NBC’s Aquarius
Season 2, Episode 13: “I Will”
Directed by Jonas Pate
Written by Mike Moore

* For a review of the penultimate Season 2 episode, “Mother Nature’s Son” – click here
Season 2 finale, we’re here! I hope there’ll be more. Although because of NBC not treating the show with proper respect it deserves I’m not holding my breath on Season 3.
This possible series finale begins on August 7th of ’69 in the early morning hours. Former detective Sam Hodiak (David Duchovny) is start off retirement by trying to track the killer of women who recently rang him up at home. Sam heard a fire engine going, so he tries to track down any calls in that area to narrow things down. Alongside is Officer Charmain Tully (Claire Holt) doing her best to help. He soon comes up with where he believes the perp to be, the neighbourhood he seems to remember from some time ago. He follows the man into a diner; his name is Gerald Dunn, they shake hands. Sam begins an uneasy conversation with Dunn. Neither willing to openly say anything about why they’re there. Except Hodiak makes clear he’s eager for retirement: “Kinda looking forward to doing whatever I want. To whoever I want. Ill see youround, Gerald.”
Ken Karn (Brian F. O’Byrne) has the money from his wife, and I assume Hal Banyin (Spencer Garrett), as well. He’s brought some for Charlie Manson (Gethin Anthony). Brought a bit of lovin’, too. Yowzahs. Doesn’t help him or his daughter being involved with Mr. Manson. Especially after he starts hearing more about Charlie’s “Helter Skelter” prophecy.
Over at the precinct, Ed Cutler (Chance Kelly) isn’t happy about Charmain or Detective Brian Shafe (Grey Damon) doing their respective things. He’s funny, though, and that’s all right. Poor junkie Shafe is suffering through his addiction AND not having his wife Kristin (Milauna Jackson) around anymore.
For the time being, Sam enjoys a little respite from murders, dead women and such. He and Billie (Olivia Taylor Dudley) have a bit of breakfast. She isn’t too thrilled about his addiction to chasing down suspects. I guess she’s right about him, and at the same time he only wants to do good. Speaking of which, he’s got Dt. Shafe knocking on Mr. Dunn’s door, hauling him down to the station while Sam Goes for a look inside the house.
And what does he find? A secret, nasty little dark room. Photographs everywhere. At the station, Gerald prints #1 DETECTIVE and SAMSON BENEDICT HODIAK, over and over on a pad of paper. Oh, he is a creepy man.

With everything going on, Grace Karn (Michaela McManus) is trying to keep her head straight. She finally reveals to her political lady friend the truth about her daughter Emma (Emma Dumont). Where’s Emma, exactly? Heading out on a “creepy crawly” and trying to calm her father down. He’s worried for his daughter. His sad, brainwashed, pregnant daughter. Charlie’s sending Tex (Cameron Deane Stewart) off on a mission. To do some terrifying things; painting the walls with blood, using knives. It’s August 8th, after all. Soon enough, Sharon Tate, among others, will be bleeding to death tragically. Because Charlie’s reading to “make history.”
Meanwhile, Shafe has to let Gerald go. He and Hodiak know this is the killer, but alas – the law. Charmain helps the fellas figure out an important piece to Gerald’s story; he was married to a pin-up girl who wound up dead, just like the women he murders and poses.
Out on their mission, Tex, Sadie (Ambyr Childers) and the others start Helter Skelter into motion, as Tex murders a man in his car up the driveway to their destination.
Hodiak finds pictures of him in the developed rolls of Gerald. He then rushes to a crime scene where Billie lies murdered viciously. Now, we see where this is all leading.
Charlie rambles on to Ken about his race war plan and hiding beneath the Grand Canyon, as his “children” head inside the Tate house. Tex continues his murderous rampage: “Im the devil, and Im here to do the devils business,” he eerily explains to one of his victims. Watching on, the pregnant Emma is horrified by what comes next. One by one, people are dispatched violently.


At home, Gerald is gathering up some things. Problem is that Sam Hodiak has come to pay him a visit, gun in hand. Seems that Billie got a vicious beating, no typical M.O. from Dunn. And so Sam starts in on the guy: “Im gonna hurt you, Gerald. Im gonna hurt you until you tell me everything.” The whole thing comes down to Dunn being put in jail by Sam, not being there to protect his wife when she was killed. But Gerald taunts, wanting to get shot. Shafe turns up to convince Sam otherwise. We discover the dead woman was in fact Billie’s sister; still awful. At least she wasn’t also brutally killed.
The Tate house is being absolutely torn apart. Tex puts a knife in Emma’s hand and commands her to go finish off anybody that’s left. She only warns a man staying in the guest house not to come outside, or make a peep. The Manson Family starts to leave, as Emma witnesses the last of the killings take place, a horrified look in her eyes. Once it’s all over they write “something witchy” on the wall for their master. Simultaneously, Ken and Charlie have an intense confrontation leading to Karn’s death.
When everyone shows up again, Manson flips because none of his little plans turned out appropriately. No witchy words other than PIG, knives left behind. He throws a tantrum, deciding he and Emma are headed back to the Tate house.
So does Sam kill Gerald?
Mans a sick animal,” Hodiak explains to Billie, as she pleads for him not to shoot Dunn. It takes every ounce of will power in him not to, but Sam doesn’t shoot after all. He relinquishes the gun and hugs Billie with all his strength.
Over at the crime scene, Charlie orders Emma to get things done. They fix the place up a bit to his liking, although it’s still an absolutely horrific thing to see. For a second time, Emma leaves the house, nearly 6 in the morning on August 9th. Tex clears Ken’s body out back at Spahn Ranch. Everything’s in (dis)order.
At the station, everybody hears about the murder concerning Sharon Tate and her friends. Big time news, as Cutler takes the call. He even opts to tell Hodiak “you just unquit.” Things are about to get serious for the whole of Los Angeles. The Hollywood Divison station is gone mad.
Over at the Tate house, Shafe is covered in blood and holding the medallion Emma left behind. You know, the one Sam gave to Emma awhile back. Ah, the deeper connection for Hidoak to this case has come out.
What a fucking fantastic episode! Gruesome, intense, gritty. All sorts of aspects that makes this series excellent. Again, I can only hope they’ll renew the show. If not, we’re left with a lot of interesting things that could have and SHOULD HAVE been.
Please, NBC: do the right thing. At least give them a Season 3 to clue up on a proper note. I want to see Hodiak on the hot trail looking for the Manson Family, all the while junkie Shafe trying to piece together his life and do his job, PLUS WE NEED MORE CHARMAIN TULLY! Please and thank you.


I'm a Bachelor of Arts (Hons.) graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, I've also spent an extensive time studying post-modern critical theory and have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. My thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm also a writer and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production in early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. Contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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