FOX’s The Exorcist
Season 1, Episode 3: “Let ‘Em In”
Directed by Michael Nankin
Written by Dre Ryan

* For a review of Chapter Two, “Lupus in Fabula” – click here
* For a review of Chapter Four, “The Moveable Feast” – click here
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Five months before current events, Kat Rance (Brianne Howey) and her friend Julia (Charlotte Thomas) are driving together, talking about men. Until the conversation takes a turn to the fact Julia seems to be in love with her. Kat’s in love right back. Ah, the intrigue pours out now. After the crash, it wasn’t just the loss of a friend. It was the loss of a great, beautiful love between the two. Even more tragic. No wonder she was utterly devastated. Bad enough to have a friend die, which I’ve experienced, but to then have been in love with said friend, a likely secretive lesbian love, it’s so damn sad.
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Angela Rance (Geena Davis) hears a zealot ranting on the streets. He locks eyes with her, almost falling to the ground. Fucking weird, and definitely unsettles her. She receives Father Bennett (Kurt Egyiawan) at the same time, who’s likewise entranced by the ravings of the man on the street. Except maybe even more.
At one of the crime scenes from the end of the last episode, Father Marcus Keane (Ben Daniels) tries getting a bit of information from some men outside. They say someone took the victim’s eyes out.
Over at the church, Father Tomas Ortega (Alfonso Herrera) speaks with Henry Rance (Alan Ruck). We discover that he had an accident at work, some scaffolding hit him in the head and that’s why he’s been so aloof. But still, he’s worried for his daughter Casey (Hannah Kasulka). No worries, though. Father Keane and his street corncob are on the case!
Speaking of Casey, she’s talking to that dreaded Salesman (Robert Emmet Lunney). He keeps showing up when nobody’s around, as we now know he’s a mere apparition of her mind; I would assume of the devil. In the meantime, Father Marcus is looking around Casey’s room, getting a feel for her personality.

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During a fancy dinner, Cardinal Guillot (Torrey Hanson) is being applauded for his efforts in planning the Pope’s motorcade. There’s discussion of the Pope going through some of the poorer neighbourhoods. Of course the Holy See team aren’t exactly excited about that, although Father Tomas gets to have his say, hoping to extract the idea of “violence” out of a discussion on the poor. He further speaks about how they have much to offer in that “spiritually they are rich.” Everything’s interrupted when that crazy street zealot turns up, burning alive outside. What a fright.
Casey sits with Father Tomas and Father Marcus in the back of the church. When the younger priest gets a bit far ahead of himself, the older, more experienced exorcist steps in to ask questions. He ingratiates himself with Casey, talking about the things he’s learned of her at the Rance house. He refers to things in terms of gardening, plants and their nature. This is all a segue into prodding at the demon inside Casey. When pushed sufficiently, the Salesman turns up behind her, looming. He whispers instructions in her ear. “He doesnt lie,” she tells Father Marcus. The Salesman pleads with the girl to get out. The room then starts to shake, lights flicker, a picture falls from the wall and smashes. Finally, the presence in her comes out, strong and in control. It talks of Gabriel, the boy Father Marcus had tried to exorcise before his neck was cracked. “The universe burst open. The eye of God dilated wide and you were at the centre of his disinterest,” speaks the demon. It knows quite a bit, which horrifies Father Tomas.
Bringing their recording to Bishop Egan (Brad Armacost) and Father Bennett, the two rogue priests aren’t received too well. Father Marcus pleads that she spoke in “Aramaic” and is obviously possessed. Also, Bennett has brought along with him a letter of excommunication for Marcus. He’s naturally pissed, particularly considering he now knows the demons talk to one another, that they are “sharing information” like spies. But out he goes, kicked to the curb.

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Everyone is getting ready for a memorial to Julia, a dance performance by their company. While in the bathroom, Casey finds herself being manipulated by the Salesman, the demon in her. It pushes the curling iron against her skin, to the point she eventually begins to look to love it. Very eerie. And if you notice, she… goes lower than you might expect. Yes, that old crucifix scene has become something far more nasty and sinister.
With Marcus now booted from the church, Father Tomas wants to be taught how to exorcise demons. Because without the church, as Marcus says: “Im just a man in a room.” Ultimately, Father Tomas wants to help the Rances, to get that demon out of Casey. Marcus warns against getting too deep, that he ought to gather evidence then put it in the hands of the church. You know Tomas is not going to do that.
Before the memorial all the dancers give their props to Julia, pouring out some whiskey, drinking some. At least until Casey grabs hold of the bottle, as everybody whispers and points, wondering what she’s doing. Then when Kat confronts her she goes a bit wild. The demon’s been provoked by Father Marcus, lashing out at the golden sister. Who knows how bad it will get from here on in.
Father Tomas meets with Maria Walters (Kirsten Fitzgerald), the head of the committee concerning the papal visit. He tells her a story about coming to America for the first time. Afterwards, she gives him a hundred thousand dollars for his parish. She’s rich, coming from a wealthy family that makes sturdy glass. What she truly wants is help to clean up their city.

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Father Marcus, saying fuck excommunication, goes banging on doors, but Father Bennett picks him up, obviously keeping tabs on him. Marcus is worried about those murders, the body parts taken; something to do with summoning a demon. Then Bennett brings up the self-immolation of the street zealot, which was found to have no source other than the body. Hmm.
During the dance performance Casey takes off, her father following. On a train, the two of them talk, though suddenly Henry has a bit of problem and fades out. Some guys get up in Casey’s face, one specifically, and not a soul does anything to help. That’s when the evil starts to break loose, as she sees the Salesman come towards her, no one else the wiser. He kisses her on the lips, passionately. The final embrace.
And so Casey kicks the shit out of the guy. A bit… unnaturally. She starts to send men flying around the train car. The iPhones trying to film all zap out. Casey tears the skin right from the one guy’s bones: “If you want it rough, all you had to do was ask.” She further reaches into his jaw and cracks it sideways. Covered in blood, she stands wobbling. After that she goes full Regan and pisses herself on the floor. Wow.

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This was the BEST EPISODE YET! Amazing. Lots of terror, more interesting bits of character. And lots of Ben Daniels being a fucking bad ass. Love how the demonic possession is framed, using The Salesman, as a seduction. Interesting and unique.
Next is “The Moveable Feast” – nice Ernest Hemingway reference for the literature lovers.

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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