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The Exorcist – Season 1, Chapter Seven: “Father of Lies”

FOX’s The Exorcist
Season 1, Episode 7: “Father of Lies”
Directed by Tinge Krishnan
Written by Charise Castro Smith

* For a review of Chapter Six, “Star of the Morning” – click here
* For a review of Chapter Eight, “The Griefbearers” – click here
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Possession has gripped Chicago.
At a Roman Catholic Church service, Angela and Henry Rance (Geena Davis & Alan Ruck), their daughter Kat (Brianne Howey), many people are gathered. Father Tomas Ortega (Alfonso Herrera) is leading everyone, praying for Casey Rance’s (Hannah Kasulka) safe return to her family.
Nine days prior, Father Tomas rushes Father Marcus Keane (Ben Daniels) and a horrifically unwell Casey to see Mother Bernadette (Deanna Dunagan). The girl is obviously close to being “integrated” with the demon inside her. All the same, it looks like Fathers Marcus and Tomas are on the same page. Right now they have to keep Pazuzu at bay. He wants revenge.
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The media circus surrounding the Rance family and grandma Chris MacNeil (Sharon Gless). Sounds as if Chris is taking her role in the family more seriously, regretting the past and what she did to their family using Regan’s plight for financial gain.
Bernadette worries if they can’t beat the demon they’ll be unleashing an “ancient violence into the world.” For his part, Marcus has more faith than anybody. Ironic, no? The man who’s been excommunicated wants to fight the forces against God the most.
With the creepiness going on in the upper echelons involving Maria Walters (Kirsten Fitzgerald), the police superintendent, the priest with whom Father Tomas meets, there’s no telling what might happen next. One thing is made perfectly clear: Marcus is an enemy of the Church. That means many things at the moment.
The Rances and Chris give an interview concerning Casey. Naturally, the past tries to emerge. Right away things go sour. The interviewer goes hard at them until Angela and Henry walk out. Instead of solely trying to find the girl, the media wants to dig up dirt first. Typical of certain news outlets. At the same time Casey’s being exorcised, or at least the trio of exorcists – Tomas, Marcus, and Bernadette – try doing the job. Tomas walks away with a bite, and Pazuzu smiles from inside Casey; almost loving the exorcism. So damn creepy. Moreover, Marcus feels responsible now for Casey, after the end of last episode when he nearly expelled the demon for good.
Outside of the Rance house people are holding up signs, some hateful Westboro Baptist Church-like and other more Gothic. A woman confronts Angela about Casey having killed her husband in the ambulance, calling her daughter “demon girl.” Henry quickly rushes his wife back inside.

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Father Bennett (Kurt Egyiawan) has to deal with all those crooked weirdos, including one of the ring leaders Brother Simon (Francis Guinan). He’s come up with a bit of dirt on the finances of those involved with the Papal Planning Committee. Oh, this is all too ominous! I’m worried for Bennett. I like him a lot, and worry his time is drawing to a close. Hopefully he proves me wrong. Seeing all those kooks around him is chilling.
At the house, Chris mentions to Father Tomas he reminds her of one of the priests who helped Regan; she’s talking about Father Damien Karras. Well, Tomas does his best in comforting Angela and her family. He has “faith,” but Angela particularly isn’t convinced. Having a demon come back for her four decades after the first possession, now for her daughter? I’d probably not be too hopeful about God, either. Meanwhile, Casey’s body is withering. And that nasty bastard Pazuzu, he’s hiding. There are literal maggots eating the girl alive, worming through her flesh. If they can’t draw Pazuzu out, they can’t finish the exorcism. If they can’t finish the exorcism, the girl dies. Even worse Bernadette feels that the case is a lost cause, and that perhaps Marcus holding on so dearly, fighting so hard might no longer be about her; is he fighting because of his own past, or does he still genuinely believe? I’m inclined to say the latter.
Angela and her mother talk seriously for the first time in a long while. Chris tells her daughter she’s a good mother. Even the girl formerly known as Regan admits that growing up in the lap of celebrity wasn’t always so bad. Further than that, she understands now how hard it had to be for Chris to watch her be possessed, virtually helpless.
Back with Casey, Father Marcus tries using love to cast out the “Star of the Morning” (but isn’t the demon itself Pazuzu from when it possessed Regan? Little confused on that one now) and make it understand it is forgiven. The girl comes to a moment, crying: “No more.”


The ever diligent Father Bennett finds himself in a precarious position, snooping around looking for clues. He locates the burned ashes of the organs used in the Ceremony of Ash, Vocare Pulvere. He’s also being watched, by one of the possessed homeless men. When he comes across a room full of dead, bloodied corpses, some of the possessed men attack. He manages to fend them off, then starts killing demons like a bad motherfucker. YES! YES! This must continue. We need more Bennett in our lives.
Tomas is slipping further from the faith, as he’s in bed with Jessica (Mouzam Makkar) and shirking those vows he took; not that I agree with his vows, but still. Although it’s not exactly as if he’s easily doing it, the whole situation evidently weighs heavy on his soul. She can tell. We can tell. He winds up going out to try getting something for his bite and gets punched in the face by a pharmacy customer. Maria bails him out. That ain’t good. She acts as a shoulder to cry on. But maybe, after being passed over for demonic possession, she’ll have a change of heart? Yeah, right.
Things at the Rance house are rough. Angela’s breaking down. She asks to have Father Tomas come over, her mind is frantic, her speech, too. She believes that Casey’s dead. “Part of me is gone,” she tells Tomas, her husband, Kat, Chris, each of them watching with a deep sadness in their eyes.


Marcus is about to administer a cup of belladonna tea to Casey when he realises “This is his design; I will not interfere.” He won’t give up on her. His faith is so pure that there’s no stopping him. And likewise, Angela isn’t giving up. Tomas brings her in and from the moment Pazuzu senses her, he comes alive once more. He is drawn out.
A sow,” the demon says looking at the woman he once knew as Regan. It is time for a brutal battle between the one who got away and that ancient evil, Pazuzu.


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What a fascinating and well-written episode! Another of my favourites, I think. There is so much depth to these characters, I can’t even imagine where to begin on that. Also, side note: the score is fucking incredible, that piano riff we hear that plays off the intro song. I mean, I honestly feel this series surprised me, many of us. It is leagues better than I ever hoped.
Let’s get geared up for Chapter Eight “The Griefbearers” next week. And how will the showdown between the demon and Regan MacNeil go? I wonder.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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