would not permit me being there. However, the people at FOX were kind enough to send me a personal screener. Something for which I was very grateful.
SO… if you’ve not yet seen this finale, DO NOT KEEP READING! You will be spoiled. Otherwise, if you want to be spoiled, dive on in.
Here we are – the finale of Damien‘s first season. It’s been a great ride, getting better with each chapter. “Ave Satani” is upon us, and with the end of last episode, Damien Thorn (Bradley James) may finally have slipped into full-on Antichrist mode!
We start as Damien leads Simone (Megalyn E.K.) out from the woods. They run up on some big military-style vehicles, men with red dotted sights freeze them in their tracks. Ah, it’s Lyons (Scott Wilson). Of course. Now he’s revealing more of Armitage’s involvement with his supposed future. “You‘ll rule for a long, long time,” he tells Damien. But the young Antichrist is not happy with any of the explanations and the bullshit.
When Lyons orders Simone shot, then Damien taken in, the power of the Antichrist emerges, as he turns the men and their guns on themselves. While Damien and Simone make off, you can see Lyons is very pleased with how things are going. God damn psychotic. This opener assures us, though – Mazzara and the crew have readied us a properly horrific finale.
Ann (Barbara Hershey) and Amani (Omid Abtahi) take the now dead Veronica back. But Amani makes it clear, mother is to blame. While that’s obvious she clearly doesn’t want to hear that. And downstairs, Amani gets ziptied to a chair. Things are definitely breaking down. Lyons arrives and starts to convince Ann they need to begin action. For her part, she seems ready. Because Ann is one hell of a bad ass lady, no matter if she’s a bit evil and freaky.
Poor Sister Greta (Robin Weigert) finds herself in the hands of Lyons and Armitage. No telling what her fate will be. They’ll keep her around, a while. Then, who knows. The rest of her crew meet a terrible end on their knees in the forest.
Ann (to Lyons): “Blood will spill. Hers, yours, mine.”
Meanwhile we’re privy to the terrible creepiness of Damien’s Antichrist presence and how it affects others. When Simone and Damien track down a car, the woman inside confesses her love for him – “It‘s all for you, Damien!” – then tries to kill herself before Simone intervenes. This was honestly one of the most unsettling scenes for me in the whole first season. Just how quickly the sentiment overcame her. Chilling.
Ann comes face to face with Sister Greta, after the awful death of her daughter. She promises the nun a similar end.
Cut to Vatican City – the remaining daggers of Megiddo are packed up and carried off. All sorts of blades and weaponry are likewise packed, and a gang of holy men are off on a mission. Yowzahs! Love this brief moment, really had dark energy. Then there’s Bear McCreary’s eerie score, which only serves to consistently make the atmosphere of this series creepier and creepier.
Out in the woods again at the old trailer where he and Powell used to meet, Damien brings Simone to lay low. Plus, he washes off all that nasty earth and blood from his resurrection the night previous. He even sees a little flash of the old woman from Damascus. All the evil of his life is crowding around him. And that adds more weight to the woman in the car who tried committing suicide, immediately pledging her life to him: it’s as if all those old evils he’d previously experienced, unknowingly the coming of his place as the Antichrist, are coming back around again, now that his eyes are wide open.
The debate about who’s worse rages between Sister Greta and Ann. They’re each hard, tough women. Although, I can’t help but believe they’re equally as stubborn. If in their world both God and the Devil/Antichrist exist, then the label of “cruel Lord” that Ann gives the former is perhaps most relevant. God has been responsible for quite a bit of pain and suffering, under the guise of his supposed plan. At least the Devil revels in what he does. Even after Greta pleads her case passionately, there’s no selling that old chestnut to Ms. Rutledge: “Satan is God,” proclaims Ann, “Long may he reign.”
Now Lyons is interrogating Amani about Damien’s whereabouts. This doesn’t end the best after Amani gets violent, but as Lyons puts things for him there’s no loyalty left that can save Damien. He is becoming something else now.
Doing her best, Simone sticks around with Damien, who insists she go. But she stays, readily admitting she is part of what’s happening. Then Damien says that he killed her sister Kelly, and that the same will only happen to her, as well. Likely true. Still doesn’t make her love, though. She is one tough character. At first I wasn’t a fan of Simone, but over the course of this first season she has truly grown on me. Now she’s really getting good in this finale.
Sister Greta is shown the rest of her people, shot in the head, thrown in a mass grave. Nasty. She and Amani are given the real, brutal view. Lyons tells Amani he must put Greta in the grave, or else – in a roundabout way – he says they’ll kill his mother. HOLY FUCK. That is some hardcore madness right there.
What does the nun have to say? “God‘s will be done,” she sweetly, calmly tells Amani. What follows is a dark, emotionally disturbing moment. That includes Lyons putting Amani down there, too. We finally see how deceptive Lyons is, having completely fooled Amani to the end. Watching the two of them start getting dirt rained down on them is so sad, so brief, it stings.
The Antichrist side of Damien is really breaking through. He is gradually accepting his darkness and his vicious power. Further than that the danger to Simone is getting greater almost by the second. And not far outside lurks the woman from Damascus, coming closer to Damien all the time.
There’s a possible rift between Ann and Lyons now, after he effectively executed Amani. She didn’t want him to die. Most of all Lyons wants to get Damien under his control. He saw a fraction of what could be, and can’t wait to use that terrible power inside the Antichrist to bend the world to the will of Armitage.
AND YES, YES, YES! A hand emerges from the mass grave after it’s all covered up. Not all hope is lost.
Poor Detective Shay (David Meunier) is having a worse time of it, too. He thinks he see his boy on the road, then believes he runs him down. Only to discover it’s the powers of the Antichrist out in the world, the evil, sucking him into the downward spiral. On a side note, Meunier is killing it in this role. Very happy with his performance over this season and I keep wondering what will happen next in his story.
Back to the Vatican City assassins. They’re now in the same city as the Antichrist himself. What will come of this? A wild showdown is coming. Especially considering most everybody is heading for Damien, including Shay, Rutledge, Lyons, all of them, and they’re all converging on that old trailer in the woods.
Then Damien reveals he is headed to Megiddo. He figures all the answers are there, the apparent location of Armageddon. But before he can do anything, all forces rain down on the nearby field, just as Dt. Shay creeps up.
An intense little sequence here before Damien and Simone ends up confronted with Ann and Lyons. “I will kill all of you,” the Antichrist rages at them. He then finds out what Lyons did to his best friend, as Ann lays bare the truth. And of course Lyons finds himself being chased down by a pack of Rotties. Nom nom. All the while, Simone pleads him to stop, and Ann gets aroused.
Then a shocker: trying to shoot Damien, the detective puts a bullet right through Simone’s head. Wow. And just as was saying her character got more interesting to me. MAZZARA, WHY DON’T YOU LET ME HAVE NICE THINGS?
Well this is really setting Damien off. You can feel his heart breaking more. Then the woman from Damascus arrives, Damien pleads to be taken. He speaks in a language we’ve never heard of him, to his ‘father’ and then the forces of evil really start to take hold. Blood from the 666 in his head starts seeping out. It drops onto Simone and breathes life into her again. Whoa. Not only can the Antichrist take life, he can give it, too. Shay watches on and sees the power.
And from the darkness come Damien’s legions, the Antichrist’s followers, his fan club. They’re all there. For him. Kneeling, along with Ann. Even Shay. Towards us, the audience, Damien turns with a knowing, devilish smile subtly across his face.
The Antichrist has risen!This was an exceptional finale. I’m hoping A&E realizes the potential for it to grow, as there are already a dedicated base of fans, particularly online that always seem to be watching, tweeting along with Glen Mazzara and the others live. Personally, I wasn’t sold immediately. The pilot was decent, but I didn’t like the large amount of clips from the original Omen. Then after the second and third episode, I was sold. The whole thing progressed magically, so dark and exciting throughout its first season. And the finale spoke volumes to how wonderfully devious this show can get.
Give Mazzara and Damien another season, A&E! The ratings will get better alongside the quality. Hopefully the finale will pump some decent numbers up. Stick with me and we’ll try to make sure the network knows how much we, the fans, enjoyed this show in its initial season. Here’s to hoping for more Antichrist badness!
Season 1, Episode 9: “The Devil You Know”
Directed by Jennifer Chambers Lynch
Written by Glen Mazzara & K.C. Perry
* For a review of the previous episode, “Here Is Wisdom” – click here
* For a review of the Season 1 finale, “Ave Satani” – click here
After the shocking events of last episode, the penultimate Season 1 episode is here! I desperately hope this gets a second season. Damien Thorn (Bradley James), Ann Rutledge (Barbara Hershey) – they all need more time.
We start here as Ann meets with someone trying to track down her daughter. Little does she know. Of course this will cause some major mayhem when Ann figures out what’s happened. No telling what kind of reaction a woman like that might have in the face of personal tragedy. Although, she is sort of like the devil’s lover, or well… she wants to be his lover. Or something weird.
Sister Greta (Robin Weigert) and Simone (Megalyn E.K.) are busy with the aftermath of what’s happened with Veronica. She isn’t dead, surprisingly, but on her way. Greta decides on holding her. Possibly for her own good. Meanwhile, Damien and Amani (Omid Abtahi) are talking about the possibility of the Antichrist, the idea that Damien is the heir to that throne. Certainly it’s nonsense to Amani, intent on rationality. At least their way forward is together despite whatever else is going on, reality or otherwise. Damien needs all the friendship he can get. He wants Amani to get close with Veronica more now in order to get information.Damien wants to get to the bottom of the whole corporation with Lyons (Scott Wilson) and Ann at the forefront, knowing there is absolutely more than meets the eye. The good friend agrees to do his best.
And then there’s Detective Shay (David Meunier). He looks like a madman when bringing up the strange things that happen around Mr. Thorn. Nobody believes him, but Shay knows there’s something sinister going on behind the scenes. He doesn’t know the extent, though suspects a great deal. His bosses have him turn over his gun and badge citing mental health as the problem. Sadly, we’re aware of the truth. I see danger in Shay’s future especially now with a suspension. He might choose to go after Damien, investigating more on his own, which will only throw him right under the bus.
Finally, Veronica reveals Ann knows about the church’s involvement, Simone getting them into the whole mix. Greta talks a good game to try convincing Veronica of her mother’s evil. “Is that a mother‘s love?” asks Greta. “You don‘t know shit about me,” replies Veronica. Not much more information is coming out of this one. She is fiesty.
Another detective comes knocking at Damien’s place. He brings the news about Charles Powell, the therapist. Suspicion is growing around the Antichrist, more and more, even without Shay on the case officially now. Because all the little bits add up. And that’s why I dig this series and why Glen Mazzara has done a great job, along with all the various writers, because you wonder – in a real type setting, a real world, how would these events so obviously linked together somehow be explained? Well having these cops involved is one way of tackling that issue.
Back to Damien. He wants to meet with Sister Greta: “I have nowhere else to go,” he quietly pleads with Simone. Amazing to see the nun meet with the Antichrist. She asks to see the Mark of the Beast. He obliges. But she does not recoil, Greta understands his struggle. “You are God‘s child,” she assures him and recognizes his suffering. He lets her know about the incidences at the VA hospital, his visions and so on. Turns out those seven people at the hospital he came across represented the Seven-Headed Beast of Revelation. On top of that, Simone now finds out her sister was taken by something… otherworldly, something evil. An intense few moments and a great instance of solid writing. Earlier aspects get explained in a way that isn’t forced, very organic to the plot. Dig it.
Poor Amani gets taken by some masked men while everything else is going on. Now I’m quite worried for him.
Greta later takes Damien by herself, sending Simone upstairs – and she gets locked in with Veronica. Uh oh. Is the renegade nun planning something? In the meantime, Ann’s got Amani in her custody. They’re having a little chat. Or more like she calls him down to the dirt with an eloquent almost Shakespearean jab. She further wants information about the nun, though Amani plays it cool. Until she convinces him Greta will kill Damien, which finally breaks his stand. There may be a big showdown coming. Yet things feel strange, uneasy. Highly unpredictable.
Damien: “What if I really am the Antichrist?”
Greta: “Then that is God‘s will”
Alone together, Greta and Damien talk more about his being the actual Antichrist. Resulting in her using one of the daggers of Megiddo to stab him. Cut to her wrapping him in thorns on an altar-like slab. SHIT. Greta, you bad motherfucker. That is some raw biblical vengeance, for sure.
Detective Shay is literally sweating the case out. I knew it – he’s at home, studying pictures, looking over crime scenes, and trying to figure out what is going on with Damien. He knows the murders, the events around him – the dogs, the burning car, the therapist killing Powell – are all being heavily influenced by Thorn. Somehow. “There are monsters,” Shay tells his little boy. And his boy creepily whispers in his ear: “The devil did it.” From the god damn mouths of babes. No sooner does Shay’s husband whisk their kid away do more visions plague the crumbling detective.
Over at the rectory, Simone mounts an escape from the room with Veronica. But down at the altar, Damien’s held in thorns, his 666 being cut into by Greta as some dark figures in black watch on behind her. Wicked little bit of gore here! Also, we see that 666 is literally carved right into the poor guy’s skull. Gnarly as all hell. The group then proceeds to lower Damien into a hole in the ground, so he can be “reborn” apparently. His screams echoing through the woods are viciously chilling. Once he’s in the hole it is just more ghostly, haunting hallucinations for Damien, as he envisions demons poking through the ground trying to get at him, themselves wailing and gnashing away. A truly terrifying little sequence. Simultaneously, Veronica ends up getting an Evil Dead-style death via tree, except without any penetration – well, sexual penetration. So this is one fucked up, awesome episode. Horrifically pleasing.
Shay winds up sneaking himself into Damien’s place. Then he hears his son out of nowhere, voices whispering. A small figure appears behind him. From the sink in Damien’s photo lab he hears the boy’s voice before being startled by a creepy image. This sends him rightfully running back out the door.
But Damien doesn’t get to do that. He’s trapped in that hole, the visions of those seven people from the hospital attacking him, nowhere else to go except stay put. Up above the hole, Simone shows up, but the damage is done. Down there Damien goes absolutely mental. A bloodcurdling noise emanates from the hole, as does Damien. He rises up while everybody watches on. Ominous music makes the scene even more heavy. Is he reborn now? Greta tries stabbing him again, only he stabs her. Without any feeling, any remorse.
The Antichrist has risen. Or has he? Safe to say the evil is flowing in him, and he’s starting to give in to the pulsing hell inside him.
Excited for the Season 1 finale, “Ave Satani”, and can’t wait to see how the team ends things. My hope is that Season 2 will get a greenlight. Mazzara and Co. deserve the chance to flesh this out for at least another season, possibly with another couple episodes – 13 would be a perfect little fitting number. Regardless, they got better and better every episode here and made this into a good one. Let’s have a devilish finale together, fellow fans!
Season 1, Episode 8: “Here Is Wisdom”
Directed by Tim Andrew
Written by Sarah Thorp
* For a review of the previous episode, “Abattoir” – click here
* For a review of the next episode, “The Devil You Know” – click here
So many things happening on Glen Mazzara’s excellently macabre series Damien. First, there’s the Antichrist himself, Damien Thorn (Bradley James), whose search for the truth is bringing him further into madness. Then there’s everyone around him.
Simone Baptiste (Megalyn E.K.) is off on her quest for truth, too. After speaking to Sister Greta Fraueva (Robin Weigert) in the last episode, Simone’s further energized to find out exactly what’s going on with Damien. Simone and Greta track down the dagger of Megiddo that the assassin dropped in the sewers. But what does this mean? Will they just have to kill Damien, is that the only way? Surely it is.
Speaking of Damien, he’s in therapy. He picks up a copy of Nausea by Jean-Paul Sartre briefly. Mostly, he feels like he’s “whining“, and his therapist says he’s got PTSD. What’s most fun about this scene, to me, is that we’ve got the actual Antichrist here. That’s part of the premise. Regardless of where things go, how well they get there, Damien is the Antichrist. And here he is, sitting with a therapist and talking about his feelings. Amazing. At once it’s dark and disturbing, as well as darkly hilarious. Damien and his therapist talk about existential crisis, the toughness of making choices, mentions of Sartre.
Meanwhile, Detective James Shay (David Meunier) is getting shit on even though he knows there’s something shady about Damien. Yet there is the fact Charles Powell (Joe Doyle) just murdered a man, on his own (or was it?), and quite brutally at that. So for now, eyes are off Mr. Thorn.
For his part, Damien is dealing with a little boxed up gift left at his door. It contains a bloody little present. A tongue. Inside it, a roll of film. He’s interrupted by Detective Shay – wow, what timing! This is a tense scene, especially when Damien realizes the very person Shay is talking about, Cray Marquand, had his tongue removed. And it’s right there on the table, barely hidden from the cop. Great writing here. Plus, more intrigue concerning Powell. I’m excited to see how his crazy ass is going to play further into Damien’s story from here on out. As if there’s not enough going on for the poor Antichrist.
Cut to Amani (Omid Abtahi). He’s figuring out some things about Damien’s place getting trashed. With a favour from a buddy, he sees Veronica Selvaggio (Melanie Scrofano) outside the apartment. Uh oh.
And then there’s Ann Rutledge (Barbara Hershey). She’s looking to have a dagger of Megiddo destroyed. A friend breaks out his welding torch. Except the dagger is completely resistant. It will not be burned. Those are some powerful blades.
Now Amani is meeting with Simone and Sister Greta. All their heads are put together now. Greta mentions they’ve suspected someone has been looking out for Damien for years, likely now she believes it to be Rutledge. Also, Amani reveals he’s sleeping with Veronica. But going back to try and get information from her? Is that really smart? I doubt it. Because he’s not subtle enough. And if she sniffs out that he knows more than he should it is bye-bye Amani.
Now Damien is developing the film from the tongue of Cray. When he shines the film under his infrared bulb, every frame is the same but for the last: a solid black frame with the word REMEMBER scratched in. Off Damien goes, followed by Shay. But then the detective’s car shuts down. He’s back in the way of evil. The car locks itself. It catches fire, trapping Shay inside. He just barely manages to escape before the whole thing goes up. Narrowly escaping death. Again. Wonder if this guy will end up getting the axe. I hope not because he’s pretty bad ass.
Damien has officially remembered. He goes to see Powell in a little trailer in the woods. They’d cut classes and go down there back in the day. Charlie’s convinced Damien has killed people, intentionally. “I‘ve always believed in you,” says Charles. Of course Damien doesn’t see the burning of Powell the same as the burned man himself. And it turns out there are “others“, “nobodies” that Charles murdered… all for Damien. “So, who should we kill next?” he asks a visibly distraught Damien.
The Antichrist almost fully comes out of Damien when he nearly beats the life completely out of Charles, raging, punching him. Now, he may actually become a murderer.
At the same time, Shay is falling apart at home. His son’s drawing a car fire and that freaks him out, naturally. He’s been lying to his husband, though. That’s not cool. Bigger issues on his plate for the time being. He’s a brave dude, heading out into the dark of the forest after all the creepy events starting to cloud around him. He ends up out at the place where Charles and Damien met. He finds Charlie, beaten and raving: “The Devil did this.”
More and more, Damien falls apart, as well. He lets all the anger inside him out to his therapist. She does her best to convince Damien he’s still a human being, that he has a handle on his life, his choices. But the spiral of Damien’s life and delusions are plummeting faster towards something intense.
Damien: “Is that not our responsibility? When we encounter evil, shouldn‘t we destroy it?”
Amani finally confronts Veronica, about her mother Ann, her boss. He outright threatens her over Damien, saying he’ll kill for his best friend. She says that their relationship is real. How can you trust her? Well, Amani doesn’t know exactly what’s been going on at the top of all this insanity. Either way, he is pretty serious about it all ending. Not just them, but the whole thing. Only now he’s a part of the whole mess.
Back to Ann goes her daughter. Now that’s another secret out in the wind. So now Ann has got to get some work done. “No more carelessness,” she tells her daughter and puts away the dagger of Megiddo she now knows cannot be destroyed simply by fire.
Greta and Simone do a little bit of bonding. Looks like Greta is pretty on the level. Only I fear for both their safety. Problem is a whole lot more good people are going to die before this is all over. I spoke almost too soon.
Veronica is out looking into Greta, following her in the dark, which attracts Simone’s attention. A very suspenseful sequence shot in the shadowy hallways, lit by stained glass windows. Finally, it’s Veronica who ends up with a bullet in her. Yikes! What will Mama Rutledge do about this now? I can only imagine what wrath that’ll unleash.
Over at Damien’s place, Amani comes to lay bare the truth. He was an unwitting pawn in their game. He also lets Damien know about Ann’s daughter. But further than that Damien realizes it’s his fault Amani is even caught up in this entire debacle.
Worse than anything, in jail Charles receives a therapist. The same one as Damien. She lets slip, very purposefully, that Damien wishes he was dead. She’s a part of it clearly. It all upsets Charles, believing Damien loves him. “You‘re not a true servant, you‘re a liar,” she tells Charles before stabbing him in the neck violently, relentlessly, with a nice sharp pen. Blood everywhere. Did not see this coming all around. Great, gory horror for a few moments.
Anybody who didn’t make it past the pilot episode has been missing out on the all the true horror scenes. This one was a doozy. Dig it. And Dt. Shay is too late to save Charlie, but puts a few bullets in the psychotic therapist. The title of the episode? Right on the pad she’d used for scribbling before murdering Mr. Powell.
What a great chapter in this series. Next up is “The Devil You Know” and it’s the penultimate Season 1 episode! Very exciting. Mazzara and Co have only improved since the beginning. I do hope A&E will give this a chance to develop even further. Season 2 is needed.
Season 1, Episode 7: “Abattoir”
Directed by T.J. Scott
Written by Mark H. Kruger & Glen Mazzara
* For a review of the previous episode, “Temptress” – click here
* For a review of the next episode, “Here Is Wisdom” – click here
This latest episode starts off with Damien Thorn (Bradley James) waking in his hospital bed to a raving lunatic above him. Perks of being in psychiatric care. In the halls, things are no better. Everything is dark, scary, unknown. Damien wanders aimlessly hearing the sounds, seeing the sights, of madness.
Damien goes through the motions. He heads to the cafeteria and gets something to eat, again joined by the psychotic who hovered over him as he woke. Amazingly, the Antichrist is stuck between two people who believe they’re Jesus Christ. He’s sort of going a little crazy himself.
At home, Detective James Shay (David Meunier) remembers the supernatural attack he experienced recently. He tries making sense of what it was that actually happened; surely an explanation can be found. In the bushes of his yard something stays low, growling, watching. Shay may not find anything in the pool, but that’s the least of his worries. All around him the forces of evil are gathering. No telling how long he’ll manage to survive being anywhere near Damien.
Finally released from the psychiatric ward, Damien is off into the world once more. The resident Jesus pleads “Kill yourself” in order to spare them all ruination after the Antichrist fully comes into being. That’s some spooky shit right there.
Shay’s partner worries for his sanity. And that’s the worst part of all this supernatural terror, nobody will believe the person whose claims speak to otherworldly presence. At least Shay does get confirmation from his son about a dog lurking nearby. The hounds of Hell are never far. At the same time, Simone (Megalyn E.K.) is worried about the men that recently tossed Damien’s place. Both she and Amani (Omid Abtahi) are concerned for their friend. Except Damien saw Amani with Ann Rutledge (Barbara Hershey). His paranoia has set in. He trust nobody, neither Amani, nor Simone who broke into his apartment. So with everything whirling around him Damien is caught up in the conspiracy, the paranoid delusions. Exactly what people like Ann, and more importantly John Lyons (Scott Wilson), truly want.
Speaking of Lyons, he’s having lunch with his creepy friends. And then Damien arrives, too. He seems to be thinking clearly at least. Because now he knows about John and Ann, their business relationship, and so on. Then a woman in a wheelchair nearby starts exclaiming things to Damien, her love for him: “I serve you, my master,” she shouts as Lyons wheels her off. Damn, that’s a chiller.
Tracking down people related to Damien, Dt. Shay comes across Charles Powell (Joe Doyle) who roomed with Thorn at Preston Hall. The vigilant detective is trying everything and anything to root out Damien, what he’s all about. And even though Charles gives over nothing, he looks as if a dark cloud crowds over his head when the cop leaves his little flower shop. Hmm, more to come?
And more investigations come at the hand of Simone. She finds footage of the old woman in Damascus with Damien, she compares it to the pictures from Damien’s place, and finds the same old woman staring back at her. The closer she gets, the worse things could look for her.
Shay finds other people related to Damien, such as Cray Marquand (Cody Ray Thompson). He informs Shay of Powell’s idea that Thorn is the “second coming” – a strange, suspicious term to be used. There’s a story about Powell who was convinced, by the Antichrist, to essentially burn himself. An eerie moment.
So Ann and Lyons meet to discuss the new developments. She sees his survival of a suicide attempt as being proof of his strength, of their efforts. Although, Lyons and Rutledge do differ on their approach – he doesn’t see the need to isolate Damien, but rather to bring him, keep him close. They also discuss the daggers of Megiddo.
But more importantly, Damien sneaks in to see that old woman in the wheelchair. Seems that lady is Margot Lyons (Nicky Guadagni). She reveals more to the chosen one, about John, his intentions. “He slithers before the beast,” she tells Damien. On she goes about the ten crowns for “ten horns“, and more biblical madness. Extremely unsettling scene that makes things all the more frightening. That Margot knows quite a deal.
Her words set Damien off to look for a supposed black church. In the nearby woods he finds a dingy dungeon-like cavity in the earth filled with tools, the stains of blood, so many strange things. A sacrificial chamber, maybe? Nevertheless, he finds a useful tool and then heads back up to see Margot.
Sister Greta Fraueva (Robin Weigert) has arrived in town. She follows Simone in the street, not unnoticed. At the very same time Simone thinks she sees the woman from Damascus. This prompts Greta to introduce herself, already knowing Ms. Baptiste by name. And they’re also being watched by someone in the distance. Greta wants to know more about anything Simone’s seen, the visions passed off as nonsense by others. More are on the case! Is this good? Likely bad. For them.
Back to the flower shop goes Shay. He questions Powell further on his relationship with Damien. On the outside it seems like love. On the inside, Powell was sucked in by the lure of the Antichrist and his persuasion. Damien burned Powell’s hands all those years ago, an awful act, which the latter hoped would keep him away from the eye of the Antichrist. Well, I’d bet money that evil is about find Charles again after all these years.
And when Lyons comes home he finds Margot, the bloody tool in her hands. A veritable omen. Later on down in that chamber, Lyons and his terrifying friends sacrifice a goat on their altar. To appease the beast. They cut its throat, drain the blood. Their ritual continues.
At Damien’s place, Ann shows up. She has one of the daggers of Megiddo, revealing John came looking for it earlier. She tells him about how the daggers, used together all seven, will destroy the Antichrist. Only one would just take his life; all seven rid the world of that evil altogether. But if Damien dies, another simply takes his place, next in line. Ann bares her soul to him. Her commitment is staunch, unwavering. With the option of death now, once and for all right in front of him, Damien chooses not to die, or Ann decides not to help him. One or the other.
In a bathroom, Powell comes face to face with Marquand. The scars all over Charles are savage. The two men have a brief chat. Before Powell heads into the shower behind Marquand and stabs him with a large pair of scissors, over and over. A brutal, bloody death. Has the Antichrist still got a hold on Charlie?
This was a wild and at times devastating episode. Great writing, great direction. Lots to build on heading into the next episode, titled “Here Is Wisdom”, so stay tuned with me.
Season 1, Episode 6: “Temptress”
Directed by Nick Copus
Written by Richard Hatem
* For a review of the previous episode, “Seven Curses” – click here
* For a review of the next episode, “Abattoir” – click here
After the emotionally devastating “Seven Curses”, Damien Thorn (Bradley James) is being transported to the hospital following his suicide attempt. He wakes to Simone (Megalyn E.K.). She genuinely cares and wants to help. Also kicking around is Ann Rutledge (Barbara Hershey) trying to make things go smoother for the Antichrist.
Except for now he’s under observation. Detective Shay (David Meunier) is on his way. So Damien slips out, nice and quiet. He heads off to meet Amani (Omid Abtahi) in some sketchy alley, heading down into a below ground club. Someone wants to meet Damien. Very secretive. They meet with a tattoo artist who says two men came and roughed him up, asking for a tattoo to be done on someone who’s passed out. Turns out it was Damien. He apparently tattooed the 666 on his scalp. Or so he claims. Is this true? I don’t think it is. Could it really be the case?
This is one of the best openers of any episode yet. Dig it, hard. Makes it all quite exciting.
Love the whole aesthetic of this show. Dark, dreary, though vibrant.
Amani is shown the tattoo. He explains the artist came looking for him, after seeing Damien at the VA hospital. Too convenient. Everything around Damien’s becoming more and more slippery, in terms of reality. He sees people in the distance, a hooded figure. Now all this about his supposed birthmark being faked. He has no way to latch onto anything real, so the world only becomes further confused.
Doesn’t help that John Lyons (Scott Wilson) muddies the waters. He’s in league with Ann, yet there he is telling Damien all about her, the danger he’s in because of her presence. John gives over a big file filled with countless bits of information.
Damien discovers, from a doctor at the hospital, he was given a dose of some incredibly powerful psychedelics. Wild shit. But Lyons is quick to keep things silent. The doctor wants to let police know. Lyons would rather handle it himself. “We don‘t bring in outsiders to clean up our messes,” he tells Damien.
As the unknowing Antichrist walks the streets, a hooded figure hovers not far away. He ends up meeting with Ann who says she wants to chat. With all the belief instilled by Lyons about Ann waging “psychological warfare” on him, Damien has got his back up. If only he knew. He’s being played on all sides. It really is a setup for complete mental breakdown, as well as the possible emergence of a vicious evil. For now, he rips Ann a new one, even going so far as to verbally threaten her. Yikes.
So Damien goes ahead and tosses out all his food. Until Amani arrives. He captured the meeting with Ann as planned. Then he followed her to a meeting with Lyons. Now Damien’s world, his reality, all those truths are slipping even faster. He manages to sneak his way into Lyons’ office under the pretense of a forgotten phone. He locates a file with his name on it and gets it out undiscovered. Inside is everything from pictures to documents and tons of other things. Including pictures of a woman, which intrigue him.
And then he meets her: his mother, Mrs. Thorn (Bess Armstrong). She’d been in hospital when her husband tried to kill Damien, then under the impression they’d both died.
Although, is this all too convenient? Would Lyons really keep a file on Damien with such important, damning evidence right in his desk? All of a sudden, his mother pops up and claims there was nothing ever wrong with him, that she was sucked into thinking all those Antichrist-like things about him by Mrs. Baylock and the like. This feels like an elaborate scheme. Because nothing good can ever come to the Antichrist, can it?
Of course Ann arrives. Then she and Mrs. Thorn have a pretty tense argument. An accident, on Damien’s part, causes his mother to fly down a staircase, cracking her skull along the way. Too good to be true. Ann says she’ll keep his actions a secret, pissing him off enough to strangle her. He ends up having to wrestle her henchmen. We get to see Damien kick some ass here, too. He’s pretty tough when he wants to be, taking them down and getting the hell out of Dodge.
But what did Ann mean when she asked if Damien’s mother would tell him who she really is? Who is she truly? Another ruse on Lyons’ part?
When Damien goes to see Simone, something is not right. Everything feels wrong. He heads back out to the streets, and sees smoething even stranger: Amani meeting with Ann. They sit together at a fancy restaurant outdoors. Or at least that’s what Damien thinks he sees. Detective Shay comes out of nowhere and picks him up, wondering exactly what happened with Damien’s mother, wondering what the hell is going on at all; especially after the events he experienced at home a couple episodes. Pleading to be taken seriously, Damien brings Shay to meet the tattoo artist. Problem being the man is dead, murdered, driven through with a bunch of daggers. The plot thickens.
Things are very complicated for Damien. Everything he says is like a dead end because there are too many questions about his mental health involved. He seems absolutely crazy. Right down to a bit of blood Simone smeared on his shirt, actually from a steak, which does him no favours. At all.
And life only gets stranger. Shay drives Damien in a cop car, they stop in the dark and then Lyons gets in. He doesn’t seem too happy with Damien and what’s been going on. But what is it that’s happening here? Is this reality? Outside, something attacks both Lyons and Shay. A bunch of somethings. They climb inside the car, terrorizing Damien.
Then he wakes up in an ambulance right after his suicide attempt. The EMTs look like the two henchmen from earlier. Was it all a dream?
He’s awake again, for real this time. In the hospital, Ann waits by his side, comforting him. The whole dream crushes him. He’d hoped none of the Antichrist business was real. And he really hoped Ann was actually dead. Too bad, so sad. He drives her away for now. The emerging Antichrist in him is causing everything to crumble. How can he ever be sure what’s real and what isn’t? His waking life is filled with nightmares, so is his sleep.
Solid, creepy episode. Very excited for the next episode to see what’s about to happen, as more revelations, more nightmares, more truths come out of the woodwork. Next up is “Abattoir”, so stay tuned with me!
Season 1, Episode 4: “The Number of a Man”
Directed by Bronwen Hughes
Written by Nazrin Choudhury
* For a review of the previous episode, “The Deliverer” – click here
* For a review of the next episode, “Seven Curses” – click here
What will Damien Thorn (Bradley James) encounter next? Last we left him, Ann Rutledge (Barbara Hershey) was working her wiles against his fragile mind. And it turns out she is more than just obsessed.
Simone Baptiste (Megalyn E.K.) is trying her hardest, too. In order to stay away from an evil approaching. Can she manage to keep free of it? She digs up some sort of chicken fetus-like creature from her bathtub, and it’s no doubt an ominous moment.
Damien’s busy fighting with whatever is inside him. Having a shave, he nearly feels like cutting his own throat. But the feeling passes. In his bathtub, he finds a tie clogging the drain – of course, the tie of the man from last episode. Which he then brings to John Lyons (Scott Wilson), whose council is no good. As we now know the older man, posing as a dear friend, is merely one of those watching along as Damien slouches towards his destiny as Antichrist.
Detective James Shay (David Meunier) gets some footage of Damien’s chase in the subway, which produces a strange, ghostly effect while being watched. More to be curious about. Meanwhile, Amani (Omid Abtahi) tries to convince Damien into taking a break from everything, taking it easy. Everyone’s worried. Even Shay arrives later to talk more with Damien about all the events surrounding him lately.
Damien and Shay head down to the cop shop for a longer chat. The cat and mouse thrill of the plot picks up, as the detective knows there’s something going on. But due to all the supernatural madness, he can’t exactly place everything correctly. Yet there’s Damien on CCTV, running after the man who died on the escalator. His proximity to the nastiness as of late, consuming those around him.
In the boardroom, Lyons addresses his staff. He even has Ann “say a few words“, in all the irony. She talks a good one about togetherness, compassion, and all sorts of similar things. Nice speech by a woman no doubt well versed in watching people die. “Nature of the beast,” she tells Lyons: “Pardon the pun.” Turns out afterwards that Ann didn’t leave the tie, but either way, she and John form a sort of partnership. For the time being, Ann goes along.
Shay is getting closer and closer to a theory of what’s going on. He knows Damien’s pulling “some freaky shit“, and that involves dogs. He shows Damien the hall where he was also attacked, right in the station. But the cop’s more concerned with trying to push the young man into a confrontation. Poor damn fella has no idea what he’s up against. Plenty of tension between these two. Something intense is certainly rearing its head, and soon there’ll be trouble. Lots.
Damien: “People who come after me don‘t fare so well”
In the police station, a man confronts Damien, calling him a serpent, “The Destroyer“, and when he grabs some scissors Damien attempts to stop him from stabbing someone. Seems he only wanted to stab himself. In the groin. Whoa, what a vicious moment! Bloody, creepy, and foreboding.
With lighter things to worry about, Amani’s trying to get Damien a job. He is a true friend, one who knows his partner is a great photographer. So he kicks a little ass in an interview for him.
Ann receives Detective Shay at her place. He’s suspicious about the “special room” Damien told him about. The whole thing sounds like something from a mystery-thriller novel, a bad one, though, she leads the cop to her supposed panic room: “I never use it. I never panic,” Ann tells him. Well, she cleaned out the basement and there’s nothing to be found, which obviously paints Damien in a worse psychiatric light.
But now Amani is running into trouble. The protege of Ann Rutledge, Veronica Selvaggio (Melanie Scrofano), is circling around like a vulture. No doubt readying herself to clear Amani from the life of Damien. Convenient for Ann, too. Whom will escape any scrutiny for anything that may happen.
As for Simone, her mother is getting some voodoo-style witchery going on to help with her latest fetus in the bathtub troubles. She doesn’t feel too into it, but her mother and the witch doctor are awfully serious. And things get… pretty wild.
A little while later, Ann collects Damien from the station. Though he’s clearly not happy with that situation. Damien gets violently serious with Ann, threatening to kill her if that’s what’s required. Don’t forget – Ann has a serious BDSM thing happening, so who knows what she’d be into. “The day will come,” she tells Damien before walking off into the night. You creepy, sly bitch.
Damien gets a visit from Simone. More of the 666 prophecies. She brings up the visions since her sister died, the prevalence of the birds, and more. They’re both being torn apart, in different ways. He talks about the things he’s seen, in war photography, and that suffering happens; that’s it. There is no higher power with a purpose. Hard to hear, though, necessary. Only Damien will soon realize there is something else behind it all. a great, dark power.
Damien: “Kelly died. And a bird is just a bird.”
At home, Detective Shay and his husband have a nice little life together. Except up shows another hound of Hell, and it’s got an eye on their little boy. It lures the child out towards the swimming pool. Uh oh.
Then Shay finds the boy underneath the pool cover, dragged about by some mysterious force. The whole sequence is terrifying, as something evil tries to drown the boy. But Shay, he fights back. One of the most unnerving scenes out of the series so far, and certainly doesn’t help a kid is involved. However, Shay now knows there’s something bigger, something more horrific at play than simply Damien.
Next episode, “Seven Curses”, should be another exciting one. This was a fun episode and I’m enjoying with Glen Mazzara and Co. are doing, as the show gets better with time. Stay tuned for me with me.
Season 1, Episode 2: “Second Death”
Directed by Ernest R. Dickerson
Written by Mark Kruger
* For a review of the first episode, “The Beast Rises” – click here
* For a review of the next episode, “The Deliverer” – click here
After an uneven pilot episode, A&E’s Glen Mazzarra-run Damien glides into its next chapter.
Damien Thorn (Bradley James) is still reeling from recent revelations, as well as the death of his close friend. In other corners of the world, an exorcism of sorts is being performed by Sister Greta Fraueva (Robin Weigert). She prays over the body of a young man lacerated from head to toe. The ceremony involves him being lowered into a grave, then later pulled out. By all accounts, she saves him, as the boy comes to asking for his mother. The forces of darkness are clearly heavy. Will Sister Greta come to play a larger part in Damien’s life? Is she a counterpart to the deviously eerie Ann Rutledge (Barbara Hershey)?
The hounds of Hell are kicking around everywhere. This time, in Greta’s apartment. Or at least she sees it, anyways. Exciting to see Weigert in this role. She is an amazing talent who often ends up with less than stellar supporting roles, aside from her excellent turn on Deadwood. Her nun character will slowly converge with the life of Damien.
Speaking of the Antichrist, he’s busy highlighting Bible quotes, searching out pictures that he’s taken and relating them to those passages describing his destiny, supposedly. In between all that his memories keep flashing: “It‘s all for you, Damien.” His photography partner Amani Golkar (Omid Abtahi) chastises him for not going to Kelly’s funeral; Damien blames himself for what happened, but Amani reassures him it isn’t, and there is a need for closure.
A clandestine meeting in a church vaguely discusses the Antichrist, confirming he’s there in the city of New York. The ceremonial dagger from the first episode, one of the “seven daggers of Megiddo” (more original The Omen references), and the task is set: “Strike where the heart should be,” says the priest to the mysterious man on the other side of the confessional. At the same time, the priest dies out of nowhere, sudden and violent. Evil lurks; everywhere.
At Kelly’s funeral, Damien spies the mysterious confessional booth man. More than that, he flashes back to memories of his childhood, the fit before going into a church. Everything is coming loose inside Damien now, he’ll soon begin to figure it all out. Inside the church walls his skin sweats profusely, the sight of the stained glass makes him short of breath. More and more, clips of the original film make their way in, showing us those old memories curling up around his brain, taking hold once more. A ways behind him, Ann sits watching in pleasure, as he struggles not to explode from the evil bursting inside. Fun to see a grown man going through this, as opposed to a child. He doesn’t understand it, but there’s more crisis as an adult, not understanding what’s happening. Very creepy.
Amani (re: Damien): “It‘s like weird stuff happens all the time, but never a scratch.”
Struggling in the city, Damien wants out. He asks Paula Sciarra (Sandrine Holt) if there are any jobs happening. She replies by handing over a massive cheque, made out by none other than Ann, who’s buying up all sorts of his photographs. Worst of all, though, Paula’s letting her two photographers go. Surely this won’t sit well with Damien, after all that’s been going on.
A conversation between Damien and a priest shows the former is already lacking faith. Being a war photographer, he’s seen some shit. Now, he’s discovering his fate as the Antichrist, and this undoubtedly shakes his faith further. He challenges the priest’s notion of faith in the face of atrocities such as “rape being used as a political weapon“, going off a bit hard in front of everyone at the reception: “I‘m sorry, father, that‘s not good enough. It‘s a cruel joke. And if God‘s the one telling it then he‘s a sadistic prick.”
Again, I love that Damien is a war photographer who sees the worst of humanity. His faith is challenged as it is, let alone being the son of Satan. This character detail of traveling to war torn areas aids the overall story and his development.
Then, while taking some photos, and followed by the mysterious confessional assassin, Damien is confronted by an odd homeless man who prophecies: “The darkness is coming.” He continues to see strange figures in the streets, including a little girl with a sewn up eye who writes 666 on the fog in her window, as Damien stares up at her terrified. Such an unnerving moment. Then out of the shadows comes the assassin. He swipes at Damien, but misses. Luckily the hounds of Hell are there to help. A cabbie gets run from the road after one appears from nowhere. The car his the assassin, killing him, and saving Damien. And the dagger slips into the sewer of New York City.
In Kelly’s notebook, her sister Simone (Megalyn E.K.) and Amani discover notes on Damien, Megiddo, the Apocalypse, and more. Scary find for them, as it looks almost like the ramblings of a madwoman. But they’ll soon find out.
So now the cops are poking around Damien, his involvement with the dead confessional assassin. The police are slightly suspicious about the couple accidents he’s been near lately. If they only knew. For now, Ann to the rescue; she poses as his attorney to get him out of there. Damien is just as surprised as the cop. Ann wants to know more about the knife, which Damien calls an “artifact“, and she reveals: “I‘ve been watching you.” She further promises all the answers “in time“, if he can be that patient. And then she drops the bombshell of his adoption in Rome, plus his true identity, or at least part of it.
Ann: “You want answers? Come with me”
The cops discover a tattoo on the dead man. It signifies an old organization, a sort of cult. Ahhh, intrigue!
With Damien in tow, Ann divulges her worry for him. She also has a dagger of Megiddo, which she shows him to verify whether the assassin had one. Further, we get more flashbacks to the original film, as Gregory Peck tries to kill the Antichrist boy. Those memories seep into Damien, too. He remembers now. Everything slowly comes back with time. Leading him downstairs, Ann reveals the artifacts of his childhood – a red tricycle, the one used to send mommy on her fateful fall, among other items. A shrine to the Antichrist. “Welcome home, Damien,” says Ann in a final eerie line.
Excited for more. This episode brought things together better and built well off the first. Next up is “The Deliverer”, so stay tuned with me until next week, fellow fans!
Season 1, Episode 1: “The Beast Rises”
Directed by Shekhar Kapur
Written by Glen Mazzara
* For a review of the following episode, “Second Death” – click here
A new series from former The Walking Dead showrunner Glen Mazzara begins! No doubt it was a long time coming, after all the revival series talk lately and films being turned into tv shows all around us. Mazzara does his best to transfer The Omen in all its horror glory onto the small screen, which is no easy task. Let’s see how he does.
The premiere starts out with Damien Thorn (Bradley James) heading inside an old church, moving towards the large crucifix on the altar. Candles blow out, either by wind or by him. “What do you want from me?” he asks Jesus on the cross – “What‘d I ever do to you?” A nice opener, with Damien tossing rosary beads at Christ.
Flash to three days earlier in Damascus. Damien is a photographer working in Syria currently, alongside his friend Amani Golkar (Omid Abtahi). Taking shots among the crowd, Damien witneses an armed patrol come rush out apparent illegals, who are really suspected of harbouring terrorists. He too is pushed out of the way. Then he runs into Kelly Baptiste (Tiffany Hines) also in the area. They end up having to get clear once things start to go haywire. When Damien tries to help a few people in the street, an old woman he saw earlier grabs him and recounts those oh-so-infamous words: “Damien, I love you – it‘s all for you.” We get actual flashes back to the Gregory Peck-starring classic, as the young caretaker hangs herself for little Damien. Now they’re like his flashbacks, running through his head.
This event is the catalyst for Mazzara’s series. It’s as if Damien is determined now after briefly viewing his own past, moments lost to him over the years.
Amani and Damien end up separated from Kelly, unfortunately they further end up in the hands of the authorities. Back in New York, they find themselves “banned from Syria”, which is wild. And Damien is now hooked on discovering those secrets of his past. He calls Kelly, who heard and saw what happened with the old woman. Problem is Kelly has a sore spot with Damien re: their past relationship. I like how the concept is that Damien’s forgotten or repressed his heritage, whatever the case may be, now those bits and pieces are starting to slip through the cracks. And he’s got a life, a whole existence aside from that. This being Antichrist thing sure will cramp those things. Crush them, maybe.
Damien goes to see an old buddy, likely from military academy (if that’s canon here), named Cray Marquand (Cody Ray Thompson) – he works for the International Monetary Fund, head in fact, so the old buddies Damien has kicking around certainly have high connections; or they’re at the top of the food chain.
Even further, up pops Ann Rutledge (eternally talented babe Barbara Hershey). She knows all about Damien. “The past is like a noose around our necks,” Ann says eerily: “Wouldn‘t you say?” She describes herself as in the “protection business“, whose job description is looking after “special interests” and such. Ominous, dare I say?
When Kelly meets up with Damien, she reveals the old woman in Syria spoke to him in Latin about a “beloved son” and a connection to John the Baptist/a voice from the sky. There’s a further connection to Christ, his supposed 30th birthday. Damien reveals “visions” that are essentially repressed memories, that they’re coming back to him; the party at his house where the nanny committed suicide, again. The words of the nanny echoed through time to set Damien on a course to discover his true self again.
Damien and Amani go about trying to find pictures of the old woman, though, the latter does not know the extent of why his boss/friend is so keen on finding her. Kelly comes to help later. She and Damien go see a professor in relation to Damien, his father, who sought out a “biblical scholar” and the professor tells him of Mr. Thorn’s obsession with finding out about Satan, and so on. Lots of “end of days” type stuff from the aging professor, which Damien doesn’t exactly buy it. “The devil has many names,” says the professor. The number 666 comes up and makes Damien look terribly uneasy. So what about the birthmark? Does he have it, or did it disappear like so many of ours?
Great atmosphere and mood so far. The tone of the show isn’t all the dark yet, but there’s a foreboding aspect, with shadowy cinematography, and a wonderfully creepy score so far. Watching the priest in his home attacked by the dogs is a brutal moment, which builds up perfectly with the score behind it. A little dose of blood, too. Dig it.
A call to Kelly informs her and Damien of what happened to the priest. Now Damien’s worries deepen. He casts her out, fairly emotionless. Their relationship is rocky as is, now he makes it worse. But perhaps it’s because of his lingering emotions, he may not want to bring anything worse on her. Especially if all this Antichrist business is true. Unfortunately, Damien doesn’t realize how damn true just yet.
When Kelly gets her car stuck, strange things begin happening. A river of mud starts to suck her into the earth, car and all. A pit of quicksand forms in the mud and the message is clear, as Damien tries to save her: she isn’t safe anywhere. The pit sucks her under, or something in it does, anyways. Cut to the daytime, as Kelly’s body is dragged from the mud. Her sister Simone (Megalyn E.K.) rushes to the scene where she at first gets mad with Damien, an already negative presence in her mind. Then they begin to bond a little. “She’s in a better place,” Simone says to Damien: “This can‘t be all we have. I really need to believe that right now. Death isn‘t the end.” All to the man who may have recently discovered his claim to the title Antichrist. Yikes.
In the meantime, in the world of the Holy Scripture there are forces gathering in preparing for the Antichrist. Word of Damien being in Damascus has spread, as well as the fact the priest who recently died had met with Damien. More callbacks to the original film here; daggers and such.
Cut to Damien stumbling into the church from our opening. He looks haggard, worn out, sickly even. He kneels before the altar and the statue of Christ crucified. And then, as if screaming out too much, the statue crumbles. The head of Christ lays at Damien’s feet. Too much, Mazzara? Plus, more flashbacks directly to the original film; edited in clips. Not digging that aspect, I must say.
Outside the church, Damien encounters the old Syrian woman. She grabs a handful of hair from his head. Will this reveal the birthmark? Yes?
Too much calling back to the original here, as Damien looks at old pictures of his – the old woman from Syria is glaringly obvious in many of them, looking sinister in windows and huts and street corners behind even old family photos of Mr. Thorn and the family.
I love that the birthmark is there and all. But how’d he not notice it for so long? Too many questions. How did he NEVER see that creepy old woman in the photo? Sure, it might just seem out of place before and now it’s relevant, but still – this entire finale reeks of being jammed in, as if they wanted Mazzara to give more connection with the first movie. Not digging that one bit.
I’ll give the series more than just its premiere before judging too heavily. There were bits I really liked, then others that were forced, contrived, and too conveniently placed in there to be organic. Hopefully it gets better with the second episode “Second Death” – show me what you’re made of Mazzara! Build on this one.